Posts from the ‘creativity’ Category

Top Ten 2016 Mammal Portraits

This is the last of my “Top Tens” from 2016…I guess I didn’t do much landscape photography last year so there won’t be a Top Ten Landscape 2016. Without further ado, here are my favorite mammal photos from 2016…(Most are from my April trip to Yellowstone and Teddy Roosevelt National Parks.

 

bighorn-gardiner-river-yellowstone-national-park-wy-img_5194Bighorn ram in Yellowstone National Park.
I like this desaturated look that I applied in Aperture. It gives a gritty feel that seems to fit for this species. It is a classic (boring?) head-on portrait, but I think it works in this shot.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/160 at f9; ISO 400; Manfrotto tripod with Whimberly Sidekick]

coyote-yellowstone-national-park-wy-img_4652Leaping for Lunch; Coyote in Yellowstone National Park
Voles are an important source of calories for Coyotes, and this guy is after one. Incredibly sharp hearing allows them to hear a vole under the snowpack. Once pinpointed, they leap high in the air in order to get enough force to break through the snow and get down to the vole’s tunnel. This time, he was unsuccessful.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm at 227mm; 1/4000 at f7.1; ISO 200; Manfrotto tripod with Whimberly Sidekick]

moose-cow-november-19-cr47-sax-zim-bog-mn-img_0093-1Young Moose; Sax-Zim Bog, Minnesota
I spent a fair amount of time with this tolerant young Moose cow along a backroad in northeastern Minnesota’s Sax-Zim Bog. The Moose herd in Minnesota is not doing well, but this gal was looking to be in fine shape.
[Canon 7D with Canon 400mm f5.6L; 1/500 at f5.6; ISO 320; Manfrotto tripod with Whimberly Sidekick]

black-bear-yellowstone-national-park-wy-img_4898Paws-itively Black Bear in Yellowstone
Ridiculous to put this image in my favorites from 2016, but I like the light pattern on the sole of its hind paw.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/640 at f7.1; ISO 500; -1.0 EV; Manfrotto tripod with Whimberly Sidekick]

elk-young-bull-shedding-old-yellowstone-road-wy-img_4529Awkward Elk; Yellowstone.
This ratty looking young bull Elk was just too “cute” to not take a photo…and he stuck his tongue out at me just at the perfect moment. I was not offended!
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/1600 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

grizzly-yellowstone-national-park-wy-img_5794Grizzly; Yellowstone National Park
I only included this image because, well, it’s a Grizzly!..and a good looking one.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1000 at 5.6; ISO 400; Manfrotto tripod with Whimberly Sidekick]

bighorn-gardiner-river-yellowstone-national-park-wy-img_5211Bachelor herd of Bighorn Sheep in Yellowstone
Another desaturated image that works well here. This bachelor herd had all age groups from younger rams to battle-scarred old-timers. They are focused on some action that we weren’t privy to.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/200 at f8; ISO 400; Manfrotto tripod with Whimberly Sidekick]

mule-deer-teddy-roosevelt-national-park-medora-nd-img_6225Mule Deer at sunrise; Teddy Roosevelt National Park, North Dakota
Even deer can make a nice photo when in the right light. And I loved the morning sunrise light that made this nice and subtle silhouette.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/5000 at f5.6; ISO 640; Manfrotto tripod with Whimberly Sidekick]

red-fox-and-bison-yellowstone-national-park-wy-img_5509Red Fox and Bison; Yellowstone.
I only included this because how often do you see a Bison and a Red Fox together?

wild-horse-teddy-roosevelt-national-park-medora-nd-img_6107Wild Horse family; Teddy Roosevelt National Park, North Dakota.
I really don’t like the word “feral,” so I use the not-entirely-correct term “wild horse” instead. They are “wild” indeed in Teddy Roosevelt, and their behaviors and interactions with other bands is fascinating to observe. When we were there in April, the foals were still quite small.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/400 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

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Top Ten 2016 Creative Wildlife Images

