Nothing too artsy fartsy here…Just some nice photos of some very cool insects (and a couple spiders). As you will be able to tell, the post is pretty heavy on moths. I have been beefing up my collection of moth photos, especially trying to capture them in a more natural setting. I attract them to our land (“Skogstjarna” in northern Minnesota) by leaving an outdoor light on at night. Then early in the morning I go out when the moths are still sluggish and gently move them to a more natural perch. It doesn’t always work so well on tiny moths since they can warm up more rapidly and fly off when I disturb their sleep.
I’ve also included some cool camouflage photos.

Karner Melissa Blue butterfly, Lycaeides Melissa samuelis, Necedah National Wildlife Refuge, Necedah, Wisconsin, July 19, 2018

I unintentionally planned my trip to Wisconsin’s Necedah National Wildlife Refuge perfectly. I was amazed and pleasantly surprised to find that the nickel-sized Karner Blue butterfly was abundant, and easily the most common butterfly species out and about. Its caterpillar food plant is the native Wild Lupine (Lupinus perennis) which was just done blooming, but that doesn’t phase the adults which nectar on many flower species including the abundant roadside flower Bird’s-foot Trefoil.

This butterfly is a federally Endangered subspecies of the Melissa Blue.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 118mm with Canon 500D front-mounted close-up lens; 1/250 second at f13; ISO 250; -0.33 ev; pop-up fill flash; hand-held]

Lytrosis unitaria Common Lytrosis, 6720, Family Geometridae, Skogstjarna, Carlton County, Minnesota

Talk about well camouflaged! The Common Lytrosis moth is perfectly adapted to daytime perching on rough-barked trees (or stacked firewood in this case!)

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 70mm with Canon 500D front-mounted close-up lens; 1/60 second at f8; ISO 1600; hand-held]

Nerice bidentata Double-toothed Prominent, moth, 93-0018, 7929, Family Notodontidae, Skogstjarna, Carlton County, Minnesota, June 13, 2018

The “double toothed” pattern of this moth breaks up its shape and makes it look as if it is just another spiky branch. Brilliant camouflage!

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 109mm with Canon 500D front-mounted close-up lens; 1/250 second at f9; ISO 100; pop-up fill flash; hand-held]

Regal Fritillary Speyeria idalia, male, butterfly, Felton WMA, Clay County, Minnesota, August 17, 2018

One of my main goals in going to northwest Minnesota in late summer was to find and photograph the rare Regal Fritillary (Speyeria idalia); a truly regal creature of tallgrass prairies. I had seen them at southwest Minnesota’s Blue Mounds State Park, and got some not-so-great photos at Nachusa Grasslands in Illinois, but now I wanted some publication-quality images.

I had no luck on my first day, even though I scanned about a thousand Blazing Star flowers (a preferred nectar source). Then on day two I decided to hike out into the Felton WMA. Within about 20 yards I kicked up my first Regal, followed by half a dozen more in the next 15 minutes. But getting close to them is another story.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 200mm with Canon 500D front-mounted close-up lens; 1/1250 second at f4; ISO 250; hand-held]

Regal Fritillary Speyeria idalia, male, butterfly, and Bombus bumble bee, Felton WMA, Clay County, Minnesota, August 17, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 200mm with Canon 500D front-mounted close-up lens; 1/400 second at f4; ISO 100; pop-up fill flash; hand-held]

Bellura obliqua Cattail Borer 93-2517 9525 Family Noctuidae Skogstjarna Carlton County, Minnesota, June 23, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 91mm with Canon 500D front-mounted close-up lens; 1/250 second at f13; ISO 250; -1.66 ev; pop-up fill flash; hand-held]

Biston betularia Pepper-and-Salt Geometer or Peppered Moth, 6640, Family Geometridae, Skogstjarna Carlton County, Minnesota, June 8, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm with Canon 500D front-mounted close-up lens; 1/60 second at f11; ISO 1600; hand-held]

Habrosyne scripta Lettered Habrosyne, moth, 6235, Family Depranidae, Skogstjarna, Carlton County, Minnesota, June 8, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm with Canon 500D front-mounted close-up lens; 1/250 second at f11; ISO 320; +1 ev; pop-up fill flash; hand-held]

Harrisimemna trisignata Harris’s Three-Spot moth, 93-1498, 9286, Family Noctuidae, Skogstjarna, Carlton County, Minnesota, June 13, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 113mm with Canon 500D front-mounted close-up lens; 1/250 second at f16; ISO 200; +0.33 ev; pop-up fill flash; hand-held]

Hyalophora cecropia Cecropia moth far back on Warren Woessner Bog Boardwalk at the Warren Nelson Memorial Bog, Sax-Zim Bog, Minnesota

