Though I do still enjoy a beautiful “bird on a stick” frame-filling portrait, more satisfying to me now is a wider field of view showing the bird or mammal in its native habitat. It tells more of a story about how and where that critter lives. Here are my favorites from 2021

We had about three days of GORGEOUS rime ice in early January 2021. It coated everything in a huge area of northern Minnesota. Rime ice is basically dense fog that freezes. That is how it differs from hoar frost. In hindsight, I should have spent A LOT more time looking for subjects amongst this crazy backdrop since it only occurs rarely. I did find this Common Redpoll out my living room window though. Its red cap adds a much-needed splash of color to the scene.

Maybe this is less “bird-in-the-landscape” and more “specks on the horizon” but the two flocks of geese (squint real hard!) add a lot to this rural western Minnesota farms cape.

It is not everyday that you can take a winner image while taking the garbage cans out to the road! Here three tom Wild Turkeys are in full display mode for the numerous hens just out of frame. I like the backlit feathers and aspen catkins.

I didn’t even notice the moon until well into my trip to North Ottawa Impoundment. Then I had the “aha” moment, and started taking hundreds of photos pointing my camera straight up into the azure blue spring sky. I like this wider image that has the moon in line with the Snow Geese, and I also appreciate that the line of migrating geese goes from upper left to lower right corner of the frame.

Hey, this IS the native landscape for Rock Pigeons! They live/nest in this old warehouse in Superior, Wisconsin. I just like the symmetry of the windows as well as the texture and colors of the weathered boards and tin siding…oh, and the pigeons add to the photo too.

Porcupines are relatively easy to find in late spring in the Sax-Zim Bog due to the fact that they feast on willow and aspen catkins relatively low in the woods. I framed this fella with blobs of yellow by shooting through a flowering willow with a larger aperture.

I do love this shot….BUT…I wish I had left the tern more space on the right so I could crop it so the bird was more to the left of the frame.

The “Badlands” are really a land of plenty for the many critters that live there. Though it appears to be an inhospitable landscape, there is no shortage of wildlife that call it home such as this curious (cautious?) Cottontail.

Gilded Flickers are close cousins to our Northern Flickers, but they are only found in their preferred Saguaro cactus habitat in Arizona and extreme SE California. They even excavate nest cavities in the prickly cacti.

Dusk in the floating blind. I thought shooting time was over, but I noticed the thunderheads turning pink on the horizon and wondered if I could get some ducks in the foreground. It didn’t take long before I maneuvered the blind into position for a raft of four Blue-winged Teal. But before I could get a shot, they jumped into the air and were gone. But I got lucky, as this frame turned out to be my favorite.

Nighthawks are rarely seen in the full sun of daytime. They are primarily a bird of dusk when they take wing to suck up flying insects in the air. That tiny bill opens to reveal a huge gaping mouth, which is all the better for inhaling mosquitos.

Peek-a-boo, I see you!

I intentionally included the meandering tracks of this early-returning pair of Trumpeter Swans as it lent a bit of visual interest. This would be a killer shot with more dramatic light.

You don’t often see Tufted Titmouse in Minnesota, and when you do they are usually tucked into an evergreen. I like the out-of-focus leaves that make orangish blobs of color that match the buffy sides of the titmouse.

You build it and they will come. That is certainly true of the impoundment project called North Ottawa. Now every spring, tens of thousands of geese state here on their way north. Quite a sight, and an even more impressive auditory experience.

I HAVE to get down here to photograph this nest in early spring next year. I love this shot, but it would even be better with the spring green of just-emerging leaves to warm up the scene. Big bird, big nest, big tree.

On their way back to the Arctic, Rough-legged Hawks hunt open areas all over the upper midwest.

I just like the gray of the Great Gray amongst the white branches of the aspens. Last year’s leaves add a pop of subtle color.

This picture really shouts, “North Dakota.” A land of open country, grasslands, empty spaces, and prairie birds such as this lone Sharp-tailed Grouse.

A River Otter sighting can brighten a gloomy spring day.

Northeast winds had stacked shards of blue ice along the shore at Lighthouse point on Lake Superior. I used a small aperture to keep the Red-breasted Mergansers in focus while giving some detail to the ice.

