“Is this just another category so you can show more bird photos Sparky?” Why, yes, yes it is! And just so you know…I do include flying as a behavior for some reason. I guess technically everything a bird does is “behavior,” so I’m good!

I can feel my frozen finger tips by just looking at this photo. So COLD! Most of the Mississippi River was frozen at this point in February; only spots below locks and dams were open…and this spring-fed spot near Buffalo, Wisconsin. Though it appears this young Bald Eagle is preying on the Common Goldeneyes, it is actually plucking small fish from just below the surface. There were several eagles and they made multiple passes each. I just laid down on the snow with my Canon R5 and Canon 100-500mm lens and started tracking them as they approached. The R5 did amazingly well, even in the well-below-zero-F temps. I like the monochromatic blue cast to this image.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 100; 0 ev; handheld]

The critical moment. It has always been a thing of wonder to watch birds of all types landing on perches. Can you imagine the vision and motor skills this takes? How about a Great Gray Owl alighting on the tip top of a tiny spruce? It can’t even see the bough when it actally lands! This Green Heron made a perfect two-point landing I am proud to report.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 640; 0 ev; handheld]

Courtship in American Avocets is highly stylized. This water-thrashing by the male is performed immediately before he mounts the female. The only way I was able to get this behavior shot from such close range was because I was invisible! My floating blind hides the human form which is what alarms much wildlife.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 100; 0 ev; on tripod head in floating blind]

Not a great photo but kind of fun with all the “bird bickering” going on. This, of course, is common behavior at bird feeders. Evening Grosbeaks are some of the feistiest! Sax-Zim Bog is the best place to find big flocks in winter.

[Canon R5 with Canon 100-500mm lens at 451mm; 1/800 second at f7.1; ISO 2000; -0.33 ev; handheld]

It is not only Carpenter Bees (in background) that find the blossoms of agaves irresistable! Hooded Orioles also make a beeline for the blooms where they can feast on nectar.

I waited a couple hours to get this shot. I chose a single blooming agave that was at or below eye level (most others were higher up so it would be a less interesting angle with a blah sky background). A few female Hoodeds came in but I really wanted a male. But I kind of blew it with the autofocus as it locked on the flower and not the bird (so don’t blow this photo up too much!).

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; 0 ev; on tripod head in floating blind]

Preening takes up a lot of a bird’s resting time. You’ve got to keep those feathers nice and aligned! The floating blind again worked its magic on this prairie pothole lake in North Dakota as I was able to approach this Wilson’s Phalarope closely…Not unnoticed, of course, it knew a big floating blob was only 10 yards away, but rather completely ignored. It didn’t care that the blob was close since it was not a human- or prey-shaped form.

[Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

In recent years massive numbers of geese have migrated through western Minnesota in spring. Part of this is due to the creation of the huge North Ottawa Impoundment in Grant County. It is part of a multi-county watershed project that has benefited wildlife immensely.

I noticed the moon and intentionally shot straight up as flock after flock of Snow Geese headed north overhead.

In hindsight I should have shot with a MUCH smaller aperture to make the moon sharper in the image. After all I was only at ISO 200 and I could have got a clean image up to ISO 5000 or higher. [Canon R5 with Canon 100-500mm lens at 254mm; 1/1250 second at f5; ISO 200; 0 ev; handheld]

Human and Wild Turkey courtship have a few similarities: Males strutting their stuff to impress the ladies! The backlit feathers in early-morning light really make this shot.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 320; -2.0 ev; tripod]

Prairie potholes aren’t just for ducks! Shorebirds benefit greatly as well. American Avocets mating in the prairie pothole region of North Dakota.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This Western Grebe is not just getting a drink; it is actually performing part of its courtship ritual. “Dip-shaking” is when one grebe faces another, extends its neck and dips its head in the water, lifting it slowly, water dripping from its open mouth. This behavior occurs just before “rushing,” in which both birds race across the water in a vertical position. [Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

Ready for take-off! Black-throated Hummingbird showing its true colors (Shouldn’t they be called “Magenta-throated Hummingbirds??)

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f8; ISO 800; +0.33 ev; handheld but braced on car door frame]

I simply like the vibrant colors (and blurred wings) of this Broad-billed Hummingbird feeding on garden flowers in Madera Canyon in southeast Arizona.

[Canon R5 with Canon 100-500mm lens at 300mm; 1/320 second at f6.3; ISO 1000; 0 ev; handheld]

Black Tern cruising over a prairie marsh in North Dakota.

