Posts from the ‘Bison’ Category

Favorite Creative Wildlife Photos of 2019 (Top Ten)

Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

Common Raven breath (Yellowstone National Park, Wyoming) October 2019
[Panasonic GH5 with Sigma 50-500mm lens; 1/400 second; ISO 200; hand-held]

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

Bald Eagle in snowstorm (Carlton County, Minnesota)
[Canon 7D with Canon EF 70-200mm f4 lens at 200mm; 1/500 second at f7.1; ISO 250; hand-held]

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

Greater Prairie Chicken on lek (Polk County, Minnesota) April 2019
[Canon 7D with Canon EF 70-200mm f4 lens at 73mm; 1/15 second at f4; ISO 1600; hand-held]

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

Tundra Swans (near Nashua, Minnesota in Wilkin County) April 2019
[Canon 7D with Canon EF 400mm f4 L USM lens; 1/1250 second at f5.6; +1.66 ev; hand-held]

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

Bison herd at sunset (Yellowstone National Park, Wyoming) October 2019
[Canon 7D with Canon EF 400mm f4 L USM lens; 1/500 second at f9; ISO 800; tripod]

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Common Ravens (Carlton County, Minnesota)
[Canon 7D with Canon EF 70-200mm f4 lens at 70mm; 1/500 second at f7.1 ISO 400; hand-held]

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Red-tailed Hawk (Yellowstone National Park, Wyoming) October 2019
[Canon 7D with Canon EF 70-200mm f4 lens at 73mm; 1/125 second at f5.6; -0.33 ev; hand-held]

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Northern Hawk Owl (Sax-Zim Bog, Minnesota)
[Canon 7D with Canon EF 400mm f4 L USM lens; 1/320 second at f5.6; ISO 100; +1.33 ev; hand-held]

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Zebra (San Diego Zoo, California) August 2019

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

Mule Deer and aspen leaves (Theodore Roosevelt National Park, North Dakota) Oct. 2019

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

Bison (Badlands National Park, South Dakota) October 2019

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

Snow Goose blur (western Minnesota) April 2019

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

Trumpeter Swans (Sax-Zim Bog, Minnesota) April 2019

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Top Ten Mammal photos 2019

Here are my favorite mammal photos taken in 2019. It was a pretty good year for locating and photographing the “four-leggeds.”

Prairie Dogs (Badlands National Park, South Dakota)
[Canon 7D with Canon EF 400mm f5.6 L USM lens; f5.6 at 1/640 second; ISO 100; -0.33 ev; tripod]

I call this the “Group Back Rub.” This is from October when Ryan and I were enroute to Yellowstone. I took this while we were waiting for a Burrowing Owl to poke its head out of a prairie dog hole. Let’s just say that Ryan doesn’t appreciate prairie dogs or their high level of cuteness. If its his turn to drive, I really have to plead for him to stop for a prairie dog colony. I love photographing them and their antics.

Bobcat (Sax-Zim Bog)
[Canon 7D with Canon EF 400mm f5.6 L USM lens; f5.6 at 1/250 second; Flash; ISO 640; -+1.0 ev; hand-held braced on car door]

Due to the deep snows and cold temps of the winter of 2018-19, many critters had a tough time finding food. At least 9 Bobcats were seen in the Sax-Zim Bog including a mom with 2 young. This was likely one of the young who camped out at a road-killed deer (note ribs in background). Bobcats are gorgeous and cute at the same time. A flash helped make this image Uber-sharp on a heavy overcast day.

Bison in snowstorm (Yellowstone National Park, Wyoming)

This is the start of the snowstorm that closed Yellowstone down for 36 hours at the start of our time in the park. These three ruled the road between Madison and West Yellowstone.

Ermine (Short-tailed Weasel) at Warren Woessner Bog Boardwalk (Sax-Zim Bog, Minnesota)
[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/2000 at f5.6; ISO 250; hand-held]

While guiding a group from Outward Bound along the Warren Woessner Bog Boardwalk at the Warren Nelson Memorial Bog, this little guy popped out of a snow burrow and immediately emerged from a nearby hole. They are unbelievably fast critters! They hunt voles in their subnivean tunnels (their long thin body shape helps in this pursuit) but also feed on carcasses.