I just like the leading lines of the Ocotillo that bring the eye to a stunner of a bird; the Varied Bunting which is in full song.

Montana isn’t the only ” big sky country”! North Dakota has its share of vast skyscapes. A lone Yellow-headed Blackbird sings to the sky its melodious song….STOP…let me rephrase that…A lone Yellow-headed Blackbird croaks out its grating call to any other blackbirds that might be nearby.

Not many other birds share the same habitat as the White-throated Swift! Crevices in bare rock cliffs is where this relative of the swallow nest. And this one is swooping up into its retreat on the one and only Devil’s Tower.

I just LOVE birds perched on rusty barbed wire…and especially if there is an old wood fence post in the frame as well. Jackpot! Black-throated Sparrow in the Chihuahuan Desert on the Arizona-New Mexico line.

I like this photo of Evening Grosbeaks in white-barked Aspens …but I would LOVE it if there were a few more in the center of the frame…and if the others were looking into the center. Oh well.

Just a tiny bit of rim light illuminates these Black-tailed Prairie Dogs at sunset in Teddy Roosevelt National Park. Moody!

Yellow bird amongst yellowish grasses in a snowy scene. An early-arriving Eastern Meadowlark is greeted by an April snowstorm.

Maybe a portrait and not a bird-in-the-landscape but kind of in-between. Enjoyed a wonderful morning in the sagebrush flats south of Pinedale, Wyoming, and the surprisingly colorful Sagebrush Sparrow was a species I’d never photographed before.

Just allow me one more “bird in frosty landscape” shot.

The water has been rising in central North Dakota for years. The last time I visited this spot six years ago, this tree was still on dry land! A lone Western Grebe confirms that this is now a permanent lake.

It is always fun to stumble upon a Great Gray in a spot where you don’t expect them. This was an early morning jaunt in the Superior National Forest to look for Moose (which I did find). I love its perch and wanted to include the whole thing in the photo.

What can I say? I like birds in frosty landscapes!

Well, this concludes my “Top Tens” of 2021 posts. Now I better get out there and start shooting so I will have some Top Tens of 2022 to share next year!

All photos taken with Canon R5 and Canon 100-500mm lens

“Is this just another category so you can show more bird photos Sparky?” Why, yes, yes it is! And just so you know…I do include flying as a behavior for some reason. I guess technically everything a bird does is “behavior,” so I’m good!

I can feel my frozen finger tips by just looking at this photo. So COLD! Most of the Mississippi River was frozen at this point in February; only spots below locks and dams were open…and this spring-fed spot near Buffalo, Wisconsin. Though it appears this young Bald Eagle is preying on the Common Goldeneyes, it is actually plucking small fish from just below the surface. There were several eagles and they made multiple passes each. I just laid down on the snow with my Canon R5 and Canon 100-500mm lens and started tracking them as they approached. The R5 did amazingly well, even in the well-below-zero-F temps. I like the monochromatic blue cast to this image.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 100; 0 ev; handheld]

The critical moment. It has always been a thing of wonder to watch birds of all types landing on perches. Can you imagine the vision and motor skills this takes? How about a Great Gray Owl alighting on the tip top of a tiny spruce? It can’t even see the bough when it actally lands! This Green Heron made a perfect two-point landing I am proud to report.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 640; 0 ev; handheld]

Courtship in American Avocets is highly stylized. This water-thrashing by the male is performed immediately before he mounts the female. The only way I was able to get this behavior shot from such close range was because I was invisible! My floating blind hides the human form which is what alarms much wildlife.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 100; 0 ev; on tripod head in floating blind]

Not a great photo but kind of fun with all the “bird bickering” going on. This, of course, is common behavior at bird feeders. Evening Grosbeaks are some of the feistiest! Sax-Zim Bog is the best place to find big flocks in winter.

[Canon R5 with Canon 100-500mm lens at 451mm; 1/800 second at f7.1; ISO 2000; -0.33 ev; handheld]

It is not only Carpenter Bees (in background) that find the blossoms of agaves irresistable! Hooded Orioles also make a beeline for the blooms where they can feast on nectar.

