Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

***Just a note to my subscribers that I have now ponied up for the “Premium” plan so you won’t have to wade through those annoying ads placed into my posts.

October 6-7, 2019

Since we were coming from the South Dakota Badlands, Ryan Marshik and I headed towards the Yellowstone East Entrance. The country between Cody, Wyoming and the park is stellar, and as we got closer, we started thinking, “Hey, we might even have some shooting light by the time we get into Yellowstone!”

But even before we got to the park, we had our first bear sighting. It was a Grizzly crossing the Northfork Shoshone River. We managed a few snaps but it was soon into the brush…but on our side of the river. So we decided to pull over in a locked entrance to a campground. And we didn’t have to wait long! The Grizzly was working its way towards us…and completely ignoring the two Minnesota guys laying on the ground pointing big barrel-shaped things toward it. Within a minute the bear was too close for comfort and we retreated to the vehicle.

But then a large patch of Wild Rose hips caught her attention. And she began delicately plucking the ripe fruit only 20 yards from us. It was dusk and we kept cranking our ISO up. I ended up at my max for my old Canon 7D…ISO 6400. Some noise in the photos, but I’d MUCH rather have a sharp and grainy/noisy photos of a Grizzly than a blurry noise-free shot!

These images took quite a bit of working in Lightroom to get to the images below.

Eventually she sauntered within 2 feet of our SUV. A really neat encounter. Made better by the fact that we didn’t have to share it with the typical Yellowstone “shooting gallery.”

Due to our wonderful “bear delay,” we didn’t get inside the park until sunset. But Ryan spotted this perched Red-tailed Hawk which made for a neat silhouette.

We camped in the Madison Campground, and headed out in the early morning, excited to see the Hayden Valley again. The last seven years had been spring trips, and almost every time the road through the valley had still not been opened up by the time we arrived.

And we found this cooperative Raven. In all likelihood, it is probably the same begging Common Raven that I photographed here years ago. It is such a treat to be able to get close to these birds since in Minnesota they are so spooky that you can’t even touch the brake pedal and they are gone.

Video of the Raven’s backlit breath while calling was my goal, but I also tried some stills. Like Ryan said, it would have been better if the slight breeze hadn’t been blowing their breath behind them. Interestingly, the biggest puff of breath didn’t come until their beak was already half closed again…and not when it was fully open.

I intentionally darkened this image, and increased contrast, in Lightroom to make it a more dramatic photo.

We were photographing the Coyote below when Ryan spotted this distant Grizzly. We knew we were somewhere near a carcass by the small Raven congregation and 3 Coyotes milling around. We had walked out into this meadow near Canyon to check it out. We later learned that it was a carcass that had been picked over, and this Grizz was probably checking on it…Just in case.

Day 2-3 in Yellowstone coming soon

More and more I enjoy wildlife photos that show the critter in its landscape. Portrait photos can be stunning but they often don’t tell you anything about the environment that the animal lives in…or even what the animal is doing.

Bison and “bobby sock trees” (Yellowstone National Park, Wyoming) April 2018

I like the low saturation and placement of the Bison in relation to the “bobby sock” trees (white “socks” from exposure to the mineral rich waters in the geyser basin).

[Canon 7D with Canon EF 50mm f1.8 STM lens; 1/4000 second at f.8; ISO 160; hand-held]

Great Gray Owl sunrise (near Two Harbors, Minnesota) March 2018

It is sometimes hard to remember to “think wider” when taking wildlife photos. Our inclination is to put on our longest telephoto lens and get a tightly-cropped portrait. But sometimes wider is better. Great Gray Owls are often scanning the skies for any sign of enemies. They seem not to care for Ravens and Bald Eagles in particular. Not sure if this one actually saw something up in the sky.

[Canon 7D with Canon EF 70-200mm f5.6 L USM lens at 70mm; 1/1250 second at f.8; -1.33 ev; ISO 100; tripod]

Early-returning Great Blue Heron (Sax-Zim Bog, Minnesota) April 16, 2018

The snowpack lasted a VERY long time last winter. My kids had to wear snowpants to school for a complete SIX MONTHS! (October 26 to April 24 or so). So this Great Blue Heron returned at its normal time, but was greeted with lots of snow and little open water. But it only takes a little patch of running water and some fish to make a living for this hardy heron. I have video of this guy catching fish from this open patch.

