American White Pelicans stage on the St. Louis River of Fond du Lac, Duluth MInnesota every spring from late April through mid May. Their antics are entertaining! They glide on 9-foot wingspans (second widest in North America!) over the hilly landscape and perform surprisingly graceful “waterski” landings. My favorite is their bill stretching exercises…and I have several clips of this. One catches a fish that is nearly too big to swallow.

Need a creative jumpstart to your wildlife photography? In this video I try and backlight the pelicans pouch and create a “stained glass” effect. I also share other backlighting wildlife photography tips.

It’s been quite a winter here in northeastern Minnesota; tons of snow and long! How does Sparky keep his “photographic sanity”? A series of inspirational books saves the day and motivates Sparky to try some “out of the box” bird photography ideas. The books are the annually-published Bird Photographer of the Year compilations, and the creative images between the covers are truly amazing. 

So on two days in March Sparky tries some free-form creative bird photography…one session with Wild Turkeys in his backyard, and another shoot with Mallards in an unfrozen pond.

Did he succeed? Or was the whole thing an epic fail?

http://www.thephotonaturalist.com

http://www.sparkyphotos.com

This is really where my heart is in regards to wildlife photography.

Black-capped Chickadee wings iridesce when backlit by the sun. My fingers were frozen by the time I got the shot, but it was worth it 🙂 The electronic 30fps shutter on the Canon R5 sure helps in these situations!  As does prefocusing on the spot where the chickadee will be. [Canon R5 with Canon 100-500mm lens at 270mm; 1/2000 second at f5.6; ISO 800; -1.00 ev; tripod]

Laying on the ground with a Western Diamondback Rattlesnake is an experience I hadn’t had until my July trip to southeast Arizona. I creatively cropped this image to highlight its eye with the unique vertical pupil.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 1000; 0 ev; handheld]

I’m the only photographer that goes to Crex Meadows on the day before a full moon to shoot silhouettes such as this…Yeah right! I was just one of a couple dozen photogs there this evening to try and get this type of shot. Why go on the day before the full moon? Well, that is the evening that the moon rises before the sun sets and you can get some decent light on the birds in front of the moon. It is pretty much impossible to get both the cranes and moon in sharp focus even with a f22 aperture. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

Probably my favorite image from Ryan and I’s trip to the prairie potholes of North Dakota this past May. It was one of those situations that you dream of….Your subject just keeps hanging around (in this case a flock of Black Terns) and the light keeps changing (sun, rain, dramatic clouds, rainbows, sunset). We shot a lot. But this image was my favorite…and the bird isn’t even in the shot! Just the reflection of a Black Tern, the rain drops forming concentric rings, and the blue-orange reflection in the water. [Canon R5 with Canon 100-500mm lens at 300mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

I shot through a pile of blue ice to frame this Red-breasted Merganser on Lake Superior. Unique and creative to be sure, but not my favorite shot. [Canon R5 with Canon 100-500mm lens at 363mm; 1/400 second at f7.1; ISO 160; +1.66 ev; handheld]

Despite my “freeze frame” in-flight photo of a Broad-billed Hummer that made my Top Ten Bird Portraits, I actually prefer this Broadbilled shot. I slowed the shutter to a crazy slow 1/60 of a second and took a bunch of photos. This was my favorite…Head/eyes sharp and side lit wings in motion.  [Canon R5 with Canon 100-500mm lens at 238mm; 1/60 second at f5; ISO 100; -1.33 ev; handheld]

Apologies to my photo buddy Ryan (who hates “the dirty prairie dogs”), but I think they are darn cute and fun to watch. While waiting for Coyotes and Badgers in an unnamed valley in Theodore Roosevelt National Park I spent most of my time watching the antics of the “dogs.” The sun was setting and the rim light was developing nicely. I waited for this guy to stand up and throw his head back to give the warning call. It happens so quickly that I missed several but did get this one. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f7.1; ISO 160; -1.33 ev; tripod]

