Posts tagged ‘black and white’

Top Ten 2016 Creative Wildlife Images

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

bighorn-gardiner-river-yellowstone-national-park-wy-img_5287-1Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

bighorn-gardiner-river-yellowstone-national-park-wy-img_5989Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

bison-teddy-roosevelt-national-park-medora-nd-img_6336Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

rough-legged-hawk-along-cr29-sax-zim-bog-mn-img_9069-1Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

black-tern-thief-lake-wma-marshall-co-mn-img_1105Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

bohemian-waxwing-wrenshall-city-park-crabapples-wrenshall-mn-img_2010Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

coyote-yellowstone-national-park-wy-img_5688Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

img_1103-1Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

ivory-gull-juvenile-canal-park-duluth-mn-img_9439Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

little-blue-heron-st-louis-river-western-waterfront-trail-duluth-mn-img_7487Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

red-tailed-hawk-and-moon-yellowstone-national-park-wy-img_3979Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

trout-hatchery-durango-colorado-img_3558Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

wild-turkey-skogstjarna-wrenshall-mn-img_2903Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]

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Early Spring in Yellowstone 2—April 16-19, 2016

Red-tailed Hawk and moon Yellowstone National Park WY IMG_4074 (1)Still Life with Redtail and Moon 1
How could I pass this up? Wish I could have set up a tripod and shot at f22 or smaller to get more depth of field and the moon more in focus, but redtails don’t pose for that long.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f20 at 1/200 second; ISO 400; -0.33ev; handheld]

Grizzly Yellowstone National Park WY IMG_5794 (1)Silver Griz
This fella was our only Grizzly of the trip. Mid April is a bit early for many bears to be out of hibernation…and the high country roads are not yet open where there could very well be more bears. On our mid May trip a couple years ago, we saw quite a few Griz. But this guy was sure a beauty! We stopped, as we almost always do, when we saw a couple cars pulled over (and here’s the real key) and some long lenses on tripods. “What do ya got?” Is the standard photographer-to-photographer exchange in situations like this. They’d seen a Grizzly on the slope on the opposite side of the river, but it had moved off into some forest cover. So we pulled over, got out and helped them relocate the bear. Well nature called to Ryan, and while he was watering the early spring grass, he spotted the bear. He came back to the road and told us. I got a few handheld shots but Ryan had to go back to our car to get his camera. When Ryan got back, I went back to the car to get my tripod. But soon after I left something really spooked the Grizzly and it ran off. The only thing we know of that can spook the apex predator of the park…is another Grizzly. But while we waited another 45 minutes or so, nothing showed.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1000 second; ISO 400; handheld]

Black Bear Yellowstone National Park WY IMG_4898 (1)Sole of the Bear
This Black Bear recently out of hibernation had the most unusual nearly white, soles of its feet. I’ve seen many many Black Bears and have never noticed this trait before. My gut feeling is that this bear just had abnormally pale foot pads.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/640 second; ISO 500; -1ev; tripod]

Red-tailed Hawk Yellowstone National Park WY IMG_4790 (1)Rockin’ Redtail
The Red-tailed Hawks were certainly migrating through and returning to Yellowstone this week. We saw many, and this one posed on a picture-perfect perch long enough to get a shot.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/2000 second; ISO 320; +1ev; tripod]

Red-tailed Hawk and moon Yellowstone National Park WY IMG_3979 (1)Lunar Buteo
Red-tailed Hawks are a type of buteo…a raptor with big broad wings and short tails. They are built for soaring, scanning open country for prey. “Forest hawks” who hunt in dense woods need shorter rounded wings and long tails (to act as an “air rudder”) so they can maneuver in close quarters in flight. I love “bird and moon” shots…especially when the bird is relatively small in the frame. Of course, these images are best viewed large.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 320; handheld]

Pronghorn Yellowstone National Park WY IMG_3793 (1)Pronghorn in the Sage
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/800 second; ISO 250; handheld, braced on outside of car]

Ryan Yellowstone National Park WY IMG_6048 (1)Ryan Marshik

Bison in campsite Mammoth Yellowstone National Park WY IMG_2864Campsite Buddies!
Each night, a small herd of Bison grazed right through our campsite, noisily munching the new green grass. It’s funny, you would never dare to get this close to them out in the park (in fact it’s illegal to get closer than 25 yards) but here they are so preoccupied, and used to people, that you can sit at your picnic table 5 yards away and enjoy the slow parade.

Sandhill Crane Yellowstone National Park WY IMG_4094 (1)Sandhill Crane in its Finest
Love the “bustle” of this Sandhill Crane. It was one of a pair that had returned to nest in the park’s marshes and wet meadows.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/500 second; ISO 400; -0.33ev; handheld, braced on car window frame]

Dipper Yellowstone National Park WY IMG_4432 (1)Dipper thinking about taking a Dip
Dippers feed on underwater aquatic critters in fast moving streams and rivers of the western U.S. They are one of Bridget’s favorite birds and so I always try and get a few shots.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/250 second; ISO 640; handheld]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4626 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/2000 second; ISO 100; -2.33ev; tripod]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4622 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/320 second; ISO 100; tripod]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4599 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f11 at 1/800 second; ISO 100; -2ev; tripod]
All three of the above shots of the Lower Falls of the Yellowstone River were taken from Artist’s Point. The falls, at 308 vertical feet, is the tallest in the park. The light (quality and direction) was not good for broad scenic vistas, so I used the telephoto to zoom in on one part of the scene. The lone silhouetted tree really made this shot for me. Here are three variations…Which do you like?