[Canon 7D with Sigma 50-500mm lens at 167mm; 1/320 second at f.7.1; ISO 100; +0.66 ev; hand-held]

Meadowhawk and Big Bluestem (Glacial Ridge National Wildlife Refuge, Minnesota) August 2018

I like the pinks, purples and reds in this photo. I also like the placement of the Meadowhawk in the top right part of the frame…atop a gracefully curving stem of Big Bluestem grass.

[Canon 7D with Canon EF 70-200mm f5.6 L USM lens at 200mm; 1/640 second at f4; ISO 100; hand-held]

Red-tailed Hawk in snowfall (Sax-Zim Bog, Minnesota) April 2018

This was totally just a “grab-and-go” photo during a spring snow squall in the Sax-Zim Bog last April. It is not razor sharp but I think it works as a very “painterly” abstract photo. I like the blurred purple-red colors of the out-of-focus willows.

[Canon 7D with Sigma 50-500mm lens at 450mm; 1/160 second at f.6.3; ISO 800; +1 ev; hand-held]

Sandhill Crane in wildflower meadow (Pine County, Minnesota) June 2018

Pretty bird in pretty flowers…’nuf said?

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/3200 second at f.5.6; ISO 640; hand-held from car]

Snowy Owl on fence line (Glacial Ridge National Wildlife Refuge, Minnesota) March 2018

Yes, there is an owl in this photo…Way out on the fence line. I think this photo would look really cool printed very large. A true “animal in the landscape” photo.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f.9; ISO 100; tripod]

Snowy Owl on hay bale (Sax-Zim Bog, Minnesota) December 2018

Interesting juxtaposition…an arctic bird in a rural farm landscape. But this is where they are at home in the winter. These large farm hayfields hold large number of voles…and they mimic their summer tundra home. The haybale becomes just another hummock on the tundra.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 91mm; 1/320 second at f.7.1; ISO 1250; hand-held]

Trumpeter Swans and tree reflections (Yellowstone National Park, Wyoming) April 2018

It certainly is a strange photo. Normally I would never really love a photo where I am looking down on my subject, but I like the reflection of the dead pines in the water and that both swans are looking back towards the center of the frame.

[Canon 7D with Canon EF 50mm f1.8 STM lens; 1/2500 second at f.8; ISO 200; hand-held]

Can you see me? Bittern (Sax-Zim Bog, Minnesota) May 2018

American Bitterns are masters of camouflage…when they are in a brown landscape with vertical cattails, as in the photo above. They stretch out their neck allowing their vertical breast stripes to blend in with the cattails. But this camouflage doesn’t work so well when they are in the middle of a dirt road…but they stick with their technique despite the absurdity of it.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/200 second at f.5.6; ISO 400; hand-held]

Tundra Swan congregation (Upper Mississippi River National Wildlife Refuge, Brownsville, Minnesota) November 2018

xx

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/160 second at f.8; ISO 100; tripod]

I am bored of “bird on stick” photos…but I still take them. Every year I strive to get more creative with my wildlife photography. It’s often not easy to do….or at least not easy to remember to do something different. Get the portrait, but then think about how else you can shoot the subject…silhouette? slow shutter? animal-in-landscape? Of course, you can also get creative in “post” and do some interesting crops, or possibly convert an image to black and white. Have fun and play around!

Kingbird sunset silhouette (Felton Prairie, Clay County, Minnesota) August 16, 2018

Smoke from Canadian forest fires made much of the day a hazy mess…making photography difficult. But as the sun set it turned into a fiery ball in the west. Now if I could find a subject to silhouette! Fortunately an Eastern Kingbird landed in a roadside bush. Not the most interesting pose to silhouette, but I love the contrast between the deep blue twilight sky and orange fireball sun.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Wild Horse (feral) in Teddy Roosevelt National Park (North Dakota) April 30, 2018

A creative crop of a very curious wild horse (feral horse). I love their wild, human-like hair and big expressive eyes.