Spending time with a Great Gray all alone in Sax-Zim is like gold. And I enjoyed every minute of my solitude with this hunting owl. Maybe this shouldn’t be included in a Creative Wildlife category since it is just a frame plucked from a video clip. But I like the panning motion blur of the gliding Great Gray, which is inherent in video since it is shot at 1/60 second at 30fps.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/60 second; handheld]

I selectively desaturated this Western Grebe’s portrait leaving the shockingly red eyes and straw yellow bill. I like the feel of this photo…and I also think the water droplets are kind of neat. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f13; ISO 1600; +0.33 ev; on ballhead in floating blind]

Sometimes good things can happen on your way to taking the garbage cans to the end of the driveway! I looked up and saw about 30 Wild Turkeys in neighbor Paul’s field. There were about a dozen toms and 15 or 20 hens. It was quite a scene…strutting, battles, chasing. And the best part was that it was all backlit creating some very cool images. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 160; -2.00 ev; handheld]

High key images are finding their way into my faves category more and more these days. And it is a great technique when you have a bird against a blaah gray sky. Even better if you can include an interesting branch. I got both in this shot of a Blue Grosbeak in SE Arizona. I could have taken the yellow out of the branches but decided that the color added something to the image. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 160; +0.33 ev; tripod]

Another favorite from Crex Meadows “full moon-Sandhill Crane” shoot. The purple sky came out with some post processing in Lightroom. See above for more details on this evening at Crex.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

The thing about creative wildlife photos is that you often have to intentionally search for the creative possibilities in each situation. Since I was looking down on this PIed-billed Grebe, and it was flat gray light, it would have made a blaah portrait. But by intentionally shooting through the snow blobs on the willows it created a  surreal scene. It is nearly a black and white image, but I like the touch of red on the grebe’s throat. [Canon R5 with Canon 100-500mm lens at 200mm; 1/320 second at f5; ISO 100; -0.66 ev; handheld]

I do love silhouettes, but there usually has to be something extra about the photo to make it a “top tenner.” In this image of a Western Grebe on Horsehead Lake in North Dakota, that something extra is the geometric shapes of the rushes and their reflection. [Canon R5 with Canon 100-500mm lens at 254mm; 1/400 second at f14; ISO 100; 0 ev; handheld]

Ryan Marshik and I go on a bird photography video trip to the prairie pothole region of North Dakota …specifically Kidder and Stutsman counties west of Jamestown. We use our floating blinds in some alkaline lakes and cattail marshes to photograph ducks, grebes, shorebirds, gulls and more. 

Sparky risks his Canon R5 by putting it only inches above the water line in the floating hide/floating blind.

From the blind/hide we witness Western Grebes doing their rushing display/dance, Franklin’s Gulls courting, Willet courtship, mating ritual of the American Avocet, Eared Grebes dancing, Northern Shoveler’s and Wilson’s Phalarope preening and much more.

We also find a Ferruginous Hawk nest.

What a great place…and only 7 hours from home!

Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Greater Prairie-Chicken battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

April 26, 2019

Photographers and Birders never really get to enjoy the benefits of staying in a hotel. And this was true for me on Friday morning. I rolled in to Crookston, Minnesota late (after a 4 1/2 hour drive) and after packing my photo/video/sound gear it was already 11pm. Not much time to sleep before the alarm went off at 3:30am. No complimentary breakfast for spring/summer birders! Two granola bars would have to suffice. I had to be in the blind by 4:50am.

Even at that dark hour, the birds had beat me to the lek. Reflectors had marked the 300 yard path to the Greater Prairie-Chicken blind at Tympanuchus Wildlife Management Area in Polk County, Minnesota (in the northwestern part of the state). Honestly it was one of the nicest grouse blinds I’ve ever been in. Spacious and roomy with semi-comfy stools, and even a plywood floor! But like all blinds constructed for the public and not specifically for photographers, it lacked a low-angle shooting window. Photographers like to get eye-level shots. It makes the images more intimate and helps isolate the subject from its background. The addition of two “shooting windows” about a foot off the floor/ground would be really nice.

