More and more I like photos that show the bird and its habitat. One of my favorite artists, Robert Bateman, often placed the birds quite tiny in the surrounding landscape…so tiny sometimes that you really had to search!

These photos tell more of a story than close up bird portraits, they often have to be viewed in a larger format to fully appreciate them. So go ahead and click on each image to see them larger.

This very white mature male Snowy Owl hung around the Sax-Zim Bog all winter, and he spent most of his time in just two fields. This field had hay bales which made a convenient perch in which to scan and listen for voles.

I do love old fencelines with weathered and lichen-covered posts, and I scan for subjects perched on them. Fortunately this day I ran across a hunting Red-tailed Hawk that actually allowed me time to get my camera out the car window and snap a few shots. I think the falling snow adds a lot to this image, as does the red tail feathers which add a spot of color.

Dawn in the aspen parkland of northwest Minnesota and a Greater Prairie Chicken booms on its lek. This spring courtship display is the essence of prairies on the Great Plains. About 18 other prairie chickens are just out of frame. I spent about 5 hours in a blind watching and filming their antics. No better way to spend a spring morning!

See the expanded blog post with many photos here

See the link to the Shooting with Sparky Greater Prairie Chickens video here

Half way through our epic journey home from Yellowstone in a massive stalled out blizzard, Ryan and I stopped at Theodore Roosevelt National Park for a night. The early October storm caught many birds off guard and this flock of Mountain Bluebirds were feeding on the only snow-free spot available, the recently plowed road shoulder. But they would perch on this nearby barbed wire fence.

I had never seen anything like the congregation of geese in western Minnesota this past April.  It was like stepping back in to an old-timer’s memory when they reminisce about “the skies filled with flock after flock of geese.” And there were literally flock after flock of geese filling the skies. (Where have I heard that before?). These Greater White-fronted Geese filled the frozen marsh.

Abandoned Pileated Woodpecker cavities provide homes for many critters in the North Woods including Flying Squirrels, Hooded Mergansers, Common Goldeneyes, Pine Marten, and owls such as this Northern Saw-whet Owl. I have scratched on 100s of trees with Pileated cavities over the years, but never found a Saw-whet, but this spring I got lucky. I wish I could have checked on the cavity more times, but other commitments got in the way. I hope she raised a brood of little Saw-whets.

A classic northern Minnesota scene that we would not have seen 30 years ago. Thanks to the efforts of the Minnesota DNR, Carrol Henderson and many others, we now have a “bumper crop” of Trumpeter Swans each spring. They arrive at first ice-out to claim the best nesting territories.

Like a Les Kouba painting from the 1970s, this scene includes a flock of geese and a weathered windmill in the farm country of western Minnesota.

I guess the icy landscape of Minnesota’s North Shore dominates the birds in this photo. But it is how you often see Long-tailed Ducks on Lake Superior; bobbing and diving in the icy waters of Lake Superior.

Three species of thrushes wait out an early October snowstorm in Theodore Roosevelt National Park in North Dakota: Eastern Bluebird, American Robain and Mountain Bluebirds.

A week in southeastern Arizona allowed me to finally thaw out from the long winter. And I got to see many desert and mountain specialty birds that I hadn’t seen in 20-plus years. This Gambel’s Quail is singing from about the best perch available in the Chihuahuan Desert…a huge stalk of a Yucca.

Winter was finally loosening its grip in mid April in northern Minnesota. Lakes were starting to open up and any patch of blue was occupied by early-returning Trumpeter Swans in order to claim the best nesting territories. A drone allowed me to get this shot. The swans never even looked up at the strange “whirring bird” over their heads.

October 22, 2018 (Monday)

**ALL OF THE BELOW PHOTOS ARE SINGLE FRAMES AS TAKEN…I DID NOT “ADD THE MOON IN PHOTOSHOP”

I ran into several photographer friends down in Wisconsin’s Crex Meadows Wildlife Area yesterday. I guess we were all thinking the same thing…Two days before the full moon is a perfect time to try and photograph Sandhill Cranes in front of a massive moon.

Lauren the naturalist gave me three locations to try for the dusk fly-in of the Sandhill Cranes. One was my “usual spot” along the Main Dike Road. I didn’t want to risk a new spot today so I stuck with my normal spot.

I ran into fellow photographer Mike Dec and we decided to shoot from the same spot. The wind was blowing strong out of the northwest, but the temp was in the low 50s. Cold fingers and shaking tripod!

Sandhills by the thousands roost in the wildlife reserve over night. The shallow-water marshes are basically inaccessible to most predators, and there is also safety in numbers. During the day the cranes feed in harvested corn fields outside the refuge and then fly in a bit before sunset. THOUSANDS roost here in the late autumn.

I was shooting slow-motion 180 fps video with the Panasonic GH5 on a tripod while trying to shoot stills with my Canon 7D and Canon 400mm f5.6 lens hand held. Every time a flock was approaching the moon at what seemed the proper trajectory to pass right in front, Mike and I alerted each other.

But focusing on the cranes was a challenge and I missed some shots because of my camera/lenses inability to lock on to a bird.

A memorable evening! Plan on being at Wisconsin’s Crex Meadows next late October.

The moon rose large behind a stand of oaks but there was little contrast between the sky and the moon. But over the next half hour the moon began to pop as the sky turned from blue to twilight purple. This flock of cranes were lit by the last orange rays of the setting sun.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1250 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

 

Before the moon rose at 5:47pm, I took some flight shots with slow shutter speeds. I have so many sharp flight shots that I really don’t need more. Time to get a bit creative! So I slowed the shutter way down to 1/10 of a second at f20; ISO 100. The results are “very artistic” and impressionistic. Not everyone’s cup of tea, but I like it.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/10 second at f20; ISO 100; hand-held; processed in Lightroom CC 2015] (top photo at 1/30 second)

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

This is a single frame extracted from a HD slow motion video. Not the sharpest shot, but still very pleasing in a painterly way.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 70-200mm f4L USM lens at 118mm; 1/100 second at f9; ISO 1000; -1.0 ev; hand-held; processed in Lightroom CC 2015]

A couple “selective focus” shots. Basically impossible to get both the cranes and moon in sharp focus in the same shot (unless the cranes were about 2 miles away) so I tried some photos where I focused on the moon instead of the cranes.

These are single frames extracted from a HD slow motion video.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/320 second at f5.6; ISO 400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above three photos of the roosting Sandhill Cranes were taken well AFTER SUNSET. Long exposures on a tripod. As usual, I was the last car at the spot. You never know what image might present itself after the “main show” is over.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

The above two photos are probably my favorites from the entire shoot. The top is the uncrossed version, and the bottom is cropped to just 4 cranes. I like that they are very SHARP for being hand-held (way to go “steady Sparky”!). I also really like the even spread of cranes and the position of the legs and wings of the crane silhouetted by the moon. And of course, the purple sky color is a bonus.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

As the moon continued to rise after sunset, the color was washed from the sky. The only option was to catch a flock as they passed right in front of the moon.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/250 second at f7.1; ISO1600;-1.0 ev; hand-held; processed in Lightroom CC 2015]

On my way out of Crex Meadows I saw this sight; three Trumpeter Swans silhouetted by the nearly-full moon’s reflection on a marsh. I took a bunch of handheld shots at ISO 12,800(!!), but should have set up a tripod since most are unusable.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/60 second at f5.6; ISO 12,800; -1.0 ev; hand-held; processed in Lightroom CC 2015]