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/320 at f2; ISO 250; hand-held]

Trumpeter Swans (Yellowstone National Park, Wyoming) April 30, 2018

A black-and-white conversion that works well with these white subjects. Trumpeters are very curious and will sometimes swim towards you…A very nice behavior for photographers!

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/1250 at f2; ISO 200; hand-held]

Red-winged Blackbird sunrise (Tobin-Kimmes Wetlands, Douglas County, Wisconsin) May 12, 2018

I was looking for a different photo on this spring morning, but you always have to be open to other opportunities. The catkin-laced branches of this willow add to the image, as does the singing and displaying male Red-winged Blackbird.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f11; ISO 100; hand-held]

Sandhill Cranes and full moon (Crex Meadows Wildlife Refuge, Grantsburg, Wisconsin) October 22, 2018

Sandhill Cranes were streaming in to their nighttime watery roost at Crex Meadows as the nearly-full moon was rising. Many photographers had come to try and get crane-moon photos. This was my favorite as the cranes are very sharp and the sky had a tinge of purple.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/400 at f5.6; ISO 400; -1.0ev; tripod]

Tundra Swans (Upper Mississippi NWR, Brownsville, Minnesota) November 17, 2018

I wanted to see what would happen with a very long exposure (13 seconds on a tripod) as some Tundra Swans were still and some were still swimming around. I got this interesting photo of sharp sleeping swans and long white streaks showing the 13-second path of the swimming swans.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 13 seconds at f20; ISO 100; +1.66 ev; tripod]

Three displaying  Wild Turkey toms (Carlton County, Minnesota) May 29, 2018

It was a blah morning with gray skies when I ran across three tom Turkeys displaying on a dirt road. I positioned myself so I could silhouette their whole bodies against the sky. I then pushed the white balance slider all the way to the right in Lightroom (warmer=more yellow/orange)…Voila! Instant sunrise sky.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Bison fur detail (Yellowstone National Park, Wyoming) April 28, 2018

Love the texture of Bison hair.

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/640 at f4; ISO 400; hand-held]

High key Sandhill Cranes in frosty field (Yellowstone National Park, Wyoming) April 27, 2018

Some photos you don’t think much about when you take them. But when you see them on your computer at home, some really strike your fancy. I liked both the position of the feeding cranes and the frosty grass. To make it a “high key” photo, I adjusted the white levels in Lightroom until the background became totally clipped (blown out…absolute white).

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/500 at f4; ISO 200; hand-held]

Eastern Bluebird at Nana’s farm (Galesburg, Illinois) March 30, 2018

Just a quirky photo of an Eastern Bluebird and its silhouette on a barn wall.

[Canon 7D with Sigma 50-500mm lens at 373mm; 1/1000 second at f6.3; ISO 1000; -0.66 ev; hand-held]

Mayflies at Midnight (St. Louis River, Fond du Lac Bridge, Duluth, Minnesota) July 12, 2018

Hexagenia Mayflies emerge en masse from large rivers in mid summer. Some years are bigger than others, and 2018 was a big year along the St. Louis River near Duluth. This is a long exposure of thousands of mayflies flying about a street light on the bridge. Their floppy flight makes interesting light patterns during the 1/4 second exposure.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/4 second at f5.6; ISO 400; -1.0ev; hand-held, braced on car door frame]

Wild Turkey feathers up close (Skogstjarna, Carlton County, Minnesota)

Taken out my living room window! Love the iridescence on these stunning creatures.

 

October 22, 2018 (Monday)

**ALL OF THE BELOW PHOTOS ARE SINGLE FRAMES AS TAKEN…I DID NOT “ADD THE MOON IN PHOTOSHOP”

I ran into several photographer friends down in Wisconsin’s Crex Meadows Wildlife Area yesterday. I guess we were all thinking the same thing…Two days before the full moon is a perfect time to try and photograph Sandhill Cranes in front of a massive moon.

Lauren the naturalist gave me three locations to try for the dusk fly-in of the Sandhill Cranes. One was my “usual spot” along the Main Dike Road. I didn’t want to risk a new spot today so I stuck with my normal spot.

I ran into fellow photographer Mike Dec and we decided to shoot from the same spot. The wind was blowing strong out of the northwest, but the temp was in the low 50s. Cold fingers and shaking tripod!