Ermine is the name for Least Weasel, Long-tailed Weasel and Short-tailed Weasel when in their winter white coat (this is a Short-tailed Weasel).

He stayed still for approximately 1.5 seconds but I was able to snap off a couple shots. It will be in the MN Conservation Volunteer magazine next month.

Baboon baby and mom at San Diego Zoo

Something a bit different…an image from a zoo of a mama Baboon gently grooming her baby. Just darn cute!

Red Fox hunting a snowy field (Sax-Zim Bog, Minnesota)
[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/1250 at f6.3; ISO 500; +0.33ev; hand-held]

This is a real “mammal in the landscape” photo. But I think it works because of the Red Fox looks sharp with the red of the willows, both of which contrast with the white of the symmetrical aspens.

Mule Deer (Theodore Roosevelt National Park, North Dakota)
[Canon 7D with Canon EF 400mm f5.6 L USM; 1/1000 second at f5.6; ISO 1000; hand-held]

Arriving in Teddy Roosevelt National Park we were greeted with this young Mule Deer buck browsing on some roadside shrubs. An early October snowstorm provided the backdrop.

Canada Lynx (Superior National Forest, Minnesota)
[single video frame plucked from 4K video]

Not a great photo…so why is it included here? Because it was the first Canada Lynx I’ve seen in the daylight…and I got some images! I lucked into this mellow cat up in the Superior National Forest in late March and got to spend a few minutes with it as it sauntered through the forest, then sat for a while before moving on in its never-ending search for Snowshoe Hares.

Read more and see the video HERE

Grizzly eating Rose hips (Wyoming)
[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/250 second at f5.6; ISO 6400; hand-held]

Sometimes trying to predict where a wild animal might intersect with our own path pays off. We saw this Grizzly making its way across the North Fork of the Shoshone River just outside Yellowstone. She went into the woods so we moved up the road to a pullout and waited. And, believe it or not, she came out of the woods and headed in our direction. But it was not us she wanted to investigate, but rather a stand of Wild Rose whose hips were in full ripeness. It was a joy to watch her delicately plucking the fruits from the bush a couple at a time. Not once did she look in our direction, and when she was filled, she moved off.

Read more of this story HERE

Red Fox pups playing (Carlton County, Minnesota)
[Sony A6500 with Canon EF 400mm f5.6L USM lens attached with Metabones adapter; 1/500 second at f5.6; ISO 800; hand-held]

On may way to photograph Loons one early summer morning I stumbled across a trio of romping Red Fox pups. I stayed with them for nearly an hour and enjoyed their antics. The loons could wait.

It seemed that only two would wrestle at a time, never all three. I took many photos and quite a bit of video.

Leaping for Lunch; Red Fox (Sax-Zim Bog, Minnesota)
[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/1250 at f6.3; ISO 250; +0.33ev; hand-held]

This mellow Red Fox tolerated my presence for about 10 minutes as it hunted for voles along a minimum maintenance road and a farm field in the Sax-Zim Bog. Occasionally it would hear the sound of a vole under the crusty snow; its ears would rotate forward towards the sound, it would then rock back on its haunches, then launch high into the air to get enough force to break through the crusty snow to get a the vole.

Pine Marten (Sax-Zim Bog, Minnesota)
[Canon 7D with Canon EF 400mm f5.6 L USM lens; f5.6 at 1/500 second; ISO 200; tripod

Pine Martens LOOOVE peanut butter! And suet. And carcasses. So they are occasionally attracted to bird feeding stations in the Sax-Zim Bog. They use this food to supplement their normal diet of Ruffed Grouse, voles and squirrels. There were at least two, and possibly three coming to this feeder. They ignored the nearby birders and photographers for the most part. It is ALWAYS a treat to see these guys.