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

bighorn-gardiner-river-yellowstone-national-park-wy-img_5287-1Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

bighorn-gardiner-river-yellowstone-national-park-wy-img_5989Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

bison-teddy-roosevelt-national-park-medora-nd-img_6336Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

rough-legged-hawk-along-cr29-sax-zim-bog-mn-img_9069-1Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

black-tern-thief-lake-wma-marshall-co-mn-img_1105Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

bohemian-waxwing-wrenshall-city-park-crabapples-wrenshall-mn-img_2010Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

coyote-yellowstone-national-park-wy-img_5688Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

img_1103-1Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

ivory-gull-juvenile-canal-park-duluth-mn-img_9439Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

little-blue-heron-st-louis-river-western-waterfront-trail-duluth-mn-img_7487Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

red-tailed-hawk-and-moon-yellowstone-national-park-wy-img_3979Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

trout-hatchery-durango-colorado-img_3558Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

wild-turkey-skogstjarna-wrenshall-mn-img_2903Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]

Mornings with Bighorns—Yellowstone April 2016

MORNINGS ON THE “AMERICAN SERENGETI”
For three consecutive mornings, after waking before dawn, cooking up some oatmeal and toasted bagels, and warming our fingers over the car defroster, Ryan and I hiked a half mile (3/4 mile?) in to a valley that was teeming with wildlife. Hundreds of Elk, dozens of Bison, Pronghorn, and Mule Deer grazed the nearly nonexistent grass, moving slowly but surely across the floor of the valley. Despite “bear activity” signs, we felt very safe as we could see for miles in almost all directions.
Here (thanks to a tip from a wildlife photographer friend) we found a “bachelor herd” of Bighorn Sheep (Ovis canadensis).
In our many previous trips, we’d mainly seen bands of Bighorn ewes and lambs scrambling on the very vertical hillsides along the road from Gardiner, MT to Mammoth in the park. A few times we’d seen smaller rams come down to the river to drink, but never a big bachelor herd. But in this Valley of the American Serengeti (our name) we found a couple dozen “big boys” and another dozen young rams. You see Bighorn males and females only intermingle during the late November rut and mating season. After that, they go their own ways. Young males will join the bachelor herd after a year with mom.
Bighorn Gardiner River Yellowstone National Park WY IMG_5951 (1)The Patriarch
Though Bighorns don’t have a single band leader, they do seem to jostle a bit for social status, at least it seemed like that to us. This scarred full-curl ram seemed to be the oldest and the ram with the largest horns. His short muzzle had what appeared to be a scar all the way across the bridge. You can age a ram by its horns due to “growth rings” but I’m not experienced enough to attempt it. Their horns can weigh up to 30 pounds! Rams can live 9-12 years.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/1000 second; ISO 200; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5287 (1)Still Life with Bachelors
“Bachelors” is perhaps a misnomer as many of the older healthier rams may mate in the fall, but the all-male bands are called “bachelor herds.” I love the painterly feel to this image…Lots going on in this single frame. Note the young ram leaping over a laying ram. I muted the colors in Aperture.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1250 second; ISO 400; +0.33ev;  tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5989 (1)Two become One
Just a “haccident” (happy accident) when the two rams lined up to form “one head.” Blur your eyes a bit and …Bizarre.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/1000 second; ISO 320; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5310 (1)Resting Rams
Bighorns chew their cud. Note the patriarch in the upper right hand corner.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/250 second; ISO 400; +0.33ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5211 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f8 at 1/200 second; ISO 400; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5981 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/500 second; ISO 200; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5835 (1)

Blue Bighorn Silhouette
A so-so shot that gets a bit of creative life by reducing the exposure by a few stops and altering the white balance.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 100mm; f8 at 1/125 second; ISO 100; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5194 (1)

Monarch of the Mountains
Head on portrait of a full-curl ram. These boys not only tolerated us (can’t get closer than 25 yards due to Yellowstone’s rules (and common sense) but seemed to go about their business as if we weren’t even there. This is one of the real treats of Yellowstone; you get to witness the everyday lives of animals.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f9 at 1/160 second; ISO 400; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5191 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 330mm; f9 at 1/200 second; ISO 400; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5135 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 148mm; f5 at 1/640 second; ISO 400; +0.33ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_4312 (1)

