Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

It’s that time of year to take stock of our shooting fortunes from the year past. For me, it was a mixed bag. I wanted to do more wildlife video but didn’t find the time for much. 2013 was also the year of the “Feathered & Furry 500,” my attempt to photograph 500 species of animals in Minnesota in one year [More on this in a post in the near-future]. And I did rack up a pretty big list…including over 220 species of birds. But I was also trying to be creative in my shots….More than the usual perfect light portrait.
In the next few days I will also post more “Top Tens” from 2013…Stay tuned!
Here are my favorites in no particular order:
American Crow in snowstorm. Taken near my house on the way to the gas station to get some milk for the family…The lesson? Always have your camera in the car. I really didn’t do much to the photo as the scene was already extremely contrasty. I did tweak the Levels and Curves to clip the whites and blacks in Aperture. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, ISO 160, handheld but braced on car window]

Chickadee landing on feeder at dawn. I “previsioned” this shot but just had to wait for the right morning and get up the gumption to shoot in the cold of a winter morning. I underexposed by nearly two stops in order to put the backlit wing feathers in a medium tonal range. Yes, it could have been better if part of the bird wasn’t blocked by the feeder. My house, Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2500 second, ISO 3200, Handheld]

European Starlings and Aerial Lift Bridge. I was photographing gulls in Duluth’s Canal Park when a large flock of starlings spooked from the bridge. I instinctively threw up my camera and started shooting. I really like the pattern and composition of this very “graphic” image, especially how the steel girders are all kind of converging in the center. The birds are nicely spaced too. Check the color version/variation below. Canal Park, Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800, Handheld]

Bald Eagle Landscape. I didn’t “see” this composition when I clicked the shutter…I just pointed my lens out the window when I saw and eagle land there. Only later did I see the nice composition of vertical aspen trunks contrasting with the blueish background of distant pines. A bird-in-the-landscape shot that works. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/800 second, ISO 640, Handheld but braced on car window]

This is one of 3 images in this Top Ten that were taken within minutes of each other (the others were the startling/bridge silhouettes). Fortuitously, the gulls all perched in perfect locations to make this interesting silhouette. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f18 at 1/400 second, ISO 800, Handheld]

Common Redpoll on snowy road. I laid flat on a snow-covered road to get this unique portrait of a Common Redpoll, a winter visitor to northern Minnesota. I blew out the whites to improve the high-key look of this shot. Sax-Zim Bog, Minnesota
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 200, Handheld while laying on ground]

Two Trumpeter Swans landing. Sepia tool in Aperture really helped this shot…The color version wasn’t bad, but the colors were a bit weird. If this happens to you, try and play with black-and-white or sepia color. Mississippi River, Monticello, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 250, Handheld]

(see details on similar photo above)
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800 Handheld]

American Crow in snowstorm Wide. Taken only seconds after the image at the top of the post but with a 10-20mm lens instead of a 400mm lens! I like the simple composition of 3 stark tree silhouettes and one bird tiny in the frame. Carlton County, Minnesota.
[Canon 7D with Sigma 10-20mm, f6.3 at 1/640 second, ISO 160 Handheld]

Mallard blur. A very slow shutter speed to portray frantically feeding Mallards on Lake Superior. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f20 at 0.6 seconds, ISO 100 Handheld]

Two Sharp-tailed Grouse in Tamaracks. One of my favorite images of the year (You may certainly disagree!) But I just love the composition of the one distant bird more obvious, then the closer bird more hidden in the trees. I wish I could say I designed this shot, but it was just a “haccident” (happy accident). Sax-Zim Bog, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1000 second, ISO 160, tripod]

FLORIDA. I wish I could post the full-size photo of this panorama combining 4 images in Photoshop…It is 45 inches long! …and very sharp. Taken during a brief appearance of the sun near sunset along Fort Myers Beach. Handheld with the Canon 400mm f5.6 lens.

