Posts from the ‘Raven’ Category

Yellowstone 2017 #2—Wildlife photography with the Canon 200mm f2 lens

No, sadly I don’t own this Canon 200mm EF IS USM f2.0 lens…(only $5,699 from Adorama canon 200mm f2 adorama)…but I rented it from http://www.lensrentals.com for a couple hundred bucks for a week. I DIDN’T WANT TO GIVE IT BACK!

I used it on my Canon 7D (my new Sony A6500 always had the Canon 400mm f5.6 lens on it for 4K video usage) and I often hand held it, even though it weighs a hefty 5.6 pounds! Here are a few things I loved…

  1. Incredibly sharp lens!
  2. Lovely “bokeh” at f2.0 (the buttery backgrounds caused by the shallow depth of field when shooting wide open at f2.
  3. Snappy focus
  4. Solid feel
  5. Image stabilization that really worked
  6. Able to shoot hand held in low light situations due to the “fast” f2.0 aperture.

Now, I’m not a techy photographer, but I could instantly tell when I downloaded and viewed my photos on the large computer screen that this lens creates very sharp photos with beautiful backgrounds. I shot almost every image with this lens wide open at f2.0.

BUT you need the right subject in the right situation for this lens to shine. Before we went on this trip I searched Flickr for all images shot with “Canon 200mm f2” lens. 90% were portraits of people. And the reason for this is that you need a fairly large subject (human, Bison, Pronghorn) at a fairly close distance. This rarely happens in wildlife photography…But in Yellowstone, the wildlife is used to humans so you can get quite close. And it’s open country. Ideally you also need some stuff in the foreground and background in order to show off the shallow depth of field. Look especially at the foreground and background in the photos below…You could never get this kind of bokeh (blurred background/foreground) with other telephoto lenses at this distance.

OR you need smaller subjects shot at close range (Raven, Harlequin Duck, Shooting Star flower). The lens only focuses to 6.2 feet at the close end, but you could add extension tubes for real dreamy background close up work.

Conclusion? All in all, a magnificent lens…for the right situations. Really not sure how much use it would get in northern Minnesota where the wildlife is usually in thick cover, and often only seen briefly. It would be very cool for large northern owls (who are quite tame), but probably does not justify a nearly $6,000 purchase. Maybe I could justify it by adding a 2x extender and making it into a 400mm f4 lens…Naah. BUT I will definitely rent it again on a future Yellowstone National Park trip.

Common Raven black and white Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0368

Talk about sharp…Wow! I zoomed in on the reflection in the eye of the Raven and could easily see and count the pine trees in the background.

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

Bison snowy sagebrush Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0045

[Canon 7D with Canon 200mm f2 lens; 1/1600 at f2; ISO 250; +0.33 ev; handheld; Processed in Adobe Lightroom]

Harlequin Duck pair male female low angle Madison River Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0187

The lens is great for eye-level water shots in order to separate the subject from the background on lakes, river. With other lenses (such as the 70-200mm f4 lens) the background would be much more detailed and the birds lost in the composition. Also note the Trumpeter swan photo below.

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

 

Bison herd aspens wide Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-05004

Here is an example of an image that may not look too different with another lens as I shot it at f4.5.

[Sony A6500 with Canon 200mm f2 lens; 1/320 at f4.5; ISO 100; handheld; Processed in Adobe Lightroom]

Common Raven snow rainbow background Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0353

[Canon 7D with Canon 200mm f2 lens; 1/400 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

Bison head on snowy woods Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0238

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Bison heard formation crossing river low angle Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0296

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Bison heard formation crossing river Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0300

[Canon 7D with Canon 200mm f2 lens; 1/500 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Common Raven snow falling black and white Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0335

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

 

Trumpeter Swan Gibbon River? Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0427

[Canon 7D with Canon 200mm f2 lens; 1/2500 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

Upper Falls Yellowstone River Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0484

Not sure why I shot this at f2.0….Should have shot at f8. No need for shallow depth of field here.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100;  -0.66 ev; tripod; Processed in Adobe Lightroom]

Bison standing facing me Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0521

This lens really shines with low angle photography. This was shot BELOW eye-level and makes the Bison look quite ominous…And I was not too comfortable being this close.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; -0.5 ev; handheld; Processed in Adobe Lightroom]

Pronghorn broadside Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0699

Classic photo with the f2 lens…A boring image with any other lens, but the blurred background and foreground created by shooting at f2.0 make this less than boring (But not that great either).