Sandhills by the thousands roost in the wildlife reserve over night. The shallow-water marshes are basically inaccessible to most predators, and there is also safety in numbers. During the day the cranes feed in harvested corn fields outside the refuge and then fly in a bit before sunset. THOUSANDS roost here in the late autumn.

I was shooting slow-motion 180 fps video with the Panasonic GH5 on a tripod while trying to shoot stills with my Canon 7D and Canon 400mm f5.6 lens hand held. Every time a flock was approaching the moon at what seemed the proper trajectory to pass right in front, Mike and I alerted each other.

But focusing on the cranes was a challenge and I missed some shots because of my camera/lenses inability to lock on to a bird.

A memorable evening! Plan on being at Wisconsin’s Crex Meadows next late October.

The moon rose large behind a stand of oaks but there was little contrast between the sky and the moon. But over the next half hour the moon began to pop as the sky turned from blue to twilight purple. This flock of cranes were lit by the last orange rays of the setting sun.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1250 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

 

Before the moon rose at 5:47pm, I took some flight shots with slow shutter speeds. I have so many sharp flight shots that I really don’t need more. Time to get a bit creative! So I slowed the shutter way down to 1/10 of a second at f20; ISO 100. The results are “very artistic” and impressionistic. Not everyone’s cup of tea, but I like it.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/10 second at f20; ISO 100; hand-held; processed in Lightroom CC 2015] (top photo at 1/30 second)

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

This is a single frame extracted from a HD slow motion video. Not the sharpest shot, but still very pleasing in a painterly way.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 70-200mm f4L USM lens at 118mm; 1/100 second at f9; ISO 1000; -1.0 ev; hand-held; processed in Lightroom CC 2015]

A couple “selective focus” shots. Basically impossible to get both the cranes and moon in sharp focus in the same shot (unless the cranes were about 2 miles away) so I tried some photos where I focused on the moon instead of the cranes.

These are single frames extracted from a HD slow motion video.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/320 second at f5.6; ISO 400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above three photos of the roosting Sandhill Cranes were taken well AFTER SUNSET. Long exposures on a tripod. As usual, I was the last car at the spot. You never know what image might present itself after the “main show” is over.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above two photos are probably my favorites from the entire shoot. The top is the uncrossed version, and the bottom is cropped to just 4 cranes. I like that they are very SHARP for being hand-held (way to go “steady Sparky”!). I also really like the even spread of cranes and the position of the legs and wings of the crane silhouetted by the moon. And of course, the purple sky color is a bonus.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

As the moon continued to rise after sunset, the color was washed from the sky. The only option was to catch a flock as they passed right in front of the moon.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/250 second at f7.1; ISO1600;-1.0 ev; hand-held; processed in Lightroom CC 2015]

On my way out of Crex Meadows I saw this sight; three Trumpeter Swans silhouetted by the nearly-full moon’s reflection on a marsh. I took a bunch of handheld shots at ISO 12,800(!!), but should have set up a tripod since most are unusable.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/60 second at f5.6; ISO 12,800; -1.0 ev; hand-held; processed in Lightroom CC 2015]

[August 17 & 18, 2018: I made a quick dash to the prairies of Western Minnesota in mid August. Much of my time is spent in the boreal forest and bogs of northeast Minnesota, and I was starting to get a bit claustrophobic. So off to the wide open prairies! I started at Otter Tail County’s Maplewood State Park, then on to Wilkin County (Town Hall Prairie, Western Prairie, Rothsay WMA) and continued north to the huge Felton Prairie complex in Clay County. The next day I hit Felton area again and headed north to the Glacial Ridge National Wildlife Refuge in Polk County]

Eastern Kingbirds nest in open country that has plenty of perches. They catch insects by ambushing them in flight; they perch and watch for a tasty bug then fly out and nab it. This pair must have nested late since the young were still begging in late August. Mom and dad were busy supplying the hungry duo with insects including this grasshopper.

Eastern Kingbird youngsters being fed a grasshopper [Felton Prairie (Clay County, Minnesota)]

Canon 7D with Canon EF 400mm f5.6 USM lens 1/1600 second at f5.6; ISO 400; hand-held from inside car.