The above images were just “G&G” images for me (“grab-and-go”)…I was walking the Estero Beach Lagoon when I saw these AMERICAN OYSTERCATCHERS lolling about. I didn’t put much effort into stalking them or even setting up my tripod because the light was FLAT and the only background was blah, colorless white water. Not a very interesting background. BUT when I got home and looked at these on the computer, I knew that they were my best photos of the trip. I really like the monochromatic water background…It is a nice contrast to the brown-black and orange of the oystercatcher. By the way, yes, oystercatchers do “catch” and eat oysters! (and many other bivalves including mussels and clams)

What a great name!…MAGNIFICENT FRIGATEBIRD. For me the name conjures up visions of the Caribbean and the tall ships that plied these waters centuries ago. An early naturalist likely noted that the birds often came to rest on the masts of these vessels far from any land and named them “frigate birds.” These are HUGE seabirds that effortlessly float in the sky, gliding on stiff Caribbean winds, wings that span nearly EIGHT FEET(!) firmly set. They can glide like this for HOURS, never once flapping their wings. You’ve probably seen them in some nature program before…They are the birds with the red air sacs on their throat that they inflate like a balloon during breeding and courtship. But on this trip I only managed a few flight silhouettes, distinctive as they are, under gray sky conditions. But I decided to get creative and combine 5 images of the same bird into one, making my own flock of five flying frigatebirds (say that 3-times fast!). A dramatic increase in contrast helped the final image pop.

In the North Woods of Minnesota, we rarely get to see a Great Egret (found south in the state) and NEVER get to see them with their breeding plumage including their green facial skin. Snuck up on this guy at Estero Beach Lagoon.

SANDWICH TERNS always remind me of my birding friends Parker Backstrom and Don Kienholz. Back in the mid 80s they were birding the Duluth Port Terminal on a gray, rainy, foggy May day when they spotted a strange tern with a yellow-tipped bill. It was a very-far-from-home Sandwich Tern, and a first state record for Minnesota! Dirt common in Florida as they hunt (fish) the ocean shorelines for small fish, plunging beak-first into the water.

LEAST TERN is the smallest and cutest tern in North America. I completely associate it with the Gulf Coast but amazingly, they also nest on braided, sandbar stretches of the Upper Missouri River in South Dakota (only an hour SW of the MN border), North Dakota and Montana.

SNOWY EGRET stalks critters along a busy Fort Myers beach. I didn’t think much of either of these photos UNTIL I made it a “HIGH-KEY” image, overexposing, and even blowing out completely the whites. I like the monochromatic effect and the contrasting black bill, legs and yellow feet.

Who doesn’t love pelicans? And BROWN PELICANS are the native pelican in Florida. This adult was lazily flying along the beach, but would then suddenly plunge head-first into the surf and more often than not, come up with a fish in its pouch.

COMMON GROUND-DOVES, like many of North America’s doves and pigeons, are taken for granted. But when you really study them, many have quite beautiful plumages, some with delicate scaling and subtle iridescence. This dove is native to the southern fringe of the U.S. from South Carolina to Florida to Texas, Arizona and S. California. When it flies, it reveals its stunning rusty red underwings.

A lifer TIGER BEETLE! This beach tiger was a new one for me—Cicindela hamata lacerata. I love tiger beetles! Fast and furious, they pursue insect victims, pouncing on them in lightning fast attacks. And it really helps to be colored like the sand you hunt on.

Funny story…WILSON’S PLOVER is a sand-colored shorebird restricted to the South Atlantic and Gulf Coast states, Virginia to Florida to Texas, BUT I’d just seen one the week before on Minnesota’s own version of an ocean beach—Duluth’s Park Point on Lake Superior. My friend Karl Bardon had found this lost wanderer, only Minnesota’s THIRD state record. Interestingly, I myself had found Wisconsin’s FIRST STATE RECORD of this species back in 2004(?) and just a few miles from here on Wisconsin Point. Anyway, good to see a Wilson’s in its native habitat for a change!

[All images taken with Canon 7D and Canon 400mm f5.6 lens handheld]