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October 6-7, 2019

Since we were coming from the South Dakota Badlands, Ryan Marshik and I headed towards the Yellowstone East Entrance. The country between Cody, Wyoming and the park is stellar, and as we got closer, we started thinking, “Hey, we might even have some shooting light by the time we get into Yellowstone!”

But even before we got to the park, we had our first bear sighting. It was a Grizzly crossing the Northfork Shoshone River. We managed a few snaps but it was soon into the brush…but on our side of the river. So we decided to pull over in a locked entrance to a campground. And we didn’t have to wait long! The Grizzly was working its way towards us…and completely ignoring the two Minnesota guys laying on the ground pointing big barrel-shaped things toward it. Within a minute the bear was too close for comfort and we retreated to the vehicle.

But then a large patch of Wild Rose hips caught her attention. And she began delicately plucking the ripe fruit only 20 yards from us. It was dusk and we kept cranking our ISO up. I ended up at my max for my old Canon 7D…ISO 6400. Some noise in the photos, but I’d MUCH rather have a sharp and grainy/noisy photos of a Grizzly than a blurry noise-free shot!

These images took quite a bit of working in Lightroom to get to the images below.

Eventually she sauntered within 2 feet of our SUV. A really neat encounter. Made better by the fact that we didn’t have to share it with the typical Yellowstone “shooting gallery.”

Due to our wonderful “bear delay,” we didn’t get inside the park until sunset. But Ryan spotted this perched Red-tailed Hawk which made for a neat silhouette.

We camped in the Madison Campground, and headed out in the early morning, excited to see the Hayden Valley again. The last seven years had been spring trips, and almost every time the road through the valley had still not been opened up by the time we arrived.

And we found this cooperative Raven. In all likelihood, it is probably the same begging Common Raven that I photographed here years ago. It is such a treat to be able to get close to these birds since in Minnesota they are so spooky that you can’t even touch the brake pedal and they are gone.

Video of the Raven’s backlit breath while calling was my goal, but I also tried some stills. Like Ryan said, it would have been better if the slight breeze hadn’t been blowing their breath behind them. Interestingly, the biggest puff of breath didn’t come until their beak was already half closed again…and not when it was fully open.

I intentionally darkened this image, and increased contrast, in Lightroom to make it a more dramatic photo.

We were photographing the Coyote below when Ryan spotted this distant Grizzly. We knew we were somewhere near a carcass by the small Raven congregation and 3 Coyotes milling around. We had walked out into this meadow near Canyon to check it out. We later learned that it was a carcass that had been picked over, and this Grizz was probably checking on it…Just in case.

Day 2-3 in Yellowstone coming soon

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

On the way home from Yellowstone, Ryan and I usually camp for a night at North Dakota’s Teddy Roosevelt National Park. It breaks up the 16 hour drive home and allows us to get in some more shooting, and with a chance at several species which are not found at Yellowstone, specifically Black-tailed Prairie Dogs and Wild Horses (feral horses, more accurately). The campground at Cottonwood is usually fairly deserted in early spring and late fall, and we only had to compete with a big bull Bison who was vigorously scratching his belly on a big rock in the campsite that we wanted. He eventually moved on and we could set up our tents.
We drive the 36-mile loop once in the late afternoon, and then again in the morning before we have to hit I-94 East for home…and the loop rarely disappoints. [April 19-20, 2016]

Bison Eclipse of the Sun
Last October we had some fantastic dawn shooting when a herd of Bison were silhouetted by the orange foggy sunrise. We hoped for the same conditions on this trip, but the fog was more of a mist that hung in the valleys; you could actually see the water droplets floating in air. This led to a crazy “fogbow”, the first I’d ever seen.
I positioned myself low in the valley in order to get the Bison between me and the rising sun…and this is the result…perfect rim light. I only wish there had been a bit more color in the morning sky. (“warmed” the shot by upping the white balance to 7500k)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 158mm; f22 at 1/2000 second; ISO 200; tripod]

“Fogbow” over the prairie
I’d never witnessed a “fogbow” before. The morning fog was dense and you could actually see the suspended water droplets when backlit by the sun. My iPhone photo (above) actually turned out better than photos with my DSLR camera, probably due to the HDR feature on the iPhone.