But as spectacular as their displays are, the sounds these guys make are simply mesmerizing. Crazy cackles, hoots, booms against a background of overhead winnowing of snipe and singing Savannah Sparrows, Grasshopper Sparrows and Western Meadowlarks. I even heard a couple Greater Yellowlegs and a Marbled Godwit. A true spring chorus!

I am far more familiar with Sharp-tailed Grouse displays, and in comparison, the Prairie-Chickens dance less and fight more. Sharptails perform fancy footwork dance displays and inflate purple throat sacs. Greater Prairie-Chickens do less dancing and seem to rely more on their impressive yellow-pink throat sacs and erected feather tufts. They also seem to face off with other males frequently.

By 9am, the energy level had dissipated and the birds melted into the brushy landscape.

**I WILL POST A VIDEO, INCLUDING SOUNDS AND SLOW MOTION, OF THE PRAIRIE CHICKEN DISPLAYS SOON. STAY TUNED!

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

The male’s display is

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 500; handheld]

Greater Prairie-Chicken males displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

At the peak of displaying, I counted about 15 Greater Prairie-Chickens…Maybe 12 males and 3 females. In this photo you can see 4 males displaying.

[Canon 7D with Sigma 50-500mm lens at 167mm; 1/1600 at f5.6; ISO 320; handheld]

Though there were no low angle shooting windows in the blind, I did manage to lay on my belly and shoot a couple shots under the canvas blind’s zippered door. I like the out of focus red dogwoods/willows.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f6.3; ISO 640; handheld]

Greater Prairie-Chicken male at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 500; handheld]

Greater Prairie-Chicken males at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 640; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/500 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Prairie-Chickens are a bird of open prairie and brushy grasslands. This part of Minnesota has thousands of acres of such habitat preserved in many Nature Conservency sites, DNR Wildlife Management Areas and the massive Glacial Ridge National Wildlife Refuge (along the old beach line of Glacial Lake Agassiz).

[Canon 7D with Canon EF 70-200mm L USM f4 lens; 1/800 at f4; ISO 250; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

The sun came up at 6:18am and the photography really kicked into high gear. I took over 1200 photos but “chimped and trashed” 700 of those, keeping about 500.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f6.3; ISO 800; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Love the head-on view!

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 1000; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Brief aerial “battles” were fairly common during my 4 hours in the blind. Most often they would face-off and then one would back off and wander away. But occasionally fights would erupt.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 1250; handheld]

Greater Prairie-Chicken male displaying n a shrub! at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Now here’s something you don’t see every day…A displaying Prairie-Chicken in a shrub!

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 500; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 640; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f6.3; ISO 800; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 640; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 1000; handheld]

Greater Prairie-Chicken male displaying for female at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 1000; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 1250; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken male in shrub at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/800 at f4; ISO 2500; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 176mm; 1/800 at f4; ISO 2000; handheld]

Greater Prairie-Chicken males displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Three males displaying just before the sun came up at 6:18am. They had been on the lek since before 5am and would continue until 9am. It takes a lot of energy to impress the ladies!

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 70mm; 1/250 at f4; ISO 400; handheld]

Greater Prairie-Chicken female at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

The females were more in evidence than at a Sharp-tailed Grouse lek (in my experience). But I saw no mating taking place. She lacks the male’s fancy throat sacs and feather plumes.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 800; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 800; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Not much to do photographically in the pre-dawn hour…Too dark. But what is fun is to slow your shutter speed way down and crank up the ISO and try some panning motion blurs. I got about 4 good photos that I’ve included here.

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/8 second at f4; ISO 3200; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Love this motion blur at a very slow 1/3 of a second. I left the blue pre-twilight background but increased the white balance in the bird to a warmer hue. I do wish it was framed on the left instead of running out of the frame, but I can live with that.

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/3 second at f4; ISO 3200; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/15 second at f4; ISO 1600; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

You can shoot before dawn! I love the artistic/painterly quality of these early morning motion blurs.