Peek on the Peak
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2000 second; ISO 160; -0.67ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5226 (1)

Not sure if I like this image as a black and white or color version yet.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 148mm; f5 at 1/640 second; ISO 400; +0.33ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_4299 (1)

Still plenty of snow in the high country of Yellowstone in mid April. These Bighorns are extremely sure-footed and are at home in steep country. One of their main predators is the Mountain Lion, which is also at home in rugged terrain.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 160; -0.67ev; tripod]

Early Spring in Yellowstone 2—April 16-19, 2016

Red-tailed Hawk and moon Yellowstone National Park WY IMG_4074 (1)Still Life with Redtail and Moon 1
How could I pass this up? Wish I could have set up a tripod and shot at f22 or smaller to get more depth of field and the moon more in focus, but redtails don’t pose for that long.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f20 at 1/200 second; ISO 400; -0.33ev; handheld]

Grizzly Yellowstone National Park WY IMG_5794 (1)Silver Griz
This fella was our only Grizzly of the trip. Mid April is a bit early for many bears to be out of hibernation…and the high country roads are not yet open where there could very well be more bears. On our mid May trip a couple years ago, we saw quite a few Griz. But this guy was sure a beauty! We stopped, as we almost always do, when we saw a couple cars pulled over (and here’s the real key) and some long lenses on tripods. “What do ya got?” Is the standard photographer-to-photographer exchange in situations like this. They’d seen a Grizzly on the slope on the opposite side of the river, but it had moved off into some forest cover. So we pulled over, got out and helped them relocate the bear. Well nature called to Ryan, and while he was watering the early spring grass, he spotted the bear. He came back to the road and told us. I got a few handheld shots but Ryan had to go back to our car to get his camera. When Ryan got back, I went back to the car to get my tripod. But soon after I left something really spooked the Grizzly and it ran off. The only thing we know of that can spook the apex predator of the park…is another Grizzly. But while we waited another 45 minutes or so, nothing showed.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1000 second; ISO 400; handheld]

Black Bear Yellowstone National Park WY IMG_4898 (1)Sole of the Bear
This Black Bear recently out of hibernation had the most unusual nearly white, soles of its feet. I’ve seen many many Black Bears and have never noticed this trait before. My gut feeling is that this bear just had abnormally pale foot pads.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/640 second; ISO 500; -1ev; tripod]

Red-tailed Hawk Yellowstone National Park WY IMG_4790 (1)Rockin’ Redtail
The Red-tailed Hawks were certainly migrating through and returning to Yellowstone this week. We saw many, and this one posed on a picture-perfect perch long enough to get a shot.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/2000 second; ISO 320; +1ev; tripod]

Red-tailed Hawk and moon Yellowstone National Park WY IMG_3979 (1)Lunar Buteo
Red-tailed Hawks are a type of buteo…a raptor with big broad wings and short tails. They are built for soaring, scanning open country for prey. “Forest hawks” who hunt in dense woods need shorter rounded wings and long tails (to act as an “air rudder”) so they can maneuver in close quarters in flight. I love “bird and moon” shots…especially when the bird is relatively small in the frame. Of course, these images are best viewed large.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 320; handheld]

Pronghorn Yellowstone National Park WY IMG_3793 (1)Pronghorn in the Sage
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/800 second; ISO 250; handheld, braced on outside of car]

Ryan Yellowstone National Park WY IMG_6048 (1)Ryan Marshik

Bison in campsite Mammoth Yellowstone National Park WY IMG_2864Campsite Buddies!
Each night, a small herd of Bison grazed right through our campsite, noisily munching the new green grass. It’s funny, you would never dare to get this close to them out in the park (in fact it’s illegal to get closer than 25 yards) but here they are so preoccupied, and used to people, that you can sit at your picnic table 5 yards away and enjoy the slow parade.