[iPhone 7+]

Phyllodesma americana American Lappet Moth, 7687, Family Lasiocampidae, Skogstjarna, Carlton County, Minnesota, June 23, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 70mm with Canon 500D front-mounted close-up lens; 1/60 second at f9; ISO 640; hand-held]

Smerinthus cerisyi One-eyed Sphinx, moth, 7822, Family Sphingidae, Skogstjarna, Carlton County, Minnesota, June 23, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 140mm with Canon 500D front-mounted close-up lens; 1/250 second at f8; ISO 640; pop-up fill flash; hand-held]

Amorpha juglandis Walnut Sphinx 7827 Family Sphingidae Skogstjarna Carlton County, Minnesota, June 8, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 98mm with Canon 500D front-mounted close-up lens; 1/160 second at f10; ISO 800; -0.66 ev; hand-held]

Anastoechus barbatus bee fly Glacial Ridge National Wildlife Refuge NWR Polk County, Minnesota, August 17, 2018

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm with Canon 500D front-mounted close-up lens; 1/250 second at f11; ISO 400; pop-up fill flash; hand-held]

Argiope trifasciata Banded Garden Spider Felton WMA Clay County, Minnesota

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 118mm with Canon 500D front-mounted close-up lens; 1/250 second at f8; ISO 200; pop-up fill flash; hand-held]

Uloborus glomosus Feather-legged Orbweaver in web with multiple egg sacs, spider, Warren Woessner Bog Boardwalk at Warren Nelson Memorial Bog, Sax-Zim Bog, Minnesota

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 188mm with Canon 500D front-mounted close-up lens; 1/250 second at f22; ISO 800; pop-up fill flash; hand-held]

In Yellowstone, you could take wildlife portraits till the cows come home…or should I say, “until the Bison come home?” But I always try to think a bit out of the box in order to get some unique images. A few years ago, our buddy Chris Gibbs came with us to Yellowstone. Along one “boring” stretch of snow-covered road that traversed a recent forest fire, Chris rolled down his window and started shooting. Ryan and I looked at each other…What the heck was he shooting? The scene outside was anything but beautiful. But Chris was playing with a slow shutter speed, using the contrast of the black trees and white snow and the speed of the car to create very interesting abstracts. We all jumped in and tried the technique, and had a blast doing it. Next time the “light is bad” or it is harsh midday sun, think creatively and play around with exposures, flash, underexposure. The beauty of digital is that we aren’t losing money with every shot as in the “good old film days.”

Colorful stream rocks during a long exposure. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/5 second on tripod.

Dawn Bison backlit by strong sun, his breath visible in the chilly air. Converted to sepia and contrast increased by use of Curves in Aperture. Canon 7D with Canon 400mm lens, f5.6 at 1/2000 second, underexposed by 2 stops.

A long exposure blurs the water and rocks to create a true abstract. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/3 second on tripod.

An accidental photo of a bison with a 20mm lens from inches away…But I love it! The vignetted look, the texture of the Bison’s pelt, and the golden backlit hair in the lower left…It works for me. Of course, it will never sell, but we need to take photos for ourselves first and foremost.

Bridget says I take too many silhouettes…But she actually likes this one! I underexposed the scene by 3 full stops in the field then changed the white balance in Aperture so the sky went from blue to gold. The adult and calf are nicely separated and you can even see their individual legs. Canon 7D with Canon 500mm f4 lens and 1.4x teleconverter, f5.6 at 1/500 second on tripod.

Creativity isn’t limited to the field…Here I opened a stream rock image in Photoshop and applied the “poster edges” filter to create a crazy pattern.

I really liked this Raven image right out of the camera…EXCEPT the background color was blaaah! So I performed a tight crop, took out the background, replaced it with a solid color and then applied the “poster edges” filter in Photoshop. I love the accentuated pattern of the breast feathers.

Getting a beautiful, artistic photo of a butterfly is more of a challenge than you’d think. After all, they are attractive insects that regularly perch on attractive flowers. How hard could it be? But the challenges are many…How do you get close? What lens do you choose? Why is the background so cluttered? Here are 13 tips that will improve your butterfly images 100 percent.

1. GET EYE LEVEL

Silver-bordered Fritillary (Boloria selene) on Daisy Fleabane, MN

This is probably the #1 tip to getting better butterfly photos (combined with Tip #2). I’ve said it before and I’ll say it again, eye-level photos bring greater intimacy to the photo and a stronger connection to the critter by the viewer. So you’ll be doing a lot of crouching, kneeling, stooping and crawling through meadows, but it will be worth it.