The Snow cometh —Yellowstone Day 4

October 9, 2019

Yellowstone National Park, Wyoming

We awake to a couple inches of snow at our Madison Campground…but despite having to cook breakfast in the cold, dark, wet conditions, we are pumped! Snow in the landscape always makes for moody wildlife shots, and we were headed to a spot where two bull Moose had been spotted the day before.

But before we even made it to Norris, we were turned around by a ranger who said the mountain passes were closed with 18 inches of snow already. We turned around and headed for the geyser basins south of Madison. And now it was snowing HARD. After a look-see we saw nothing and then were turned around by another ranger. It was clear that we weren’t going anywhere today. A female ranger greeted us back near Madison Campground and said the park was closing and ALL of Yellowstone’s roads would be shut down for at least a day and a half.

Chinese tourist bus slides off the road (Yellowstone National Park, Wyoming)
Ryan and the Madison River (Yellowstone National Park, Wyoming)

Our choices were to stay at our campsite for 36 hours (not!) and freeze (temps were predicted to be below zero F. that night) OR shoot on our way out the West Yellowstone park entrance. We decided to pack up our tents and head towards Teddy Roosevelt. With only two-full days of shooting in Yellowstone, it was our shortest trip to the park ever.

Elk along the Madison River (Yellowstone National Park, Wyoming)

The snow continued to pile up as we spotted this herd of cow elk along the Madison River.

Ryan (Yellowstone National Park, Wyoming)
Firehole River (Yellowstone National Park, Wyoming)

A “car window” shot at 40 mph. No self-respecting photographer would post this shot, but I kind of like it in black and white. It reminds me of my early darkroom print days. It has a vintage feel to it.

Bison (Yellowstone National Park, Wyoming)
Bison (Yellowstone National Park, Wyoming)
Bison (Yellowstone National Park, Wyoming)
Bison (Yellowstone National Park, Wyoming)
Bison (Yellowstone National Park, Wyoming)
Bison and Ryan (Yellowstone National Park, Wyoming)

We were finally told by the rangers to just keep moving, so we had no choice but to exit the park and head for Teddy Roosevelt National Park in North Dakota. Little did we know that the real adventure of this year’s trip would be just getting home! But more about that in the next post.

Searching, Looking, Hunting… for anything! -Yellowstone Day 3

October 7-8, 2019

Day 3 (really our second full day of shooting) started as usual…Crawling out of the tent in the pre-dawn darkness, and boiling water and frying bagels on our Coleman stove. So after our breakfast of grits, oatmeal, bagels and cream cheese, we stuffed the “bear locker” with our cooking stuff and headed out to find….anything!

Ryan and I seem to remember more elk bugling near our Madison Campground in previous years, but we hadn’t been to the park in fall for seven years so maybe things had changed. We also did not see many elk, period. We realize the wolf packs have brought the Elk numbers down and more in balance with the park’s holding capacity, but we surely thought we’d see herds scattered about. But it was slim pickings.

A classic Yellowstone “animal in the landscape” shot. Steam from geothermal vents frame a lone bull Elk. After glassing the bull, Ryan said he noticed that he only had one antler! Must have lost it in a fight.

Bull Elk watching his harem near Mammoth, Yellowstone National Park, Wyoming
[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/640 second at f7.1; ISO 3200; hand-held]

Just a nice portrait of a bull Elk near Mammoth

Bull Elk, Yellowstone National Park, Wyoming
Cow Elk, Yellowstone National Park, Wyoming
[Canon 7D with Canon EF 70-200mm f4 L USM lens at 200mm; 1/640 second at f4; ISO 100; hand-held]
Firehole Spring at dusk along Firehole Lake Drive, Yellowstone National Park, Wyoming
[Sony A6500 with Rokinon 12mm f1.2 lens; 1/30 second at f18; ISO 320; hand-held]
Bison herd in golden light along Fountain Flat Drive, Yellowstone National Park, Wyoming
[Canon 7D with Canon EF 70-200mm f4 L USM lens at 200mm; 1/500 second at f9; ISO 800; tripod]
Bison herd in golden light along Fountain Flat Drive, Yellowstone National Park, Wyoming
[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/500 second at f9; ISO 800; tripod]
Bison herd in golden light along Fountain Flat Drive, Yellowstone National Park, Wyoming
[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/500 second at f9; ISO 800; tripod]

As the sun set over Fountain Flat Drive it illuminated this herd of Bison with neat golden backlight/rimlight. I love the peaceful painterly quality of these photos. They look even better if you view them full-screen.

