Blizzard in October: Teddy Roosevelt NP, Badlands in North Dakota, NP in South Dakota & Yellowstone.

What a crazy trip! When I think back on it, I only remember the tough stuff… getting kicked out of Yellowstone (they closed all the roads and rangers had us leave) and the nightmare of white-knuckle driving through a North Dakota blizzard.

But when I look at the photos we got, I realize what an amazing trip it was! Mountain Bluebird flocks in the snow at Teddy, a sow Grizzly eating rose hips only yards from us near Wapiti, Wyoming, a Badger cooperatively hunting with TWO Coyotes, backlit Raven breath, and so much more.

[DISCLAIMER: This was filmed about a year before I got my Canon R5 so cut me some slack on the video quality :)]

October 5-13, 2019

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Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Here are my favorite mammal photos taken in 2019. It was a pretty good year for locating and photographing the “four-leggeds.”

I call this the “Group Back Rub.” This is from October when Ryan and I were enroute to Yellowstone. I took this while we were waiting for a Burrowing Owl to poke its head out of a prairie dog hole. Let’s just say that Ryan doesn’t appreciate prairie dogs or their high level of cuteness. If its his turn to drive, I really have to plead for him to stop for a prairie dog colony. I love photographing them and their antics.

Due to the deep snows and cold temps of the winter of 2018-19, many critters had a tough time finding food. At least 9 Bobcats were seen in the Sax-Zim Bog including a mom with 2 young. This was likely one of the young who camped out at a road-killed deer (note ribs in background). Bobcats are gorgeous and cute at the same time. A flash helped make this image Uber-sharp on a heavy overcast day.

This is the start of the snowstorm that closed Yellowstone down for 36 hours at the start of our time in the park. These three ruled the road between Madison and West Yellowstone.

While guiding a group from Outward Bound along the Warren Woessner Bog Boardwalk at the Warren Nelson Memorial Bog, this little guy popped out of a snow burrow and immediately emerged from a nearby hole. They are unbelievably fast critters! They hunt voles in their subnivean tunnels (their long thin body shape helps in this pursuit) but also feed on carcasses.

Ermine is the name for Least Weasel, Long-tailed Weasel and Short-tailed Weasel when in their winter white coat (this is a Short-tailed Weasel).

He stayed still for approximately 1.5 seconds but I was able to snap off a couple shots. It will be in the MN Conservation Volunteer magazine next month.

Something a bit different…an image from a zoo of a mama Baboon gently grooming her baby. Just darn cute!

This is a real “mammal in the landscape” photo. But I think it works because of the Red Fox looks sharp with the red of the willows, both of which contrast with the white of the symmetrical aspens.

Arriving in Teddy Roosevelt National Park we were greeted with this young Mule Deer buck browsing on some roadside shrubs. An early October snowstorm provided the backdrop.

Not a great photo…so why is it included here? Because it was the first Canada Lynx I’ve seen in the daylight…and I got some images! I lucked into this mellow cat up in the Superior National Forest in late March and got to spend a few minutes with it as it sauntered through the forest, then sat for a while before moving on in its never-ending search for Snowshoe Hares.

Read more and see the video HERE

Sometimes trying to predict where a wild animal might intersect with our own path pays off. We saw this Grizzly making its way across the North Fork of the Shoshone River just outside Yellowstone. She went into the woods so we moved up the road to a pullout and waited. And, believe it or not, she came out of the woods and headed in our direction. But it was not us she wanted to investigate, but rather a stand of Wild Rose whose hips were in full ripeness. It was a joy to watch her delicately plucking the fruits from the bush a couple at a time. Not once did she look in our direction, and when she was filled, she moved off.

Read more of this story HERE

On may way to photograph Loons one early summer morning I stumbled across a trio of romping Red Fox pups. I stayed with them for nearly an hour and enjoyed their antics. The loons could wait.

