This is really where my heart is in regards to wildlife photography.

Black-capped Chickadee wings iridesce when backlit by the sun. My fingers were frozen by the time I got the shot, but it was worth it 🙂 The electronic 30fps shutter on the Canon R5 sure helps in these situations!  As does prefocusing on the spot where the chickadee will be. [Canon R5 with Canon 100-500mm lens at 270mm; 1/2000 second at f5.6; ISO 800; -1.00 ev; tripod]

Laying on the ground with a Western Diamondback Rattlesnake is an experience I hadn’t had until my July trip to southeast Arizona. I creatively cropped this image to highlight its eye with the unique vertical pupil.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 1000; 0 ev; handheld]

I’m the only photographer that goes to Crex Meadows on the day before a full moon to shoot silhouettes such as this…Yeah right! I was just one of a couple dozen photogs there this evening to try and get this type of shot. Why go on the day before the full moon? Well, that is the evening that the moon rises before the sun sets and you can get some decent light on the birds in front of the moon. It is pretty much impossible to get both the cranes and moon in sharp focus even with a f22 aperture. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

Probably my favorite image from Ryan and I’s trip to the prairie potholes of North Dakota this past May. It was one of those situations that you dream of….Your subject just keeps hanging around (in this case a flock of Black Terns) and the light keeps changing (sun, rain, dramatic clouds, rainbows, sunset). We shot a lot. But this image was my favorite…and the bird isn’t even in the shot! Just the reflection of a Black Tern, the rain drops forming concentric rings, and the blue-orange reflection in the water. [Canon R5 with Canon 100-500mm lens at 300mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

I shot through a pile of blue ice to frame this Red-breasted Merganser on Lake Superior. Unique and creative to be sure, but not my favorite shot. [Canon R5 with Canon 100-500mm lens at 363mm; 1/400 second at f7.1; ISO 160; +1.66 ev; handheld]

Despite my “freeze frame” in-flight photo of a Broad-billed Hummer that made my Top Ten Bird Portraits, I actually prefer this Broadbilled shot. I slowed the shutter to a crazy slow 1/60 of a second and took a bunch of photos. This was my favorite…Head/eyes sharp and side lit wings in motion.  [Canon R5 with Canon 100-500mm lens at 238mm; 1/60 second at f5; ISO 100; -1.33 ev; handheld]

Apologies to my photo buddy Ryan (who hates “the dirty prairie dogs”), but I think they are darn cute and fun to watch. While waiting for Coyotes and Badgers in an unnamed valley in Theodore Roosevelt National Park I spent most of my time watching the antics of the “dogs.” The sun was setting and the rim light was developing nicely. I waited for this guy to stand up and throw his head back to give the warning call. It happens so quickly that I missed several but did get this one. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f7.1; ISO 160; -1.33 ev; tripod]

Spending time with a Great Gray all alone in Sax-Zim is like gold. And I enjoyed every minute of my solitude with this hunting owl. Maybe this shouldn’t be included in a Creative Wildlife category since it is just a frame plucked from a video clip. But I like the panning motion blur of the gliding Great Gray, which is inherent in video since it is shot at 1/60 second at 30fps.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/60 second; handheld]

I selectively desaturated this Western Grebe’s portrait leaving the shockingly red eyes and straw yellow bill. I like the feel of this photo…and I also think the water droplets are kind of neat. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f13; ISO 1600; +0.33 ev; on ballhead in floating blind]

Sometimes good things can happen on your way to taking the garbage cans to the end of the driveway! I looked up and saw about 30 Wild Turkeys in neighbor Paul’s field. There were about a dozen toms and 15 or 20 hens. It was quite a scene…strutting, battles, chasing. And the best part was that it was all backlit creating some very cool images. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 160; -2.00 ev; handheld]

High key images are finding their way into my faves category more and more these days. And it is a great technique when you have a bird against a blaah gray sky. Even better if you can include an interesting branch. I got both in this shot of a Blue Grosbeak in SE Arizona. I could have taken the yellow out of the branches but decided that the color added something to the image. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 160; +0.33 ev; tripod]

Another favorite from Crex Meadows “full moon-Sandhill Crane” shoot. The purple sky came out with some post processing in Lightroom. See above for more details on this evening at Crex.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

