Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

Bridget specifically said “No frosty Bison photos! You have enough of them” But this one is a bit different. I converted the image to black and white then clipped the whites and blacks of the histogram to make a more high contrast image. It more accurately reflects what I remember from the Bison encounter than the original image. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, handheld]

I used a long exposure on these Harlequin Ducks to allow the river to blur nicely. But you have to take many photos as the ducks were constantly fidgeting.

[Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2000, handheld]

The two images above were taken early in the morning between Mammoth and Tower Junction. You don’t always need the sun at your back! Backlighting can really be quite dramatic. I love how the rim light defines the elk’s shapes and makes the spring leaves pop. Also keep in mind that shadows often show as blue to our cameras and it contrasts nicely with the green leaves. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, -1EV, handheld]

Did you do a double take when you looked at this image? This is a reflection of a Bighorn ewe that I flipped 180 degrees. Have fun and experiment! [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/1250, handheld]

Shapes often tell as much of a story as detailed subjects. I underexpeosed by nearly two stops to get this silhouette of Ryan hauling his 600mm f4 on a tripod across the snowy Hayden Valley. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/6400, -1 2/3 EV handheld]

Our wildlife subjects don’t always need to be large in the frame. But we really have to work to remember this and actually shoot “animal in the landscape” shots. Ryan and I had followed (by car) this sow and second-year cub for a while, but they cut up this steep hillside. I turned the camera vertical to emphasize the tall trees. Her backlit breath was a bonus. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, handheld]

I rented the Canon 85mm f1.2 lens for this trip specifically to play with extremely shallow depth of field in wildlife photography. This lens is commonly used in portrait photography to achieve very shallow DOF. This obliging Raven allowed me to get quite close and the result is a unique critter image with only an inch or two of in focus bird. [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2500 sec., handheld]

This is a very different perspective on one of the most visited sites in Yellowstone…the Falls of the Yellowstone River. I set up my tripod back from the overlook and put on the wide angle lens. Then I attached a B+W 9-stop ND (neutral density filter to slow down the exposure in order to record the motion of visitors gawking at the falls (and taking selfies!). Of course, there were a dozen people here just before I got set up, then they all vanished. Where’s the bus of Japanese tourists when you want them! [Canon 7D with Sigma 10-20mm lens and B+W 9-stop ND filter, f11 at 15 seconds, ISO 100, tripod]

Though the full moon ruined any plans we had for star trail photos, it made up for it during this moonrise at Silver Gate. The only way to get a large moon in your photos is to use a very long telephoto lens. But put an “earthbound” element into your photo to give the full moon scale. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/125, tripod]

Living in northern Minnesota, there are few ducks we don’t regularly encounter. But this May trip to Yellowstone National Park was special in that there I had a chance to photograph three species that I’ve never photographed before…Harlequin Duck, Cinnamon Teal and Barrow’s Goldeneye. All gorgeous western waterfowl that are rarely seen in the Midwest.

Harlequin Ducks at LeHardy Rapids on the Yellowstone River [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/60 (Why? I must have been shooting video and switched to stills forgetting to up the shutter speed), tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. I used a very slow shutter speed to make the water silky smooth but still wanted the ducks sharp. A different look. [Canon 7D with Canon 400mm f5.6 lens, f18 at 1/5, ISO 100, tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. They sleep/doze in the middle of the rapids, all the while being splashed in the face with water! [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/60, tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. I chose a slower shutter speed to highlight the color in the water. It took many frames but most of the Harlequins are fairly sharp. [Canon 7D with Canon 400mm f5.6 lens, f14 at 1/8, tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. Harlequins are like “Dippers of the Duck World”…they dive and gather food underwater in fast moving rivers and rapids. Fun to watch them moving UPSTREAM in fast water. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, flash with Better Beamer, handheld]

Barrow’s Goldeneye in flight on the Yellowstone River. Not my best duck-in-flight shot…it’s turned away from me a bit…but my best Barrow’s Goldeneye flight shot! We have Common Goldeneyes in Minnesota. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2000 (to freeze the wings in flight), handheld]

American Wigeon at LeHardy Rapids on the Yellowstone River. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2000 (to freeze the wings in flight), handheld]