It seemed that only two would wrestle at a time, never all three. I took many photos and quite a bit of video.

This mellow Red Fox tolerated my presence for about 10 minutes as it hunted for voles along a minimum maintenance road and a farm field in the Sax-Zim Bog. Occasionally it would hear the sound of a vole under the crusty snow; its ears would rotate forward towards the sound, it would then rock back on its haunches, then launch high into the air to get enough force to break through the crusty snow to get a the vole.

Pine Martens LOOOVE peanut butter! And suet. And carcasses. So they are occasionally attracted to bird feeding stations in the Sax-Zim Bog. They use this food to supplement their normal diet of Ruffed Grouse, voles and squirrels. There were at least two, and possibly three coming to this feeder. They ignored the nearby birders and photographers for the most part. It is ALWAYS a treat to see these guys.

October 9, 2019

Yellowstone National Park, Wyoming

We awake to a couple inches of snow at our Madison Campground…but despite having to cook breakfast in the cold, dark, wet conditions, we are pumped! Snow in the landscape always makes for moody wildlife shots, and we were headed to a spot where two bull Moose had been spotted the day before.

But before we even made it to Norris, we were turned around by a ranger who said the mountain passes were closed with 18 inches of snow already. We turned around and headed for the geyser basins south of Madison. And now it was snowing HARD. After a look-see we saw nothing and then were turned around by another ranger. It was clear that we weren’t going anywhere today. A female ranger greeted us back near Madison Campground and said the park was closing and ALL of Yellowstone’s roads would be shut down for at least a day and a half.

Our choices were to stay at our campsite for 36 hours (not!) and freeze (temps were predicted to be below zero F. that night) OR shoot on our way out the West Yellowstone park entrance. We decided to pack up our tents and head towards Teddy Roosevelt. With only two-full days of shooting in Yellowstone, it was our shortest trip to the park ever.

The snow continued to pile up as we spotted this herd of cow elk along the Madison River.

A “car window” shot at 40 mph. No self-respecting photographer would post this shot, but I kind of like it in black and white. It reminds me of my early darkroom print days. It has a vintage feel to it.

We were finally told by the rangers to just keep moving, so we had no choice but to exit the park and head for Teddy Roosevelt National Park in North Dakota. Little did we know that the real adventure of this year’s trip would be just getting home! But more about that in the next post.

October 7-8, 2019

Day 3 (really our second full day of shooting) started as usual…Crawling out of the tent in the pre-dawn darkness, and boiling water and frying bagels on our Coleman stove. So after our breakfast of grits, oatmeal, bagels and cream cheese, we stuffed the “bear locker” with our cooking stuff and headed out to find….anything!

Ryan and I seem to remember more elk bugling near our Madison Campground in previous years, but we hadn’t been to the park in fall for seven years so maybe things had changed. We also did not see many elk, period. We realize the wolf packs have brought the Elk numbers down and more in balance with the park’s holding capacity, but we surely thought we’d see herds scattered about. But it was slim pickings.

A classic Yellowstone “animal in the landscape” shot. Steam from geothermal vents frame a lone bull Elk. After glassing the bull, Ryan said he noticed that he only had one antler! Must have lost it in a fight.

Just a nice portrait of a bull Elk near Mammoth

As the sun set over Fountain Flat Drive it illuminated this herd of Bison with neat golden backlight/rimlight. I love the peaceful painterly quality of these photos. They look even better if you view them full-screen.

We named this well-balanced tree along Soda Butte Creek, the “Zen Cottonwood.” Ryan first spotted it and it is a stately tree.

If you can’t find wildlife, you can always find scenery in Yellowstone National Park! Some details of the Mammoth Hot Springs Terraces.

We spent quite a while with this good looking bull Bison. My idea was to take a long exposure so the grass would blur but the Bison and background would be sharp. I took about 100 photos ranging from 1.6 seconds to 3.2 seconds and this is one of the few that turned out. BUT I don’t think my idea really came to fruition as there is not enough blur to the grass, and the sage doesn’t really blow in the wind. Oh well…You gotta try and experiment!