Sandhill Crane Yellowstone National Park WY IMG_4094 (1)Sandhill Crane in its Finest
Love the “bustle” of this Sandhill Crane. It was one of a pair that had returned to nest in the park’s marshes and wet meadows.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/500 second; ISO 400; -0.33ev; handheld, braced on car window frame]

Dipper Yellowstone National Park WY IMG_4432 (1)Dipper thinking about taking a Dip
Dippers feed on underwater aquatic critters in fast moving streams and rivers of the western U.S. They are one of Bridget’s favorite birds and so I always try and get a few shots.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/250 second; ISO 640; handheld]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4626 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/2000 second; ISO 100; -2.33ev; tripod]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4622 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/320 second; ISO 100; tripod]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4599 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f11 at 1/800 second; ISO 100; -2ev; tripod]
All three of the above shots of the Lower Falls of the Yellowstone River were taken from Artist’s Point. The falls, at 308 vertical feet, is the tallest in the park. The light (quality and direction) was not good for broad scenic vistas, so I used the telephoto to zoom in on one part of the scene. The lone silhouetted tree really made this shot for me. Here are three variations…Which do you like?

Elk young bull shedding Old Yellowstone Road WY IMG_4529 (1)Goofy Bull
Early spring is NOT a good time to photograph Elk in the West; all the Elk at this time of year look pretty ratty. They are shedding their winter coats, and not gracefully. The older bulls are just sprouting their new antlers, growth being nourished by the blood-rich “velvet” coating them (see photo below), but the first year bulls sometimes hold their little antlers all winter instead of dropping them in late fall/early winter like the older guys.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/1600 second; ISO 200; handheld]

Elk bull in velvet in traffic Yellowstone National Park WY IMG_4926 (1)Big and Velvety
These were some really big boys holding up traffic along the road. Note their height compared to the car in the foreground. Wish I could see these guys again in the fall when their massive antlers will be in their prime.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 214mm; f7.1 at 1/400 second; ISO 500; tripod]

Elk herd Yellowstone National Park WY IMG_5111 (1)American Serengeti
Easily the biggest herd of Elk I’ve ever seen in Yellowstone…over 200 animals. I didn’t even include all the herd in this shot. Nearby were herds of Bison, Mule Deer and Pronghorn. Impressive!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 263mm; f6.3 at 1/60 second; ISO 320; tripod (accidentally at this shutter speed because I had just switched over from taking some video)]

Awesomize your Autumn Wildlife Shots with Fall Color

Fall color can really make your wildlife images pop…But how do you incorporate colorful fall foliage into animal pics? It takes a bit of creative thinking because when most of us are out shooting, we are either focused on landscapes (and fall foliage) or concentrating on getting great wildlife portraits…but rarely are we thinking of combining both!

COLORFUL LEAVES AS BACKGROUND
This sounds simple but how often do you find a subject in a spot where colorful leaves create a nice backdrop? Not often! But when you do, take advantage of the situation and shoot like crazy!

Bald Eagle in Quaking Aspen [October; Superior National Forest, Minnesota]

Bald Eagle in Quaking Aspen [October; Superior National Forest, Minnesota]

I just happened to stumble on this Bald Eagle perched in an aspen while driving around northern Minnesota. My car served as a blind and I was able to get a few shots out the window. Remember to stick your lens as far out the window as possible to avoid the shimmer of heat from your car escaping to the cool fall air.

Sandhill Cranes staging at Crex Meadows  [October 2008, near Grantsburg, Wisconsin]

Sandhill Cranes staging at Crex Meadows [October 2008, near Grantsburg, Wisconsin]

Sandhill Cranes congregate at Wisconsin’s Crex Meadows in late fall. The rusty red oaks compliment the red crowns of the Sandhill Cranes.

Northern Goshawk juv Hawk Ridge Duluth MN IMG_0049859 A juvenile Northern Goshawk swoops across a backdrop of yellow aspens atop Duluth, Minnesota’s Hawk Ridge Nature Reserve. I attracted it with the use of a plastic Great Horned Owl.

