May 16, 2023

I head down to Crex Meadows Wildlife Area near Grantsburg, Wisconsin to search for my Lifer Olympia Marble butterfly. I also stumble upon one of the most beautiful turtles in North America…the Blanding’s Turtle (which promptly “mauls” me 🙂

Vesper and Grasshopper sparrows are singing, along with Eastern Towhees, Trumpeter Swans and Eastern Kingbirds.

It is hot, and the mosquitos are awful, but I find multiple species of butterflies to photograph including Hoary Elfin, Juvenal’s Duskywing, Silvery Blue, and, my main target, Olympia Marble…the butterfly that looks like its been brushed with gold foil!

Too much time in front of the computer lately, so a quick trip to Crex Meadows Wildlife Area in Wisconsin was in order. 

My main target was the OLYMPIA MARBLE, a small white butterfly that doesn’t look like much while flitting about a grassland, but when it lands it reveals the stunning underwings that are marbled with a glittery green/gold.

Because of my research on Mike Reese’s wonderful wisconsinbutterflies.org site, I found several only two minutes after I arrived. Hmmmm, this will be easy, I thought. But I quickly found out that these butterflies are very particular about which flower they land on…and it takes them a loooong time to do so.

Their host plant is Rock Cress (Arabis sp.), a 6-12″ unassuming plant with a few groups of 4-petaled white tiny flower at their apex. And there were many in full bloom in this patch of grassland.

With camera in hand, and flash ready to fire, I would follow a flying Olympia Marble across the prairie waiting for it to land on a Rock Cress after which I’d drop to the ground, prone on the prickly prairie, to get an eye-level shot of a stunning butterfly. But 9 times out of 10 (19 times out of 20?) the little butterfly would already have moved on by the time I was in position. The few times it did begin to nectar, it only did so for a very few seconds, leaving while I was still trying to focus on the very tiny flowerhead. I was left to grunt and groan as I tried to get back onto my feet to pursue it yet again.

Not only this, but I failed to realize that while the mosquitoes had not yet emerged in northern Minnesota, they were out if full force at Crex, and they were joined by their friends the Black Flies. No bug dope in my van. Zero. Despite the 75 degree temps I had to don my wool Ullfrotte jacket. Not comfortable.

I still wonder why the Marbles pass up countless Rock Cress that look perfectly fine to me….What do they know that I don’t? Are some already stripped of nectar? If so, how do they know? Smell? Look? 

Finally I was able to get in position and click off a few frames on a couple occasions. It only took 2 hours but I finally had a satisfying image showing the glorious underwings.

**All photos taken with Canon R5 and Canon 100-500mm lens; f8 at 1/200 second; fill flash with Flashpoint flash and MagMod flash extender at 1/16 to 1/32 power.

Next post: Blanding’s Turtles out for a stroll

On a whim, Sparky stops by Crex Meadows in western Wisconsin on his way home from a conference in St. Paul…and despite the initial BLAAH light and heavy overcast, he stays and the light suddenly turns magical…WHAAT!

Sandhill Cranes and Trumpeter Swans are the avian highlights.

Sparky tries shooting through the red fall foliage to create some unique and creative wildlife photos.

All photos taken with Canon R5 and Canon 100-500mm lens

YouTube video and gallery below.

http://www.sparkyphotos.com (My photo galleries)

Though I do still enjoy a beautiful “bird on a stick” frame-filling portrait, more satisfying to me now is a wider field of view showing the bird or mammal in its native habitat. It tells more of a story about how and where that critter lives. Here are my favorites from 2021

We had about three days of GORGEOUS rime ice in early January 2021. It coated everything in a huge area of northern Minnesota. Rime ice is basically dense fog that freezes. That is how it differs from hoar frost. In hindsight, I should have spent A LOT more time looking for subjects amongst this crazy backdrop since it only occurs rarely. I did find this Common Redpoll out my living room window though. Its red cap adds a much-needed splash of color to the scene.

Maybe this is less “bird-in-the-landscape” and more “specks on the horizon” but the two flocks of geese (squint real hard!) add a lot to this rural western Minnesota farms cape.

It is not everyday that you can take a winner image while taking the garbage cans out to the road! Here three tom Wild Turkeys are in full display mode for the numerous hens just out of frame. I like the backlit feathers and aspen catkins.