Coming soon….”Kicked out of Yellowstone”…due to snow, not our behavior!

***Just a note to my subscribers that I have now ponied up for the “Premium” plan so you won’t have to wade through those annoying ads placed into my posts.

October 6-7, 2019

Since we were coming from the South Dakota Badlands, Ryan Marshik and I headed towards the Yellowstone East Entrance. The country between Cody, Wyoming and the park is stellar, and as we got closer, we started thinking, “Hey, we might even have some shooting light by the time we get into Yellowstone!”

But even before we got to the park, we had our first bear sighting. It was a Grizzly crossing the Northfork Shoshone River. We managed a few snaps but it was soon into the brush…but on our side of the river. So we decided to pull over in a locked entrance to a campground. And we didn’t have to wait long! The Grizzly was working its way towards us…and completely ignoring the two Minnesota guys laying on the ground pointing big barrel-shaped things toward it. Within a minute the bear was too close for comfort and we retreated to the vehicle.

But then a large patch of Wild Rose hips caught her attention. And she began delicately plucking the ripe fruit only 20 yards from us. It was dusk and we kept cranking our ISO up. I ended up at my max for my old Canon 7D…ISO 6400. Some noise in the photos, but I’d MUCH rather have a sharp and grainy/noisy photos of a Grizzly than a blurry noise-free shot!

These images took quite a bit of working in Lightroom to get to the images below.

Eventually she sauntered within 2 feet of our SUV. A really neat encounter. Made better by the fact that we didn’t have to share it with the typical Yellowstone “shooting gallery.”

Due to our wonderful “bear delay,” we didn’t get inside the park until sunset. But Ryan spotted this perched Red-tailed Hawk which made for a neat silhouette.

We camped in the Madison Campground, and headed out in the early morning, excited to see the Hayden Valley again. The last seven years had been spring trips, and almost every time the road through the valley had still not been opened up by the time we arrived.

And we found this cooperative Raven. In all likelihood, it is probably the same begging Common Raven that I photographed here years ago. It is such a treat to be able to get close to these birds since in Minnesota they are so spooky that you can’t even touch the brake pedal and they are gone.

Video of the Raven’s backlit breath while calling was my goal, but I also tried some stills. Like Ryan said, it would have been better if the slight breeze hadn’t been blowing their breath behind them. Interestingly, the biggest puff of breath didn’t come until their beak was already half closed again…and not when it was fully open.

I intentionally darkened this image, and increased contrast, in Lightroom to make it a more dramatic photo.

We were photographing the Coyote below when Ryan spotted this distant Grizzly. We knew we were somewhere near a carcass by the small Raven congregation and 3 Coyotes milling around. We had walked out into this meadow near Canyon to check it out. We later learned that it was a carcass that had been picked over, and this Grizz was probably checking on it…Just in case.

Day 2-3 in Yellowstone coming soon

More and more I enjoy wildlife photos that show the critter in its landscape. Portrait photos can be stunning but they often don’t tell you anything about the environment that the animal lives in…or even what the animal is doing.

Bison and “bobby sock trees” (Yellowstone National Park, Wyoming) April 2018

I like the low saturation and placement of the Bison in relation to the “bobby sock” trees (white “socks” from exposure to the mineral rich waters in the geyser basin).

[Canon 7D with Canon EF 50mm f1.8 STM lens; 1/4000 second at f.8; ISO 160; hand-held]

Great Gray Owl sunrise (near Two Harbors, Minnesota) March 2018

It is sometimes hard to remember to “think wider” when taking wildlife photos. Our inclination is to put on our longest telephoto lens and get a tightly-cropped portrait. But sometimes wider is better. Great Gray Owls are often scanning the skies for any sign of enemies. They seem not to care for Ravens and Bald Eagles in particular. Not sure if this one actually saw something up in the sky.

