“Is this just another category so you can show more bird photos Sparky?” Why, yes, yes it is! And just so you know…I do include flying as a behavior for some reason. I guess technically everything a bird does is “behavior,” so I’m good!

I can feel my frozen finger tips by just looking at this photo. So COLD! Most of the Mississippi River was frozen at this point in February; only spots below locks and dams were open…and this spring-fed spot near Buffalo, Wisconsin. Though it appears this young Bald Eagle is preying on the Common Goldeneyes, it is actually plucking small fish from just below the surface. There were several eagles and they made multiple passes each. I just laid down on the snow with my Canon R5 and Canon 100-500mm lens and started tracking them as they approached. The R5 did amazingly well, even in the well-below-zero-F temps. I like the monochromatic blue cast to this image.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 100; 0 ev; handheld]

The critical moment. It has always been a thing of wonder to watch birds of all types landing on perches. Can you imagine the vision and motor skills this takes? How about a Great Gray Owl alighting on the tip top of a tiny spruce? It can’t even see the bough when it actally lands! This Green Heron made a perfect two-point landing I am proud to report.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 640; 0 ev; handheld]

Courtship in American Avocets is highly stylized. This water-thrashing by the male is performed immediately before he mounts the female. The only way I was able to get this behavior shot from such close range was because I was invisible! My floating blind hides the human form which is what alarms much wildlife.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 100; 0 ev; on tripod head in floating blind]

Not a great photo but kind of fun with all the “bird bickering” going on. This, of course, is common behavior at bird feeders. Evening Grosbeaks are some of the feistiest! Sax-Zim Bog is the best place to find big flocks in winter.

[Canon R5 with Canon 100-500mm lens at 451mm; 1/800 second at f7.1; ISO 2000; -0.33 ev; handheld]

It is not only Carpenter Bees (in background) that find the blossoms of agaves irresistable! Hooded Orioles also make a beeline for the blooms where they can feast on nectar.

I waited a couple hours to get this shot. I chose a single blooming agave that was at or below eye level (most others were higher up so it would be a less interesting angle with a blah sky background). A few female Hoodeds came in but I really wanted a male. But I kind of blew it with the autofocus as it locked on the flower and not the bird (so don’t blow this photo up too much!).

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; 0 ev; on tripod head in floating blind]

Preening takes up a lot of a bird’s resting time. You’ve got to keep those feathers nice and aligned! The floating blind again worked its magic on this prairie pothole lake in North Dakota as I was able to approach this Wilson’s Phalarope closely…Not unnoticed, of course, it knew a big floating blob was only 10 yards away, but rather completely ignored. It didn’t care that the blob was close since it was not a human- or prey-shaped form.

[Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

In recent years massive numbers of geese have migrated through western Minnesota in spring. Part of this is due to the creation of the huge North Ottawa Impoundment in Grant County. It is part of a multi-county watershed project that has benefited wildlife immensely.

I noticed the moon and intentionally shot straight up as flock after flock of Snow Geese headed north overhead.

In hindsight I should have shot with a MUCH smaller aperture to make the moon sharper in the image. After all I was only at ISO 200 and I could have got a clean image up to ISO 5000 or higher. [Canon R5 with Canon 100-500mm lens at 254mm; 1/1250 second at f5; ISO 200; 0 ev; handheld]

Human and Wild Turkey courtship have a few similarities: Males strutting their stuff to impress the ladies! The backlit feathers in early-morning light really make this shot.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 320; -2.0 ev; tripod]

Prairie potholes aren’t just for ducks! Shorebirds benefit greatly as well. American Avocets mating in the prairie pothole region of North Dakota.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This Western Grebe is not just getting a drink; it is actually performing part of its courtship ritual. “Dip-shaking” is when one grebe faces another, extends its neck and dips its head in the water, lifting it slowly, water dripping from its open mouth. This behavior occurs just before “rushing,” in which both birds race across the water in a vertical position. [Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

Ready for take-off! Black-throated Hummingbird showing its true colors (Shouldn’t they be called “Magenta-throated Hummingbirds??)

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f8; ISO 800; +0.33 ev; handheld but braced on car door frame]

I simply like the vibrant colors (and blurred wings) of this Broad-billed Hummingbird feeding on garden flowers in Madera Canyon in southeast Arizona.