Cinnamon Teal male in the Hayden Valley. This was my closest and best sighting of a Cinnamon Teal ever! Gorgeous! I crawled over the snow to get close enough for a shot. Love the red eyes too. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 (just in case he flew), handheld]

I was quite surprised to come across these two White-faced Ibis in an open stream in the snow-covered Hayden Valley. I did not know they migrated through the park. Strange to see a tropical looking bird in this mountain valley! They are gorgeous with iridescent green and burgundy plumage. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1000, handheld]

[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600, handheld]

It’s that time of year to take stock of our shooting fortunes from the year past. For me, it was a mixed bag. I wanted to do more wildlife video but didn’t find the time for much. 2013 was also the year of the “Feathered & Furry 500,” my attempt to photograph 500 species of animals in Minnesota in one year [More on this in a post in the near-future]. And I did rack up a pretty big list…including over 220 species of birds. But I was also trying to be creative in my shots….More than the usual perfect light portrait.
In the next few days I will also post more “Top Tens” from 2013…Stay tuned!
Here are my favorites in no particular order:
American Crow in snowstorm. Taken near my house on the way to the gas station to get some milk for the family…The lesson? Always have your camera in the car. I really didn’t do much to the photo as the scene was already extremely contrasty. I did tweak the Levels and Curves to clip the whites and blacks in Aperture. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, ISO 160, handheld but braced on car window]

Chickadee landing on feeder at dawn. I “previsioned” this shot but just had to wait for the right morning and get up the gumption to shoot in the cold of a winter morning. I underexposed by nearly two stops in order to put the backlit wing feathers in a medium tonal range. Yes, it could have been better if part of the bird wasn’t blocked by the feeder. My house, Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2500 second, ISO 3200, Handheld]

European Starlings and Aerial Lift Bridge. I was photographing gulls in Duluth’s Canal Park when a large flock of starlings spooked from the bridge. I instinctively threw up my camera and started shooting. I really like the pattern and composition of this very “graphic” image, especially how the steel girders are all kind of converging in the center. The birds are nicely spaced too. Check the color version/variation below. Canal Park, Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800, Handheld]

Bald Eagle Landscape. I didn’t “see” this composition when I clicked the shutter…I just pointed my lens out the window when I saw and eagle land there. Only later did I see the nice composition of vertical aspen trunks contrasting with the blueish background of distant pines. A bird-in-the-landscape shot that works. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/800 second, ISO 640, Handheld but braced on car window]

This is one of 3 images in this Top Ten that were taken within minutes of each other (the others were the startling/bridge silhouettes). Fortuitously, the gulls all perched in perfect locations to make this interesting silhouette. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f18 at 1/400 second, ISO 800, Handheld]

Common Redpoll on snowy road. I laid flat on a snow-covered road to get this unique portrait of a Common Redpoll, a winter visitor to northern Minnesota. I blew out the whites to improve the high-key look of this shot. Sax-Zim Bog, Minnesota
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 200, Handheld while laying on ground]

Two Trumpeter Swans landing. Sepia tool in Aperture really helped this shot…The color version wasn’t bad, but the colors were a bit weird. If this happens to you, try and play with black-and-white or sepia color. Mississippi River, Monticello, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 250, Handheld]

(see details on similar photo above)
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800 Handheld]

American Crow in snowstorm Wide. Taken only seconds after the image at the top of the post but with a 10-20mm lens instead of a 400mm lens! I like the simple composition of 3 stark tree silhouettes and one bird tiny in the frame. Carlton County, Minnesota.
[Canon 7D with Sigma 10-20mm, f6.3 at 1/640 second, ISO 160 Handheld]

Mallard blur. A very slow shutter speed to portray frantically feeding Mallards on Lake Superior. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f20 at 0.6 seconds, ISO 100 Handheld]

Two Sharp-tailed Grouse in Tamaracks. One of my favorite images of the year (You may certainly disagree!) But I just love the composition of the one distant bird more obvious, then the closer bird more hidden in the trees. I wish I could say I designed this shot, but it was just a “haccident” (happy accident). Sax-Zim Bog, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1000 second, ISO 160, tripod]