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/8 second at f4; ISO 3200; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/40 at f9; ISO 100; handheld]

Greater Prairie-Chicken: two males facing off at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1250 at f5.6; ISO 250; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Another front view of this amazing bird of the prairies.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 320; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

This young male (in front) was constantly trying to display in the center of the lek. But the older males (?) would immediately attack him and drive him from the center fo the lek to the fringes. They would even bite his back. I am assuming that he is just a younger individual and has not yet earned his rightful place.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1250 at f6.3; ISO 320; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 800; handheld]

 

I am bored of “bird on stick” photos…but I still take them. Every year I strive to get more creative with my wildlife photography. It’s often not easy to do….or at least not easy to remember to do something different. Get the portrait, but then think about how else you can shoot the subject…silhouette? slow shutter? animal-in-landscape? Of course, you can also get creative in “post” and do some interesting crops, or possibly convert an image to black and white. Have fun and play around!

Kingbird sunset silhouette (Felton Prairie, Clay County, Minnesota) August 16, 2018

Smoke from Canadian forest fires made much of the day a hazy mess…making photography difficult. But as the sun set it turned into a fiery ball in the west. Now if I could find a subject to silhouette! Fortunately an Eastern Kingbird landed in a roadside bush. Not the most interesting pose to silhouette, but I love the contrast between the deep blue twilight sky and orange fireball sun.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Wild Horse (feral) in Teddy Roosevelt National Park (North Dakota) April 30, 2018

A creative crop of a very curious wild horse (feral horse). I love their wild, human-like hair and big expressive eyes.

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/320 at f2; ISO 250; hand-held]

Trumpeter Swans (Yellowstone National Park, Wyoming) April 30, 2018

A black-and-white conversion that works well with these white subjects. Trumpeters are very curious and will sometimes swim towards you…A very nice behavior for photographers!

[Canon 7D with Canon EF 200mm f2 L IS USM lens; 1/1250 at f2; ISO 200; hand-held]

Red-winged Blackbird sunrise (Tobin-Kimmes Wetlands, Douglas County, Wisconsin) May 12, 2018

I was looking for a different photo on this spring morning, but you always have to be open to other opportunities. The catkin-laced branches of this willow add to the image, as does the singing and displaying male Red-winged Blackbird.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f11; ISO 100; hand-held]

Sandhill Cranes and full moon (Crex Meadows Wildlife Refuge, Grantsburg, Wisconsin) October 22, 2018

Sandhill Cranes were streaming in to their nighttime watery roost at Crex Meadows as the nearly-full moon was rising. Many photographers had come to try and get crane-moon photos. This was my favorite as the cranes are very sharp and the sky had a tinge of purple.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/400 at f5.6; ISO 400; -1.0ev; tripod]

Tundra Swans (Upper Mississippi NWR, Brownsville, Minnesota) November 17, 2018

I wanted to see what would happen with a very long exposure (13 seconds on a tripod) as some Tundra Swans were still and some were still swimming around. I got this interesting photo of sharp sleeping swans and long white streaks showing the 13-second path of the swimming swans.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 13 seconds at f20; ISO 100; +1.66 ev; tripod]

Three displaying  Wild Turkey toms (Carlton County, Minnesota) May 29, 2018

It was a blah morning with gray skies when I ran across three tom Turkeys displaying on a dirt road. I positioned myself so I could silhouette their whole bodies against the sky. I then pushed the white balance slider all the way to the right in Lightroom (warmer=more yellow/orange)…Voila! Instant sunrise sky.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/5000 at f7.1; ISO 640; -2.0ev; hand-held]

Bison fur detail (Yellowstone National Park, Wyoming) April 28, 2018

Love the texture of Bison hair.

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/640 at f4; ISO 400; hand-held]

High key Sandhill Cranes in frosty field (Yellowstone National Park, Wyoming) April 27, 2018

Some photos you don’t think much about when you take them. But when you see them on your computer at home, some really strike your fancy. I liked both the position of the feeding cranes and the frosty grass. To make it a “high key” photo, I adjusted the white levels in Lightroom until the background became totally clipped (blown out…absolute white).

[Canon 7D with Canon EF 200mm f2 L IS USM lens with Canon 2x teleconverter; 1/500 at f4; ISO 200; hand-held]

Eastern Bluebird at Nana’s farm (Galesburg, Illinois) March 30, 2018

Just a quirky photo of an Eastern Bluebird and its silhouette on a barn wall.