Elk young bull shedding Old Yellowstone Road WY IMG_4529 (1)Goofy Bull
Early spring is NOT a good time to photograph Elk in the West; all the Elk at this time of year look pretty ratty. They are shedding their winter coats, and not gracefully. The older bulls are just sprouting their new antlers, growth being nourished by the blood-rich “velvet” coating them (see photo below), but the first year bulls sometimes hold their little antlers all winter instead of dropping them in late fall/early winter like the older guys.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/1600 second; ISO 200; handheld]

Elk bull in velvet in traffic Yellowstone National Park WY IMG_4926 (1)Big and Velvety
These were some really big boys holding up traffic along the road. Note their height compared to the car in the foreground. Wish I could see these guys again in the fall when their massive antlers will be in their prime.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 214mm; f7.1 at 1/400 second; ISO 500; tripod]

Elk herd Yellowstone National Park WY IMG_5111 (1)American Serengeti
Easily the biggest herd of Elk I’ve ever seen in Yellowstone…over 200 animals. I didn’t even include all the herd in this shot. Nearby were herds of Bison, Mule Deer and Pronghorn. Impressive!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 263mm; f6.3 at 1/60 second; ISO 320; tripod (accidentally at this shutter speed because I had just switched over from taking some video)]

Yellowstone May 2014—Getting Creative

Bison Frosty face near Norris Yellowstone National Park WY IMG_7449Bridget specifically said “No frosty Bison photos! You have enough of them” But this one is a bit different. I converted the image to black and white then clipped the whites and blacks of the histogram to make a more high contrast image. It more accurately reflects what I remember from the Bison encounter than the original image. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, handheld]

Harlequin Ducks LeHardy Rapids Yellowstone National Park WY IMG_7346I used a long exposure on these Harlequin Ducks to allow the river to blur nicely. But you have to take many photos as the ducks were constantly fidgeting.

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8230 [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2000, handheld]

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8242The two images above were taken early in the morning between Mammoth and Tower Junction. You don’t always need the sun at your back! Backlighting can really be quite dramatic. I love how the rim light defines the elk’s shapes and makes the spring leaves pop. Also keep in mind that shadows often show as blue to our cameras and it contrasts nicely with the green leaves. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, -1EV, handheld]

Bighorn ewe reflection Mammoth to Tower Junction Yellowstone National Park WY IMG_6790Did you do a double take when you looked at this image? This is a reflection of a Bighorn ewe that I flipped 180 degrees. Have fun and experiment! [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/1250, handheld]

Ryan Marshik silhouette Nikon 600mm tripod Hayden Valley Yellowstone National Park WY IMG_8119Shapes often tell as much of a story as detailed subjects. I underexpeosed by nearly two stops to get this silhouette of Ryan hauling his 600mm f4 on a tripod across the snowy Hayden Valley. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/6400, -1 2/3 EV handheld]

Grizzly silhouette Mary's Bay Yellowstone Lake Yellowstone National Park WY IMG_9054 - Version 2Our wildlife subjects don’t always need to be large in the frame. But we really have to work to remember this and actually shoot “animal in the landscape” shots. Ryan and I had followed (by car) this sow and second-year cub for a while, but they cut up this steep hillside. I turned the camera vertical to emphasize the tall trees. Her backlit breath was a bonus. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, handheld]

Common Raven Hayden Valley Yellowstone National Park WY IMG_7195 I rented the Canon 85mm f1.2 lens for this trip specifically to play with extremely shallow depth of field in wildlife photography. This lens is commonly used in portrait photography to achieve very shallow DOF. This obliging Raven allowed me to get quite close and the result is a unique critter image with only an inch or two of in focus bird. [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2500 sec., handheld]

Yellowstone Falls long exposure visitors Yellowstone National Park WY IMG_7824This is a very different perspective on one of the most visited sites in Yellowstone…the Falls of the Yellowstone River. I set up my tripod back from the overlook and put on the wide angle lens. Then I attached a B+W 9-stop ND (neutral density filter to slow down the exposure in order to record the motion of visitors gawking at the falls (and taking selfies!). Of course, there were a dozen people here just before I got set up, then they all vanished. Where’s the bus of Japanese tourists when you want them! [Canon 7D with Sigma 10-20mm lens and B+W 9-stop ND filter, f11 at 15 seconds, ISO 100, tripod]