While calling for Moose, we inadvertently attracted the attention of this curious weasel [October; Superior National Forest, Cook County, MInnesota]

While calling for Moose, we inadvertantly attracted the attention of this curious weasel [October; Superior National Forest, Cook County, MInnesota]

A shallow depth-of-field turned the leaves in the background to pleasing blobs of color.

A near-adult Bald Eagle moves south over a northern Minnesota forest [September; Hawk Ridge, Duluth, Minnesota]

A near-adult Bald Eagle moves south over a northern Minnesota forest [September; Hawk Ridge, Duluth, Minnesota]

N Hawk Owl TamaracksTamaracks reach peak color in mid October. Their yellow needles will soon drop, but for now, they glow. Northern Hawk Owl in the Sax-Zim Bog of northern Minnesota.

Mule Deer buck yellow leaves Yellowstone National Park WY 770_7053Young Mule Deer buck and aspen leaves. Yellowstone National Park, Wyoming.

REFLECT ON THIS
This may actually be the easiest way to incorporate fall colors into your wildlife shots. Find a small pond, river edge, or lake margin that is lined with colorful trees. The leaves will reflect on the surface of the water if you position yourself at the right angle.
Pied-billed Grebe fall color reflection Rock Pond UMD Duluth MN IMG_0067366

Canada Goose Galesburg IL IMG_0034699 Warm yellow leaves reflect off the surface of a Galesburg, Illinois pond. A low angle and perfect evening light make for a great Canada Goose portrait. The open-billed expression adds to the photo.

Canada Goose fall color reflection Rock Pond UMD Duluth MN IMG_0067214Rock Pond on the University of Minnesota Duluth campus is ringed by beautiful Sugar Maples whose red leaves make amazing reflections.

A pair of migrating Canada Geese float in a pond reflecting fall colors [September; Rock Pond, Duluth, Minnesota]

A pair of migrating Canada Geese float in a pond reflecting fall colors [September; Rock Pond, Duluth, Minnesota]

FRAME WITH LEAVES
It is often a tricky proposition to find a subject that you can frame with leaves, but if you do, it certainly makes a compelling image.

Though sometimes called "antelope," Pronghorns are not related to them [September; Yellowstone National Park, Wyoming]

Though sometimes called “antelope,” Pronghorns are not related to them [September; Yellowstone National Park, Wyoming]

MOTION BLURS WITH FALL COLOR
Get real creative and try some slow shutter speeds with your wildlife subjects and fall color.
Snow Goose blur yellow tree_9397Snow Geese take off from a roosting pond in New Mexico’s Bosque del Apache National Wildlife Refuge. Cottonwood leaves create the yellow backdrop.

Pine Siskins swirl in a winter feeding flock [September; Yellowstone National Park, Wyoming]

Pine Siskins swirl in a winter feeding flock [September; Yellowstone National Park, Wyoming]

A drake Mallard takes off [September; Rock Pond, UMD, Duluth, Minnesota]

A drake Mallard takes off [September; Rock Pond, UMD, Duluth, Minnesota]

Panning with the Mallard at a slow shutter speed made for an interesting image.

FOG FOR BUCOLIC FALL SCENES
Fog and mist can soften fall colors and create moody fall photos.

Trumpeter Swans Spring Lk Carlton Co MN IMG_0051024 Fog on Carlton County, Minnesota’s Spring Lake softens the scene, turning it into a watercolor-like photo.

Theodore Roosevelt National Park—Wild Horses running Wild

On our way home from Yellowstone, Ryan and I stayed the night in Medora, North Dakota and spent the next morning shooting in Teddy Roosevelt National Park. It is a fantastic place for wildlife photography…and far less crowded than Yellowstone! Though it doesn’t have bears or Moose it does have Bison, Pronghorns, Coyote, Mule Deer and, in the North Unit, Elk and Bighorns. It also has two very photogenic species that Yellowstone lacks…Prairie Dogs and Wild Horses (also Rattlesnakes in summer!).
Wild Horse Theodore Roosevelt National Park ND IMG_9339 copyThe band of wild horses and foals. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, tripod]