[Canon 7D with Canon EF 70-200mm f5.6 L USM lens at 70mm; 1/1250 second at f.8; -1.33 ev; ISO 100; tripod]

Early-returning Great Blue Heron (Sax-Zim Bog, Minnesota) April 16, 2018

The snowpack lasted a VERY long time last winter. My kids had to wear snowpants to school for a complete SIX MONTHS! (October 26 to April 24 or so). So this Great Blue Heron returned at its normal time, but was greeted with lots of snow and little open water. But it only takes a little patch of running water and some fish to make a living for this hardy heron. I have video of this guy catching fish from this open patch.

[Canon 7D with Sigma 50-500mm lens at 167mm; 1/320 second at f.7.1; ISO 100; +0.66 ev; hand-held]

Meadowhawk and Big Bluestem (Glacial Ridge National Wildlife Refuge, Minnesota) August 2018

I like the pinks, purples and reds in this photo. I also like the placement of the Meadowhawk in the top right part of the frame…atop a gracefully curving stem of Big Bluestem grass.

[Canon 7D with Canon EF 70-200mm f5.6 L USM lens at 200mm; 1/640 second at f4; ISO 100; hand-held]

Red-tailed Hawk in snowfall (Sax-Zim Bog, Minnesota) April 2018

This was totally just a “grab-and-go” photo during a spring snow squall in the Sax-Zim Bog last April. It is not razor sharp but I think it works as a very “painterly” abstract photo. I like the blurred purple-red colors of the out-of-focus willows.

[Canon 7D with Sigma 50-500mm lens at 450mm; 1/160 second at f.6.3; ISO 800; +1 ev; hand-held]

Sandhill Crane in wildflower meadow (Pine County, Minnesota) June 2018

Pretty bird in pretty flowers…’nuf said?

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/3200 second at f.5.6; ISO 640; hand-held from car]

Snowy Owl on fence line (Glacial Ridge National Wildlife Refuge, Minnesota) March 2018

Yes, there is an owl in this photo…Way out on the fence line. I think this photo would look really cool printed very large. A true “animal in the landscape” photo.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f.9; ISO 100; tripod]

Snowy Owl on hay bale (Sax-Zim Bog, Minnesota) December 2018

Interesting juxtaposition…an arctic bird in a rural farm landscape. But this is where they are at home in the winter. These large farm hayfields hold large number of voles…and they mimic their summer tundra home. The haybale becomes just another hummock on the tundra.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 91mm; 1/320 second at f.7.1; ISO 1250; hand-held]

Trumpeter Swans and tree reflections (Yellowstone National Park, Wyoming) April 2018

It certainly is a strange photo. Normally I would never really love a photo where I am looking down on my subject, but I like the reflection of the dead pines in the water and that both swans are looking back towards the center of the frame.

[Canon 7D with Canon EF 50mm f1.8 STM lens; 1/2500 second at f.8; ISO 200; hand-held]

Can you see me? Bittern (Sax-Zim Bog, Minnesota) May 2018

American Bitterns are masters of camouflage…when they are in a brown landscape with vertical cattails, as in the photo above. They stretch out their neck allowing their vertical breast stripes to blend in with the cattails. But this camouflage doesn’t work so well when they are in the middle of a dirt road…but they stick with their technique despite the absurdity of it.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/200 second at f.5.6; ISO 400; hand-held]

Tundra Swan congregation (Upper Mississippi River National Wildlife Refuge, Brownsville, Minnesota) November 2018

xx

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/160 second at f.8; ISO 100; tripod]

I am bored of “bird on stick” photos…but I still take them. Every year I strive to get more creative with my wildlife photography. It’s often not easy to do….or at least not easy to remember to do something different. Get the portrait, but then think about how else you can shoot the subject…silhouette? slow shutter? animal-in-landscape? Of course, you can also get creative in “post” and do some interesting crops, or possibly convert an image to black and white. Have fun and play around!