I didn’t even notice the moon until well into my trip to North Ottawa Impoundment. Then I had the “aha” moment, and started taking hundreds of photos pointing my camera straight up into the azure blue spring sky. I like this wider image that has the moon in line with the Snow Geese, and I also appreciate that the line of migrating geese goes from upper left to lower right corner of the frame.

Hey, this IS the native landscape for Rock Pigeons! They live/nest in this old warehouse in Superior, Wisconsin. I just like the symmetry of the windows as well as the texture and colors of the weathered boards and tin siding…oh, and the pigeons add to the photo too.

Porcupines are relatively easy to find in late spring in the Sax-Zim Bog due to the fact that they feast on willow and aspen catkins relatively low in the woods. I framed this fella with blobs of yellow by shooting through a flowering willow with a larger aperture.

I do love this shot….BUT…I wish I had left the tern more space on the right so I could crop it so the bird was more to the left of the frame.

The “Badlands” are really a land of plenty for the many critters that live there. Though it appears to be an inhospitable landscape, there is no shortage of wildlife that call it home such as this curious (cautious?) Cottontail.

Gilded Flickers are close cousins to our Northern Flickers, but they are only found in their preferred Saguaro cactus habitat in Arizona and extreme SE California. They even excavate nest cavities in the prickly cacti.

Dusk in the floating blind. I thought shooting time was over, but I noticed the thunderheads turning pink on the horizon and wondered if I could get some ducks in the foreground. It didn’t take long before I maneuvered the blind into position for a raft of four Blue-winged Teal. But before I could get a shot, they jumped into the air and were gone. But I got lucky, as this frame turned out to be my favorite.

Nighthawks are rarely seen in the full sun of daytime. They are primarily a bird of dusk when they take wing to suck up flying insects in the air. That tiny bill opens to reveal a huge gaping mouth, which is all the better for inhaling mosquitos.

Peek-a-boo, I see you!

I intentionally included the meandering tracks of this early-returning pair of Trumpeter Swans as it lent a bit of visual interest. This would be a killer shot with more dramatic light.

You don’t often see Tufted Titmouse in Minnesota, and when you do they are usually tucked into an evergreen. I like the out-of-focus leaves that make orangish blobs of color that match the buffy sides of the titmouse.

You build it and they will come. That is certainly true of the impoundment project called North Ottawa. Now every spring, tens of thousands of geese state here on their way north. Quite a sight, and an even more impressive auditory experience.

I HAVE to get down here to photograph this nest in early spring next year. I love this shot, but it would even be better with the spring green of just-emerging leaves to warm up the scene. Big bird, big nest, big tree.

On their way back to the Arctic, Rough-legged Hawks hunt open areas all over the upper midwest.

I just like the gray of the Great Gray amongst the white branches of the aspens. Last year’s leaves add a pop of subtle color.

This picture really shouts, “North Dakota.” A land of open country, grasslands, empty spaces, and prairie birds such as this lone Sharp-tailed Grouse.

A River Otter sighting can brighten a gloomy spring day.

Northeast winds had stacked shards of blue ice along the shore at Lighthouse point on Lake Superior. I used a small aperture to keep the Red-breasted Mergansers in focus while giving some detail to the ice.

I just like the leading lines of the Ocotillo that bring the eye to a stunner of a bird; the Varied Bunting which is in full song.

Montana isn’t the only ” big sky country”! North Dakota has its share of vast skyscapes. A lone Yellow-headed Blackbird sings to the sky its melodious song….STOP…let me rephrase that…A lone Yellow-headed Blackbird croaks out its grating call to any other blackbirds that might be nearby.

Not many other birds share the same habitat as the White-throated Swift! Crevices in bare rock cliffs is where this relative of the swallow nest. And this one is swooping up into its retreat on the one and only Devil’s Tower.

I just LOVE birds perched on rusty barbed wire…and especially if there is an old wood fence post in the frame as well. Jackpot! Black-throated Sparrow in the Chihuahuan Desert on the Arizona-New Mexico line.

I like this photo of Evening Grosbeaks in white-barked Aspens …but I would LOVE it if there were a few more in the center of the frame…and if the others were looking into the center. Oh well.