I waited a couple hours to get this shot. I chose a single blooming agave that was at or below eye level (most others were higher up so it would be a less interesting angle with a blah sky background). A few female Hoodeds came in but I really wanted a male. But I kind of blew it with the autofocus as it locked on the flower and not the bird (so don’t blow this photo up too much!).

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; 0 ev; on tripod head in floating blind]

Preening takes up a lot of a bird’s resting time. You’ve got to keep those feathers nice and aligned! The floating blind again worked its magic on this prairie pothole lake in North Dakota as I was able to approach this Wilson’s Phalarope closely…Not unnoticed, of course, it knew a big floating blob was only 10 yards away, but rather completely ignored. It didn’t care that the blob was close since it was not a human- or prey-shaped form.

[Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

In recent years massive numbers of geese have migrated through western Minnesota in spring. Part of this is due to the creation of the huge North Ottawa Impoundment in Grant County. It is part of a multi-county watershed project that has benefited wildlife immensely.

I noticed the moon and intentionally shot straight up as flock after flock of Snow Geese headed north overhead.

In hindsight I should have shot with a MUCH smaller aperture to make the moon sharper in the image. After all I was only at ISO 200 and I could have got a clean image up to ISO 5000 or higher. [Canon R5 with Canon 100-500mm lens at 254mm; 1/1250 second at f5; ISO 200; 0 ev; handheld]

Human and Wild Turkey courtship have a few similarities: Males strutting their stuff to impress the ladies! The backlit feathers in early-morning light really make this shot.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 320; -2.0 ev; tripod]

Prairie potholes aren’t just for ducks! Shorebirds benefit greatly as well. American Avocets mating in the prairie pothole region of North Dakota.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This Western Grebe is not just getting a drink; it is actually performing part of its courtship ritual. “Dip-shaking” is when one grebe faces another, extends its neck and dips its head in the water, lifting it slowly, water dripping from its open mouth. This behavior occurs just before “rushing,” in which both birds race across the water in a vertical position. [Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

Ready for take-off! Black-throated Hummingbird showing its true colors (Shouldn’t they be called “Magenta-throated Hummingbirds??)

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f8; ISO 800; +0.33 ev; handheld but braced on car door frame]

I simply like the vibrant colors (and blurred wings) of this Broad-billed Hummingbird feeding on garden flowers in Madera Canyon in southeast Arizona.

[Canon R5 with Canon 100-500mm lens at 300mm; 1/320 second at f6.3; ISO 1000; 0 ev; handheld]

Black Tern cruising over a prairie marsh in North Dakota.

[Canon R5 with Canon 100-500mm lens at 200mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

Male Yellow-headed Blackbirds showing off his white epaulets during his courtship song. Interestingly, Yellow-heads are dominant over Red-winged Blackbirds.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/3200 second at f7.1; ISO 1000; +0.33 ev; handheld]

[Canon R5 with Canon 100-500mm lens at 451mm; 1/1250 second at f6.3; ISO 400; +0.33 ev; on tripod head in floating blind]

Birds MUST preen their feathers in order to keep them in top shape. Preening aligns and locks the barbules on each feather. It also cleans the feathers and removes parasites. They also rub a waterproof substance from a body gland on the feathers to keep them from soaking through.

This Northern Shoveler was so busy preening that it paid my floating blind no attention at all.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

Back in the slide film days I used to work much harder at getting good landscape images. We worked much slower in the film days. And I really put thought into good composition. But with the digital age, I’ve gotten a bit lazy. Too easy to just snap some quick photos with my iPhone and call it a landscape. But having access to a drone has made me think more about aerial landscapes and I’ve included four of those images here…Roughly 30 percent of my favorite landscape images this year were with the drone.

I do enjoy very wide images and so have also been using my 10mm Rokinon lens on the Sony A6500 body.

Here’s my faves from 2019.

Some of you may know where this little gem is located. The cedar tree that I used to include in my compositions here, is now tipped over. A long exposure made for a colorful pattern of swirling foam and leaves. Did I put that maple leaf on the rock? Only I know!

I absolutely love the new perspectives the we can get with drone images. But I am still learning on how to be a good drone pilot (I have crashed my DJI Phantom 4 a few times).