The thing about creative wildlife photos is that you often have to intentionally search for the creative possibilities in each situation. Since I was looking down on this PIed-billed Grebe, and it was flat gray light, it would have made a blaah portrait. But by intentionally shooting through the snow blobs on the willows it created a  surreal scene. It is nearly a black and white image, but I like the touch of red on the grebe’s throat. [Canon R5 with Canon 100-500mm lens at 200mm; 1/320 second at f5; ISO 100; -0.66 ev; handheld]

I do love silhouettes, but there usually has to be something extra about the photo to make it a “top tenner.” In this image of a Western Grebe on Horsehead Lake in North Dakota, that something extra is the geometric shapes of the rushes and their reflection. [Canon R5 with Canon 100-500mm lens at 254mm; 1/400 second at f14; ISO 100; 0 ev; handheld]

Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

It’s that time of year to take stock of our shooting fortunes from the year past. For me, it was a mixed bag. I wanted to do more wildlife video but didn’t find the time for much. 2013 was also the year of the “Feathered & Furry 500,” my attempt to photograph 500 species of animals in Minnesota in one year [More on this in a post in the near-future]. And I did rack up a pretty big list…including over 220 species of birds. But I was also trying to be creative in my shots….More than the usual perfect light portrait.
In the next few days I will also post more “Top Tens” from 2013…Stay tuned!
Here are my favorites in no particular order:
American Crow in snowstorm. Taken near my house on the way to the gas station to get some milk for the family…The lesson? Always have your camera in the car. I really didn’t do much to the photo as the scene was already extremely contrasty. I did tweak the Levels and Curves to clip the whites and blacks in Aperture. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/640, ISO 160, handheld but braced on car window]

Chickadee landing on feeder at dawn. I “previsioned” this shot but just had to wait for the right morning and get up the gumption to shoot in the cold of a winter morning. I underexposed by nearly two stops in order to put the backlit wing feathers in a medium tonal range. Yes, it could have been better if part of the bird wasn’t blocked by the feeder. My house, Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2500 second, ISO 3200, Handheld]

European Starlings and Aerial Lift Bridge. I was photographing gulls in Duluth’s Canal Park when a large flock of starlings spooked from the bridge. I instinctively threw up my camera and started shooting. I really like the pattern and composition of this very “graphic” image, especially how the steel girders are all kind of converging in the center. The birds are nicely spaced too. Check the color version/variation below. Canal Park, Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800, Handheld]

Bald Eagle Landscape. I didn’t “see” this composition when I clicked the shutter…I just pointed my lens out the window when I saw and eagle land there. Only later did I see the nice composition of vertical aspen trunks contrasting with the blueish background of distant pines. A bird-in-the-landscape shot that works. Carlton County, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/800 second, ISO 640, Handheld but braced on car window]

This is one of 3 images in this Top Ten that were taken within minutes of each other (the others were the startling/bridge silhouettes). Fortuitously, the gulls all perched in perfect locations to make this interesting silhouette. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f18 at 1/400 second, ISO 800, Handheld]

Common Redpoll on snowy road. I laid flat on a snow-covered road to get this unique portrait of a Common Redpoll, a winter visitor to northern Minnesota. I blew out the whites to improve the high-key look of this shot. Sax-Zim Bog, Minnesota
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 200, Handheld while laying on ground]

Two Trumpeter Swans landing. Sepia tool in Aperture really helped this shot…The color version wasn’t bad, but the colors were a bit weird. If this happens to you, try and play with black-and-white or sepia color. Mississippi River, Monticello, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 second, ISO 250, Handheld]

(see details on similar photo above)
[Canon 7D with Canon 400mm f5.6 lens, f9 at 1/400 second, ISO 800 Handheld]

American Crow in snowstorm Wide. Taken only seconds after the image at the top of the post but with a 10-20mm lens instead of a 400mm lens! I like the simple composition of 3 stark tree silhouettes and one bird tiny in the frame. Carlton County, Minnesota.
[Canon 7D with Sigma 10-20mm, f6.3 at 1/640 second, ISO 160 Handheld]

Mallard blur. A very slow shutter speed to portray frantically feeding Mallards on Lake Superior. Duluth, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f20 at 0.6 seconds, ISO 100 Handheld]

Two Sharp-tailed Grouse in Tamaracks. One of my favorite images of the year (You may certainly disagree!) But I just love the composition of the one distant bird more obvious, then the closer bird more hidden in the trees. I wish I could say I designed this shot, but it was just a “haccident” (happy accident). Sax-Zim Bog, Minnesota.
[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1000 second, ISO 160, tripod]

FLORIDA. I wish I could post the full-size photo of this panorama combining 4 images in Photoshop…It is 45 inches long! …and very sharp. Taken during a brief appearance of the sun near sunset along Fort Myers Beach. Handheld with the Canon 400mm f5.6 lens.