[Canon R5 with Canon 100-500mm lens at 200mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

Male Yellow-headed Blackbirds showing off his white epaulets during his courtship song. Interestingly, Yellow-heads are dominant over Red-winged Blackbirds.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/3200 second at f7.1; ISO 1000; +0.33 ev; handheld]

[Canon R5 with Canon 100-500mm lens at 451mm; 1/1250 second at f6.3; ISO 400; +0.33 ev; on tripod head in floating blind]

Birds MUST preen their feathers in order to keep them in top shape. Preening aligns and locks the barbules on each feather. It also cleans the feathers and removes parasites. They also rub a waterproof substance from a body gland on the feathers to keep them from soaking through.

This Northern Shoveler was so busy preening that it paid my floating blind no attention at all.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This is really where my heart is in regards to wildlife photography.

Black-capped Chickadee wings iridesce when backlit by the sun. My fingers were frozen by the time I got the shot, but it was worth it 🙂 The electronic 30fps shutter on the Canon R5 sure helps in these situations!  As does prefocusing on the spot where the chickadee will be. [Canon R5 with Canon 100-500mm lens at 270mm; 1/2000 second at f5.6; ISO 800; -1.00 ev; tripod]

Laying on the ground with a Western Diamondback Rattlesnake is an experience I hadn’t had until my July trip to southeast Arizona. I creatively cropped this image to highlight its eye with the unique vertical pupil.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 1000; 0 ev; handheld]

I’m the only photographer that goes to Crex Meadows on the day before a full moon to shoot silhouettes such as this…Yeah right! I was just one of a couple dozen photogs there this evening to try and get this type of shot. Why go on the day before the full moon? Well, that is the evening that the moon rises before the sun sets and you can get some decent light on the birds in front of the moon. It is pretty much impossible to get both the cranes and moon in sharp focus even with a f22 aperture. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

Probably my favorite image from Ryan and I’s trip to the prairie potholes of North Dakota this past May. It was one of those situations that you dream of….Your subject just keeps hanging around (in this case a flock of Black Terns) and the light keeps changing (sun, rain, dramatic clouds, rainbows, sunset). We shot a lot. But this image was my favorite…and the bird isn’t even in the shot! Just the reflection of a Black Tern, the rain drops forming concentric rings, and the blue-orange reflection in the water. [Canon R5 with Canon 100-500mm lens at 300mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

I shot through a pile of blue ice to frame this Red-breasted Merganser on Lake Superior. Unique and creative to be sure, but not my favorite shot. [Canon R5 with Canon 100-500mm lens at 363mm; 1/400 second at f7.1; ISO 160; +1.66 ev; handheld]

Despite my “freeze frame” in-flight photo of a Broad-billed Hummer that made my Top Ten Bird Portraits, I actually prefer this Broadbilled shot. I slowed the shutter to a crazy slow 1/60 of a second and took a bunch of photos. This was my favorite…Head/eyes sharp and side lit wings in motion.  [Canon R5 with Canon 100-500mm lens at 238mm; 1/60 second at f5; ISO 100; -1.33 ev; handheld]

Apologies to my photo buddy Ryan (who hates “the dirty prairie dogs”), but I think they are darn cute and fun to watch. While waiting for Coyotes and Badgers in an unnamed valley in Theodore Roosevelt National Park I spent most of my time watching the antics of the “dogs.” The sun was setting and the rim light was developing nicely. I waited for this guy to stand up and throw his head back to give the warning call. It happens so quickly that I missed several but did get this one. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f7.1; ISO 160; -1.33 ev; tripod]

Spending time with a Great Gray all alone in Sax-Zim is like gold. And I enjoyed every minute of my solitude with this hunting owl. Maybe this shouldn’t be included in a Creative Wildlife category since it is just a frame plucked from a video clip. But I like the panning motion blur of the gliding Great Gray, which is inherent in video since it is shot at 1/60 second at 30fps.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/60 second; handheld]

I selectively desaturated this Western Grebe’s portrait leaving the shockingly red eyes and straw yellow bill. I like the feel of this photo…and I also think the water droplets are kind of neat. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f13; ISO 1600; +0.33 ev; on ballhead in floating blind]

Sometimes good things can happen on your way to taking the garbage cans to the end of the driveway! I looked up and saw about 30 Wild Turkeys in neighbor Paul’s field. There were about a dozen toms and 15 or 20 hens. It was quite a scene…strutting, battles, chasing. And the best part was that it was all backlit creating some very cool images. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 160; -2.00 ev; handheld]

High key images are finding their way into my faves category more and more these days. And it is a great technique when you have a bird against a blaah gray sky. Even better if you can include an interesting branch. I got both in this shot of a Blue Grosbeak in SE Arizona. I could have taken the yellow out of the branches but decided that the color added something to the image. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 160; +0.33 ev; tripod]