Lenticular clouds along Fountain Flat Drive, Yellowstone National Park, Wyoming
Bison herd and Cottonwoods (and Ryan) near Lamar Valley
[iPhone 7 Plus panorama]
Fisherman and fall colors, Yellowstone National Park, Wyoming
Abstracts of water shimmers on Soda Butte Creek, Yellowstone National Park, Wyoming
Abstracts of water shimmers on Soda Butte Creek, Yellowstone National Park, Wyoming
Abstracts of water shimmers on Soda Butte Creek, Yellowstone National Park, Wyoming
Abstracts of water shimmers on Soda Butte Creek, Yellowstone National Park, Wyoming
Cottonwoods along Soda Butte Creek, Yellowstone National Park, Wyoming
Ryan photographing the “Zen Cottonwood” in Lamar Valley, Yellowstone National Park, Wyoming
The “Zen Cottonwood” along Soda Butte Creek, Yellowstone National Park, Wyoming
The “Zen Cottonwood” along Soda Butte Creek, Yellowstone National Park, Wyoming

We named this well-balanced tree along Soda Butte Creek, the “Zen Cottonwood.” Ryan first spotted it and it is a stately tree.

Mammoth Hot Springs Terraces, Yellowstone National Park, Wyoming
Mammoth Hot Springs Terraces, Yellowstone National Park, Wyoming

If you can’t find wildlife, you can always find scenery in Yellowstone National Park! Some details of the Mammoth Hot Springs Terraces.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 70mm; 1.6 seconds at f5.6; ISO 1600

We spent quite a while with this good looking bull Bison. My idea was to take a long exposure so the grass would blur but the Bison and background would be sharp. I took about 100 photos ranging from 1.6 seconds to 3.2 seconds and this is one of the few that turned out. BUT I don’t think my idea really came to fruition as there is not enough blur to the grass, and the sage doesn’t really blow in the wind. Oh well…You gotta try and experiment!

Sunset in the Hayden Valley, Yellowstone National Park, Wyoming
Sunset in the Hayden Valley, Yellowstone National Park, Wyoming
Sunset in the Hayden Valley, Yellowstone National Park, Wyoming

Coming soon….”Kicked out of Yellowstone”…due to snow, not our behavior!

Prairie Dog Group Back Rub and Peek-a-Boo Burrowing Owls in the South Dakota Badlands: October 5-6

South Dakota’s Badlands National Park

Ryan Marshik and I moved our annual Yellowstone trip to fall this year. We hadn’t “done fall” since 2012. Only late April-early May spring trips from 2013-18. And this time we were NOT going to go through the relative torture of driving 17 hours straight to Yellowstone. No siree. This time we decided to make our first stop South Dakota’s Badlands National Park.

We had high expectations for beautiful landscapes and Bighorn rams, and a slight hope for a Burrowing Owl. Ryan had a report from a friend of a location from this summer where a Burrowing Owl had set up camp in a Prairie Dog town.

GROUP BACK RUB! Black-tailed Prairie Dogs
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens; f5.6 at 1/640 second; ISO 100; -0.33 ev; tripod)

Well, we found the Prairie Dogs! Ryan doesn’t care for these rodents at all. But this is where the Burrowing Owl had been reported, so he tolerated them.

I love these “Group Backrub” photos. This is a family group of young ones and an adult.