Just a tiny bit of rim light illuminates these Black-tailed Prairie Dogs at sunset in Teddy Roosevelt National Park. Moody!

Yellow bird amongst yellowish grasses in a snowy scene. An early-arriving Eastern Meadowlark is greeted by an April snowstorm.

Maybe a portrait and not a bird-in-the-landscape but kind of in-between. Enjoyed a wonderful morning in the sagebrush flats south of Pinedale, Wyoming, and the surprisingly colorful Sagebrush Sparrow was a species I’d never photographed before.

Just allow me one more “bird in frosty landscape” shot.

The water has been rising in central North Dakota for years. The last time I visited this spot six years ago, this tree was still on dry land! A lone Western Grebe confirms that this is now a permanent lake.

It is always fun to stumble upon a Great Gray in a spot where you don’t expect them. This was an early morning jaunt in the Superior National Forest to look for Moose (which I did find). I love its perch and wanted to include the whole thing in the photo.

What can I say? I like birds in frosty landscapes!

Well, this concludes my “Top Tens” of 2021 posts. Now I better get out there and start shooting so I will have some Top Tens of 2022 to share next year!

All photos taken with Canon R5 and Canon 100-500mm lens

This is really where my heart is in regards to wildlife photography.

Black-capped Chickadee wings iridesce when backlit by the sun. My fingers were frozen by the time I got the shot, but it was worth it 🙂 The electronic 30fps shutter on the Canon R5 sure helps in these situations!  As does prefocusing on the spot where the chickadee will be. [Canon R5 with Canon 100-500mm lens at 270mm; 1/2000 second at f5.6; ISO 800; -1.00 ev; tripod]

Laying on the ground with a Western Diamondback Rattlesnake is an experience I hadn’t had until my July trip to southeast Arizona. I creatively cropped this image to highlight its eye with the unique vertical pupil.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 1000; 0 ev; handheld]

I’m the only photographer that goes to Crex Meadows on the day before a full moon to shoot silhouettes such as this…Yeah right! I was just one of a couple dozen photogs there this evening to try and get this type of shot. Why go on the day before the full moon? Well, that is the evening that the moon rises before the sun sets and you can get some decent light on the birds in front of the moon. It is pretty much impossible to get both the cranes and moon in sharp focus even with a f22 aperture. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

Probably my favorite image from Ryan and I’s trip to the prairie potholes of North Dakota this past May. It was one of those situations that you dream of….Your subject just keeps hanging around (in this case a flock of Black Terns) and the light keeps changing (sun, rain, dramatic clouds, rainbows, sunset). We shot a lot. But this image was my favorite…and the bird isn’t even in the shot! Just the reflection of a Black Tern, the rain drops forming concentric rings, and the blue-orange reflection in the water. [Canon R5 with Canon 100-500mm lens at 300mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

I shot through a pile of blue ice to frame this Red-breasted Merganser on Lake Superior. Unique and creative to be sure, but not my favorite shot. [Canon R5 with Canon 100-500mm lens at 363mm; 1/400 second at f7.1; ISO 160; +1.66 ev; handheld]

Despite my “freeze frame” in-flight photo of a Broad-billed Hummer that made my Top Ten Bird Portraits, I actually prefer this Broadbilled shot. I slowed the shutter to a crazy slow 1/60 of a second and took a bunch of photos. This was my favorite…Head/eyes sharp and side lit wings in motion.  [Canon R5 with Canon 100-500mm lens at 238mm; 1/60 second at f5; ISO 100; -1.33 ev; handheld]

Apologies to my photo buddy Ryan (who hates “the dirty prairie dogs”), but I think they are darn cute and fun to watch. While waiting for Coyotes and Badgers in an unnamed valley in Theodore Roosevelt National Park I spent most of my time watching the antics of the “dogs.” The sun was setting and the rim light was developing nicely. I waited for this guy to stand up and throw his head back to give the warning call. It happens so quickly that I missed several but did get this one. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f7.1; ISO 160; -1.33 ev; tripod]