Moonrise full at Silver Gate Yellowstone National Park WY IMG_8216 Though the full moon ruined any plans we had for star trail photos, it made up for it during this moonrise at Silver Gate. The only way to get a large moon in your photos is to use a very long telephoto lens. But put an “earthbound” element into your photo to give the full moon scale. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/125, tripod]

Yellowstone May 2014—Bears, Bears, Bears! (Grizzly, Cinnamon, Black)

Over our 3 1/2 days in Yellowstone, Ryan and I had 23 bear encounters.This is far more than we’ve ever had during our many fall trips. The reason is likely that all bears hibernate and when they wake in spring, they are very hungry so they must roam in search of food. Grizzlies are especially fond of winter-killed Bison and will seek out the “tenderized” meat. Another reason is that both Black and Grizzly sows may have COYs with them. A COY is a “cub of the year”…a baby bear born this winter. Cubs stay with mom for two years.

Male Grizzlies can be awake as early as February but most females with cubs hibernate until later in the spring, emerging from mid March to mid May. We only saw two Grizzly sows with cub/s. Both with second year cubs.

Grizzly and sage Narrows Hayden Valley Yellowstone National Park WY IMG_7944Male Grizzly in sagebrush. Grizzlies don’t do much…Often they are just nose-down searching or eating food. So anytime one even lifts its head, the shutters start clicking. I like the backlighting creating a rim light effect. The green of sage contrasts nicely with the brown fur. [Canon 7D with Canon 400mm f5.6 lens and 1.4x teleconverter; f8 at 1/400, ISO 200; tripod]

Ranger and Grizzly Narrows Hayden Valley Yellowstone National Park WY IMG_8002“Bear Jams” were common and rangers did their best to keep tourists and photographers back 100 yards from the animals. Their goal is to not let humans alter any wild animal’s behavior in the park.

Black Bear sow with three cubs Rainy Lake Tower Junction Yellowstone National Park WY IMG_8396Triplets! Cute and cuddly Black Bears coming to drink with mama at Rainy Lake near Tower Junction. [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

Black Bear cub B&W Rainy Lake Tower Junction Yellowstone National Park WYIMG_8339The cubs were wrestling and goofing around like all youngsters should do, but when mom gave the signal, they scampered up the biggest pine around. Safety in the tree tops. [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

Black Bear sow with three cubs Rainy Lake Tower Junction Yellowstone National Park WY IMG_8395 [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

Black Bear sow with three cubs Rainy Lake Tower Junction Yellowstone National Park WY IMG_8382 [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

Grizzly bear butt foot Fishing Bridge Yellowstone National Park WY IMG_9141Grizzly Bear butt and giant paw near Fishing Bridge. You don’t always need to include the whole animal in your shots! [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/500, ISO 400; braced on window of car]

Grizzly silhouette Mary's Bay Yellowstone Lake Yellowstone National Park WY IMG_9054 - Version 2I got a bit creative here as the sow and cub Grizzly were really moving. We followed behind them as they hustled along this hillside then climbed this very steep incline. The second-year cub was already up and over the top while mom was huffing and puffing. I like how you can see the steam of her breath backlit. I converted to sepia as there was no real color in the image anyway.

Black Bear cinnamon phase near Norris Yellowstone National Park WY IMG_6905“Cinnamon” bears are just a color phase/ morph of the Black Bear. Here is a smaller Cinnamon between Mammoth and Norris. [Canon 7D with Canon 400mm f5.6 lens; f6.3 at 1/1000, ISO 400; tripod]

Grizzly shaddow B&W Narrows Hayden Valley Yellowstone National Park WYIMG_8031 Grizzly shadow [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2000, ISO 200; tripod]

NW MN part 2: I love abandoned farms

What gets me ALMOST as excited as photographing birds, is shooting abandoned buildings, barns and vernacular architecture from a bygone era. That’s a crazy thing for “The Photonaturalist” to say, but it’s true. Maybe it’s nostalgia from our many trips to my grandparent’s farm in rural South Dakota…or maybe from growing up in an outer-ring suburb of Minneapolis and watching all the cool old buildings and farms get swallowed up by housing developments…or maybe from my dad’s stories of going to a one-room schoolhouse…or from poking around old abandoned farms with my photographer uncle, Ben. However I came by it, it is an addiction.

When I saw this empty and lonely farm house in rural Itasca County, I stepped hard on the brakes, did a U-turn and grabbed my camera. Trespassing is a habit of photographers who love abandoned buildings. This leafless gnarled tree in the “front yard” really added to the eerie feel.

The top image was highly manipulated
1. Adjusted in Aperture (exposure, levels, curves, white balance, etc)
2. Converted to black & white in Aperture
3. Converted to sepia for fun…and I liked it!
4. Vignette added (quite heavy vignette for a spookier feel)
5. Exported out of Aperture and opened in Photoshop to tweak the perspective and add “noise” to make it grainier

A low-contrast color version lightens the mood.

And some moody black & whites…I love that tree!

Canon 7D with Sigma 10-20mm lens, hand-held