[Canon R5 with Canon 100-500mm lens at 300mm; 1/320 second at f6.3; ISO 1000; 0 ev; handheld]

Black Tern cruising over a prairie marsh in North Dakota.

[Canon R5 with Canon 100-500mm lens at 200mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

Male Yellow-headed Blackbirds showing off his white epaulets during his courtship song. Interestingly, Yellow-heads are dominant over Red-winged Blackbirds.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/3200 second at f7.1; ISO 1000; +0.33 ev; handheld]

[Canon R5 with Canon 100-500mm lens at 451mm; 1/1250 second at f6.3; ISO 400; +0.33 ev; on tripod head in floating blind]

Birds MUST preen their feathers in order to keep them in top shape. Preening aligns and locks the barbules on each feather. It also cleans the feathers and removes parasites. They also rub a waterproof substance from a body gland on the feathers to keep them from soaking through.

This Northern Shoveler was so busy preening that it paid my floating blind no attention at all.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

Early August 2020, Carlton County, Minnesota

Estimating numbers of birds coming to your feeder is, of course, an inexact science. But we all know that there are FAR MORE BIRDS using your feeders than you see at anyone time.

The max I saw at my one Carlton County feeder at one time in early August was 9….and they were going through a quart every 48 hours. So by using the two methods below, I was likely hosting between 54 and 64 Rubythroats each day!

TWO METHODS for calculating hummingbirds at a feeder have been derived by hummer experts:

1. Multiply max number you see at one time by 6: This formula was arrived at by banders Nancy Newfield and Bob & Martha Sargent who arrived at this numerical factor after years of banding and color-marking hummers at feeders. Using this formula, I was feeding 54 hummers on any give day in early August.

2. Divide hummingbird nectar ounces consumed per day by 0.25: This “Consumption formula” was devised by North America’s preeminent hummingbird authority, Sheri Williamson, based on years of experience. Sheri arrived at 1/4 oz. per small hummer per day. I was going through 32 ounces in two days, so 16 ounces per day. That calculates to 64 hummers were using my single feeder each day. Crazy!

I have put Sheri’s actual blog post below: “Studies of field metabolic rates (the average rate at which an organism consumes energy as it goes about its daily life) indicate that small hummingbirds such as Black-chinned and Ruby-throated are going to need 45% to 50% of their body weight in sucrose (a.k.a. white sugar, the dominant sugar in the nectar of hummingbird flowers) to get through an ordinary day, so they would actually need 180% to 200% of their weight in a 25% sucrose solution.

A 25% solution is much stronger than most people use in their feeders. The generally recommended proportion is 1 part table sugar to 4 parts water by volume, which comes out to about 18% sugar by weight. Converting to this recipe, it would take approximately 250% to 280% of the bird’s weight in ordinary 1:4 feeder solution to meet each bird’s daily energy requirements.

So, how do you use these data to estimate numbers of feeder visitors? The simplest way is to convert grams to fluid ounces so that you can measure the volume consumed (you can even mark your feeder and estimate usage on the fly).

According to my postal scale, one fluid ounce of 1:4 sugar water weighs about 35.5 grams (approximately 20% more than its plain water counterpart). We’ll average the weight of the birds to 3.5 grams, or about 10% of the weight of a fluid ounce. Multiply that times by 265% for average consumption and we get 0.265 fluid ounce of 1:4 feeder solution per bird per day, which we’ll round down to 1/4 fluid ounce per bird per day. This multiplies out to around 32 smallish hummingbirds per 8 ounces of 1:4 sugar water, 128 per quart, and 512 per gallon. This is higher than the TFFBBB estimate, which is not surprising considering the differences between our figures for weight and consumption rates of the birds and weight/volume ratio of the sugar solution.

Of course, there are a lot of factors that can skew this already crude estimate. The amount of sugar water each bird consumes may be greatly reduced when natural nectar sources are available and greatly increased when the birds are under stress from cold, drought, courtship, fighting, nesting, and/or migration. A given volume will supply the needs of more birds if you make your feeder solution a little stronger than 1:4, as many people (myself included) do in winter and migration, and fewer if you make it a little weaker. Size figures in as well, so a given volume of sugar water will feed fewer Anna’s than Black-chinneds.”