I was passing through southwest New Mexico on my way to southeast Arizona for a birding trip when I saw this scene. I love the drama of Yuccas…and the clouds helped make this image. For this look I desaturated this image, and increased the “clarity” slider, in Lightroom.

Yes, a very simple “tree silhouette” landscape, but I like the vertical trunks contrasting with the horizontal bands of color in the sky. This is well past sunset.

You could only get a shot like this with a drone (or a really tall ladder!). I like the different shades of blue and yellow as the lake begins to thaw in spring.

What do you do after you get back to your campground in Yellowstone? Eat dinner and take star photos! A headlamp briefly turned on illuminated my face.

I’d seen photos like this taken from a plane in the “pre-drone” era. Knowing that I could never afford to rent a plane, I gave up on making an image like this. But a drone now allows some very unique shots at a fraction of the cost.

Ryan and I have photographed this thermal feature in Yellowstone before, but on this evening it had a completely different feel due to the thick steam arising from the pool. We stood on the top rung of the barrier fence and held our cameras high to get a more pleasing angle on the scene.

Aerial view of Lake Superior ice during break up. I converted to black and white for a more graphic image.

I love the splash of color on this atypical landscape photo. What else can you do on an extremely gloomy day? Ryan got even lower to the road and also made a very cool image.

Mammoth Hot Springs Terraces

I’m not sure why Ryan and I had never noticed this big ol’ Cottonwood in Yellowstone’s Lamar Valley before…Maybe because we were always looking for wildlife. But on this year’s trip Ryan saw it and named it the Zen Tree. It has wonderfully gracefully arced limbs and trunk, and it is very photogenic.

I actually had to stick my hand and camera into a bramble of spiny Cholla cactus stems to get this wide angle view of the Sonoran desert landscape near Tucson. I love how everything is framed by the Cholla (except the foreground Saguaro could be placed a bit better). Overall a unique view of a very unique habitat.

Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Here are my favorite mammal photos taken in 2019. It was a pretty good year for locating and photographing the “four-leggeds.”

I call this the “Group Back Rub.” This is from October when Ryan and I were enroute to Yellowstone. I took this while we were waiting for a Burrowing Owl to poke its head out of a prairie dog hole. Let’s just say that Ryan doesn’t appreciate prairie dogs or their high level of cuteness. If its his turn to drive, I really have to plead for him to stop for a prairie dog colony. I love photographing them and their antics.

Due to the deep snows and cold temps of the winter of 2018-19, many critters had a tough time finding food. At least 9 Bobcats were seen in the Sax-Zim Bog including a mom with 2 young. This was likely one of the young who camped out at a road-killed deer (note ribs in background). Bobcats are gorgeous and cute at the same time. A flash helped make this image Uber-sharp on a heavy overcast day.

This is the start of the snowstorm that closed Yellowstone down for 36 hours at the start of our time in the park. These three ruled the road between Madison and West Yellowstone.

While guiding a group from Outward Bound along the Warren Woessner Bog Boardwalk at the Warren Nelson Memorial Bog, this little guy popped out of a snow burrow and immediately emerged from a nearby hole. They are unbelievably fast critters! They hunt voles in their subnivean tunnels (their long thin body shape helps in this pursuit) but also feed on carcasses.

Ermine is the name for Least Weasel, Long-tailed Weasel and Short-tailed Weasel when in their winter white coat (this is a Short-tailed Weasel).

He stayed still for approximately 1.5 seconds but I was able to snap off a couple shots. It will be in the MN Conservation Volunteer magazine next month.

Something a bit different…an image from a zoo of a mama Baboon gently grooming her baby. Just darn cute!

This is a real “mammal in the landscape” photo. But I think it works because of the Red Fox looks sharp with the red of the willows, both of which contrast with the white of the symmetrical aspens.

Arriving in Teddy Roosevelt National Park we were greeted with this young Mule Deer buck browsing on some roadside shrubs. An early October snowstorm provided the backdrop.

Not a great photo…so why is it included here? Because it was the first Canada Lynx I’ve seen in the daylight…and I got some images! I lucked into this mellow cat up in the Superior National Forest in late March and got to spend a few minutes with it as it sauntered through the forest, then sat for a while before moving on in its never-ending search for Snowshoe Hares.