2. USE A TELEPHOTO LENS

Marine Blue (Leptotes marina) Lower Rio Grande Valley, Texas

It is VERY DIFFICULT to get great, or even good butterfly images with a wide angle or normal (50mm) lens. The short focal length does not give you enough working distance…i.e. you can’t get close enough to skittish butterflies (almost all fall into this category!) to make them large enough in the frame for a pleasing image.) And if you could, the wide and regular lenses allow too much depth of field so that you would have a cluttered background of in-focus leaves and stems. I shoot almost ALL of my butterfly images with a 200mm lens mounted on a 1.6x crop-sesor DSLR so it effectively becomes a 320mm lens! This allows me to shoot from a distance that does not spook the butterfly and gives me a shallower depth of field so background vegetation blurs nicely.

3. SUPER MACRO

Tiger Swallowtail (Papilio canadensis) Sax-Zim Bog, MN

The crazy and wonderful patterns on all butterfly wings are the result of colored scales. In this cropped close up of a road-kill Tiger Swallowtail’s hind wings you can see the individual scales. Maybe you remember a poster that showed the entire alphabet, each letter a macro image from a butterflies wing. Fresh road-kills are great for this purpose as few living butterflies would allow this close approach. Now you can use your 60mm or 100mm macro to zoom in on the detail. Great for the “Wow Factor.”

4. BACKLIT BEAUTY

Silver-bordered Fritillary (Boloria selene) Minnesota

This is a fun technique to try later in the afternoon when you have butterflies perching atop wildflowers with dark backgrounds. Underexpose by at least 1 stop…maybe 2 stops…to get this effect. The wings just seem to glow. Remember to turn off your flash too!

5. WATCH YOUR BACKGROUND

European Skipper (Thymelicus lineola) Carlton Co, MN

The nicely blurred, smooth green background (called “buttery bokeh” in photographer jargon) in the image above is the holy grail of butterfly photography. But it is difficult to achieve. The trick is having the background vegetation far enough away so it blurs at the f-stop you are shooting at, yet keeping all or most of the butterfly sharp at the resulting depth of field. To get this effect, I am often shooting at f5.6 to f8…depending on if the butterfly’s wings are held flat or together over its back (f5.6) or slightly spread (f8 to get more depth of field).

6. WAIT FOR THE FLOWER

Sheep Skipper (Atrytonopsis edwardsii) Big Bend National Park, Texas.

Sometimes a drab butterfly can play second fiddle to the flower it is feeding on. Such was the case with this brown-gray Skipper nectaring on this stunning cactus flower. This principal can apply to all butterfly photography…Park your butt at a magnificent specimen of a flower and wait…On hot sunny midsummer days you shouldn’t have to wait too long.

7. GET HORIZONTAL (AND DIRTY!)

Baltimore Checkerspot (Euphydryas phaeton) Cranberry Rd Sax-Zim Bog MN

Many species of butterflies perch on the ground (especially dirt roads and trails) where they take up water and minerals from the soil or animal dung. But a photo from the standing position may help you identify the beast but not be a very pleasing image. So I usually find a subject that seems to be preoccupied with feeding, lay down on the ground a safe distance away and slowly work my way closer. It is rather painful on elbows and knees and necks but does not alarm the bug as much as approaching on foot. When I get within range, I switch to LIVE VIEW so I can view the butterfly on the back of the camera. I then just extend my arms and watch the Live View until I have my perfect framing and subject size. Of course, the success ratio for all butterfly photography is VERY LOW so don’t get discouraged; Try, try again.

8. FILL FLASH

Monarch (Danaus plexippus) on Liatris, Carlton Co, MN

Maybe 50% of the time I’ll use fill-flash in my butterfly photography. It helps define wing patterns on sunny days, illuminates shadowed underwings and faces, and can freeze motion. I either use the pop-up flash or an external flash and always set it to -1 1/3 e.v. BUT if the sun is at my back and not high overhead, I probably won’t use it. Sometimes it becomes difficult to use it on sunny days too because even at low ISOs you have to have a small aperture (f16) to shoot at the flash sync speed (1/250 for me)…and then the background is too much in focus.

9. DON’T FORGET THE UNDERSIDES

Red Admiral (Vanessa atalanta) Carlton Co, MN

The undersides of many species wings are as spectacular, or in some cases, even more stunning than the pattern on the top side of their wings. This is true for many fritillaries whose top sides are all very similar, a patchwork of orange and black markings, but underneath they have distinctive and colorful spots and patches.

10. …AND DON’T FORGET THE CATERPILLAR!

