Posts tagged ‘creative’

Sandhill Cranes under a full Moon: Crex Meadows, Wisconsin

Copy 1 IMG_2106

October 22, 2018 (Monday)

**ALL OF THE BELOW PHOTOS ARE SINGLE FRAMES AS TAKEN…I DID NOT “ADD THE MOON IN PHOTOSHOP”

I ran into several photographer friends down in Wisconsin’s Crex Meadows Wildlife Area yesterday. I guess we were all thinking the same thing…Two days before the full moon is a perfect time to try and photograph Sandhill Cranes in front of a massive moon.

Lauren the naturalist gave me three locations to try for the dusk fly-in of the Sandhill Cranes. One was my “usual spot” along the Main Dike Road. I didn’t want to risk a new spot today so I stuck with my normal spot.

I ran into fellow photographer Mike Dec and we decided to shoot from the same spot. The wind was blowing strong out of the northwest, but the temp was in the low 50s. Cold fingers and shaking tripod!

Sandhills by the thousands roost in the wildlife reserve over night. The shallow-water marshes are basically inaccessible to most predators, and there is also safety in numbers. During the day the cranes feed in harvested corn fields outside the refuge and then fly in a bit before sunset. THOUSANDS roost here in the late autumn.

I was shooting slow-motion 180 fps video with the Panasonic GH5 on a tripod while trying to shoot stills with my Canon 7D and Canon 400mm f5.6 lens hand held. Every time a flock was approaching the moon at what seemed the proper trajectory to pass right in front, Mike and I alerted each other.

But focusing on the cranes was a challenge and I missed some shots because of my camera/lenses inability to lock on to a bird.

A memorable evening! Plan on being at Wisconsin’s Crex Meadows next late October.

Crex Meadows Grantsburg WI IMG_1886

The moon rose large behind a stand of oaks but there was little contrast between the sky and the moon. But over the next half hour the moon began to pop as the sky turned from blue to twilight purple. This flock of cranes were lit by the last orange rays of the setting sun.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1250 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

 

Crex Meadows Grantsburg WI IMG_1835Crex Meadows Grantsburg WI IMG_1846

Before the moon rose at 5:47pm, I took some flight shots with slow shutter speeds. I have so many sharp flight shots that I really don’t need more. Time to get a bit creative! So I slowed the shutter way down to 1/10 of a second at f20; ISO 100. The results are “very artistic” and impressionistic. Not everyone’s cup of tea, but I like it.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/10 second at f20; ISO 100; hand-held; processed in Lightroom CC 2015] (top photo at 1/30 second)

Crex Meadows Grantsburg WI IMG_1931

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_1956

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/1600 second at f5.6; ISO 640; -1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI P1044348

This is a single frame extracted from a HD slow motion video. Not the sharpest shot, but still very pleasing in a painterly way.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_2046

[Canon 7D with Canon EF 70-200mm f4L USM lens at 118mm; 1/100 second at f9; ISO 1000; -1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_1822Crex Meadows Grantsburg WI P1044352Crex Meadows Grantsburg WI P1044354

A couple “selective focus” shots. Basically impossible to get both the cranes and moon in sharp focus in the same shot (unless the cranes were about 2 miles away) so I tried some photos where I focused on the moon instead of the cranes.

These are single frames extracted from a HD slow motion video.

[Panasonic GH5 with Sigma 50-500mm f4/5-6.1 lens; 1/320 second; tripod; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_2119

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/320 second at f5.6; ISO 400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_2313Crex Meadows Grantsburg WI IMG_2251Crex Meadows Grantsburg WI IMG_2297

The above three photos of the roosting Sandhill Cranes were taken well AFTER SUNSET. Long exposures on a tripod. As usual, I was the last car at the spot. You never know what image might present itself after the “main show” is over.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_2106Crex Meadows Grantsburg WI IMG_2106-2

The above two photos are probably my favorites from the entire shoot. The top is the uncrossed version, and the bottom is cropped to just 4 cranes. I like that they are very SHARP for being hand-held (way to go “steady Sparky”!). I also really like the even spread of cranes and the position of the legs and wings of the crane silhouetted by the moon. And of course, the purple sky color is a bonus.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/400 second at f5.6; ISO400;-1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_2204

As the moon continued to rise after sunset, the color was washed from the sky. The only option was to catch a flock as they passed right in front of the moon.