Shooting Star wildflower Yellowstone National Park WY Sparky Stensaas-0746

Love this! The ONLY sharp thing in this photo is the flower head of this tiny Shooting Star wildflower (see image below for size scale).

[Canon 7D with Canon 200mm f2 lens; 1/3200 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Shooting Star wildflower Yellowstone National Park WY Sparky Stensaas-0767

Ryan photographing the same Shooting Star wildflower for scale.

Bison snowy head on Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0075

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Bison head black and white Yellowstone National Park WY Sparky Stensaas-0797

Sharp!

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Up the Gunflint in early September

September 2, 2016:

Every time we start working on a new Kollath-Stensaas field guide to the North Woods, I get obsessed with the topic at hand. This time it is dragonflies…and I’ve been out multiple times a week since late July (I got a very late start and wish my obsession would have kicked in about May 20th when the first dragonflies are emerging). And so with net and camera stowed, I headed 2 1/2 hours up the North Shore of Lake Superior to Grand Marais and the Gunflint Trail. By leaving at 4:30am I was able to be out shooting by 7:30am. No Moose or Black Bear, but I did hear a Black-backed Woodpecker along the Lima Grade, but my real quarry was odonates (dragonflies & damselflies).

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I spent most of the day along the Lima Grade in the Superior National Forest on the edge of the Boundary Waters in Cook County, Minnesota. Road conditions are fine but you hope you don’t meet too many folks headed in the other direction!

Common Raven South Brule Road Superior National Forest Cook Co MN IMG_7483

An unusually tame Common Raven voices her displeasure at my attention. Normally, northern ravens skidaddle at the first hint that you may even be thinking about tapping the brake of your vehicle. She let me stop and even stick my 400mm lens out the window for a few seconds before flapping off. [South Brule Road, Cook County, Minnesota]IMG_7584

Beaver pond gloriously ringed with Bidens cernua, Nodding Bur-Marigold. This is where I spent a couple hours hanging out and waiting for dragonflies.katydid Oblong-winged Katydid Amblycorypha oblongifolia Lima Grade Superior National Forest Cook Co MN IMG_7624

Insect photography requires quite a bit of discomfort….sometimes from other insects such as mosquitoes, horse flies, deer flies, etc….and sometimes from contorting your body into unnatural positions to get the right angle. To make a creative shot of this Oblong-winged Katydid.IMG_7635

darner Shadow Darner Aeshna umbrosa male Lima Grade Superior National Forest Cook Co MN IMG_7715darner Shadow Darner Aeshna umbrosa male Lima Grade Superior National Forest Cook Co MN IMG_7716IMG_4538

The three photos above are of the Shadow Darner (Aeshna umbrosa) that I netted as he patrolled this small roadside pond. They are one of the most handsome of darners, me thinks. Note his wedge-type claspers, straight-edged thoracic stripes that are yellowish on the bottom transitioning to blue-green at the top.darner Variable Darner Aeshna interrupta male Lima Grade Superior National Forest Cook Co MN IMG_7730

The “spotted” form of Variable Darner (Aeshna interrupta) shows two pairs of two spots on its thorax.

darner Variable Darner Aeshna interrupta male Lima Grade Superior National Forest Cook Co MN IMG_7542

Face and multi-faceted eyes of the Variable Darner.darner Zigzag Darner Aeshna sitchensis Lima Mountain Road Superior National Forest Cook Co MN IMG_7807

Late in the afternoon, I finally found one of my target species along a stretch of Lima Mountain Road…A Zigzag Darner (Aeshna sitchensis)…only the second one I’ve ever seen! (The first was years ago at Hartley Park in the city limits of Duluth). This dragonfly of the far north makes its home in boggy areas from Alaska to Labrador, reaching south into the northern Rockies (Idaho, Wyoming, Montana), northern Minnesota, Wisconsin, Michigan and northern New England. Unlike most darners, these guys prefer to perch on the ground, and once you locate one (usually on a gravel road like the one above). It is easily recognizable by its brown and light blue abdomen, narrow “zigzag” thorax stripes, small size for a darner, and its habit of perching on the ground.

darner Variable Darner Aeshna interrupta striped form green form female Lima Grade Superior National Forest Cook Co MN IMG_7757

Didn’t I just say that Zigzag Darners were partly identified by their habit of perching on the ground? Well, I guess Variable Darners do it too, as I saw TWO green-form females also perching on the surface of gravel roads (both on the Lima Grade).