—Sheri Williamson on her blog, Life, Birds, and Everything: Jan. 12, 2008

https://fieldguidetohummingbirds.wordpress.com/2008/01/12/running-the-hummer-numbers/

Nothing too artsy fartsy here…Just some nice photos of some very cool insects (and a couple spiders). As you will be able to tell, the post is pretty heavy on moths. I have been beefing up my collection of moth photos, especially trying to capture them in a more natural setting. I attract them to our land (“Skogstjarna” in northern Minnesota) by leaving an outdoor light on at night. Then early in the morning I go out when the moths are still sluggish and gently move them to a more natural perch. It doesn’t always work so well on tiny moths since they can warm up more rapidly and fly off when I disturb their sleep.
I’ve also included some cool camouflage photos.

I unintentionally planned my trip to Wisconsin’s Necedah National Wildlife Refuge perfectly. I was amazed and pleasantly surprised to find that the nickel-sized Karner Blue butterfly was abundant, and easily the most common butterfly species out and about. Its caterpillar food plant is the native Wild Lupine (Lupinus perennis) which was just done blooming, but that doesn’t phase the adults which nectar on many flower species including the abundant roadside flower Bird’s-foot Trefoil.

This butterfly is a federally Endangered subspecies of the Melissa Blue.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 118mm with Canon 500D front-mounted close-up lens; 1/250 second at f13; ISO 250; -0.33 ev; pop-up fill flash; hand-held]

Talk about well camouflaged! The Common Lytrosis moth is perfectly adapted to daytime perching on rough-barked trees (or stacked firewood in this case!)

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 70mm with Canon 500D front-mounted close-up lens; 1/60 second at f8; ISO 1600; hand-held]

The “double toothed” pattern of this moth breaks up its shape and makes it look as if it is just another spiky branch. Brilliant camouflage!

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 109mm with Canon 500D front-mounted close-up lens; 1/250 second at f9; ISO 100; pop-up fill flash; hand-held]

One of my main goals in going to northwest Minnesota in late summer was to find and photograph the rare Regal Fritillary (Speyeria idalia); a truly regal creature of tallgrass prairies. I had seen them at southwest Minnesota’s Blue Mounds State Park, and got some not-so-great photos at Nachusa Grasslands in Illinois, but now I wanted some publication-quality images.

I had no luck on my first day, even though I scanned about a thousand Blazing Star flowers (a preferred nectar source). Then on day two I decided to hike out into the Felton WMA. Within about 20 yards I kicked up my first Regal, followed by half a dozen more in the next 15 minutes. But getting close to them is another story.

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 200mm with Canon 500D front-mounted close-up lens; 1/1250 second at f4; ISO 250; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 200mm with Canon 500D front-mounted close-up lens; 1/400 second at f4; ISO 100; pop-up fill flash; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 91mm with Canon 500D front-mounted close-up lens; 1/250 second at f13; ISO 250; -1.66 ev; pop-up fill flash; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm with Canon 500D front-mounted close-up lens; 1/60 second at f11; ISO 1600; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm with Canon 500D front-mounted close-up lens; 1/250 second at f11; ISO 320; +1 ev; pop-up fill flash; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 113mm with Canon 500D front-mounted close-up lens; 1/250 second at f16; ISO 200; +0.33 ev; pop-up fill flash; hand-held]

[iPhone 7+]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 70mm with Canon 500D front-mounted close-up lens; 1/60 second at f9; ISO 640; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 140mm with Canon 500D front-mounted close-up lens; 1/250 second at f8; ISO 640; pop-up fill flash; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 98mm with Canon 500D front-mounted close-up lens; 1/160 second at f10; ISO 800; -0.66 ev; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 135mm with Canon 500D front-mounted close-up lens; 1/250 second at f11; ISO 400; pop-up fill flash; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 118mm with Canon 500D front-mounted close-up lens; 1/250 second at f8; ISO 200; pop-up fill flash; hand-held]

[Canon 7D with Canon EF 70-200mm f4 L USM lens at 188mm with Canon 500D front-mounted close-up lens; 1/250 second at f22; ISO 800; pop-up fill flash; hand-held]

March 16, 2019

A couple weeks ago Bridget and the boys got to watch this same Bobcat (likely the same one) go up to our rabbit pen and paw at the hardware cloth enclosure. A great experience from 6 feet away. PS The rabbits are just fine.

This morning the Bobcat was sitting just 20 feet away from our house for about 30 minutes at dawn. She’d sometimes glance towards our two pet rabbits who are kept outside but didn’t go over to the pen.  I got to watch her just “sitting pretty” for about a half hour. Bridget woke up and she got great looks too. The Bobcat even “meowed” a couple times. So cute!