GROUP BACK RUB! Black-tailed Prairie Dogs
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens; f5.6 at 1/640 second; ISO 100; -0.33 ev; tripod)
Bighorn ewe
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 70-200mm f4 L USM lens at 70mm; 1/200 second at f10; ISO 3200; -hand-held)
Bison and Badlands
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm; 1/100 second at f8; ISO 3200; hand-held)
Bison scratching his belly on wood post (processed as black and white in Lightroom)
[Badlands National Park, South Dakota]
(Sony A6500 with Rokinon 12mm f2 lens; 1/60 second at unknown f-stop; ISO 800; hand-held)
Bison sunset
[Badlands National Park, South Dakota]
Badlands sunset
[Badlands National Park, South Dakota]
(Sony A6500 with Rokinon 12mm f2 lens; 1/60 second at unknown f-stop; ISO 640; hand-held)
Burrowing Owl at sunrise
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/500 second at f5.6; ISO 200; -0.33 ev; hand-held)

Ryan’s “owl intel” paid off! The next morning we drove by the spot where his friend Sandra had seen one in the summer. I saw a very round blob and yelled, “Stop!” Sure enough, a Burrowing Owl was soaking up the first rays of sun on a cool morning. But as we stopped the car and fired off a few shots, it retreated to the safety of its abandoned Prairie Dog hole.

A few minutes later, we found a second Burrowing Owl about 100 yards away. This one was in perfect light, but crouched down when we stopped the car, and hid in the burrow when we got out.

We set up our tripods across the road from the owl and laid down to shoot at eye level. But this guy wasn’t having it. He’d only peek above the rim of his safe hidey-hole, and even after an hour and a half didn’t show any more of himself than the top of his head and two eyes. But a very neat experience none the less.

Burrowing Owl at sunrise
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens with Canon 2x-extender; 1/800 second at f11; ISO 400; -0.33 ev; tripod)
Burrowing Owl at sunrise
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens; f11 at 1/1250 second; ISO 100; -0.33 ev; tripod)
Burrowing Owl at sunrise
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/500 second at f5.6; ISO 200; -0.33 ev; hand-held)
Burrowing Owl at sunrise
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/800 second at f5.6; ISO 100; -0.33 ev; tripod)
Black-tailed Prairie Dog family
[Badlands National Park, South Dakota]
Horned Lark
[Badlands National Park, South Dakota]
(Canon 7D with Canon EF 400mm f5.6 L USM lens with Canon 2x-extender; 1/640 second at f11; ISO 400; -0.33 ev; tripod)

The 3 photos above are results of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here!

2017 Favorite Creative Wildlife Photos

American White Pelican flock loafing roost Fond du Lac Bridge St. Louis River Duluth MN DSC06929

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

Arctic Tern colony Mouth of Eastern Creek Launch Road Churchill Manitoba Canada DSC09960

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey Skogstjarna Carlton County MN DSC03720

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

IMG_0353

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

IMG_0592

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl Zim Road Yoki Road Sax-Zim Bog MN DSC03052

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill Crane flock fly-in reflection Crex Meadows Grantsburg WI IMG_0050

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane motion blur panning flight Crex Meadows Grantsburg WI IMG_0234

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Scoter flock Hudson Bay Churchill Manitoba Canada IMG_0098

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

IMG_0303

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

DSC03517

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane flock fly-in Crex Meadows Grantsburg WI IMG_0125

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

Yellowstone 2017 #3—Black Bears to Mountain Bluebirds (Late April)

Bison and three calves Yellowstone National Park WY -04779

No…Not a Bison cow with triplets…Just two playful “red dog” calves coming over to play with her nursing calf. The Bison were just dropping their calves in late April.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/160 at f5.6; ISO 100; tripod]

Mountain Bluebird on shrub in snowy background Yellowstone National Park WY -04846

Snow greeted us as we pulled in to the Mammoth Campground in Yellowstone after driving all night from Duluth. But as we waited for someone to vacate the campground so we could pick a spot, this male Mountain Bluebird entertained us by foraging near the gate.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f6.3; ISO 100; handheld]

Mountain Bluebird on pine in snowy background Yellowstone National Park WY -04865

Mountain Bluebird male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 100; handheld]

Woodchuck Groundhog Yellowstone National Park WY -0782

Yellow-bellied Marmot surveys his “kingdom” in Yellowstone.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f5.6; ISO 100; tripod]