[Canon 7D with Canon EF 400mm f5.6L USM lens; 1/250 second at f7.1; ISO1600;-1.0 ev; hand-held; processed in Lightroom CC 2015]

Crex Meadows Grantsburg WI IMG_2399

On my way out of Crex Meadows I saw this sight; three Trumpeter Swans silhouetted by the nearly-full moon’s reflection on a marsh. I took a bunch of handheld shots at ISO 12,800(!!), but should have set up a tripod since most are unusable.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/60 second at f5.6; ISO 12,800; -1.0 ev; hand-held; processed in Lightroom CC 2015]

Advertisements

Yellowstone May 2014—Getting Creative

Bison Frosty face near Norris Yellowstone National Park WY IMG_7449Bridget specifically said “No frosty Bison photos! You have enough of them” But this one is a bit different. I converted the image to black and white then clipped the whites and blacks of the histogram to make a more high contrast image. It more accurately reflects what I remember from the Bison encounter than the original image. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, handheld]

Harlequin Ducks LeHardy Rapids Yellowstone National Park WY IMG_7346I used a long exposure on these Harlequin Ducks to allow the river to blur nicely. But you have to take many photos as the ducks were constantly fidgeting.

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8230 [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2000, handheld]

Elk herd frosty morning Mammoth to Tower Junction Yellowstone National Park WY IMG_8242The two images above were taken early in the morning between Mammoth and Tower Junction. You don’t always need the sun at your back! Backlighting can really be quite dramatic. I love how the rim light defines the elk’s shapes and makes the spring leaves pop. Also keep in mind that shadows often show as blue to our cameras and it contrasts nicely with the green leaves. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, -1EV, handheld]

Bighorn ewe reflection Mammoth to Tower Junction Yellowstone National Park WY IMG_6790Did you do a double take when you looked at this image? This is a reflection of a Bighorn ewe that I flipped 180 degrees. Have fun and experiment! [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/1250, handheld]

Ryan Marshik silhouette Nikon 600mm tripod Hayden Valley Yellowstone National Park WY IMG_8119Shapes often tell as much of a story as detailed subjects. I underexpeosed by nearly two stops to get this silhouette of Ryan hauling his 600mm f4 on a tripod across the snowy Hayden Valley. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/6400, -1 2/3 EV handheld]

Grizzly silhouette Mary's Bay Yellowstone Lake Yellowstone National Park WY IMG_9054 - Version 2Our wildlife subjects don’t always need to be large in the frame. But we really have to work to remember this and actually shoot “animal in the landscape” shots. Ryan and I had followed (by car) this sow and second-year cub for a while, but they cut up this steep hillside. I turned the camera vertical to emphasize the tall trees. Her backlit breath was a bonus. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, handheld]

Common Raven Hayden Valley Yellowstone National Park WY IMG_7195 I rented the Canon 85mm f1.2 lens for this trip specifically to play with extremely shallow depth of field in wildlife photography. This lens is commonly used in portrait photography to achieve very shallow DOF. This obliging Raven allowed me to get quite close and the result is a unique critter image with only an inch or two of in focus bird. [Canon 7D with Canon 85mm f1.2 lens, f1.2 at 1/2500 sec., handheld]

Yellowstone Falls long exposure visitors Yellowstone National Park WY IMG_7824This is a very different perspective on one of the most visited sites in Yellowstone…the Falls of the Yellowstone River. I set up my tripod back from the overlook and put on the wide angle lens. Then I attached a B+W 9-stop ND (neutral density filter to slow down the exposure in order to record the motion of visitors gawking at the falls (and taking selfies!). Of course, there were a dozen people here just before I got set up, then they all vanished. Where’s the bus of Japanese tourists when you want them! [Canon 7D with Sigma 10-20mm lens and B+W 9-stop ND filter, f11 at 15 seconds, ISO 100, tripod]

Moonrise full at Silver Gate Yellowstone National Park WY IMG_8216 Though the full moon ruined any plans we had for star trail photos, it made up for it during this moonrise at Silver Gate. The only way to get a large moon in your photos is to use a very long telephoto lens. But put an “earthbound” element into your photo to give the full moon scale. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/125, tripod]

New e-zine! Wildlife Photographic

If you are even remotely interested in wildlife photography, this new e-zine (electronic magazine) is a must-get purchase. Okay, I do have an article in this month’s issue (and the cover shot!), but that’s not why I’m excited about Wildlife Photographic.