Another favorite from Crex Meadows “full moon-Sandhill Crane” shoot. The purple sky came out with some post processing in Lightroom. See above for more details on this evening at Crex.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

The thing about creative wildlife photos is that you often have to intentionally search for the creative possibilities in each situation. Since I was looking down on this PIed-billed Grebe, and it was flat gray light, it would have made a blaah portrait. But by intentionally shooting through the snow blobs on the willows it created a  surreal scene. It is nearly a black and white image, but I like the touch of red on the grebe’s throat. [Canon R5 with Canon 100-500mm lens at 200mm; 1/320 second at f5; ISO 100; -0.66 ev; handheld]

I do love silhouettes, but there usually has to be something extra about the photo to make it a “top tenner.” In this image of a Western Grebe on Horsehead Lake in North Dakota, that something extra is the geometric shapes of the rushes and their reflection. [Canon R5 with Canon 100-500mm lens at 254mm; 1/400 second at f14; ISO 100; 0 ev; handheld]

October 22, 2018 (Monday)

**ALL OF THE BELOW PHOTOS ARE SINGLE FRAMES AS TAKEN…I DID NOT “ADD THE MOON IN PHOTOSHOP”

I ran into several photographer friends down in Wisconsin’s Crex Meadows Wildlife Area yesterday. I guess we were all thinking the same thing…Two days before the full moon is a perfect time to try and photograph Sandhill Cranes in front of a massive moon.

Lauren the naturalist gave me three locations to try for the dusk fly-in of the Sandhill Cranes. One was my “usual spot” along the Main Dike Road. I didn’t want to risk a new spot today so I stuck with my normal spot.

I ran into fellow photographer Mike Dec and we decided to shoot from the same spot. The wind was blowing strong out of the northwest, but the temp was in the low 50s. Cold fingers and shaking tripod!

Sandhills by the thousands roost in the wildlife reserve over night. The shallow-water marshes are basically inaccessible to most predators, and there is also safety in numbers. During the day the cranes feed in harvested corn fields outside the refuge and then fly in a bit before sunset. THOUSANDS roost here in the late autumn.

I was shooting slow-motion 180 fps video with the Panasonic GH5 on a tripod while trying to shoot stills with my Canon 7D and Canon 400mm f5.6 lens hand held. Every time a flock was approaching the moon at what seemed the proper trajectory to pass right in front, Mike and I alerted each other.

But focusing on the cranes was a challenge and I missed some shots because of my camera/lenses inability to lock on to a bird.

A memorable evening! Plan on being at Wisconsin’s Crex Meadows next late October.

The moon rose large behind a stand of oaks but there was little contrast between the sky and the moon. But over the next half hour the moon began to pop as the sky turned from blue to twilight purple. This flock of cranes were lit by the last orange rays of the setting sun.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1250 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

 

Before the moon rose at 5:47pm, I took some flight shots with slow shutter speeds. I have so many sharp flight shots that I really don’t need more. Time to get a bit creative! So I slowed the shutter way down to 1/10 of a second at f20; ISO 100. The results are “very artistic” and impressionistic. Not everyone’s cup of tea, but I like it.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/10 second at f20; ISO 100; hand-held; processed in Lightroom CC 2015] (top photo at 1/30 second)

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

This is a single frame extracted from a HD slow motion video. Not the sharpest shot, but still very pleasing in a painterly way.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 70-200mm f4L USM lens at 118mm; 1/100 second at f9; ISO 1000; -1.0 ev; hand-held; processed in Lightroom CC 2015]

A couple “selective focus” shots. Basically impossible to get both the cranes and moon in sharp focus in the same shot (unless the cranes were about 2 miles away) so I tried some photos where I focused on the moon instead of the cranes.

These are single frames extracted from a HD slow motion video.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/320 second at f5.6; ISO 400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above three photos of the roosting Sandhill Cranes were taken well AFTER SUNSET. Long exposures on a tripod. As usual, I was the last car at the spot. You never know what image might present itself after the “main show” is over.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above two photos are probably my favorites from the entire shoot. The top is the uncrossed version, and the bottom is cropped to just 4 cranes. I like that they are very SHARP for being hand-held (way to go “steady Sparky”!). I also really like the even spread of cranes and the position of the legs and wings of the crane silhouetted by the moon. And of course, the purple sky color is a bonus.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

As the moon continued to rise after sunset, the color was washed from the sky. The only option was to catch a flock as they passed right in front of the moon.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/250 second at f7.1; ISO1600;-1.0 ev; hand-held; processed in Lightroom CC 2015]