Woodchuck Groundhog Yellowstone National Park WY -06406

Yellow-bellied Marmot. I like how the shade of the mountain slope in the background becomes a beautiful blue blur.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Elk pair Yellowstone National Park WY -6567

Elk pair; His breath visible in the cool morning air.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/640 at f5.6; ISO 320; handheld]

Harlequin Duck pair on log Madison River Yellowstone National Park WY -05557

We were bummed that the road that leads to LeHardy Rapids was still snowed in. This is the traditional hotspot for Harlequin Ducks. But fortunately we spotted this colorful pair along the Madison River.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f7.1; ISO 800; tripod]

Harlequin Duck male back on log Madison River Yellowstone National Park WY -05535

Harlequin Duck male spreads his tail feathers after preening. Yellowstone is the southernmost breeding site for this species in all of North America! The main part of their breeding range includes British Columbia, Alaska, Yukon and Labrador. They prefer to nest along fast-flowing mountain rivers.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f6.3; ISO 400; tripod]

Harlequin Duck male front on log Madison River Yellowstone National Park WY -05505

Harlequin Duck male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/100 at f6.3; ISO 100; tripod]

Harlequin Duck male on lichen-covered rock Madison River Yellowstone National Park WY -05303

Harlequin’s love fast water…the more turbulent the better! They dive underwater in rapids to feed.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Bison herd along Madison River Yellowstone National Park WY -05200

Bison herd along the Madison River.

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 18mm; (Metabones adapter); 1/400 at f6.3; ISO 160; tripod]

Beaver along shore snow Yellowstone National Park WY -05144

Beaver having a late afternoon snack.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/200 at f7.1; ISO 1600; handheld]

Black Bear and brown cub Yellowstone National Park WY -05072

Sow Black Bear and one of her two tiny cubs. I got some nice video of this trio, which I will include in a future post.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f8; ISO 400; tripod]

Bison and red dog calf Yellowstone National Park WY -05030

Bison and her “red dog” calf.

Bighorn ewe Yellowstone National Park WY -04896

We ran across a band of Bighorn ewes near Yellowstone Picnic area.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f5.6; ISO 100; tripod]

Black-billed Magpie trio on rocks in snow Yellowstone National Park WY -04872

A trio of Black-billed Magpies wait out a snow squall near Mammoth.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/60 at f13; ISO 100; braced on car window]

 

Yellowstone 2017 #2—Wildlife photography with the Canon 200mm f2 lens

No, sadly I don’t own this Canon 200mm EF IS USM f2.0 lens…(only $5,699 from Adorama canon 200mm f2 adorama)…but I rented it from http://www.lensrentals.com for a couple hundred bucks for a week. I DIDN’T WANT TO GIVE IT BACK!

I used it on my Canon 7D (my new Sony A6500 always had the Canon 400mm f5.6 lens on it for 4K video usage) and I often hand held it, even though it weighs a hefty 5.6 pounds! Here are a few things I loved…

  1. Incredibly sharp lens!
  2. Lovely “bokeh” at f2.0 (the buttery backgrounds caused by the shallow depth of field when shooting wide open at f2.
  3. Snappy focus
  4. Solid feel
  5. Image stabilization that really worked
  6. Able to shoot hand held in low light situations due to the “fast” f2.0 aperture.

Now, I’m not a techy photographer, but I could instantly tell when I downloaded and viewed my photos on the large computer screen that this lens creates very sharp photos with beautiful backgrounds. I shot almost every image with this lens wide open at f2.0.

BUT you need the right subject in the right situation for this lens to shine. Before we went on this trip I searched Flickr for all images shot with “Canon 200mm f2” lens. 90% were portraits of people. And the reason for this is that you need a fairly large subject (human, Bison, Pronghorn) at a fairly close distance. This rarely happens in wildlife photography…But in Yellowstone, the wildlife is used to humans so you can get quite close. And it’s open country. Ideally you also need some stuff in the foreground and background in order to show off the shallow depth of field. Look especially at the foreground and background in the photos below…You could never get this kind of bokeh (blurred background/foreground) with other telephoto lenses at this distance.