Eastern Kingbird youngsters being fed a grasshopper [Felton Prairie (Clay County, Minnesota)]

Canon 7D with Canon EF 400mm f5.6 USM lens 1/1600 second at f5.6; ISO 400; hand-held from inside car

Eastern Kingbird silhouetted by a hazy sunset (due to forest fires in Manitoba and Ontario). [Felton Prairie (Clay County, Minnesota)]

Canon 7D with Canon EF 400mm f5.6 USM lens 1/5000 second at f7.1; ISO 640; -2 ev; hand-held

Sometimes patience pays off; I was just waiting and watching this Eastern Kingbird as it sat on a wood fence post. But I had enough photos of this sitting bird, and I knew it would eventually do something. I set the camera to a high shutter speed and when it suddenly jumped into flight I just held down the shutter and “prayed and sprayed,” as they say. I had no idea that I captured anything until I looked at the back of the camera and saw this image of the Kingbird catching a Carolina Locust grasshopper. I hadn’t even known it was trying to capture an insect, it happened so fast! [Clay County, Minnesota]

Canon 7D with Canon EF 400mm f5.6 USM lens 1/2000 second at f5.6; ISO 400;  hand-held from inside car

Mourning Dove. [Clay County, Minnesota]

Mourning Dove. [Clay County, Minnesota]

Mourning Doves are a surprisingly attractive bird…especially in the late day light of summer. Note the iridescent blue-purple tinge to the neck and back plumage. [Clay County, Minnesota]

American White Pelicans only nest in 3 or 4 locations in Minnesota, but bachelors can be found almost anywhere in the western part of the state [Otter Tail County, Minnesota]

[August 17 & 18, 2018: I made a quick dash to the prairies of Western Minnesota in mid August. Much of my time is spent in the boreal forest and bogs of northeast Minnesota, and I was starting to get a bit claustrophobic. So off to the wide open prairies! I started at Otter Tail County’s Maplewood State Park, then on to Wilkin County (Town Hall Prairie, Western Prairie, Rothsay WMA) and continued north to the huge Felton Prairie complex in Clay County. The next day I hit Felton area again and headed north to the Glacial Ridge National Wildlife Refuge in Polk County]

Just outside of Moorhead near Dilworth is a field of domestic sunflowers. It was a foggy gray morning and my camera wanted to shoot the scene in very cool colors where the leaves all turned to blue. When I previewed the images on the back of my camera, I thought it looked ghastly, but upon reflection, I REALLY like the cool blue and yellow look. The “correct” color balance was hard to achieve even in Lightroom.

[All sunflower shots with Canon 7D with Canon 50mm f1.8 lens (shot wide open at f1.8).]

Six-foot tall Big Bluestem (Andropogon gerardii) silhouetted by a hazy sunset caused by smoke in the atmosphere from wildfires in Manitoba and Ontario. Note that this plant is in full bloom. This is the grass that covered thousands of square miles of the Midwest prairies before settlement. Early settlers said that wherever “big blue” grew, corn would thrive…and that was about all of the tallgrass prairie and led to the “de-forb-ization” of the prairie in the upper midwest. [Felton Prairie (Clay County, Minnesota)]

Six-foot tall Big Bluestem (Andropogon gerardii) silhouetted by a hazy sunset caused by smoke in the atmosphere from wildfires in Manitoba and Ontario. Another common name for this grass is “turkey foot” which refers to the 3-branches of the infloresence. [Felton Prairie (Clay County, Minnesota)]

Big Bluestem (Andropogon gerardii) blooms in August and September. Note the tiny flowers of this very tall grass. [Glacial Ridge National Wildlife Refuge (Polk County, Minnesota)]

Little Bluestem (Schizachyrium scoparium) is not even in the same genus as Big Bluestem; they just share part of their common name. This is a shorter grass than Big Bluestem and in late summer/early fall shows reddish-orange stems and fluffy rachilla hairs on the spikelets. [Glacial Ridge National Wildlife Refuge (Polk County, Minnesota)]

A non-native Foxtail grass (Setaria sp.) along the roadside. Although it is an alien, it is still very attractive.