[Canon 7D with Sigma 50-500mm lens at 373mm; 1/1000 second at f6.3; ISO 1000; -0.66 ev; hand-held]

Mayflies at Midnight (St. Louis River, Fond du Lac Bridge, Duluth, Minnesota) July 12, 2018

Hexagenia Mayflies emerge en masse from large rivers in mid summer. Some years are bigger than others, and 2018 was a big year along the St. Louis River near Duluth. This is a long exposure of thousands of mayflies flying about a street light on the bridge. Their floppy flight makes interesting light patterns during the 1/4 second exposure.

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/4 second at f5.6; ISO 400; -1.0ev; hand-held, braced on car door frame]

Wild Turkey feathers up close (Skogstjarna, Carlton County, Minnesota)

Taken out my living room window! Love the iridescence on these stunning creatures.

 

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

This is the last of my “Top Tens” from 2016…I guess I didn’t do much landscape photography last year so there won’t be a Top Ten Landscape 2016. Without further ado, here are my favorite mammal photos from 2016…(Most are from my April trip to Yellowstone and Teddy Roosevelt National Parks.

 

Bighorn ram in Yellowstone National Park.
I like this desaturated look that I applied in Aperture. It gives a gritty feel that seems to fit for this species. It is a classic (boring?) head-on portrait, but I think it works in this shot.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/160 at f9; ISO 400; Manfrotto tripod with Whimberly Sidekick]

Leaping for Lunch; Coyote in Yellowstone National Park
Voles are an important source of calories for Coyotes, and this guy is after one. Incredibly sharp hearing allows them to hear a vole under the snowpack. Once pinpointed, they leap high in the air in order to get enough force to break through the snow and get down to the vole’s tunnel. This time, he was unsuccessful.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm at 227mm; 1/4000 at f7.1; ISO 200; Manfrotto tripod with Whimberly Sidekick]

Young Moose; Sax-Zim Bog, Minnesota
I spent a fair amount of time with this tolerant young Moose cow along a backroad in northeastern Minnesota’s Sax-Zim Bog. The Moose herd in Minnesota is not doing well, but this gal was looking to be in fine shape.
[Canon 7D with Canon 400mm f5.6L; 1/500 at f5.6; ISO 320; Manfrotto tripod with Whimberly Sidekick]

Paws-itively Black Bear in Yellowstone
Ridiculous to put this image in my favorites from 2016, but I like the light pattern on the sole of its hind paw.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/640 at f7.1; ISO 500; -1.0 EV; Manfrotto tripod with Whimberly Sidekick]

Awkward Elk; Yellowstone.
This ratty looking young bull Elk was just too “cute” to not take a photo…and he stuck his tongue out at me just at the perfect moment. I was not offended!
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/1600 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

Grizzly; Yellowstone National Park
I only included this image because, well, it’s a Grizzly!..and a good looking one.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1000 at 5.6; ISO 400; Manfrotto tripod with Whimberly Sidekick]

Bachelor herd of Bighorn Sheep in Yellowstone
Another desaturated image that works well here. This bachelor herd had all age groups from younger rams to battle-scarred old-timers. They are focused on some action that we weren’t privy to.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/200 at f8; ISO 400; Manfrotto tripod with Whimberly Sidekick]

Mule Deer at sunrise; Teddy Roosevelt National Park, North Dakota
Even deer can make a nice photo when in the right light. And I loved the morning sunrise light that made this nice and subtle silhouette.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/5000 at f5.6; ISO 640; Manfrotto tripod with Whimberly Sidekick]

Red Fox and Bison; Yellowstone.
I only included this because how often do you see a Bison and a Red Fox together?

Wild Horse family; Teddy Roosevelt National Park, North Dakota.
I really don’t like the word “feral,” so I use the not-entirely-correct term “wild horse” instead. They are “wild” indeed in Teddy Roosevelt, and their behaviors and interactions with other bands is fascinating to observe. When we were there in April, the foals were still quite small.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/400 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]