Kingbird sunset silhouette (Felton Prairie, Clay County, Minnesota) August 16, 2018

Smoke from Canadian forest fires made much of the day a hazy mess…making photography difficult. But as the sun set it turned into a fiery ball in the west. Now if I could find a subject to silhouette! Fortunately an Eastern Kingbird landed in a roadside bush. Not the most interesting pose to silhouette, but I love the contrast between the deep blue twilight sky and orange fireball sun.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Wild Horse (feral) in Teddy Roosevelt National Park (North Dakota) April 30, 2018

A creative crop of a very curious wild horse (feral horse). I love their wild, human-like hair and big expressive eyes.

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/320 at f2; ISO 250; hand-held]

Trumpeter Swans (Yellowstone National Park, Wyoming) April 30, 2018

A black-and-white conversion that works well with these white subjects. Trumpeters are very curious and will sometimes swim towards you…A very nice behavior for photographers!

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/1250 at f2; ISO 200; hand-held]

Red-winged Blackbird sunrise (Tobin-Kimmes Wetlands, Douglas County, Wisconsin) May 12, 2018

I was looking for a different photo on this spring morning, but you always have to be open to other opportunities. The catkin-laced branches of this willow add to the image, as does the singing and displaying male Red-winged Blackbird.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f11; ISO 100; hand-held]

Sandhill Cranes and full moon (Crex Meadows Wildlife Refuge, Grantsburg, Wisconsin) October 22, 2018

Sandhill Cranes were streaming in to their nighttime watery roost at Crex Meadows as the nearly-full moon was rising. Many photographers had come to try and get crane-moon photos. This was my favorite as the cranes are very sharp and the sky had a tinge of purple.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/400 at f5.6; ISO 400; -1.0ev; tripod]

Tundra Swans (Upper Mississippi NWR, Brownsville, Minnesota) November 17, 2018

I wanted to see what would happen with a very long exposure (13 seconds on a tripod) as some Tundra Swans were still and some were still swimming around. I got this interesting photo of sharp sleeping swans and long white streaks showing the 13-second path of the swimming swans.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 13 seconds at f20; ISO 100; +1.66 ev; tripod]

Three displaying  Wild Turkey toms (Carlton County, Minnesota) May 29, 2018

It was a blah morning with gray skies when I ran across three tom Turkeys displaying on a dirt road. I positioned myself so I could silhouette their whole bodies against the sky. I then pushed the white balance slider all the way to the right in Lightroom (warmer=more yellow/orange)…Voila! Instant sunrise sky.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Bison fur detail (Yellowstone National Park, Wyoming) April 28, 2018

Love the texture of Bison hair.

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/640 at f4; ISO 400; hand-held]

High key Sandhill Cranes in frosty field (Yellowstone National Park, Wyoming) April 27, 2018

Some photos you don’t think much about when you take them. But when you see them on your computer at home, some really strike your fancy. I liked both the position of the feeding cranes and the frosty grass. To make it a “high key” photo, I adjusted the white levels in Lightroom until the background became totally clipped (blown out…absolute white).

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/500 at f4; ISO 200; hand-held]

Eastern Bluebird at Nana’s farm (Galesburg, Illinois) March 30, 2018

Just a quirky photo of an Eastern Bluebird and its silhouette on a barn wall.

[Canon 7D with Sigma 50-500mm lens at 373mm; 1/1000 second at f6.3; ISO 1000; -0.66 ev; hand-held]

Mayflies at Midnight (St. Louis River, Fond du Lac Bridge, Duluth, Minnesota) July 12, 2018

Hexagenia Mayflies emerge en masse from large rivers in mid summer. Some years are bigger than others, and 2018 was a big year along the St. Louis River near Duluth. This is a long exposure of thousands of mayflies flying about a street light on the bridge. Their floppy flight makes interesting light patterns during the 1/4 second exposure.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/4 second at f5.6; ISO 400; -1.0ev; hand-held, braced on car door frame]

Wild Turkey feathers up close (Skogstjarna, Carlton County, Minnesota)

Taken out my living room window! Love the iridescence on these stunning creatures.