Spending time with a Great Gray all alone in Sax-Zim is like gold. And I enjoyed every minute of my solitude with this hunting owl. Maybe this shouldn’t be included in a Creative Wildlife category since it is just a frame plucked from a video clip. But I like the panning motion blur of the gliding Great Gray, which is inherent in video since it is shot at 1/60 second at 30fps.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/60 second; handheld]

I selectively desaturated this Western Grebe’s portrait leaving the shockingly red eyes and straw yellow bill. I like the feel of this photo…and I also think the water droplets are kind of neat. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f13; ISO 1600; +0.33 ev; on ballhead in floating blind]

Sometimes good things can happen on your way to taking the garbage cans to the end of the driveway! I looked up and saw about 30 Wild Turkeys in neighbor Paul’s field. There were about a dozen toms and 15 or 20 hens. It was quite a scene…strutting, battles, chasing. And the best part was that it was all backlit creating some very cool images. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 160; -2.00 ev; handheld]

High key images are finding their way into my faves category more and more these days. And it is a great technique when you have a bird against a blaah gray sky. Even better if you can include an interesting branch. I got both in this shot of a Blue Grosbeak in SE Arizona. I could have taken the yellow out of the branches but decided that the color added something to the image. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 160; +0.33 ev; tripod]

Another favorite from Crex Meadows “full moon-Sandhill Crane” shoot. The purple sky came out with some post processing in Lightroom. See above for more details on this evening at Crex.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

The thing about creative wildlife photos is that you often have to intentionally search for the creative possibilities in each situation. Since I was looking down on this PIed-billed Grebe, and it was flat gray light, it would have made a blaah portrait. But by intentionally shooting through the snow blobs on the willows it created a  surreal scene. It is nearly a black and white image, but I like the touch of red on the grebe’s throat. [Canon R5 with Canon 100-500mm lens at 200mm; 1/320 second at f5; ISO 100; -0.66 ev; handheld]

I do love silhouettes, but there usually has to be something extra about the photo to make it a “top tenner.” In this image of a Western Grebe on Horsehead Lake in North Dakota, that something extra is the geometric shapes of the rushes and their reflection. [Canon R5 with Canon 100-500mm lens at 254mm; 1/400 second at f14; ISO 100; 0 ev; handheld]

June 25, 2020

I had a great day birding at Wisconsin’s Crex Meadows State Wildlife Area. It is near Grantsburg, Wisconsin and only an hour and 15 minute drive from our home in Carlton County, Minnesota.

Highlights include an Eastern Kingbird landing on the back of a Bald Eagle (!), singing Field Sparrow, Clay-colored Sparrow, Grasshopper Sparrow, Eastern Towhee, Black Tern, Trumpeter Swans with cygnets, foraging Sandhill Crane, and a sighting of the rare Blanding’s Turtle. (and loads of deer flies!)

Wildflowers including 4 species of milkweed! (including the rare Dwarf Milkweed (Asclepias ovalifolia), which was a lifer) and Butterfly Milkweed), also Spiderwort, Wood Lily, Prairie Larkspur and more.

Come along on this adventure!

October 22, 2018 (Monday)

**ALL OF THE BELOW PHOTOS ARE SINGLE FRAMES AS TAKEN…I DID NOT “ADD THE MOON IN PHOTOSHOP”

I ran into several photographer friends down in Wisconsin’s Crex Meadows Wildlife Area yesterday. I guess we were all thinking the same thing…Two days before the full moon is a perfect time to try and photograph Sandhill Cranes in front of a massive moon.

Lauren the naturalist gave me three locations to try for the dusk fly-in of the Sandhill Cranes. One was my “usual spot” along the Main Dike Road. I didn’t want to risk a new spot today so I stuck with my normal spot.

I ran into fellow photographer Mike Dec and we decided to shoot from the same spot. The wind was blowing strong out of the northwest, but the temp was in the low 50s. Cold fingers and shaking tripod!

Sandhills by the thousands roost in the wildlife reserve over night. The shallow-water marshes are basically inaccessible to most predators, and there is also safety in numbers. During the day the cranes feed in harvested corn fields outside the refuge and then fly in a bit before sunset. THOUSANDS roost here in the late autumn.

I was shooting slow-motion 180 fps video with the Panasonic GH5 on a tripod while trying to shoot stills with my Canon 7D and Canon 400mm f5.6 lens hand held. Every time a flock was approaching the moon at what seemed the proper trajectory to pass right in front, Mike and I alerted each other.