Craig Orr from the U.K. has put together a slick e-zine with articles from some very big names in wildlife photography…
Allan Murphy (famed backyard songbird set up artist)
Juan Pons (Digital Photo Experience podcast)
Sparky Stensaas (Creative Winter Silhouettes)
…wait! I don’t belong in that list.

There are also very cool embedded videos, such as New Zealand wildlife photographer Chris McLennan’s video “Car-L Meets the Lions” in which he built a remote control 4wd platform to mount his camera. He then drove it near Lions in Africa…The results are funny, amazing, and not good news for the poor remote control vehicle!

screen568x568

seo_cw_productSparky’s cover shot os a Bison at dawn in Yellowstone to illustrate my article “Creative Winter Silhouettes” (Converted to sepia)

“Wildlife Photographic is your bimonthly magazine dedicated to wildlife photography. Providing tips, tricks and inspiration to photographers, while enjoying the amazing beauty of wildlife across the globe.

Thanks to Apple’s amazing newsstand platform, we can feature not only great articles, but also video and interactive content as well. Viewing magazines has never been so enjoyable!

While our main focus is on photography, at Wildlife Photographic we love and respect the animals we share our planet with. With this in mind, each month we put the spotlight on different nature conservation orginizations working to preserve wildlife and their habitats.

Subscribe to Wildlife Photographic and receive a huge saving of 25% off the cover price.

Wildlife Photographic Subscription Available:
A single issue for $3.99 (non-subscription)
Bimonthly subscription for $2.99 (every two months), automatically
renewed every two months until canceled

Currently this e-zine is only available through Apple’s iTunes for the iPhone and iPad.

GET SUBSCRIPTION INFO HERE

Top Ten Creative Wildlife Images 2013

It’s that time of year to take stock of our shooting fortunes from the year past. For me, it was a mixed bag. I wanted to do more wildlife video but didn’t find the time for much. 2013 was also the year of the “Feathered & Furry 500,” my attempt to photograph 500 species of animals in Minnesota in one year [More on this in a post in the near-future]. And I did rack up a pretty big list…including over 220 species of birds. But I was also trying to be creative in my shots….More than the usual perfect light portrait.
In the next few days I will also post more “Top Tens” from 2013…Stay tuned!
Here are my favorites in no particular order:
American Crow CR4 Carlton Co MN IMG_7002American Crow in snowstorm. Taken near my house on the way to the gas station to get some milk for the family…The lesson? Always have your camera in the car. I really didn’t do much to the photo as the scene was already extremely contrasty. I did tweak the Levels and Curves to clip the whites and blacks in Aperture. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, ISO 160, handheld but braced on car window]

Black-capped Chickadee landing on feeder Skogstjarna Carlton Co MN MG_0074299Chickadee landing on feeder at dawn. I “previsioned” this shot but just had to wait for the right morning and get up the gumption to shoot in the cold of a winter morning. I underexposed by nearly two stops in order to put the backlit wing feathers in a medium tonal range. Yes, it could have been better if part of the bird wasn’t blocked by the feeder. My house, Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2500 second, ISO 3200, Handheld]

European Starlings Aerial Lift Bridge Canal Park Duluth MN IMG_9944European Starlings and Aerial Lift Bridge. I was photographing gulls in Duluth’s Canal Park when a large flock of starlings spooked from the bridge. I instinctively threw up my camera and started shooting. I really like the pattern and composition of this very “graphic” image, especially how the steel girders are all kind of converging in the center. The birds are nicely spaced too. Check the color version/variation below. Canal Park, Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800, Handheld]

Bald Eagle CR4 Cemetary Rd Carlton Co MN IMG_0075809Bald Eagle Landscape. I didn’t “see” this composition when I clicked the shutter…I just pointed my lens out the window when I saw and eagle land there. Only later did I see the nice composition of vertical aspen trunks contrasting with the blueish background of distant pines. A bird-in-the-landscape shot that works. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/800 second, ISO 640, Handheld but braced on car window]

Herring Gulls lighthouse sunset Canal Park Duluth MN IMG_9938This is one of 3 images in this Top Ten that were taken within minutes of each other (the others were the startling/bridge silhouettes). Fortuitously, the gulls all perched in perfect locations to make this interesting silhouette. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f18 at 1/400 second, ISO 800, Handheld]

Common Redpoll Admiral Road Sax-Zim Bog MN IMG_0076238Common Redpoll on snowy road. I laid flat on a snow-covered road to get this unique portrait of a Common Redpoll, a winter visitor to northern Minnesota. I blew out the whites to improve the high-key look of this shot. Sax-Zim Bog, Minnesota
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 200, Handheld while laying on ground]