OR you need smaller subjects shot at close range (Raven, Harlequin Duck, Shooting Star flower). The lens only focuses to 6.2 feet at the close end, but you could add extension tubes for real dreamy background close up work.

Conclusion? All in all, a magnificent lens…for the right situations. Really not sure how much use it would get in northern Minnesota where the wildlife is usually in thick cover, and often only seen briefly. It would be very cool for large northern owls (who are quite tame), but probably does not justify a nearly $6,000 purchase. Maybe I could justify it by adding a 2x extender and making it into a 400mm f4 lens…Naah. BUT I will definitely rent it again on a future Yellowstone National Park trip.

Common Raven black and white Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0368

Talk about sharp…Wow! I zoomed in on the reflection in the eye of the Raven and could easily see and count the pine trees in the background.

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

Bison snowy sagebrush Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0045

[Canon 7D with Canon 200mm f2 lens; 1/1600 at f2; ISO 250; +0.33 ev; handheld; Processed in Adobe Lightroom]

Harlequin Duck pair male female low angle Madison River Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0187

The lens is great for eye-level water shots in order to separate the subject from the background on lakes, river. With other lenses (such as the 70-200mm f4 lens) the background would be much more detailed and the birds lost in the composition. Also note the Trumpeter swan photo below.

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

 

Bison herd aspens wide Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-05004

Here is an example of an image that may not look too different with another lens as I shot it at f4.5.

[Sony A6500 with Canon 200mm f2 lens; 1/320 at f4.5; ISO 100; handheld; Processed in Adobe Lightroom]

Common Raven snow rainbow background Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0353

[Canon 7D with Canon 200mm f2 lens; 1/400 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

Bison head on snowy woods Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0238

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Bison heard formation crossing river low angle Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0296

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Bison heard formation crossing river Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0300

[Canon 7D with Canon 200mm f2 lens; 1/500 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Common Raven snow falling black and white Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0335

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

 

Trumpeter Swan Gibbon River? Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0427

[Canon 7D with Canon 200mm f2 lens; 1/2500 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

Upper Falls Yellowstone River Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0484

Not sure why I shot this at f2.0….Should have shot at f8. No need for shallow depth of field here.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100;  -0.66 ev; tripod; Processed in Adobe Lightroom]

Bison standing facing me Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0521

This lens really shines with low angle photography. This was shot BELOW eye-level and makes the Bison look quite ominous…And I was not too comfortable being this close.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; -0.5 ev; handheld; Processed in Adobe Lightroom]

Pronghorn broadside Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0699

Classic photo with the f2 lens…A boring image with any other lens, but the blurred background and foreground created by shooting at f2.0 make this less than boring (But not that great either).

Shooting Star wildflower Yellowstone National Park WY Sparky Stensaas-0746

Love this! The ONLY sharp thing in this photo is the flower head of this tiny Shooting Star wildflower (see image below for size scale).

[Canon 7D with Canon 200mm f2 lens; 1/3200 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Shooting Star wildflower Yellowstone National Park WY Sparky Stensaas-0767

Ryan photographing the same Shooting Star wildflower for scale.

Bison snowy head on Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0075

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Bison head black and white Yellowstone National Park WY Sparky Stensaas-0797

Sharp!

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Top Ten 2016 Mammal Portraits

This is the last of my “Top Tens” from 2016…I guess I didn’t do much landscape photography last year so there won’t be a Top Ten Landscape 2016. Without further ado, here are my favorite mammal photos from 2016…(Most are from my April trip to Yellowstone and Teddy Roosevelt National Parks.

