Sparky and Ryan travel west to Teddy Roosevelt National Park in mid October for some wildlife photography. And the wildlife is abundant! Coyotes, Wild Horses, Bison, Pronghorn, Mule Deer, Sharp-tailed Grouse and more. Part 1.

Clear skies create opportunity for backlit shots and other creative images.

**OVER THE NEXT FEW WEEKS I WILL BE POSTING 10 “TOP TEN” POSTS OF MY FAVORITE WILDLIFE & LANDSCAPE PHOTOS FROM 2021: Bird Portraits, Black-and-white Wildlife, Mammals, Humor, Animals in the Landscape, Creative Wildlife, Insects, Landscapes, Flora and Bird Behavior.

Though it appears to be hunting the Common Goldeneyes, this immy Bald Eagle is actually spotting fish to nab.

Saguaros and thunderclouds

Cottontail in the North Dakota Badlands

This lizard appears to be armor plated.

Mom and calf and a little rimlight.

When most of the Mississippi River is frozen, Bald Eagles concentrate at open water such as downstream from a lock and dam.

Prairie potholes of North Dakota.

Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Here are my favorite mammal photos taken in 2019. It was a pretty good year for locating and photographing the “four-leggeds.”

I call this the “Group Back Rub.” This is from October when Ryan and I were enroute to Yellowstone. I took this while we were waiting for a Burrowing Owl to poke its head out of a prairie dog hole. Let’s just say that Ryan doesn’t appreciate prairie dogs or their high level of cuteness. If its his turn to drive, I really have to plead for him to stop for a prairie dog colony. I love photographing them and their antics.

Due to the deep snows and cold temps of the winter of 2018-19, many critters had a tough time finding food. At least 9 Bobcats were seen in the Sax-Zim Bog including a mom with 2 young. This was likely one of the young who camped out at a road-killed deer (note ribs in background). Bobcats are gorgeous and cute at the same time. A flash helped make this image Uber-sharp on a heavy overcast day.

This is the start of the snowstorm that closed Yellowstone down for 36 hours at the start of our time in the park. These three ruled the road between Madison and West Yellowstone.

While guiding a group from Outward Bound along the Warren Woessner Bog Boardwalk at the Warren Nelson Memorial Bog, this little guy popped out of a snow burrow and immediately emerged from a nearby hole. They are unbelievably fast critters! They hunt voles in their subnivean tunnels (their long thin body shape helps in this pursuit) but also feed on carcasses.

Ermine is the name for Least Weasel, Long-tailed Weasel and Short-tailed Weasel when in their winter white coat (this is a Short-tailed Weasel).

He stayed still for approximately 1.5 seconds but I was able to snap off a couple shots. It will be in the MN Conservation Volunteer magazine next month.

Something a bit different…an image from a zoo of a mama Baboon gently grooming her baby. Just darn cute!

This is a real “mammal in the landscape” photo. But I think it works because of the Red Fox looks sharp with the red of the willows, both of which contrast with the white of the symmetrical aspens.

Arriving in Teddy Roosevelt National Park we were greeted with this young Mule Deer buck browsing on some roadside shrubs. An early October snowstorm provided the backdrop.

Not a great photo…so why is it included here? Because it was the first Canada Lynx I’ve seen in the daylight…and I got some images! I lucked into this mellow cat up in the Superior National Forest in late March and got to spend a few minutes with it as it sauntered through the forest, then sat for a while before moving on in its never-ending search for Snowshoe Hares.

Read more and see the video HERE

Sometimes trying to predict where a wild animal might intersect with our own path pays off. We saw this Grizzly making its way across the North Fork of the Shoshone River just outside Yellowstone. She went into the woods so we moved up the road to a pullout and waited. And, believe it or not, she came out of the woods and headed in our direction. But it was not us she wanted to investigate, but rather a stand of Wild Rose whose hips were in full ripeness. It was a joy to watch her delicately plucking the fruits from the bush a couple at a time. Not once did she look in our direction, and when she was filled, she moved off.