She eventually sauntered away in the direction of our cabin. Since we have free-range chickens, I decided to distract our feline friend the next day with some wild food. I found two road-kill Snowshoe Hare and a deer rib cage which I put out in the woods. One Snowshoe Hare was gone the next morning.

Neat experience. Hopefully she will eat some of the Wild Turkeys that come to our feeders…It is a favored prey of Bobcats. Skogstjarna, Carlton County, Minnesota. (I don’t really know if this is a female…but this Bobcat was fairly small and has delicate features so I will call it a “she”)

Bobcat (Lynx Rufus) at our home in Carlton County, Minnesota (March 16, 2019)

All photos taken through our living room window (uncropped!)

[Canon 7D with Canon EF 400mm f5.6 L USM lens; 1/25 of a second at f5.6; ISO 3200 (!); +1 ev; braced on dining room divider wall and shot through living room window]

Video taken at dawn. So cute when she “meows” a couple times. No audio.

Purrrdy the house cat watching a BOBCAT through our Living Room Window

Bighorn Battle (Yellowstone National Park, Wyoming) April 2018

Yes, I know that it is not a razor sharp image, but it is probably my favorite mammal photo of the whole year. Battling male Bighorns has been on my “Most Wanted” list for a long time, and Ryan and I stumbled on a bachelor herd that was doing some spring sparring. We only had a second to jump out and grab some shots. We followed them into the foothills but lost track of them and never saw more interactions. The actual rut won’t happen until late fall.

[Canon 7D with Canon EF 200mm f2.0 L IS USM lens and Canon 2x tele-extender; 1/250 second at f8; ISO 100; hand-held]

Grizzly (Yellowstone National Park, Wyoming) April 2018

Maybe not an exciting photo, but it is my first really good portrait of a Grizzly. Ryan and I waited at a carcass for a long time in order to see a Grizzly. This big boy finally arrived, swam/waded the river (that nearly swept him downstream) and started in on the carcass. He then wandered towards the gathered tourists and photographer. I really wanted him to step on this downed log, and he performed flawlessly.

[Canon 7D with Canon EF 200mm f2.0 L IS USM lens and Canon 2x tele-extender; 1/400 second at f4; ISO 1250; tripod]

Mountain Goat (Glacier National Park, Montana) July 2018

The only Mountain Goats I’ve ever seen were distant white specks in the Black Hills of South Dakota (Harney Peak) and in the northeast corner of Yellowstone, so it was very gratifying to see a small band up close on the outskirts of Glacier National Park. This one is searching for soil that is mineral/sodium rich. I like the pink/purple tone to the rocks and the half-shed winter coat.

[Canon 7D with Canon 400mm f5.6; 1/200 second at f7.1; ISO 400; hand-held]

Coyote in clover field (near Askov, Minnesota) September 1, 2018

Just before 8am this Coyote was still hunting this clover-filled meadow. He paused long enough for about 3 frames before heading for the woods. The early morning light and purple clover flowers helped slip this photo into the Top 10.

[Canon 7D with Canon 400mm f5.6; 1/500 second at f5.6; ISO 320; hand-held]

Ermine in my woodpile (Skogstjarna, Carlton County, Minnesota)

My first thoughts when this Ermine ran out of my garage and into the wood pile was, Oh no! …the chickens! But the chickens had spotted him first and were making it known that this was their turf. They weren’t going to back down. The Ermine stuck around for a couple days, probably feeding on voles or mice, and then disappeared. The Ermine is actually a Short-tailed Weasel. In winter they turn from brown to white and folks call them Ermine.

[Canon 7D with Canon 400mm f5.6; 1/200 second at f5.6; ISO 2000; pop-up flash; hand-held]

Snowshoe Hares (Warren Nelson Memorial Bog, Sax-Zim Bog, Minnesota) March 26, 2018

Yes, I know I’m lame for including THREE Snowshoe Hare photos in my Top 10. But they are honestly some of my favorites from 2018…especially since I’d always wanted to get good images of them, and only had a few. Interestingly, this was in late March and one was still mostly white and the other well on its way to turning brown. The photo showing one jumping over the other was probably part of their courtship as they were chasing each other all over the bog. It looked like play.