Steaming Bison

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f7.1 at 1/3200 second; ISO 640; tripod]

Mule Deer Dawn
No antlers this time of year (barely nubbins with velvet on the males), but the huge ears of Mule Deer make a distinctive silhouette.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 135mm; f5.6 at 1/5000 second; ISO 640; tripod]

Sharp-tailed Grouse eating buds
We had four species of gallinaceous birds during our brief visit—Wild Turkey, Ring-necked Pheasant, Gray Partridge (rare and unexpected), and many of these normally elusive birds, the Sharp-tailed Grouse. This guy was feeding on flower buds of a Box Elder tree (correct me if I’m wrong). We spent about 10 minutes watching his acrobatic and agile moves among the outer branches as he tried to access the outermost buds. Teddy Roosevelt may be one of the best places to see this sought-after species outside of the lekking season (when they dance at dawn on known leks).
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/4000 second; ISO 250; handheld, braced on car]

Wild Horse (feral horse) with foal
We probably saw about 40 different Wild Horses (yes, I know, feral horses) in our two loops of the Wildlife Drive. They were just dropping their foals, and we saw one little black guy that was so new that he still wobbled a bit.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/400 second; ISO 200; handheld]

Wild Horse (feral horse) with foal
Darn cute!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/400 second; ISO 200; handheld]

Band of Wild Horses (feral horses)
The color variations of these horses never ceases to amaze me.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 100mm; f4.5 at 1/2000 second; ISO 200; handheld]

Relaxin’ Prairie Dog (or sunbathing? or hiding?)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/3200 second; ISO 250; handheld]

Family Time (Black-tailed Prairie Dogs)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1600 second; ISO 250; handheld]

Cuddly Companions (Black-tailed Prairie Dogs)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f8 at 1/250 second; ISO 200; handheld]

The Perfect Perch
…Just wish I had a better angle …and was a bit closer…and had better light. Oh well. Mountain Bluebird.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/6400 second; ISO 250; handheld]

Ryan Marshik and I busted out to North Dakota’s premiere wildlife hotspot last week. Teddy Roosevelt National Park is a treasure of the upper midwest. An easy 9-hour drive from Duluth, the park is a full 7 hours closer to us than our usual fall wildlife photography destination—Yellowstone.

[Bull Elk at Sunrise]
Our normal modus operandi is to get up in the dark, make breakfast and hit the wildlife auto loop by sunrise. The loop is a very manageable 25 miles and takes about 3 hours to complete (depending on how many wildlife encounters you take advantage of). This bull Rocky Mountain Elk was our first sighting of the trip. Elk are rather unusual in the park, so this was a great surprise. He didn’t hang around though, and was soon over the top of the hill. I grabbed some hand-held window-braced shots.
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/640 second; -1 2/3ev; ISO 800; handheld braced on car window]

Least Chipmunk
We took the side road called “Buck Hill” where we rarely see anything…but you never know! Ryan spotted this cute little Least Chipmunk harvesting seeds in a short bush. Our motto is always “a bird in the hand”…which means that we try and shoot whatever subject is before us at the time instead of saying “Aah, it’s just a chipmunk…Let’s keep moving. Theirs probably a Coyote around the next bend.”
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2000 second; -1/3ev; ISO 200; handheld braced on car window]

[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/3200 second; -2/3ev; ISO 200; handheld]
Fat Black-tailed Prairie Dog
Like many mammals that become more sedentary in winter, the Black-tailed Prairie Dogs try and put on a little fat for winter. This guys really accomplished his goal! These burrowing rodents are a blast to watch…And their “alarm” behavior is awesome; they stand upright and suddenly throw their paws straight up in the air and give a sharp “Yaah” call.
[Canon 7D with Canon 400mm f5.6 lens; f8 at 1/1000 second; -1/3ev; ISO 200; handheld braced on car window]

[Canon 7D with Canon 400mm f5.6 lens; f7.1 at 1/2000 second; -1ev; ISO 200; tripod]
Badger
Wherever there are Prairie Dogs, predators are sure to be near by. The formidable list of predators includes Golden Eagles, Coyotes and these guys, Badgers. I was really hoping to see either a Badger or Bobcat on this trip was thrilled when we found this guy hunting a Prairie Dog town. He was not shy either; pausing to pose for us at the mouth of his/her burrow. I’ll have a bizarre Badger tale to tell in one of the next blog posts.
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/1600 second; -1/3ev; ISO 200; tripod]
Sparky on the hunt 🙂
Truth be told, we spend a great deal of time driving around looking for wildlife. But occasionally we get out and stalk some photo-prey. This is a very easy place to head out overland…No Grizzlies to worry about!…but also a myriad of trails made by the park’s Bison herds.