But focusing on the cranes was a challenge and I missed some shots because of my camera/lenses inability to lock on to a bird.

A memorable evening! Plan on being at Wisconsin’s Crex Meadows next late October.

The moon rose large behind a stand of oaks but there was little contrast between the sky and the moon. But over the next half hour the moon began to pop as the sky turned from blue to twilight purple. This flock of cranes were lit by the last orange rays of the setting sun.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1250 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

 

Before the moon rose at 5:47pm, I took some flight shots with slow shutter speeds. I have so many sharp flight shots that I really don’t need more. Time to get a bit creative! So I slowed the shutter way down to 1/10 of a second at f20; ISO 100. The results are “very artistic” and impressionistic. Not everyone’s cup of tea, but I like it.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/10 second at f20; ISO 100; hand-held; processed in Lightroom CC 2015] (top photo at 1/30 second)

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

This is a single frame extracted from a HD slow motion video. Not the sharpest shot, but still very pleasing in a painterly way.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 70-200mm f4L USM lens at 118mm; 1/100 second at f9; ISO 1000; -1.0 ev; hand-held; processed in Lightroom CC 2015]

A couple “selective focus” shots. Basically impossible to get both the cranes and moon in sharp focus in the same shot (unless the cranes were about 2 miles away) so I tried some photos where I focused on the moon instead of the cranes.

These are single frames extracted from a HD slow motion video.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/320 second at f5.6; ISO 400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above three photos of the roosting Sandhill Cranes were taken well AFTER SUNSET. Long exposures on a tripod. As usual, I was the last car at the spot. You never know what image might present itself after the “main show” is over.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above two photos are probably my favorites from the entire shoot. The top is the uncrossed version, and the bottom is cropped to just 4 cranes. I like that they are very SHARP for being hand-held (way to go “steady Sparky”!). I also really like the even spread of cranes and the position of the legs and wings of the crane silhouetted by the moon. And of course, the purple sky color is a bonus.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

As the moon continued to rise after sunset, the color was washed from the sky. The only option was to catch a flock as they passed right in front of the moon.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/250 second at f7.1; ISO1600;-1.0 ev; hand-held; processed in Lightroom CC 2015]

On my way out of Crex Meadows I saw this sight; three Trumpeter Swans silhouetted by the nearly-full moon’s reflection on a marsh. I took a bunch of handheld shots at ISO 12,800(!!), but should have set up a tripod since most are unusable.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/60 second at f5.6; ISO 12,800; -1.0 ev; hand-held; processed in Lightroom CC 2015]

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

Fall color can really make your wildlife images pop…But how do you incorporate colorful fall foliage into animal pics? It takes a bit of creative thinking because when most of us are out shooting, we are either focused on landscapes (and fall foliage) or concentrating on getting great wildlife portraits…but rarely are we thinking of combining both!

COLORFUL LEAVES AS BACKGROUND
This sounds simple but how often do you find a subject in a spot where colorful leaves create a nice backdrop? Not often! But when you do, take advantage of the situation and shoot like crazy!

I just happened to stumble on this Bald Eagle perched in an aspen while driving around northern Minnesota. My car served as a blind and I was able to get a few shots out the window. Remember to stick your lens as far out the window as possible to avoid the shimmer of heat from your car escaping to the cool fall air.

Sandhill Cranes congregate at Wisconsin’s Crex Meadows in late fall. The rusty red oaks compliment the red crowns of the Sandhill Cranes.

A juvenile Northern Goshawk swoops across a backdrop of yellow aspens atop Duluth, Minnesota’s Hawk Ridge Nature Reserve. I attracted it with the use of a plastic Great Horned Owl.

A shallow depth-of-field turned the leaves in the background to pleasing blobs of color.

Tamaracks reach peak color in mid October. Their yellow needles will soon drop, but for now, they glow. Northern Hawk Owl in the Sax-Zim Bog of northern Minnesota.

Young Mule Deer buck and aspen leaves. Yellowstone National Park, Wyoming.