TOP: [Canon 7D with Sigma 50-500mm lens at 500mm; 1/320 second at f6.3; ISO 640; hand-held]

MIDDLE: [Canon 7D with Sigma 50-500mm lens at 244mm; 1/500 second at f6.3; ISO 640; hand-held]

BOTTOM: [Canon 7D with Sigma 50-500mm lens at 138mm; 1/250 second at f6.3; ISO 640; +1 ev; hand-held]

Black Bear sow and 3 cubs (Skogstjarna, our home, Carlton County, Minnesota) May 2018

We had visits from 6 different bears this spring/early summer at our home. This sow came with her 3 tiny cubs to check out our feeders (which were empty). Twins are more common than triplets in Black Bears. This is just an iPhone photo taken through our living room window. Fortunately, Bridget and the boys were able to enjoy the show.

Coyote working the fence line  (Galesburg, Illinois) March 2018

One of a pair of Coyotes working a rural fenceline in Illinois. It really blends in. I like this image because of the camouflage of the Coyote and the splash of color in the monochrome early spring landscape from the red barn.

[Canon 7D with Sigma 50-500mm lens at 332mm; 1/800 second at f6.3; ISO 320; +0.66 ev; hand-held]

 

Uinta Ground Squirrel (Yellowstone National Park, Wyoming) April 28, 2018

A nice portrait of a Uinta Ground Squirrel. The blue background is not sky, but rather the cool shade of distant mountains. I also like the colorful foreground rock lichens.

[Canon 7D with Canon EF 200mm f2.0 L IS USM lens and Canon 2x tele-extender; 1/800 second at f4; ISO 200; hand-held]

 

 

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

Arctic Hare [Churchill, Manitoba, Canada]

Talk about a cooperative subject! This Arctic Hare (my first ever!) was browsing willows on the tundra near Hudson Bay. She’d eat a while, then sit and rest and look about. I like this wider shot as it shows a bit of habitat and I love the translucent orange eyeball that contrasts nicely with the vegetation. The hare’s curly pelage also blends with the curvy stems of the foreground flora.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 371mm; 1/500 sec at f5.6; ISO 320; +0.66 ev; hand-held]

Beaver [Sax-Zim Bog, Minnesota]

Beaver are rarely seen out and about in winter, but this guy must have run out of food and had to risk coming out of the safety of the lodge to eat. I took video of him plowing through the snow to get fresh willows. Because I shot few stills, this is actually a single frame extracted from a video clip, and that is why the shutter speed is a very slow 1/60 second. Fortunately the Beaver was still for a split second and the photo is sharp.

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/60 sec. at f14; ISO 200; tripod]

Grizzly cub [Yellowstone National Park, Wyoming]

Kids will be kids! “Coming through Mom!”

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/800 sec. at f5.6; ISO 200; tripod]

Yellow-bellied Marmot [Yellowstone National Park, Wyoming]

I just like the blue and green background…and its a nice photo of a marmot.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f5.6; ISO 200; tripod]

Grizzly cub [Yellowstone National Park, Wyoming]

What can I say? CUTE! Like a cuddly 200 pound teddy bear.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/800 sec. at f5.6; ISO 200; tripod]

Cottontail [Carlton County, Minnesota]

This photo was taken about as close to home as possible…Only about 20 feet from my front door! I laid down on the gravel of our driveway and slowly crawled closer. Always good to get eye level to your subject. Just a cute critter.

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/1250 sec. at f5.6; ISO 500; hand-held]

Harbor Seal [Churchill, Manitoba, Canada]

Every photographer hopes his mammalian subject will yawn. Yawning in a still image can look like a ferocious growl. Not sure what this Harbor Seal was doing but the open pink mouth contrasts nicely with the blue water of Hudson Bay.

[Canon 7D with Canon 400mm f5.6 lens; 1/2500 sec. at f5.6; ISO 320; tripod]

Moose [Sax-Zim Bog, Minnesota]

This photo was taken on the last day of February but I believe it is the same young cow Moose that I found a couple miles away in early November. She was a very tolerant critter…especially for a Moose! Several of us were able to shoot quite close to her as she browsed willows. She would mostly ignore us, but occasionally steal a glance to make sure we didn’t get too close. I like how the shaded woods turned a pleasing purple and the red willows were beginning to pop.