Though Teddy Roosevelt National Park is a badlands landscape, it is not as barren as the South Dakota Badlands. Much of the terrain is covered by grass, red cedars and sagebrush. There is even Prickly Pear Cactus. In summer there are rattlesnakes to be aware of, but the most dangerous thing in late fall would be an irate Bison bull.
[Canon 7D with Canon 400mm f5.6 lens; f10 at 1/320 second; -1/3ev; ISO 200; tripod]

[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/500 second; -1/3ev; ISO 100; tripod]
“Wild” Horses (more accurately “Feral Horses”)
Though not a native animal to this part of North America, the horses here are very wild. [See this POST about some crazy wild horse interactions on a Teddy trip a couple years ago.] I do love their varied coats and wild manes.
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2000 second; -1ev; ISO 250; tripod]
Pronghorn herd
Late in the day we headed overland and came upon yet another massive Prairie Dog town, but on the fringes was a cautious herd of Pronghorns. They were in deep shade but I kind of like the subtle colors that the lighting conditions brought out. Pronghorns are very hard to photograph on sunny days…The whites of their fur blow out.
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/160 second; -2/3ev; ISO 400; tripod]
Coyote
And sure enough, there were a couple Coyotes hunting the town. I like the contrast of the Coyote in blue shade with the sliver of warm sunset sunlight.
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/250 second; -1 1/3ev; ISO 200; tripod]
Coyote
She eventually came out into the sun and gave us close opportunities for some backlit shots. I love rim lighting!
[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/320 second; -1 1/3ev; ISO 200; tripod]
Bull Elk
The day ended as it had begun, with the sighting of a bull Elk. This one was well after sunset and the crazy high ISO I used created this photo with a painterly quality.
[Canon 7D with Canon 50mm f1.8 lens; f1.8 at 1/200 second; -1ev; ISO 6400; handheld]

More Teddy Roosevelt blog posts coming soon!

SEE PREVIOUS TEDDY ROOSEVELT NATIONAL PARK POSTS HERE

Getting a beautiful, artistic photo of a butterfly is more of a challenge than you’d think. After all, they are attractive insects that regularly perch on attractive flowers. How hard could it be? But the challenges are many…How do you get close? What lens do you choose? Why is the background so cluttered? Here are 13 tips that will improve your butterfly images 100 percent.

1. GET EYE LEVEL

Silver-bordered Fritillary (Boloria selene) on Daisy Fleabane, MN

This is probably the #1 tip to getting better butterfly photos (combined with Tip #2). I’ve said it before and I’ll say it again, eye-level photos bring greater intimacy to the photo and a stronger connection to the critter by the viewer. So you’ll be doing a lot of crouching, kneeling, stooping and crawling through meadows, but it will be worth it.

2. USE A TELEPHOTO LENS

Marine Blue (Leptotes marina) Lower Rio Grande Valley, Texas

It is VERY DIFFICULT to get great, or even good butterfly images with a wide angle or normal (50mm) lens. The short focal length does not give you enough working distance…i.e. you can’t get close enough to skittish butterflies (almost all fall into this category!) to make them large enough in the frame for a pleasing image.) And if you could, the wide and regular lenses allow too much depth of field so that you would have a cluttered background of in-focus leaves and stems. I shoot almost ALL of my butterfly images with a 200mm lens mounted on a 1.6x crop-sesor DSLR so it effectively becomes a 320mm lens! This allows me to shoot from a distance that does not spook the butterfly and gives me a shallower depth of field so background vegetation blurs nicely.

3. SUPER MACRO

Tiger Swallowtail (Papilio canadensis) Sax-Zim Bog, MN

The crazy and wonderful patterns on all butterfly wings are the result of colored scales. In this cropped close up of a road-kill Tiger Swallowtail’s hind wings you can see the individual scales. Maybe you remember a poster that showed the entire alphabet, each letter a macro image from a butterflies wing. Fresh road-kills are great for this purpose as few living butterflies would allow this close approach. Now you can use your 60mm or 100mm macro to zoom in on the detail. Great for the “Wow Factor.”

4. BACKLIT BEAUTY

Silver-bordered Fritillary (Boloria selene) Minnesota

This is a fun technique to try later in the afternoon when you have butterflies perching atop wildflowers with dark backgrounds. Underexpose by at least 1 stop…maybe 2 stops…to get this effect. The wings just seem to glow. Remember to turn off your flash too!

5. WATCH YOUR BACKGROUND

European Skipper (Thymelicus lineola) Carlton Co, MN

The nicely blurred, smooth green background (called “buttery bokeh” in photographer jargon) in the image above is the holy grail of butterfly photography. But it is difficult to achieve. The trick is having the background vegetation far enough away so it blurs at the f-stop you are shooting at, yet keeping all or most of the butterfly sharp at the resulting depth of field. To get this effect, I am often shooting at f5.6 to f8…depending on if the butterfly’s wings are held flat or together over its back (f5.6) or slightly spread (f8 to get more depth of field).