The morning dawned dismal and rainy but we weren’t about to pass up the amazing 25-mile?? wildlife auto loop. Coming around a bend, we actually saw a car parked along the road. We had to stop and see what was up. Off on a nearby hillside was what we thought was a researcher studying a band of wild horses. The horses then stared at us (or so we thought). A couple foals were in the herd too. We waited until she returned to the road and indeed she was researching the sex lives of the horses (basically). But she told us that she thought the horses had seen another band of horses. We went cross country to try and get some shots. After setting up on the same hillside we noticed the horses all switched their attention from us to something unseen to the east. Sure enough, there came into view another band of horses. The leader of the band near us got very animated and stiffened up. He then trotted over to the other band and the leader of that band came out to meet him.

They circled each other, posturing the whole while. The other male then kicked with both hind legs narrowly missing “our” male. Evidently our male “won” and the other band drifted off while he ran back towards us. It was a fantastic opportunity to get some panning, motion-blur shots.

Wild Horse Theodore Roosevelt National Park ND IMG_9293Panning with running animals at a slow shutter speed is low percentage shooting, but sometimes you get lucky and get the head sharp but still show the motion in the legs. You need to choose a slow enough shutter speed to convey motion but not too slow so there is no chance of any part of the animal being sharp. The best shutter speed to start with would be 1/60 to 1/30 of a second. [Canon 7D with Canon 400mm f5.6 lens, f16 at 1/50, handheld]

Wild Horse Theodore Roosevelt National Park ND IMG_9304Nothing is sharp in this shot (I wish the head was a tiny bit sharp) but I love the power and speed of this stallion as conveyed by the motion blur.[Canon 7D with Canon 400mm f5.6 lens, f16 at 1/40, handheld]

Wild Horse Theodore Roosevelt National Park ND IMG_9306[Canon 7D with Canon 400mm f5.6 lens, f16 at 1/40, handheld]

Wild Horse Theodore Roosevelt National Park ND IMG_9310Kicking stallion. I didn’t really like the color in this shot…Seemed to distract from the kicking horse. So I converted it to black and white but it was still lacking something for an image portraying such power and aggression. Then I played with the contrast and Voila! I really liked it. Aggression, strength, power, energy. [Canon 7D with Canon 400mm f5.6 lens, f16 at 1/50, handheld]

Wild Horse Theodore Roosevelt National Park ND IMG_9339The same photo as the top photo. Do you like it better in color or black and white?

MORE ABOUT WILD HORSES IN THEODORE ROOSEVELT NATIONAL PARK
[From official park website: “Feral horses in Theodore Roosevelt National Park do not fall under the Wild Free-Roaming Horses and Burros Act, but are managed by existing park regulations. For many years the National Park Service attempted to remove all the horses from the park. This policy was reversed in 1970 when the horse was recognized as part of the historical setting. The park now retains a herd of 70-110 animals so that visitors may experience the badlands scene as it appeared during the open range ranching era of Theodore Roosevelt. In order to maintain this population level, the horses are rounded up every few years, and surplus animals are sold at public auction. Today, Theodore Roosevelt National Park is one of the few areas in the West where free-roaming horses may be readily observed.

Wild horses have existed in the badlands of western North Dakota since the middle of the 19th century. While ranching near Medora in the 1880s, Theodore Roosevelt wrote:

In a great many–indeed, in most–localities there are wild horses to be found, which, although invariably of domestic descent, being either themselves runaways from some ranch or Indian outfit, or else claiming such for their sires and dams, yet are quite as wild as the antelope on whose domain they have intruded.
Throughout the late 19th and early 20th centuries, cowboys in the Medora area often captured wild badlands horses for use as ranch or rodeo stock. Prior to the establishment of the park in 1947, local ranchers used this area to graze their livestock. A horse round-up held in 1954 removed 200 branded animals. Of the few small bands of horses that eluded capture, several were thought to be the descendants of horses that had run free in the badlands since at least the turn of the century.