Read more and see the video HERE

Sometimes trying to predict where a wild animal might intersect with our own path pays off. We saw this Grizzly making its way across the North Fork of the Shoshone River just outside Yellowstone. She went into the woods so we moved up the road to a pullout and waited. And, believe it or not, she came out of the woods and headed in our direction. But it was not us she wanted to investigate, but rather a stand of Wild Rose whose hips were in full ripeness. It was a joy to watch her delicately plucking the fruits from the bush a couple at a time. Not once did she look in our direction, and when she was filled, she moved off.

Read more of this story HERE

On may way to photograph Loons one early summer morning I stumbled across a trio of romping Red Fox pups. I stayed with them for nearly an hour and enjoyed their antics. The loons could wait.

It seemed that only two would wrestle at a time, never all three. I took many photos and quite a bit of video.

This mellow Red Fox tolerated my presence for about 10 minutes as it hunted for voles along a minimum maintenance road and a farm field in the Sax-Zim Bog. Occasionally it would hear the sound of a vole under the crusty snow; its ears would rotate forward towards the sound, it would then rock back on its haunches, then launch high into the air to get enough force to break through the crusty snow to get a the vole.

Pine Martens LOOOVE peanut butter! And suet. And carcasses. So they are occasionally attracted to bird feeding stations in the Sax-Zim Bog. They use this food to supplement their normal diet of Ruffed Grouse, voles and squirrels. There were at least two, and possibly three coming to this feeder. They ignored the nearby birders and photographers for the most part. It is ALWAYS a treat to see these guys.

 

Okay, I’m cheating a bit on my Top 10 and have selected an extra two photos, so here is my 12 favorite bird images from 2018.

Eastern Kingbird feeding young (Felton Prairie, Clay County, Minnesota) August 16, 2018

I love Felton Prairie. It is a dry gravel prairie on the “Glacial Ridge” of western Minnesota. It is (was?) known as the only nesting site of Chestnut-collared Longspurs in the state. I spent about an hour with this late-nesting Eastern Kingbird family (this was mid August).

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/1600 second at f5.6; ISO 400; hand-held from inside car.]

Barred Owl on Owl Avenue (Sax-Zim Bog, St. Louis County, Minnesota) April 2, 2018

This photo was taken near dusk on a lonely bog-bordered road in the Sax-Zim Bog. I like the monotone feel of the photo. I also like that the owl is NOT looking at me, but watching (listening?) intently on something out of frame.

[Canon 7D with Sigma 50-500mm lens at 203mm; f6.3 at 1/320 second; ISO 3200]

Mature male Snowy Owl on hay bale (Sax-Zim Bog, St. Louis County, Minnesota) December 17, 2018

The very small size and very white plumage of this Snowy Owl indicates that this is an older male bird. It has been hunting the same fields in the Sax-Zim Bog for about a month. He often perches on hay bales, scanning the countryside for voles. I like the stark contrast between the white owl and the pink sky.

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/1600 second at f5.6; ISO 400; hand-held from inside car.]

Bohemian Waxwing in Mountain-Ash (Two Harbors, Minnesota) November 12, 2018

I’ve photographed many Bohemian Waxwings over the years, but usually in crabapple trees, so I wanted to get photos and video of one in a Mountain-Ash (a native species). I found a small flock in a huge Mountain-Ash (that I’ve looked in many times before) in the town of Two Harbors, Minnesota.

I only shot video, but was able to pull this still-image out of a 4K video clip.

[Panasonic GH5 with Sigma 50-500mm lens

Great Gray Owl (Sax-Zim Bog, Minnesota) February 27, 2018

Great Grays are amazing photo subjects…even if they are just staring into the snow. I had spend over an hour just watching this one sit in an aspen…waiting for it do something…anything! Then when I wasn’t ready (of course!), it launched into the air and plunged face first into the deep ditch snow only 20 yards from me. But it didn’t catch the vole on the plunge but it could still hear it under the deep snow. I slowly crawled over to the ditch and laid flat on the snow to get this eye-level shot. The Great Gray in this photo is not really looking into the snow, but rather listening by facing its huge facial disks towards the sound. Ear holes that are a slightly different size and shape can triangulate sound in order to pinpoint prey.