6. WAIT FOR THE FLOWER

Sheep Skipper (Atrytonopsis edwardsii) Big Bend National Park, Texas.

Sometimes a drab butterfly can play second fiddle to the flower it is feeding on. Such was the case with this brown-gray Skipper nectaring on this stunning cactus flower. This principal can apply to all butterfly photography…Park your butt at a magnificent specimen of a flower and wait…On hot sunny midsummer days you shouldn’t have to wait too long.

7. GET HORIZONTAL (AND DIRTY!)

Baltimore Checkerspot (Euphydryas phaeton) Cranberry Rd Sax-Zim Bog MN

Many species of butterflies perch on the ground (especially dirt roads and trails) where they take up water and minerals from the soil or animal dung. But a photo from the standing position may help you identify the beast but not be a very pleasing image. So I usually find a subject that seems to be preoccupied with feeding, lay down on the ground a safe distance away and slowly work my way closer. It is rather painful on elbows and knees and necks but does not alarm the bug as much as approaching on foot. When I get within range, I switch to LIVE VIEW so I can view the butterfly on the back of the camera. I then just extend my arms and watch the Live View until I have my perfect framing and subject size. Of course, the success ratio for all butterfly photography is VERY LOW so don’t get discouraged; Try, try again.

8. FILL FLASH

Monarch (Danaus plexippus) on Liatris, Carlton Co, MN

Maybe 50% of the time I’ll use fill-flash in my butterfly photography. It helps define wing patterns on sunny days, illuminates shadowed underwings and faces, and can freeze motion. I either use the pop-up flash or an external flash and always set it to -1 1/3 e.v. BUT if the sun is at my back and not high overhead, I probably won’t use it. Sometimes it becomes difficult to use it on sunny days too because even at low ISOs you have to have a small aperture (f16) to shoot at the flash sync speed (1/250 for me)…and then the background is too much in focus.

9. DON’T FORGET THE UNDERSIDES

Red Admiral (Vanessa atalanta) Carlton Co, MN

The undersides of many species wings are as spectacular, or in some cases, even more stunning than the pattern on the top side of their wings. This is true for many fritillaries whose top sides are all very similar, a patchwork of orange and black markings, but underneath they have distinctive and colorful spots and patches.

10. …AND DON’T FORGET THE CATERPILLAR!

Monarch caterpillar (Danaus plexippus) on Milkweed, Carlton Co, MN

Though most spectacular caterpillars that you come across are actually the larva of moths, there are some stunning butterfly caterpillars. The Monarch’s caterpillar comes to mind first, but the larva of the Baltimore Checkerspot and most swallowtails also make great subjects. And don’t forget the Harvester caterpillar…It is the only carnivorous butterfly caterpillar, feeding on woolly alder aphids.

11. BUTTERFLY IN HABITAT

Common Ringlet (Coenonympha tullia) Western Minnesota

You don’t always have to get frame-filling images. Sometimes it is good to back off and include more habitat. This Common Ringlet is a butterfly of prairies, marsh edges, meadows and other open country so in addition to the close-up I also got a wider shot showing the grassland habitat.

12. FLIGHT

Regal Fritillary (Speyeria idalia) Nachusa Grasslands in northern Illinois

Pipevine Swallowtail (Battus philenor) and Texas Bluebonnets, near Alice, Texas.

Here’s a challenge for you; Try to shoot a butterfly on the wing! Autofocus won’t work—the butterfly is too small in the frame—so you need to manually focus. Talk about low-percentage shooting! Though this swallowtail is not sharply in focus, I still think it works as a unique flight-habitat image. p.s. I went back to this same ranch the following April and due to drought there was not a single flower in this pasture!

13. KNOW WHERE TO GO…BUTTERFLY MAGNETS

Sulphurs “puddling” in South Texas

Knowing when and where to go are about as important as all other tips. First, get a good regional butterfly guide and study it. It should give you an idea of when the butterflies on the wing (“flight phenology”) and the habitat to look for them. Behavior can also lead you to subjects; “Puddling” as in photo above is when several butterflies concentrate at wet soil or mud to take up nutrients. On top of hills or slight rises with openings you may find mixed groups of butterflies “hilltopping,” a common butterfly behavior. Animal dung/scat also attracts butterflies who take up nutrients from the dried piles…But this doesn’t make for very attractive photos! Bottom line…Get to know the biology of your subjects and your chances of success improve greatly.

Okay, a shameless plug for a field guide to butterflies of the North Woods (which includes species of Minnesota, Wisconsin, and Michigan) published by my company (www.kollathstensaas.com) and written by my friend and neighbor, Larry Weber. Includes all 125 species found in the North Woods and phenograms, habitat, identification and biology for each. You can Buy it at Amazon.