 

I really do get bored with many of my wildlife “portraits.” Many images are just record shots of a species…Often they don’t tell you much about the critter, its behavior, or habitat. Plus, many other photographers have taken the same shot..and probably have better portrait photos of that species anyway.

Because of this I always try to take some creative wildlife photos on each trip. I detail TEN techniques below. Try one or two on your next wildlife photo shoot.

SHALLOW DEPTH OF FIELD

On this late April trip to Yellowstone National Park, my main creative endeavor was the shallow-depth-of-field wildlife shot. I accomplished this mainly via the Canon 200mm f2.0 lens that I rented from lensrentals.com. You can see that post and photos here.

ANIMALS IN THE LANDSCAPE

Though taken handheld with a crappy kit lens (the Canon 18-55mm lens), I really like how this Black Bear photo turned out (the Clarity slider in Lightroom helped a lot!). Animal-in-the-landscape images really help us visualize the critter’s home

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 46mm; (Metabones adapter); 1/200 at f5.6; ISO 640; handheld]

Another almost surreal wildlife photo. There is something I really love about this elk herd photo…I think it’s that it has the quality of a composite image…as if I took 30 photos of a single elk from this one spot and then melded them together in Photoshop.

[Sony A6500 with Canon EF-S 18-55mm lens (Metabones adapter); 1/125 at f5.6; ISO 100; tripod]

Mountain Bluebird in snowy landscape. Our tendency as wildlife photographers is to fill the frame with our subject…It takes real mental effort to NOT do this, and to step back and allow the critter to have equal (or lesser) presence in the landscape.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 100; handheld]

SILHOUETTES

Gray skies?…Back light?…These are tough situations for a wildlife photographer. But you can always experiment with silhouettes in these cases. You do need a sky background usually though.

Mule Deer silhouette. On our way home from Yellowstone each year, we camp overnight in North Dakota’s Teddy Roosevelt National Park. It breaks up the 17-hour drive home and allows us to get in just a little more shooting. This would have been a terrible image if I’d exposed for the deer themselves, but a the silhouette is quite nice.

[Canon 7D with Canon 200mm f2 lens; 1/3200 at f2; ISO 100; handheld]

Black-tailed Prairie Dog in Teddy Roosevelt at sunset. Underexposing helped highlight the rim light of this cute little guy giving his alarm call.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; handheld]

PHOTOSHOP CHANGES

Which of these 3 Mountain Bluebird shots do you like best? The bird was left untouched in Photoshop, but the grass was desaturated to different levels in two shots. My mind is not made up, but I still think I like the top image. By the way, laying in the grass to get eye-level shots is also a creative wildlife photography technique. I love how the foreground and background have blurred out.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 250; handheld]

IPHONE PHOTOGRAPHY

I just got the iPhone 7+ before leaving on this trip (replacing my “ancient” iPhone 5) and man, do I love it! The camera in the phone now has two lenses (one a “telephoto”), improved resolution, fantastic “Portrait” mode (try it!), and awesome video, including time-lapse, slow motion, and even 4K video!

This is a panorama of the Lamar River in the Lamar Valley.

TELEPHOTO LANDSCAPES

Okay, this is not a “creative wildlife shot” but it is a creative use of your telephoto lens. Isolating landscape/scenery with a long lens can give you a new perspective (fresh vision) of a place you’ve visited many times.

BLACK AND WHITE

Some images just don’t work well in color…so why not try them in black and white? Snowy wildlife scenes really lend themselves to this technique.