IMG_7362IMG_7365

My first and last stop of the day was Artist’s Point in Grand Marais where I found a “Jesus Mallard” walking on water.rock signatures Artist's Point Grand Marais MN IMG_7409rock signatures Artist's Point Grand Marais MN IMG_7414

Now that’s graffiti! It speaks to an earlier time when folks had more time to spend on their vandalism…Note that Hilda Brekken (no doubt a Norwegian farmer’s daughter) even pecked her name and hometown into the rock-hard rock in CURSIVE! She likely traveled by train to Duluth from Osakis, Minnesota then took the America (a supply boat) up the North Shore to Grand Marais. There was NO ROAD to this part of Minnesota in 1901 (date of this “pecked petroglyph”). The North Shore road was not constructed until 1920s, and not fully paved until 1933.

Artist's Point Lake Superior Grand Marais MN IMG_7814The quaint harbor of Grand Marais, Minnesota.

[All macro photo taken with Canon 7D, Canon 70-200mm f4 lens with Canon 500D close up lens attachment, handheld]

Yellowstone May 2014—Getting Creative

Bison Frosty face near Norris Yellowstone National Park WY IMG_7449Bridget specifically said “No frosty Bison photos! You have enough of them” But this one is a bit different. I converted the image to black and white then clipped the whites and blacks of the histogram to make a more high contrast image. It more accurately reflects what I remember from the Bison encounter than the original image. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, handheld]

Harlequin Ducks LeHardy Rapids Yellowstone National Park WY IMG_7346I used a long exposure on these Harlequin Ducks to allow the river to blur nicely. But you have to take many photos as the ducks were constantly fidgeting.

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8230 [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2000, handheld]

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8242The two images above were taken early in the morning between Mammoth and Tower Junction. You don’t always need the sun at your back! Backlighting can really be quite dramatic. I love how the rim light defines the elk’s shapes and makes the spring leaves pop. Also keep in mind that shadows often show as blue to our cameras and it contrasts nicely with the green leaves. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, -1EV, handheld]

Bighorn ewe reflection Mammoth to Tower Junction Yellowstone National Park WY IMG_6790Did you do a double take when you looked at this image? This is a reflection of a Bighorn ewe that I flipped 180 degrees. Have fun and experiment! [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/1250, handheld]

Ryan Marshik silhouette Nikon 600mm tripod Hayden Valley Yellowstone National Park WY IMG_8119Shapes often tell as much of a story as detailed subjects. I underexpeosed by nearly two stops to get this silhouette of Ryan hauling his 600mm f4 on a tripod across the snowy Hayden Valley. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/6400, -1 2/3 EV handheld]

Grizzly silhouette Mary's Bay Yellowstone Lake Yellowstone National Park WY IMG_9054 - Version 2Our wildlife subjects don’t always need to be large in the frame. But we really have to work to remember this and actually shoot “animal in the landscape” shots. Ryan and I had followed (by car) this sow and second-year cub for a while, but they cut up this steep hillside. I turned the camera vertical to emphasize the tall trees. Her backlit breath was a bonus. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, handheld]

Common Raven Hayden Valley Yellowstone National Park WY IMG_7195 I rented the Canon 85mm f1.2 lens for this trip specifically to play with extremely shallow depth of field in wildlife photography. This lens is commonly used in portrait photography to achieve very shallow DOF. This obliging Raven allowed me to get quite close and the result is a unique critter image with only an inch or two of in focus bird. [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2500 sec., handheld]

Yellowstone Falls long exposure visitors Yellowstone National Park WY IMG_7824This is a very different perspective on one of the most visited sites in Yellowstone…the Falls of the Yellowstone River. I set up my tripod back from the overlook and put on the wide angle lens. Then I attached a B+W 9-stop ND (neutral density filter to slow down the exposure in order to record the motion of visitors gawking at the falls (and taking selfies!). Of course, there were a dozen people here just before I got set up, then they all vanished. Where’s the bus of Japanese tourists when you want them! [Canon 7D with Sigma 10-20mm lens and B+W 9-stop ND filter, f11 at 15 seconds, ISO 100, tripod]