Read more of this story HERE

On may way to photograph Loons one early summer morning I stumbled across a trio of romping Red Fox pups. I stayed with them for nearly an hour and enjoyed their antics. The loons could wait.

It seemed that only two would wrestle at a time, never all three. I took many photos and quite a bit of video.

This mellow Red Fox tolerated my presence for about 10 minutes as it hunted for voles along a minimum maintenance road and a farm field in the Sax-Zim Bog. Occasionally it would hear the sound of a vole under the crusty snow; its ears would rotate forward towards the sound, it would then rock back on its haunches, then launch high into the air to get enough force to break through the crusty snow to get a the vole.

Pine Martens LOOOVE peanut butter! And suet. And carcasses. So they are occasionally attracted to bird feeding stations in the Sax-Zim Bog. They use this food to supplement their normal diet of Ruffed Grouse, voles and squirrels. There were at least two, and possibly three coming to this feeder. They ignored the nearby birders and photographers for the most part. It is ALWAYS a treat to see these guys.

October 9, 2019

Yellowstone National Park, Wyoming

We awake to a couple inches of snow at our Madison Campground…but despite having to cook breakfast in the cold, dark, wet conditions, we are pumped! Snow in the landscape always makes for moody wildlife shots, and we were headed to a spot where two bull Moose had been spotted the day before.

But before we even made it to Norris, we were turned around by a ranger who said the mountain passes were closed with 18 inches of snow already. We turned around and headed for the geyser basins south of Madison. And now it was snowing HARD. After a look-see we saw nothing and then were turned around by another ranger. It was clear that we weren’t going anywhere today. A female ranger greeted us back near Madison Campground and said the park was closing and ALL of Yellowstone’s roads would be shut down for at least a day and a half.

Our choices were to stay at our campsite for 36 hours (not!) and freeze (temps were predicted to be below zero F. that night) OR shoot on our way out the West Yellowstone park entrance. We decided to pack up our tents and head towards Teddy Roosevelt. With only two-full days of shooting in Yellowstone, it was our shortest trip to the park ever.

The snow continued to pile up as we spotted this herd of cow elk along the Madison River.

A “car window” shot at 40 mph. No self-respecting photographer would post this shot, but I kind of like it in black and white. It reminds me of my early darkroom print days. It has a vintage feel to it.

We were finally told by the rangers to just keep moving, so we had no choice but to exit the park and head for Teddy Roosevelt National Park in North Dakota. Little did we know that the real adventure of this year’s trip would be just getting home! But more about that in the next post.

October 7-8, 2019

Day 3 (really our second full day of shooting) started as usual…Crawling out of the tent in the pre-dawn darkness, and boiling water and frying bagels on our Coleman stove. So after our breakfast of grits, oatmeal, bagels and cream cheese, we stuffed the “bear locker” with our cooking stuff and headed out to find….anything!

Ryan and I seem to remember more elk bugling near our Madison Campground in previous years, but we hadn’t been to the park in fall for seven years so maybe things had changed. We also did not see many elk, period. We realize the wolf packs have brought the Elk numbers down and more in balance with the park’s holding capacity, but we surely thought we’d see herds scattered about. But it was slim pickings.

A classic Yellowstone “animal in the landscape” shot. Steam from geothermal vents frame a lone bull Elk. After glassing the bull, Ryan said he noticed that he only had one antler! Must have lost it in a fight.

Just a nice portrait of a bull Elk near Mammoth

As the sun set over Fountain Flat Drive it illuminated this herd of Bison with neat golden backlight/rimlight. I love the peaceful painterly quality of these photos. They look even better if you view them full-screen.

We named this well-balanced tree along Soda Butte Creek, the “Zen Cottonwood.” Ryan first spotted it and it is a stately tree.

If you can’t find wildlife, you can always find scenery in Yellowstone National Park! Some details of the Mammoth Hot Springs Terraces.

We spent quite a while with this good looking bull Bison. My idea was to take a long exposure so the grass would blur but the Bison and background would be sharp. I took about 100 photos ranging from 1.6 seconds to 3.2 seconds and this is one of the few that turned out. BUT I don’t think my idea really came to fruition as there is not enough blur to the grass, and the sage doesn’t really blow in the wind. Oh well…You gotta try and experiment!