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 43mm; (Metabones adapter); 1/2000 at f7.1; ISO 1250; handheld]

Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld

Did converting this image of a Bison herd crossing the Madison to black and white help? Or do you prefer the color version?

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 55mm; (Metabones adapter); 1/200 at f5.6; ISO 100; handheld]

GET HIGH!

No, I did not bring a drone into Yellowstone! But this is an effective trick for getting faux aerial images. I put on my widest lens (in this case a Rokinon 12mm lens), then attach the camera to the tripod and extend all the legs to maximum length (if you have a center post crank that up too). Now set your exposure in Manual mode, put on the self timer for 5 or 10 seconds, push the shutter and then hold the tripod as high over your head as possible. Wait until the shutter clicks. It takes many tries (to get the right angle and to get the horizon somewhat straight (and your arms get a real workout!)

[Sony A6500 with Rokinon 12mm f2 lens (Sony mount); 1/125 at f16? (Lightroom does not record data from manual lenses); ISO 100; tripod held as high over my head as I could]

[Sony A6500 with Rokinon 12mm f2 lens (Sony mount); 1/125 at f16? (Lightroom does not record data from manual lenses); ISO 100; tripod held as high over my head as I could]

You could not get this shot without using the tripod-over-your-head trick.

[Sony A6500 with Rokinon 12mm f2 lens (Sony mount); 1/60 at f16? (Lightroom does not record data from manual lenses); ISO 100; tripod held as high over my head as I could]

DETAILS

We don’t always have to show the face of an animal for it to be an effective wildlife photo. This is detail of a Bison’s beautiful hair.

BLUR, BABY, BLUR

Want the feeling of the energy of a moving mammal or bird? Try slowing your shutter down and panning with the critter. I shot this Grizzly cub at 1/20 second at f14.

No…Not a Bison cow with triplets…Just two playful “red dog” calves coming over to play with her nursing calf. The Bison were just dropping their calves in late April.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/160 at f5.6; ISO 100; tripod]

Snow greeted us as we pulled in to the Mammoth Campground in Yellowstone after driving all night from Duluth. But as we waited for someone to vacate the campground so we could pick a spot, this male Mountain Bluebird entertained us by foraging near the gate.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f6.3; ISO 100; handheld]

Mountain Bluebird male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 100; handheld]

Yellow-bellied Marmot surveys his “kingdom” in Yellowstone.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f5.6; ISO 100; tripod]

Yellow-bellied Marmot. I like how the shade of the mountain slope in the background becomes a beautiful blue blur.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Elk pair; His breath visible in the cool morning air.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/640 at f5.6; ISO 320; handheld]

We were bummed that the road that leads to LeHardy Rapids was still snowed in. This is the traditional hotspot for Harlequin Ducks. But fortunately we spotted this colorful pair along the Madison River.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f7.1; ISO 800; tripod]

Harlequin Duck male spreads his tail feathers after preening. Yellowstone is the southernmost breeding site for this species in all of North America! The main part of their breeding range includes British Columbia, Alaska, Yukon and Labrador. They prefer to nest along fast-flowing mountain rivers.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f6.3; ISO 400; tripod]

Harlequin Duck male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/100 at f6.3; ISO 100; tripod]

Harlequin’s love fast water…the more turbulent the better! They dive underwater in rapids to feed.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Bison herd along the Madison River.

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 18mm; (Metabones adapter); 1/400 at f6.3; ISO 160; tripod]

Beaver having a late afternoon snack.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/200 at f7.1; ISO 1600; handheld]

Sow Black Bear and one of her two tiny cubs. I got some nice video of this trio, which I will include in a future post.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f8; ISO 400; tripod]

Bison and her “red dog” calf.

We ran across a band of Bighorn ewes near Yellowstone Picnic area.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f5.6; ISO 100; tripod]

A trio of Black-billed Magpies wait out a snow squall near Mammoth.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/60 at f13; ISO 100; braced on car window]