REFLECT ON THIS
This may actually be the easiest way to incorporate fall colors into your wildlife shots. Find a small pond, river edge, or lake margin that is lined with colorful trees. The leaves will reflect on the surface of the water if you position yourself at the right angle.

Warm yellow leaves reflect off the surface of a Galesburg, Illinois pond. A low angle and perfect evening light make for a great Canada Goose portrait. The open-billed expression adds to the photo.

Rock Pond on the University of Minnesota Duluth campus is ringed by beautiful Sugar Maples whose red leaves make amazing reflections.

FRAME WITH LEAVES
It is often a tricky proposition to find a subject that you can frame with leaves, but if you do, it certainly makes a compelling image.

MOTION BLURS WITH FALL COLOR
Get real creative and try some slow shutter speeds with your wildlife subjects and fall color.
Snow Geese take off from a roosting pond in New Mexico’s Bosque del Apache National Wildlife Refuge. Cottonwood leaves create the yellow backdrop.

Panning with the Mallard at a slow shutter speed made for an interesting image.

FOG FOR BUCOLIC FALL SCENES
Fog and mist can soften fall colors and create moody fall photos.

Fog on Carlton County, Minnesota’s Spring Lake softens the scene, turning it into a watercolor-like photo.

I had a speaking gig in southern Minnesota a couple weeks ago (Sept. 17 to be exact…I’m a bit behind on my editing!) but I didn’t feel like just driving the interstate (I-35) down to Austin…Much too boring. Why not get some photography in? So I drove south on Wisconsin 35…a 2-lane highway that gets me close to one of my all-time favorite wildlife photography locations…Crex Meadows.
Fog shrouded the low-lying spots along the highway, then as the sun rose, rays broke through, illuminating the mist, making it glow. I pulled the van over immediately, knowing the sun would burn this fog off quickly. I managed to get these ethereal shots…silhouette of an old spruce (above) and the sun rays in the fog.

Further down the road, I crossed the Namekagon River (part of the St. Croix National Scenic Riverway). I stopped and spent some time here as the scene was changing from hazy foggy misty goodness to pure morning sun. This Bald Eagle magically appeared, hunting down the river corridor. I wish I’d captured the wings in a better position but I like the silhouette anyway.

An old White Pine along the river made a choice perch for this Red-tailed Hawk. I chose a wider view, giving the branch itself a bit of a starring role. I like the composition.

Wildlife behavior is always interesting to capture, but not easily done. The Red-tail started making odd movements and I knew it was about to cough up a pellet. I fired off a series of shots. You can see the pellet falling to through the air. I wish I had time to take a video of this. Oh, well. (pellets are conglomerates of undigested bone and hair that are regurgitated by birds of prey and many other birds…including hummingbirds! In addition to nectar, they eat insects, some with hard wing cases or larger wings, that need to be coughed up.)

Pied-billed Grebes were very common at Crex Meadows this day. This pond had 5 hunting in fairly close proximity. I saw this guy struggling with a fish so I grabbed some shots as it flew off with its prize bullhead. It eventually was able to turn it in its bill so it could slide down its throat head first.

The first hints of fall color in a stand of Paper Birch.

Blue-winged Teal flock.

Northern Harriers spend much of their time gliding over marsh land and meadows searching (and listening) for voles, mice, shrews and small birds. Owl-like facial disks focus sounds in the grass on their ear holes thereby aiding in triangulating the location of unseen prey. The females, like this one, are brown; Males are a striking light gray. Both have the white band on the upper tail.

A lone Sandhill Crane forages along the shore. Crex Meadows is known for its huge concentration of fall migrating Sandhill Cranes. It is an important stop over for their migration.

Sometimes you get lucky. Sometimes you find a subject that is comfortable with your presence. You have to take advantage of these rare moments. This Short-billed Dowitcher (juvenile) allowed me to actually get out of the van and sit quietly at the edge of the water while it fed, waded, swam, bathed, and preened only 30 feet away! These are my best Short-billed Dowitcher pictures by far.

Trumpeter Swans nest in good numbers at Crex Meadows. This adult was one of a pair that had 4 nearly grown cygnets. Cygnets do not get their white plumage until they are a year old. Also note the pink on the juvenile’s bill.

[all wildlife shots with Canon 7D & Canon 400mm f5.6 lens, hand held]