Monarch caterpillar (Danaus plexippus) on Milkweed, Carlton Co, MN

Though most spectacular caterpillars that you come across are actually the larva of moths, there are some stunning butterfly caterpillars. The Monarch’s caterpillar comes to mind first, but the larva of the Baltimore Checkerspot and most swallowtails also make great subjects. And don’t forget the Harvester caterpillar…It is the only carnivorous butterfly caterpillar, feeding on woolly alder aphids.

11. BUTTERFLY IN HABITAT

Common Ringlet (Coenonympha tullia) Western Minnesota

You don’t always have to get frame-filling images. Sometimes it is good to back off and include more habitat. This Common Ringlet is a butterfly of prairies, marsh edges, meadows and other open country so in addition to the close-up I also got a wider shot showing the grassland habitat.

12. FLIGHT

Regal Fritillary (Speyeria idalia) Nachusa Grasslands in northern Illinois

Pipevine Swallowtail (Battus philenor) and Texas Bluebonnets, near Alice, Texas.

Here’s a challenge for you; Try to shoot a butterfly on the wing! Autofocus won’t work—the butterfly is too small in the frame—so you need to manually focus. Talk about low-percentage shooting! Though this swallowtail is not sharply in focus, I still think it works as a unique flight-habitat image. p.s. I went back to this same ranch the following April and due to drought there was not a single flower in this pasture!

13. KNOW WHERE TO GO…BUTTERFLY MAGNETS

Sulphurs “puddling” in South Texas

Knowing when and where to go are about as important as all other tips. First, get a good regional butterfly guide and study it. It should give you an idea of when the butterflies on the wing (“flight phenology”) and the habitat to look for them. Behavior can also lead you to subjects; “Puddling” as in photo above is when several butterflies concentrate at wet soil or mud to take up nutrients. On top of hills or slight rises with openings you may find mixed groups of butterflies “hilltopping,” a common butterfly behavior. Animal dung/scat also attracts butterflies who take up nutrients from the dried piles…But this doesn’t make for very attractive photos! Bottom line…Get to know the biology of your subjects and your chances of success improve greatly.

Okay, a shameless plug for a field guide to butterflies of the North Woods (which includes species of Minnesota, Wisconsin, and Michigan) published by my company (www.kollathstensaas.com) and written by my friend and neighbor, Larry Weber. Includes all 125 species found in the North Woods and phenograms, habitat, identification and biology for each. You can Buy it at Amazon.

I was out digging up roadside trees (poaching?) to plant on my land today when I found a beautiful stand of Round-lobed Hepatica. I forgot about the trees for a while and spent about a half hour with this one clump. Hepaticas are interesting in that they can be one of several colors. Most clumps around me were white, but this group was bluish violet. They are one of our earliest wildflowers, blooming before the leaves come out on the trees. Species that bloom at this time of year in northern deciduous forests are called spring ephemerals and also include the Trout Lilies, Large-flowered Bellwort, Large-flowered Trillium, Wood Anemone and several violets. It may surprise some of you “southerners” that the aspen leaves are just now opening up here near Lake Superior. We are in the midst of “green up” and the ephemerals will be closing up shop as soon as the canopy closes up.

In my early days of photography, I was mainly interested in nice portraits of the entire plant for use in my naturalist talks and programs (for you kids, that was in the “film days” and presentations were via slide projecter…I’m ancient!) Only since adopting digital photography in 2004 have I been experimenting with “artistic” flower shots. Here are several variations from todays shoot.

PORTRAITS
Straight-up species portraits are not as easy as you might think. You really need to spend a few minutes “grooming” the site, flower and background. This is especially true with the smaller plants, like today’s hepaticas, since the background is only inches away and one bright stem or pine needle can ruin a shot.
A. Handhold your camera and experiment with angles to find the best camera position for your shot.
B. NOW set up your tripod and put the camera on it.
C. Check your background by stopping your camera down to f16 or so and taking a photo. Analyze on your LCD screen.
D. Groom the plant by removing dead stems and dead leaves.
E. Fix your background by removing “hot spots” created by out of focus light-colored needles, leaves, stems, sticks.
F. Tie back branches that are in the way. You can also use a heavy stick to lay gently on vegetation you’re trying to keep out of the frame.
G. Manual focus and use the Live View LCD magnified 10x to get precise focusing (Turn autofocus off!)
H. If sunny, shade the flower with your body, or better yet, a diffuser. (More about this in a later post).
I. Use your self timer or live-view to reduce shake resulting from pressing the shutter button.
J. Shoot many frames experimenting with varying f-stops to see what you like best.

I think we’ll talk more about wildflower shooting in an upcoming post. Too much to include in this post alone.

Canon 7D with Tamron 60mm f2 lens, fill flash from camera’s pop-up flash, tripod