Coming soon….”Kicked out of Yellowstone”…due to snow, not our behavior!

Ryan Marshik and I moved our annual Yellowstone trip to fall this year. We hadn’t “done fall” since 2012. Only late April-early May spring trips from 2013-18. And this time we were NOT going to go through the relative torture of driving 17 hours straight to Yellowstone. No siree. This time we decided to make our first stop South Dakota’s Badlands National Park.

We had high expectations for beautiful landscapes and Bighorn rams, and a slight hope for a Burrowing Owl. Ryan had a report from a friend of a location from this summer where a Burrowing Owl had set up camp in a Prairie Dog town.

Well, we found the Prairie Dogs! Ryan doesn’t care for these rodents at all. But this is where the Burrowing Owl had been reported, so he tolerated them.

I love these “Group Backrub” photos. This is a family group of young ones and an adult.

Ryan’s “owl intel” paid off! The next morning we drove by the spot where his friend Sandra had seen one in the summer. I saw a very round blob and yelled, “Stop!” Sure enough, a Burrowing Owl was soaking up the first rays of sun on a cool morning. But as we stopped the car and fired off a few shots, it retreated to the safety of its abandoned Prairie Dog hole.

A few minutes later, we found a second Burrowing Owl about 100 yards away. This one was in perfect light, but crouched down when we stopped the car, and hid in the burrow when we got out.

We set up our tripods across the road from the owl and laid down to shoot at eye level. But this guy wasn’t having it. He’d only peek above the rim of his safe hidey-hole, and even after an hour and a half didn’t show any more of himself than the top of his head and two eyes. But a very neat experience none the less.

The 3 photos above are results of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here!

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

No…Not a Bison cow with triplets…Just two playful “red dog” calves coming over to play with her nursing calf. The Bison were just dropping their calves in late April.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/160 at f5.6; ISO 100; tripod]

Snow greeted us as we pulled in to the Mammoth Campground in Yellowstone after driving all night from Duluth. But as we waited for someone to vacate the campground so we could pick a spot, this male Mountain Bluebird entertained us by foraging near the gate.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f6.3; ISO 100; handheld]

Mountain Bluebird male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 100; handheld]

Yellow-bellied Marmot surveys his “kingdom” in Yellowstone.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f5.6; ISO 100; tripod]

Yellow-bellied Marmot. I like how the shade of the mountain slope in the background becomes a beautiful blue blur.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Elk pair; His breath visible in the cool morning air.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/640 at f5.6; ISO 320; handheld]

We were bummed that the road that leads to LeHardy Rapids was still snowed in. This is the traditional hotspot for Harlequin Ducks. But fortunately we spotted this colorful pair along the Madison River.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f7.1; ISO 800; tripod]

Harlequin Duck male spreads his tail feathers after preening. Yellowstone is the southernmost breeding site for this species in all of North America! The main part of their breeding range includes British Columbia, Alaska, Yukon and Labrador. They prefer to nest along fast-flowing mountain rivers.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f6.3; ISO 400; tripod]

Harlequin Duck male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/100 at f6.3; ISO 100; tripod]

Harlequin’s love fast water…the more turbulent the better! They dive underwater in rapids to feed.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Bison herd along the Madison River.

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 18mm; (Metabones adapter); 1/400 at f6.3; ISO 160; tripod]

Beaver having a late afternoon snack.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/200 at f7.1; ISO 1600; handheld]

Sow Black Bear and one of her two tiny cubs. I got some nice video of this trio, which I will include in a future post.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f8; ISO 400; tripod]

Bison and her “red dog” calf.

We ran across a band of Bighorn ewes near Yellowstone Picnic area.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f5.6; ISO 100; tripod]

A trio of Black-billed Magpies wait out a snow squall near Mammoth.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/60 at f13; ISO 100; braced on car window]

 

No, sadly I don’t own this Canon 200mm EF IS USM f2.0 lens…(only $5,699 from Adorama canon 200mm f2 adorama)…but I rented it from http://www.lensrentals.com for a couple hundred bucks for a week. I DIDN’T WANT TO GIVE IT BACK!