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/500 sec. at f5.6; ISO 500; -0.33 ev; tripod]

Pine Marten [Sax-Zim Bog, Minnesota]

Marten are cute as a button, but also ferocious hunters. They are able to hunt down Red Squirrels in the trees! Clinton Nienhaus and I were watching a roadside bird feeding station when this guy came from the bog and started feasting on peanut butter left out for the Boreal Chickadees. He paused to lick his lips. Hey buddy, you missed a spot!

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/800 sec. at f7.1; ISO 200; hand-held]

White-tailed Deer bucks [Sax-Zim Bog, Minnesota]

I was on my way home from doing some work on our Welcome Center in Sax-Zim Bog when I spotted these two bucks browsing in a hayfield along the road. Unlike most bucks, they did not bolt the minute I slowed the car. In fact, they came closer and closer even after I got out of the car! Maybe it was the many deer flies that made them crazy that day.

[Canon 7D with Canon 400mm f5.6 lens; 1/1600 sec. at f5.6; ISO 320; -0.33 ev; hand-held]

Grizzly and cub  [Yellowstone National Park, Wyoming]

Ryan and I had a chance this spring to spend much time with a sow Grizzly and her yearling cub. They played and dug grubs and roots, and the cub would even nurse, all the time, ignoring the photographers. I like the eye-level perspective and the fact that they seem to be gazing at the same thing.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/1600 sec. at f5.6; ISO 640; tripod]

Arctic Hare  [Churchill, Manitoba, Canada]

How can you not love a face like this? Like in the other Arctic Hare photo in this post, I love the translucent orange eyes and the oversized black and white ears. He seems to be eyeing me up…wondering if I’m a threat or just a harmless crawling photographer.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 321mm; 1/320 sec at f5.6; ISO 320; +0.66 ev; hand-held]

Taken at my sparrow feeding station at my home in Carlton County, Minnesota. Who has an idea for a caption? Contribute your caption here or on my facebook page here. Let the puns fly!

It’s harvest time! And this is a great time to photographically record the fruits of your labor (veggies of your labor?). So far we’ve been eating peas, beans, cherry tomatoes, broccoli, lettuce, basil, and potatoes from my wife’s 16×30 foot garden. The Roma tomatoes, squash, carrots and beets are not quite ready.

1. NATURE’S BOUNTY
Gather up some of your harvest and arrange in a basket or on your picnic table. Then get close so you fill the frame with produce. This works best in open shade or on high overcast days. Even just picked dirt-covered potatoes can look good like this!

2. DON’T POO POO CLOUDY OR RAINY DAYS
Light overcast days can be the best time to shoot in your veggie garden. Why? Because the clouds are acting like a giant reflector in the sky and evening out the light. No harsh shadows to deal with either. Extreme contrast between highlights and shadows can be the hardest thing to deal with photographically. It is an especially good time to shoot reflective, shiny surfaces like dewy leaves, tomatoes
beet leaf

3. DON’T FORGET YOUR IPHONE!
Crazy as this sounds, your smart phone is a great tool for taking photos and making creative art from your photos.
Okay, it’s not a vegetable or vegetable flower…But this rose photo taken with an iPhone and modified with some special effects app, shows what is possible with “the camera in your back pocket.”

4. HORIZONTAL OR VERTICAL? BOTH!
Don’t limit yourself to just horizontal images…Try shooting the same scene both ways, then see which you like best on your computer. Maybe even crop square to test that aesthetic too…It’s hip to be square! (just ask Instagram!)

5. PEOPLE IN THE GARDEN
Kids harvesting veggies is always a winner. They love being in the garden and picking stuff. Get low and close for good portraits.

6. GET YOUR KNEES DIRTY
Try shooting from a very low angle to give drama to your photos.
Bjorn picks a tomato

7. VEGETABLE FLOWERS
The blossoms of vegetables can be just as beautiful as any in your annual flower garden! We are all bummed when we forget to harvest the broccoli and it goes to flower…but then take a deep breath and check out the tiny yellow flowers.
bean blossom

Cilantro flowers

8. THROUGH THE SEASON
Take a series of photos of your garden throughout the season…From planting to Harvest. Remember to take from the EXACT spot each time.

July 5th

September 1st

9. DETAILS, DETAILS, DETAILS

10. INSECTS/BUTTERFLIES
Don’t just curse and kill the insects in your garden…Shoot them! Some ‘pests’ are quite beautiful. Butterflies can often be found in vegetable gardens too.