Some of the horses in the park do bear a striking resemblance to the types of horses common in this area during the 19th century. As depicted in drawings and early photographs, local horses of that era were typically large-headed, short-backed, and a bit larger than the mustang of the southern Plains. They were often blue or red roans, many having “bald” (white) faces and patches of white on their sides. This color pattern, called an “apron,” may be familiar from the paintings of Frederic Remington and C.M. Russell, but is seldom seen in modern horses.

Wild horses typically range in small bands of 5-15 animals, consisting of a dominant stallion, his mares, and their offspring. Frequently a subdominant stallion will “run second” to the leader. Stallions herd their mares by extending their heads and necks low to the ground in a threatening gesture known as “snaking.” When a band is in flight, a dominant mare will take the lead with the stallion bringing up the rear. Young stallions roam together in “bachelor” groups, sometimes in proximity to a stallion harem.”

Yellowstone May 2014—Getting Creative

Bison Frosty face near Norris Yellowstone National Park WY IMG_7449Bridget specifically said “No frosty Bison photos! You have enough of them” But this one is a bit different. I converted the image to black and white then clipped the whites and blacks of the histogram to make a more high contrast image. It more accurately reflects what I remember from the Bison encounter than the original image. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, handheld]

Harlequin Ducks LeHardy Rapids Yellowstone National Park WY IMG_7346I used a long exposure on these Harlequin Ducks to allow the river to blur nicely. But you have to take many photos as the ducks were constantly fidgeting.

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8230 [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2000, handheld]

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8242The two images above were taken early in the morning between Mammoth and Tower Junction. You don’t always need the sun at your back! Backlighting can really be quite dramatic. I love how the rim light defines the elk’s shapes and makes the spring leaves pop. Also keep in mind that shadows often show as blue to our cameras and it contrasts nicely with the green leaves. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, -1EV, handheld]

Bighorn ewe reflection Mammoth to Tower Junction Yellowstone National Park WY IMG_6790Did you do a double take when you looked at this image? This is a reflection of a Bighorn ewe that I flipped 180 degrees. Have fun and experiment! [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/1250, handheld]

Ryan Marshik silhouette Nikon 600mm tripod Hayden Valley Yellowstone National Park WY IMG_8119Shapes often tell as much of a story as detailed subjects. I underexpeosed by nearly two stops to get this silhouette of Ryan hauling his 600mm f4 on a tripod across the snowy Hayden Valley. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/6400, -1 2/3 EV handheld]

Grizzly silhouette Mary's Bay Yellowstone Lake Yellowstone National Park WY IMG_9054 - Version 2Our wildlife subjects don’t always need to be large in the frame. But we really have to work to remember this and actually shoot “animal in the landscape” shots. Ryan and I had followed (by car) this sow and second-year cub for a while, but they cut up this steep hillside. I turned the camera vertical to emphasize the tall trees. Her backlit breath was a bonus. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, handheld]

Common Raven Hayden Valley Yellowstone National Park WY IMG_7195 I rented the Canon 85mm f1.2 lens for this trip specifically to play with extremely shallow depth of field in wildlife photography. This lens is commonly used in portrait photography to achieve very shallow DOF. This obliging Raven allowed me to get quite close and the result is a unique critter image with only an inch or two of in focus bird. [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2500 sec., handheld]

Yellowstone Falls long exposure visitors Yellowstone National Park WY IMG_7824This is a very different perspective on one of the most visited sites in Yellowstone…the Falls of the Yellowstone River. I set up my tripod back from the overlook and put on the wide angle lens. Then I attached a B+W 9-stop ND (neutral density filter to slow down the exposure in order to record the motion of visitors gawking at the falls (and taking selfies!). Of course, there were a dozen people here just before I got set up, then they all vanished. Where’s the bus of Japanese tourists when you want them! [Canon 7D with Sigma 10-20mm lens and B+W 9-stop ND filter, f11 at 15 seconds, ISO 100, tripod]

Moonrise full at Silver Gate Yellowstone National Park WY IMG_8216 Though the full moon ruined any plans we had for star trail photos, it made up for it during this moonrise at Silver Gate. The only way to get a large moon in your photos is to use a very long telephoto lens. But put an “earthbound” element into your photo to give the full moon scale. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/125, tripod]