Trumpeter Swans 2 landing backlit sepia Monticello MN IMG_0073484Two Trumpeter Swans landing. Sepia tool in Aperture really helped this shot…The color version wasn’t bad, but the colors were a bit weird. If this happens to you, try and play with black-and-white or sepia color. Mississippi River, Monticello, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 250, Handheld]

European Starlings Aerial Lift Bridge Canal Park Duluth MN IMG_9946 (see details on similar photo above)
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800 Handheld]

American Crow CR4 Carlton Co MNIMG_7004American Crow in snowstorm Wide. Taken only seconds after the image at the top of the post but with a 10-20mm lens instead of a 400mm lens! I like the simple composition of 3 stark tree silhouettes and one bird tiny in the frame. Carlton County, Minnesota.
[Canon 7D with Sigma 10-20mm, f6.3 at 1/640 second, ISO 160 Handheld]

Mallard blurIMG_0074579Mallard blur. A very slow shutter speed to portray frantically feeding Mallards on Lake Superior. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f20 at 0.6 seconds, ISO 100 Handheld]

Sharp-tailed Grouse Sax-Zim Bog MN IMG_0072674Two Sharp-tailed Grouse in Tamaracks. One of my favorite images of the year (You may certainly disagree!) But I just love the composition of the one distant bird more obvious, then the closer bird more hidden in the trees. I wish I could say I designed this shot, but it was just a “haccident” (happy accident). Sax-Zim Bog, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1000 second, ISO 160, tripod]

10 Reasons NOT to Take Fall Leaf Photos

This fall’s color has been one of the most spectacular in recent memory…It is not every year that the oaks, aspens and maples all peak at the same time, but this year they are. So what’s your excuse for not getting out and shooting? Here are some of the reasons I find myself hmmming and hawwwing and procrastinating and avoiding taking fall foliage photos.

1. I CAN’T FIND A GOOD COMPOSITION
SOLUTION: Make your own! I found this dewy Quaking Aspen leaf and very carefully placed it on a background of reversed maple leaves that I laid out. I love the contrast of the yellow with the magenta.

2. IT’S CLOUDY OUT
SOLUTION: No problem, cloudy and foggy days are the best for recording the saturated colors of fall. Even rainy days can be great. But remember to use a polarizer to reduce the sheen from wet leaves.

3. THE LEAVES HAVE ALREADY FALLEN
SOLUTION: So what?…The leaves can be just as pretty and colorful on the ground.

4. I WORK DURING THE DAY
SOLUTION: Get out early! Frost on fall leaves can be a dramatic element

5. TOO LATE…SNOW HAS ALREADY FALLEN
SOLUTION: Count your lucky stars because this is a rare event. Get out right away and find some colorful leaves dusted with snow to make a stunning shot.

6. IT’S JUST A JUMBLE OF LEAVES, TREES, AND COLOR OUT THERE…I CAN’T FIND A SUBJECT
SOLUTION: Isolate! Find a clump of particularly beautiful leaves…or an individual fallen leaf…or grab the telephoto lens to highlight one area of color.

7. THE LEAVES WON’T STAY STILL
SOLUTION: Use this to your advantage…If leaves are swirling in an eddy of a river or creek, just set your tripod up and shoot at a very slow shutter speed…Slower the better. The leaves will become a swirl of color but the rocks and shoreline will be sharp.

8. I CAN’T FIND ANY COLORFUL LEAVES
SOLUTION: Shoot brown leaves

9. I ONLY BROUGHT MY WIDE ANGLE LENS
SOLUTION: The best lens is the one you have with you…So use it! But you have to be careful with wide angle fall foliage shots that you don’t include too much of a gray sky. Here I intentionally eliminated the sky to focus on the variety of colors in a wooded meadow.

10. I ONLY BROUGHT MY TELEPHOTO LENS
SOLUTION: Perfect…Much easier to find good compositions with a medium telephoto (70-200mm) than with a wide angle lens, I believe. Head to a vantage point or lookout where you can isolate part of the scene like in this image from Oberg Mountain, Minnesota, Lake Superior North Shore.

There you have it…A bunch of reasons NOT to shoot this fall’s gorgeous leaves…And a bunch of solutions to these common excuses. Now let’s get out there and shoot like crazy before all the leaves are gone!