Moonrise full at Silver Gate Yellowstone National Park WY IMG_8216 Though the full moon ruined any plans we had for star trail photos, it made up for it during this moonrise at Silver Gate. The only way to get a large moon in your photos is to use a very long telephoto lens. But put an “earthbound” element into your photo to give the full moon scale. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/125, tripod]

Yellowstone Abstract & Artistic

In Yellowstone, you could take wildlife portraits till the cows come home…or should I say, “until the Bison come home?” But I always try to think a bit out of the box in order to get some unique images. A few years ago, our buddy Chris Gibbs came with us to Yellowstone. Along one “boring” stretch of snow-covered road that traversed a recent forest fire, Chris rolled down his window and started shooting. Ryan and I looked at each other…What the heck was he shooting? The scene outside was anything but beautiful. But Chris was playing with a slow shutter speed, using the contrast of the black trees and white snow and the speed of the car to create very interesting abstracts. We all jumped in and tried the technique, and had a blast doing it. Next time the “light is bad” or it is harsh midday sun, think creatively and play around with exposures, flash, underexposure. The beauty of digital is that we aren’t losing money with every shot as in the “good old film days.”

Colorful stream rocks during a long exposure. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/5 second on tripod.

Dawn Bison backlit by strong sun, his breath visible in the chilly air. Converted to sepia and contrast increased by use of Curves in Aperture. Canon 7D with Canon 400mm lens, f5.6 at 1/2000 second, underexposed by 2 stops.

A long exposure blurs the water and rocks to create a true abstract. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/3 second on tripod.

An accidental photo of a bison with a 20mm lens from inches away…But I love it! The vignetted look, the texture of the Bison’s pelt, and the golden backlit hair in the lower left…It works for me. Of course, it will never sell, but we need to take photos for ourselves first and foremost.

Bridget says I take too many silhouettes…But she actually likes this one! I underexposed the scene by 3 full stops in the field then changed the white balance in Aperture so the sky went from blue to gold. The adult and calf are nicely separated and you can even see their individual legs. Canon 7D with Canon 500mm f4 lens and 1.4x teleconverter, f5.6 at 1/500 second on tripod.

Creativity isn’t limited to the field…Here I opened a stream rock image in Photoshop and applied the “poster edges” filter to create a crazy pattern.

I really liked this Raven image right out of the camera…EXCEPT the background color was blaaah! So I performed a tight crop, took out the background, replaced it with a solid color and then applied the “poster edges” filter in Photoshop. I love the accentuated pattern of the breast feathers.

Yellowstone Wildlife from Inches Away

Ryan Marshik and I recently returned from a mid October trip to Yellowstone National Park and so the next few posts will be images from this photo feast. As usual (this was our 6th trip to Yellowstone together), we left about 3pm from Duluth and drove straight through…It takes about 17 hours or so, and we cross the breadth of Minnesota and North Dakota and half of Montana. It’s a great time for us photo buddies to catch up, talk gear and technique, and listen to some photography podcasts.

On this trip I really wanted to try some “wide angle wildlife” shots, to get a more intimate portrait than is possible with a long telephoto lens. But I’m also including here a few shots taken at very close range with a longer lens that emphasize interesting details of wildlife subjects.
Stay tuned for more Yellowstone blog posts in the coming week.

Raven from behind. Minnesota ravens are incredibly shy and difficult to get close to. Not the case in Yellowstone! And the big revelation is that they are not really black!
The elk rut was waning but this young bull was still feeling his oats.
A Least Chipmunk from 4 inches away. I placed the camera on a favorite feeding rock and then remotely tripped the shutter while eating a bagel sandwich at a picnic table 50 feet away. 10mm lens at f16 1/500 second.
This curious guy actually put his nose print on my camera lens! The only way to get a shot like this with a tiny animal large in the frame and the background also relatively sharp is by using a very wide angle lens (in this case the Sigma 10-20mm set at 10mm) and triggering it remotely. 10mm lens at f16 1/400 second.
Bison own the roads in Yellowstone. Not a great shot but a very interesting image. Shot out the window with a 10mm lens…Inches from his nostrils. No, he did not get snot on my lens nor gore the rental car!

Quinzhee Photo Blind

A quinzhee is an old Ojibwa Indian hunting shelter. When men were out hunting big game in the winter, they necessarily traveled light and brought no shelter with them. The quinzhee could be built in a few hours. First you mound up a huge pile of snow (We did it with a grain scoop; the Ojibwa did it with their snowshoes). Then a few hours later you hollow it out. Continue Reading