I am bored of “bird on stick” photos…but I still take them. Every year I strive to get more creative with my wildlife photography. It’s often not easy to do….or at least not easy to remember to do something different. Get the portrait, but then think about how else you can shoot the subject…silhouette? slow shutter? animal-in-landscape? Of course, you can also get creative in “post” and do some interesting crops, or possibly convert an image to black and white. Have fun and play around!

Kingbird sunset silhouette (Felton Prairie, Clay County, Minnesota) August 16, 2018

Smoke from Canadian forest fires made much of the day a hazy mess…making photography difficult. But as the sun set it turned into a fiery ball in the west. Now if I could find a subject to silhouette! Fortunately an Eastern Kingbird landed in a roadside bush. Not the most interesting pose to silhouette, but I love the contrast between the deep blue twilight sky and orange fireball sun.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Wild Horse (feral) in Teddy Roosevelt National Park (North Dakota) April 30, 2018

A creative crop of a very curious wild horse (feral horse). I love their wild, human-like hair and big expressive eyes.

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/320 at f2; ISO 250; hand-held]

Trumpeter Swans (Yellowstone National Park, Wyoming) April 30, 2018

A black-and-white conversion that works well with these white subjects. Trumpeters are very curious and will sometimes swim towards you…A very nice behavior for photographers!

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/1250 at f2; ISO 200; hand-held]

Red-winged Blackbird sunrise (Tobin-Kimmes Wetlands, Douglas County, Wisconsin) May 12, 2018

I was looking for a different photo on this spring morning, but you always have to be open to other opportunities. The catkin-laced branches of this willow add to the image, as does the singing and displaying male Red-winged Blackbird.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f11; ISO 100; hand-held]

Sandhill Cranes and full moon (Crex Meadows Wildlife Refuge, Grantsburg, Wisconsin) October 22, 2018

Sandhill Cranes were streaming in to their nighttime watery roost at Crex Meadows as the nearly-full moon was rising. Many photographers had come to try and get crane-moon photos. This was my favorite as the cranes are very sharp and the sky had a tinge of purple.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/400 at f5.6; ISO 400; -1.0ev; tripod]

Tundra Swans (Upper Mississippi NWR, Brownsville, Minnesota) November 17, 2018

I wanted to see what would happen with a very long exposure (13 seconds on a tripod) as some Tundra Swans were still and some were still swimming around. I got this interesting photo of sharp sleeping swans and long white streaks showing the 13-second path of the swimming swans.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 13 seconds at f20; ISO 100; +1.66 ev; tripod]

Three displaying  Wild Turkey toms (Carlton County, Minnesota) May 29, 2018

It was a blah morning with gray skies when I ran across three tom Turkeys displaying on a dirt road. I positioned myself so I could silhouette their whole bodies against the sky. I then pushed the white balance slider all the way to the right in Lightroom (warmer=more yellow/orange)…Voila! Instant sunrise sky.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Bison fur detail (Yellowstone National Park, Wyoming) April 28, 2018

Love the texture of Bison hair.

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/640 at f4; ISO 400; hand-held]

High key Sandhill Cranes in frosty field (Yellowstone National Park, Wyoming) April 27, 2018

Some photos you don’t think much about when you take them. But when you see them on your computer at home, some really strike your fancy. I liked both the position of the feeding cranes and the frosty grass. To make it a “high key” photo, I adjusted the white levels in Lightroom until the background became totally clipped (blown out…absolute white).

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/500 at f4; ISO 200; hand-held]

Eastern Bluebird at Nana’s farm (Galesburg, Illinois) March 30, 2018

Just a quirky photo of an Eastern Bluebird and its silhouette on a barn wall.

[Canon 7D with Sigma 50-500mm lens at 373mm; 1/1000 second at f6.3; ISO 1000; -0.66 ev; hand-held]

Mayflies at Midnight (St. Louis River, Fond du Lac Bridge, Duluth, Minnesota) July 12, 2018

Hexagenia Mayflies emerge en masse from large rivers in mid summer. Some years are bigger than others, and 2018 was a big year along the St. Louis River near Duluth. This is a long exposure of thousands of mayflies flying about a street light on the bridge. Their floppy flight makes interesting light patterns during the 1/4 second exposure.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/4 second at f5.6; ISO 400; -1.0ev; hand-held, braced on car door frame]

Wild Turkey feathers up close (Skogstjarna, Carlton County, Minnesota)

Taken out my living room window! Love the iridescence on these stunning creatures.

Bridget specifically said “No frosty Bison photos! You have enough of them” But this one is a bit different. I converted the image to black and white then clipped the whites and blacks of the histogram to make a more high contrast image. It more accurately reflects what I remember from the Bison encounter than the original image. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, handheld]

I used a long exposure on these Harlequin Ducks to allow the river to blur nicely. But you have to take many photos as the ducks were constantly fidgeting.

[Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2000, handheld]

The two images above were taken early in the morning between Mammoth and Tower Junction. You don’t always need the sun at your back! Backlighting can really be quite dramatic. I love how the rim light defines the elk’s shapes and makes the spring leaves pop. Also keep in mind that shadows often show as blue to our cameras and it contrasts nicely with the green leaves. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, -1EV, handheld]

Did you do a double take when you looked at this image? This is a reflection of a Bighorn ewe that I flipped 180 degrees. Have fun and experiment! [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/1250, handheld]

Shapes often tell as much of a story as detailed subjects. I underexpeosed by nearly two stops to get this silhouette of Ryan hauling his 600mm f4 on a tripod across the snowy Hayden Valley. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/6400, -1 2/3 EV handheld]

Our wildlife subjects don’t always need to be large in the frame. But we really have to work to remember this and actually shoot “animal in the landscape” shots. Ryan and I had followed (by car) this sow and second-year cub for a while, but they cut up this steep hillside. I turned the camera vertical to emphasize the tall trees. Her backlit breath was a bonus. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, handheld]

I rented the Canon 85mm f1.2 lens for this trip specifically to play with extremely shallow depth of field in wildlife photography. This lens is commonly used in portrait photography to achieve very shallow DOF. This obliging Raven allowed me to get quite close and the result is a unique critter image with only an inch or two of in focus bird. [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2500 sec., handheld]

This is a very different perspective on one of the most visited sites in Yellowstone…the Falls of the Yellowstone River. I set up my tripod back from the overlook and put on the wide angle lens. Then I attached a B+W 9-stop ND (neutral density filter to slow down the exposure in order to record the motion of visitors gawking at the falls (and taking selfies!). Of course, there were a dozen people here just before I got set up, then they all vanished. Where’s the bus of Japanese tourists when you want them! [Canon 7D with Sigma 10-20mm lens and B+W 9-stop ND filter, f11 at 15 seconds, ISO 100, tripod]

Though the full moon ruined any plans we had for star trail photos, it made up for it during this moonrise at Silver Gate. The only way to get a large moon in your photos is to use a very long telephoto lens. But put an “earthbound” element into your photo to give the full moon scale. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/125, tripod]