On my way out of Crex Meadows I saw this sight; three Trumpeter Swans silhouetted by the nearly-full moon’s reflection on a marsh. I took a bunch of handheld shots at ISO 12,800(!!), but should have set up a tripod since most are unusable.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/60 second at f5.6; ISO 12,800; -1.0 ev; hand-held; processed in Lightroom CC 2015]

Still Life with Redtail and Moon 1
How could I pass this up? Wish I could have set up a tripod and shot at f22 or smaller to get more depth of field and the moon more in focus, but redtails don’t pose for that long.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f20 at 1/200 second; ISO 400; -0.33ev; handheld]

Silver Griz
This fella was our only Grizzly of the trip. Mid April is a bit early for many bears to be out of hibernation…and the high country roads are not yet open where there could very well be more bears. On our mid May trip a couple years ago, we saw quite a few Griz. But this guy was sure a beauty! We stopped, as we almost always do, when we saw a couple cars pulled over (and here’s the real key) and some long lenses on tripods. “What do ya got?” Is the standard photographer-to-photographer exchange in situations like this. They’d seen a Grizzly on the slope on the opposite side of the river, but it had moved off into some forest cover. So we pulled over, got out and helped them relocate the bear. Well nature called to Ryan, and while he was watering the early spring grass, he spotted the bear. He came back to the road and told us. I got a few handheld shots but Ryan had to go back to our car to get his camera. When Ryan got back, I went back to the car to get my tripod. But soon after I left something really spooked the Grizzly and it ran off. The only thing we know of that can spook the apex predator of the park…is another Grizzly. But while we waited another 45 minutes or so, nothing showed.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1000 second; ISO 400; handheld]

Sole of the Bear
This Black Bear recently out of hibernation had the most unusual nearly white, soles of its feet. I’ve seen many many Black Bears and have never noticed this trait before. My gut feeling is that this bear just had abnormally pale foot pads.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/640 second; ISO 500; -1ev; tripod]

Rockin’ Redtail
The Red-tailed Hawks were certainly migrating through and returning to Yellowstone this week. We saw many, and this one posed on a picture-perfect perch long enough to get a shot.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/2000 second; ISO 320; +1ev; tripod]

Lunar Buteo
Red-tailed Hawks are a type of buteo…a raptor with big broad wings and short tails. They are built for soaring, scanning open country for prey. “Forest hawks” who hunt in dense woods need shorter rounded wings and long tails (to act as an “air rudder”) so they can maneuver in close quarters in flight. I love “bird and moon” shots…especially when the bird is relatively small in the frame. Of course, these images are best viewed large.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 320; handheld]

Pronghorn in the Sage
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/800 second; ISO 250; handheld, braced on outside of car]

Ryan Marshik

Campsite Buddies!
Each night, a small herd of Bison grazed right through our campsite, noisily munching the new green grass. It’s funny, you would never dare to get this close to them out in the park (in fact it’s illegal to get closer than 25 yards) but here they are so preoccupied, and used to people, that you can sit at your picnic table 5 yards away and enjoy the slow parade.

Sandhill Crane in its Finest
Love the “bustle” of this Sandhill Crane. It was one of a pair that had returned to nest in the park’s marshes and wet meadows.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/500 second; ISO 400; -0.33ev; handheld, braced on car window frame]

Dipper thinking about taking a Dip
Dippers feed on underwater aquatic critters in fast moving streams and rivers of the western U.S. They are one of Bridget’s favorite birds and so I always try and get a few shots.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/250 second; ISO 640; handheld]

Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/2000 second; ISO 100; -2.33ev; tripod]

Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/320 second; ISO 100; tripod]

Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f11 at 1/800 second; ISO 100; -2ev; tripod]
All three of the above shots of the Lower Falls of the Yellowstone River were taken from Artist’s Point. The falls, at 308 vertical feet, is the tallest in the park. The light (quality and direction) was not good for broad scenic vistas, so I used the telephoto to zoom in on one part of the scene. The lone silhouetted tree really made this shot for me. Here are three variations…Which do you like?