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/250 second at f5.6; ISO 200; pop-up flash; hand-held while laying flat on the snow.]

Sanderling in near-breeding plumage (Park Point, Duluth, Minnesota) May 22, 2018

Shorebirds along the sandy beaches of Lake Superior are one of my favorite subjects. Most are heading to breeding grounds on the tundra of the Far North. This makes them seem more exotic and interesting. Sanderlings are one of the most common shorebirds on the beaches of Duluth’s Park Point and Superior, Wisconsin’s Wisconsin Point.

This one is in near breeding plumage with reddish head and breast. We usually see them in their white plumage as small flocks scoot ahead of us as we walk down the beach. I crawled through the sand to get in front of the Sanderlings and then would remain still as they worked their way towards me. I like this unique head-on angle.

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/640 second at f5.6; ISO 320; hand-held while laying flat on the sand.]

Great Gray Owl in heavy snow (Duluth, Minnesota) January 30, 2018

There was a mini-irruption of Great Gray Owls just north of Duluth last winter. In fact this guy was hunting right in the city limits of Duluth along Old Superior Street. I got to film him (her?) making several plunges into the deep but crusty snow. It was able to break through the crust to get at voles below.

[Sony A6500 with Sigma 50-500mm f4.5-6.2 lens at 500mm; 1/250 second at f6.3; ISO 1250; hand-held]

Male Bufflehead (St. Louis River at Fond du Lac in Duluth, Minnesota) April 23, 2018

Every year when the ice goes out on the St. Louis River I try and get some eye-level (ice-level?) shots of waterfowl in their spring splendor. The ice went out quite late this year as this photo was taken in late April. Buffleheads are really difficult to photograph because they dive frequently. And it is very hard to capture the iridescence of their head feathers. They usually look all black and white. But the sun angle was just right for this photo to reveal the rainbow iridescence.

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/2500 second at f5.6; ISO 500; hand-held while laying on the shoreline ice]

Eastern Kingbird catching grasshopper in mid-air (Felton Prairie, Clay County, Minnesota) August 16, 2018

I honestly just got lucky with this shot. I love images of grassland birds on old fence posts or rusty barbed wire fences (both of which are disappearing from the rural landscape) so I took some photos of this Eastern Kingbird. But I decided to wait patiently

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/2000 second at f5.6; ISO 400; hand-held from inside car.]

Three immature Bald Eagles (Douglas County, Wisconsin) April 9, 2018

A perfectly-arranged trio of subadult Bald Eagles in northwest Wisconsin. It takes 3-5 years for a Bald Eagle to attain its pristine white head and tail feathers. The bottom bird is probably a 2nd year bird, and the tip bird may be a 3rd year bird due to its Osprey-like face mask. The middle bird is also probably a 3rd year bird. I’m sure there was a road-killed deer somewhere nearby.

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/2000 second at f7.1; ISO 320; hand-held from car window]

White-faced Ibis (Yellowstone National Park) April 30, 2018

I rarely get to see these birds but they migrate through Yellowstone National Park in the spring. This one was feeding on a newly-thawed pond. The sad part of this story is that I dropped a rented 2x teleconverter out of the car while trying to get out and photograph this bird. The fall put a scratch in the lens. I then had to buy the 2x from lensrentals.com. But I guess I’m glad to own this high-end teleconverter.

[Canon 7D with Canon EF 200mm f2 IS USM lens with 1.4x teleconverter;  1/250 second at f2.8; ISO 400; hand-held]

Snowy Owl (South Superior, Wisconsin) January 5, 2018

If I’d shot this photo with a wide-angle lens, you would have seen a gravel pit, railroad tracks and car repair place in the frame. This Snowy Owl was hunting in a semi-industrial area of Superior, Wisconsin. I waded through the deep snow to reach the spruce and began filming. The owl completely ignored me, but after about 10 minutes some distant movement caught its eye and off it went. I like the wing position as it lifts off.

[Canon 7D with Canon EF 400mm f5.6 USM lens 1/2500 second at f5.6; ISO 320; -0.66ev; hand-held]

 

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]