I used it on my Canon 7D (my new Sony A6500 always had the Canon 400mm f5.6 lens on it for 4K video usage) and I often hand held it, even though it weighs a hefty 5.6 pounds! Here are a few things I loved…

1. Incredibly sharp lens!
2. Lovely “bokeh” at f2.0 (the buttery backgrounds caused by the shallow depth of field when shooting wide open at f2.
3. Snappy focus
4. Solid feel
5. Image stabilization that really worked
6. Able to shoot hand held in low light situations due to the “fast” f2.0 aperture.

Now, I’m not a techy photographer, but I could instantly tell when I downloaded and viewed my photos on the large computer screen that this lens creates very sharp photos with beautiful backgrounds. I shot almost every image with this lens wide open at f2.0.

BUT you need the right subject in the right situation for this lens to shine. Before we went on this trip I searched Flickr for all images shot with “Canon 200mm f2” lens. 90% were portraits of people. And the reason for this is that you need a fairly large subject (human, Bison, Pronghorn) at a fairly close distance. This rarely happens in wildlife photography…But in Yellowstone, the wildlife is used to humans so you can get quite close. And it’s open country. Ideally you also need some stuff in the foreground and background in order to show off the shallow depth of field. Look especially at the foreground and background in the photos below…You could never get this kind of bokeh (blurred background/foreground) with other telephoto lenses at this distance.

OR you need smaller subjects shot at close range (Raven, Harlequin Duck, Shooting Star flower). The lens only focuses to 6.2 feet at the close end, but you could add extension tubes for real dreamy background close up work.

Conclusion? All in all, a magnificent lens…for the right situations. Really not sure how much use it would get in northern Minnesota where the wildlife is usually in thick cover, and often only seen briefly. It would be very cool for large northern owls (who are quite tame), but probably does not justify a nearly $6,000 purchase. Maybe I could justify it by adding a 2x extender and making it into a 400mm f4 lens…Naah. BUT I will definitely rent it again on a future Yellowstone National Park trip.

Talk about sharp…Wow! I zoomed in on the reflection in the eye of the Raven and could easily see and count the pine trees in the background.

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

[Canon 7D with Canon 200mm f2 lens; 1/1600 at f2; ISO 250; +0.33 ev; handheld; Processed in Adobe Lightroom]

The lens is great for eye-level water shots in order to separate the subject from the background on lakes, river. With other lenses (such as the 70-200mm f4 lens) the background would be much more detailed and the birds lost in the composition. Also note the Trumpeter swan photo below.

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

 

Here is an example of an image that may not look too different with another lens as I shot it at f4.5.

[Sony A6500 with Canon 200mm f2 lens; 1/320 at f4.5; ISO 100; handheld; Processed in Adobe Lightroom]

[Canon 7D with Canon 200mm f2 lens; 1/400 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

[Canon 7D with Canon 200mm f2 lens; 1/500 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

 

[Canon 7D with Canon 200mm f2 lens; 1/2500 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

Not sure why I shot this at f2.0….Should have shot at f8. No need for shallow depth of field here.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100;  -0.66 ev; tripod; Processed in Adobe Lightroom]

This lens really shines with low angle photography. This was shot BELOW eye-level and makes the Bison look quite ominous…And I was not too comfortable being this close.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; -0.5 ev; handheld; Processed in Adobe Lightroom]

Classic photo with the f2 lens…A boring image with any other lens, but the blurred background and foreground created by shooting at f2.0 make this less than boring (But not that great either).

Love this! The ONLY sharp thing in this photo is the flower head of this tiny Shooting Star wildflower (see image below for size scale).

[Canon 7D with Canon 200mm f2 lens; 1/3200 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Ryan photographing the same Shooting Star wildflower for scale.

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Sharp!

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; handheld; Processed in Adobe Lightroom]