Goofy Bull
Early spring is NOT a good time to photograph Elk in the West; all the Elk at this time of year look pretty ratty. They are shedding their winter coats, and not gracefully. The older bulls are just sprouting their new antlers, growth being nourished by the blood-rich “velvet” coating them (see photo below), but the first year bulls sometimes hold their little antlers all winter instead of dropping them in late fall/early winter like the older guys.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/1600 second; ISO 200; handheld]

Big and Velvety
These were some really big boys holding up traffic along the road. Note their height compared to the car in the foreground. Wish I could see these guys again in the fall when their massive antlers will be in their prime.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 214mm; f7.1 at 1/400 second; ISO 500; tripod]

American Serengeti
Easily the biggest herd of Elk I’ve ever seen in Yellowstone…over 200 animals. I didn’t even include all the herd in this shot. Nearby were herds of Bison, Mule Deer and Pronghorn. Impressive!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 263mm; f6.3 at 1/60 second; ISO 320; tripod (accidentally at this shutter speed because I had just switched over from taking some video)]

I’d once heard that the moon was about 225,000 miles away from little old me (and you). So ever since I’ve used this as the “moon milestone” for my cars. “The Box,” my first car, a 1975 brown Plymouth Valiant, probably made it…but the odometer quit working at about 190k. My 1984 Subaru GL 4×4 wagon made it (then was towed away by the Carlton County Sheriff). My candy apple red 1992 Jeep Cherokee almost made it but the door fell off and mice became permanent residents before it went to car heaven (the crusher). My Plymouth Grand Caravan survived to about 190k before the transmission went out (Ask me about my drive across Minnesota in 3rd gear!).

In reality, since the moon’s orbit is elliptical, the distance from Earth varies from about 221,463 miles at perigee (closest approach to Earth) to 251,968 miles at apogee (farthest point). The average distance from the moon to the Earth is 238,857 miles.

Anyway, I’m sticking with my 225k benchmark, and just last week, on my way up the North Shore, my current vehicle reached this moon milestone. The 1999 Subaru Forester I bought from my DNR boss (Thanks Steve!) after my van died, turned the big 225 near the mouth of Crystal Creek on Minnesota’s North Shore of Lake Superior. I took a photo to commemorate the moment.

But I thought I would take the opportunity to post some of my favorite moon images. Enjoy!…and may all your vehicles make to the moon!

Moonrise at Split Rock Lighthouse, North Shore of Lake Superior, Minnesota.
Canon Rebel XTi with Canon 70-200mm f4 at 84mm; ISO 400; f9 at 5 seconds (Long exposure so the moon is blurred due to its/our movement, but this works when the moon is relatively small in the frame.

The full moon setting behind a grove of Red and White Pines. St. Louis County, Minnesota

Moonrise over Lake Superior..Horizon and sky merge. Taken from Billy Lovaas’s 25-foot wood-canvas canoe on an outing out of Grand Marais. The moon is “squashed” due to optical illusions as the moon rises over water.
Canon 40D with Canon 400mm f5.6; ISO 1600; f5.6 at 1/100 Handheld (!).

I really like this image of a flock of Sandhill Cranes flying below the moon. Birds don’t always need to fill the frame to make compelling images. Crex Meadows Refuge, Wisconsin.
Canon Rebel 7D with Canon 400mm f5.6; ISO 400; f8 at 1/1000 (This type of shot is only possible for a short time when the sky is still bright enough to get a fast enough shutter speed to freeze the flying birds but dark enough to actually see the moon.)

Crescent moons can be as compelling as full moons. Moonset at Twin Lakes, Superior National Forest Minnesota
Canon Rebel XTi with Canon 70-200mm f4 at 200mm; ISO 400; f5 at 1/10; tripod

Full moon and White Pine, Carlton County, Minnesota.
Canon Rebel XTi with Canon 400mm f5.6; ISO 400; f18 at 1/25; tripod (This is a difficult shot as you need great depth of field to keep both the moon and White Pine in focus…BUT you also need a fast enough shutter speed so that the moon doesn’t blur.)

Exposure Tip: Photographing the moon can be tricky…We are moving relatively fast in relation to the moon, so exposures need to be quite short to render the moon sharp. Also don’t rely on auto exposure or Program mode as the camera will try and make the dark sky medium-toned thereby blowing out the moon. Instead expose for the moon itself by either a) spot-metering the moon, b) underexposing by a couple stops and checking your histogram and adjusting till you get a proper exposure or c) using the “sunny 16 rule” (for full moons)…f16 at the reciprocal shutter speed of the ISO of the film/digital setting used. So the proper exposure of a full moon when camera is set to ISO 400 would be f16 at 1/400 second.

Top image is a “photo-illustration” combining two photos—one of the full moon and one of the Bighorn. Both were taken in Yellowstone. The Bighorn was shot as a silhouette and I immediately thought it would be a cool illustration if I could “Photoshop” in a full moon. Of course, I would always divulge the fact that this image is actually two images combined, and hope that whoever publishes it would also label it as a “photo-illustration.” It’s just my ethics.