 

bighorn-gardiner-river-yellowstone-national-park-wy-img_5194Bighorn ram in Yellowstone National Park.
I like this desaturated look that I applied in Aperture. It gives a gritty feel that seems to fit for this species. It is a classic (boring?) head-on portrait, but I think it works in this shot.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/160 at f9; ISO 400; Manfrotto tripod with Whimberly Sidekick]

coyote-yellowstone-national-park-wy-img_4652Leaping for Lunch; Coyote in Yellowstone National Park
Voles are an important source of calories for Coyotes, and this guy is after one. Incredibly sharp hearing allows them to hear a vole under the snowpack. Once pinpointed, they leap high in the air in order to get enough force to break through the snow and get down to the vole’s tunnel. This time, he was unsuccessful.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm at 227mm; 1/4000 at f7.1; ISO 200; Manfrotto tripod with Whimberly Sidekick]

moose-cow-november-19-cr47-sax-zim-bog-mn-img_0093-1Young Moose; Sax-Zim Bog, Minnesota
I spent a fair amount of time with this tolerant young Moose cow along a backroad in northeastern Minnesota’s Sax-Zim Bog. The Moose herd in Minnesota is not doing well, but this gal was looking to be in fine shape.
[Canon 7D with Canon 400mm f5.6L; 1/500 at f5.6; ISO 320; Manfrotto tripod with Whimberly Sidekick]

black-bear-yellowstone-national-park-wy-img_4898Paws-itively Black Bear in Yellowstone
Ridiculous to put this image in my favorites from 2016, but I like the light pattern on the sole of its hind paw.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/640 at f7.1; ISO 500; -1.0 EV; Manfrotto tripod with Whimberly Sidekick]

elk-young-bull-shedding-old-yellowstone-road-wy-img_4529Awkward Elk; Yellowstone.
This ratty looking young bull Elk was just too “cute” to not take a photo…and he stuck his tongue out at me just at the perfect moment. I was not offended!
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/1600 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

grizzly-yellowstone-national-park-wy-img_5794Grizzly; Yellowstone National Park
I only included this image because, well, it’s a Grizzly!..and a good looking one.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1000 at 5.6; ISO 400; Manfrotto tripod with Whimberly Sidekick]

bighorn-gardiner-river-yellowstone-national-park-wy-img_5211Bachelor herd of Bighorn Sheep in Yellowstone
Another desaturated image that works well here. This bachelor herd had all age groups from younger rams to battle-scarred old-timers. They are focused on some action that we weren’t privy to.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/200 at f8; ISO 400; Manfrotto tripod with Whimberly Sidekick]

mule-deer-teddy-roosevelt-national-park-medora-nd-img_6225Mule Deer at sunrise; Teddy Roosevelt National Park, North Dakota
Even deer can make a nice photo when in the right light. And I loved the morning sunrise light that made this nice and subtle silhouette.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/5000 at f5.6; ISO 640; Manfrotto tripod with Whimberly Sidekick]

red-fox-and-bison-yellowstone-national-park-wy-img_5509Red Fox and Bison; Yellowstone.
I only included this because how often do you see a Bison and a Red Fox together?

wild-horse-teddy-roosevelt-national-park-medora-nd-img_6107Wild Horse family; Teddy Roosevelt National Park, North Dakota.
I really don’t like the word “feral,” so I use the not-entirely-correct term “wild horse” instead. They are “wild” indeed in Teddy Roosevelt, and their behaviors and interactions with other bands is fascinating to observe. When we were there in April, the foals were still quite small.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/400 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

Top Ten 2016 Creative Wildlife Images

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

bighorn-gardiner-river-yellowstone-national-park-wy-img_5287-1Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

bighorn-gardiner-river-yellowstone-national-park-wy-img_5989Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

bison-teddy-roosevelt-national-park-medora-nd-img_6336Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

rough-legged-hawk-along-cr29-sax-zim-bog-mn-img_9069-1Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

black-tern-thief-lake-wma-marshall-co-mn-img_1105Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

bohemian-waxwing-wrenshall-city-park-crabapples-wrenshall-mn-img_2010Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

coyote-yellowstone-national-park-wy-img_5688Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

img_1103-1Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

ivory-gull-juvenile-canal-park-duluth-mn-img_9439Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

little-blue-heron-st-louis-river-western-waterfront-trail-duluth-mn-img_7487Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

red-tailed-hawk-and-moon-yellowstone-national-park-wy-img_3979Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

trout-hatchery-durango-colorado-img_3558Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

wild-turkey-skogstjarna-wrenshall-mn-img_2903Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]