The above images were just “G&G” images for me (“grab-and-go”)…I was walking the Estero Beach Lagoon when I saw these AMERICAN OYSTERCATCHERS lolling about. I didn’t put much effort into stalking them or even setting up my tripod because the light was FLAT and the only background was blah, colorless white water. Not a very interesting background. BUT when I got home and looked at these on the computer, I knew that they were my best photos of the trip. I really like the monochromatic water background…It is a nice contrast to the brown-black and orange of the oystercatcher. By the way, yes, oystercatchers do “catch” and eat oysters! (and many other bivalves including mussels and clams)

What a great name!…MAGNIFICENT FRIGATEBIRD. For me the name conjures up visions of the Caribbean and the tall ships that plied these waters centuries ago. An early naturalist likely noted that the birds often came to rest on the masts of these vessels far from any land and named them “frigate birds.” These are HUGE seabirds that effortlessly float in the sky, gliding on stiff Caribbean winds, wings that span nearly EIGHT FEET(!) firmly set. They can glide like this for HOURS, never once flapping their wings. You’ve probably seen them in some nature program before…They are the birds with the red air sacs on their throat that they inflate like a balloon during breeding and courtship. But on this trip I only managed a few flight silhouettes, distinctive as they are, under gray sky conditions. But I decided to get creative and combine 5 images of the same bird into one, making my own flock of five flying frigatebirds (say that 3-times fast!). A dramatic increase in contrast helped the final image pop.

In the North Woods of Minnesota, we rarely get to see a Great Egret (found south in the state) and NEVER get to see them with their breeding plumage including their green facial skin. Snuck up on this guy at Estero Beach Lagoon.

SANDWICH TERNS always remind me of my birding friends Parker Backstrom and Don Kienholz. Back in the mid 80s they were birding the Duluth Port Terminal on a gray, rainy, foggy May day when they spotted a strange tern with a yellow-tipped bill. It was a very-far-from-home Sandwich Tern, and a first state record for Minnesota! Dirt common in Florida as they hunt (fish) the ocean shorelines for small fish, plunging beak-first into the water.

LEAST TERN is the smallest and cutest tern in North America. I completely associate it with the Gulf Coast but amazingly, they also nest on braided, sandbar stretches of the Upper Missouri River in South Dakota (only an hour SW of the MN border), North Dakota and Montana.

SNOWY EGRET stalks critters along a busy Fort Myers beach. I didn’t think much of either of these photos UNTIL I made it a “HIGH-KEY” image, overexposing, and even blowing out completely the whites. I like the monochromatic effect and the contrasting black bill, legs and yellow feet.

Who doesn’t love pelicans? And BROWN PELICANS are the native pelican in Florida. This adult was lazily flying along the beach, but would then suddenly plunge head-first into the surf and more often than not, come up with a fish in its pouch.

COMMON GROUND-DOVES, like many of North America’s doves and pigeons, are taken for granted. But when you really study them, many have quite beautiful plumages, some with delicate scaling and subtle iridescence. This dove is native to the southern fringe of the U.S. from South Carolina to Florida to Texas, Arizona and S. California. When it flies, it reveals its stunning rusty red underwings.

A lifer TIGER BEETLE! This beach tiger was a new one for me—Cicindela hamata lacerata. I love tiger beetles! Fast and furious, they pursue insect victims, pouncing on them in lightning fast attacks. And it really helps to be colored like the sand you hunt on.

Funny story…WILSON’S PLOVER is a sand-colored shorebird restricted to the South Atlantic and Gulf Coast states, Virginia to Florida to Texas, BUT I’d just seen one the week before on Minnesota’s own version of an ocean beach—Duluth’s Park Point on Lake Superior. My friend Karl Bardon had found this lost wanderer, only Minnesota’s THIRD state record. Interestingly, I myself had found Wisconsin’s FIRST STATE RECORD of this species back in 2004(?) and just a few miles from here on Wisconsin Point. Anyway, good to see a Wilson’s in its native habitat for a change!

[All images taken with Canon 7D and Canon 400mm f5.6 lens handheld]