11. OTHER STUFF
Don’t forget the other “stuff” in your garden. Garden gnomes are very well-behaved subjects! I took the “pumpkin” sign photo with a very shallow depth of field (shot at f2 with a 60mm lens) and put the pumpkin blossom in the background.

12. SHALLOW DEPTH OF FIELD
Let’s get artsy! You can only do this with a DSLR and lenses with apertures in the f1.2 to f2 range.

13. BACKLIGHT
Backlighting can really add drama to some images. Here is a pumpkin leaf taken into the sun to highlight the road-like maze of veins.

14. ON THE TABLE
Complete the story with photos of the meals you make from your vegetables.

Last year I got the “Trifecta of Mega Moths” …Cecropia, Polyphemus and Luna; But this year I added the Promethea to get the GRAND SLAM!
All were photographed between my house and garage. My technique is simple…Leave the garage light on all night then go out in the morning and try (emphasize the word “try”) to move them gently to a more photogenic perch. You have to go out very early (5:30 to 6:30 am) before they warm up and fly off.

CECROPIA (Hyalophora cecropia) The genus is named after Cecrops I, the mythical first king of Athens, and it is certainly the KING of North American moths…It is one of the showiest and largest with a wingspan approaching 6 inches. Caterpillars are especially fond of maple leaves but also feed on tamarack, spruce, birch and cherry. Sparse population in the “wild” as there may only be a couple adults in a square mile of forest, BUT some residential populations can be quite dense. Males may FLY 20 MILES (!) over several nights, and mate with several females.

CECROPIA (Hyalophora cecropia)

LUNA MOTH (Actias luna) Luna the Goddess, was the ancient Roman divine personification of the Moon. Caterpillars much prefer the Paper Birch leaves in the north woods. This is my best Luna photo in a long while…Unfortunately it is on the T-111 siding on my garage. When I tried to move it, it started its flopping-Arching defense and escaped.

PROMETHEA (Callosamia promethea)

PROMETHEA (Callosamia promethea) Prometheus, a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and gifts humanity with fire” (Wikipedia). Adults live for a week and may fly 20 miles in that time period. This is a female but the darker male is day-flying and may mimic the unpalatable swallowtail butterfly. Caterpillars feed on black cherry, ash and perhaps, lilac.

PROMETHEA (Callosamia promethea)

POLYPHEMUS (Antheraea polyphemus) Polyphemus is the gigantic one-eyed son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes. And a semi-appropriate name as this huge moth shows one striking “eye” on each hindwing. The thought is that bird predators will attach the false eyes on the hindwings and do little damage to the moth itself. Caterpillars feed on birch, maple, willow and oak.

POLYPHEMUS (Antheraea polyphemus)The “face” of a Polyphemus when viewed at close range…complete with eyebrows!

HOME MOTH PHOTOGRAPHY TIPS
1. Leave a garage/exterior house light on overnight (but don’t overdo it…leave the light off for a couple of nights between sessions, otherwise Gray Treefrogs, squirrels and birds will feast on your moths at dawn)
2. Go out early and see what the light brought in. Get outside between 5:30 and 6:30am before the moths warm up and start flying away.
3. Take “record” shots of moths perched on your garage or house siding, or porch. Then try to move them to better perches using native plants, trees. I slowly slip a flat piece of wood (about the size of a shim) under the moth until it clings to it. Then I move to my backdrop of choice and ease them onto that.
4. I have my flash and basic exposure set already…You can use a pop-up flash or hot-shoe flash, but you really should use some flash to make your subject pop.
5. I like to set a manual exposure that keeps my shutter at between 1/160 and 1/250 when using the pop-up flash (which synchs at 1/250 max). Sometimes, for larger moths, I can use my hot shoe flash set to Hi-speed synch to get higher shutter speeds. Remember, much of your shooting will be early in the morning and you may have to crank up the ISO to get these shutter speeds.
6. Now here is the part that has really improved my moth/insect shots..I switch the camera to live view and manual focus. Now when I see my favored composition in the viewfinder, I magnify the live view to 5x power. I now simply move my body/hands/camera in and out until the key part of the subject is razor-sharp in the live view viewfinder and click the shutter. I guarantee this technique will improve your moth and insect images!

[All photos taken with Canon 7D and Tamron f2 100mm macro lens (all images used manual focus). All handheld…Many taken at ISO 1600 or higher!]