Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

You don’t take Aurora Alerts lightly if you’re a photographer. So when Ryan forwarded the University of Alaska’s email that a major solar storm was happening, I was ready. That was three days ago and that night I peeked out the front door at the northern sky several times…but no green energy in the sky. Then last night (Friday, August 5th), after an email from another photographer, I checked the University of Alaska Fairbank’s website and the solar activity was EXTREME (+6). The maps showed that the aurora would be visible as far south as Minneapolis. This time I saw a faint glow in the north. It was 11:30pm.

My first stop was a little used public lake access spot, but a few flashlight-toting partyers nixed that. The next stop was perfect. The Spring Lake landing is right on a dirt road and with the lake on the north side, it is great for reflections. Green Frogs were “plunk”-ing and it was dead calm. Plus the moon had gone down. I set up my tripod right at the water’s edge. A few test shots confirmed that the lights were worth shooting. Digital sensors are much more sensitive to color than our eyes and the faint aurora was not so faint on the back of the camera.

Just then the lights started getting good…No time to attach my intervalometer, so I stood behind my camera and pushed the shutter button over 500 times…about every 7 or 8 seconds. The exposure I settled on was 4 seconds at f4 at ISO 4000…Not ideal as you really would want shorter exposures and shorter intervals so the time lapse would be smoother. But I don’t have a Nikon! (amazing High ISO capabilities). I shot in RAW so I could batch tweak images later. This meant “only” about 300 some images on an 8GB card. I did make one rookie mistake…I left the white balance on AUTO. This meant that each photo could have been a different white balance temperature. Fortunately this was easily remedied in a simple “Lift and Stamp” batch change in Aperture.

At one point, the lights were flaring, flowing, speeding across the sky in rippling ribbons of green…Almost directly overhead. The simple scientific explanation of this magical phenomenon is that solar storms (sun flares) throws highly charged particles towards the earth. Around the poles, they come into contact with oppositely charged particles and the energy from the collisions is light.

I got home at 1:45am but it was worth it.

Time Lapse organized in Aperture, assembled in QuickTime Pro and movie created in iMovie.

Canon 7D with Sigma 10-20mm lens set at 10mm, 4-seconds at f4 (widest aperture at 10mm), ISO 4000
Reflection/waterlily leaves shot: Canon 7D with Tamron 60mm f2 lens set at 1 second at f2, ISO 4000