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]

My first stop on this mid June excursion was Agassiz National Wildlife Refuge in far northwest Minnesota. It was a gloomy, windy, rainy day in the aspen parklands but I had to make the most of a photographically-poor situation. Down a side road on the refuge I found a spot where Forster’s Terns were making pass after pass above a flooded creek/drainage ditch. At first I simply cranked up the ISO and took many shots to freeze these elegant birds in flight. But the gray skies got grayer, and the gloom got gloomier, so I altered my technique; now I switched to Shutter Priority mode and attempted to get some slow panning shots. My favorite Forster’s photos are below.

Forster’s Tern diving for fish in Agassiz National Wildlife Refuge.
I used Manual exposure setting as I wanted the image exposed properly for the white bird. And since the background was changing as the bird flew (from light sky to dark green leaves) I couldn’t trust Aperture Priority to get the right exposure.
[Canon 7D with Canon 400mm f5.6 lens; 1/1000 second at f5.6; ISO 320; panning hand-held]

Forster’s Tern in Agassiz National Wildlife Refuge.
I desaturated the background in Aperture for a more dramatic look.
[Canon 7D with Canon 400mm f5.6 lens; 1/60 second at f8; ISO 100; panning hand-held]

EIGHT small fish in ONE DIVE! An amazing feat to accomplish in a head-first plunge that lasts one second max. There must have been very tight schools of fish to be so successful.

American White Pelican at Agassiz National Wildlife Refuge.

Camping at Thief Lake WMA (My late great Honda Odyssey that lost in a battle with a rogue White-tailed Deer just weeks later)

Dawn at Thief Lake Wildlife Management Area in northwest Minnesota.
I love this place in late spring/early summer. It is secluded, has tons of bird life, and a very cool “observation mound” from which you can scan the ginormous cattail marsh.

Red-winged Blackbird at Thief Lake WMA.

Observation Mound at Thief Lake WMA.
[iPhone panorama]

Black Tern and cattail reflections.
This photo was a real surprise success..and I didn’t realize it until I got home and viewed it on the iMac. I really like the odd “M.C Esher-esque” juxtaposition of the bird and the “upside down” cattails (reflection). It was also a very pleasant surprise that the Black Tern’s wings mimicked the angle of the cattails without overlapping with them.
[Canon 7D with Canon 400mm f5.6 lens; 1/1600 second at f5.6; ISO 250; hand-held]

Ducks flying across Thief Lake WMA.
This image was just begging to be converted to black-and-white; the strong shape elements of the graceful reeds and silhouetted ducks don’t need color to enhance.
[Canon 7D with Canon 400mm f5.6 lens; 1/1600 second at f5.6; ISO 250; hand-held]

Franklin’s Gull in flight over Thief Lake WMA.
My number one goal on this leg of the trip was to photograph what I consider to be one of the most beautiful gulls in North America…the Franklin’s Gull. I love the mat black head, white eye-ring and blood red bill. And the fact that they are not a gull I see that often makes them even more special.
[Canon 7D with Canon 400mm f5.6 lens; 1/1600 second at f6.3; ISO 250; hand-held (for birds in flight, especially overhead, you almost HAVE to hand-hold your camera…a tripod restricts your movement too much]

Franklin’s Gull catching flying insect on the wing.
Flocks of Franklin’s Gulls forage in neighboring farm fields during the day. This flock was making repeated flights to catch aerial insects. I did not notice the bug until I got home and viewed this image large. I used Shutter Priority in order to make sure I froze the motion of the flying birds (though, this image is a bit soft due to movement so I should have used 1/2000 or 1/1600 second)
[Canon 7D with Canon 400mm f5.6 lens; 1/1250 second at f6.3; ISO 125; hand-held]

Marsh Wren at Thief Lake WMA.
The Marsh Wren is a rare bird in northeast Minnesota, so I’m always thrilled when I can get a good shot of this cattail dweller. They are feisty little guys!
[Canon 7D with Canon 400mm f5.6 lens; 1/500 second at f6.3; ISO 640; hand-held]

Sharp-tailed Grouse in soybean field near Minnesota’s Thief Lake WMA.

Burned tractor.
Wish I knew the story behind this “roasted” tractor!