Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

Greater Prairie-Chicken battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

April 26, 2019

Photographers and Birders never really get to enjoy the benefits of staying in a hotel. And this was true for me on Friday morning. I rolled in to Crookston, Minnesota late (after a 4 1/2 hour drive) and after packing my photo/video/sound gear it was already 11pm. Not much time to sleep before the alarm went off at 3:30am. No complimentary breakfast for spring/summer birders! Two granola bars would have to suffice. I had to be in the blind by 4:50am.

Even at that dark hour, the birds had beat me to the lek. Reflectors had marked the 300 yard path to the Greater Prairie-Chicken blind at Tympanuchus Wildlife Management Area in Polk County, Minnesota (in the northwestern part of the state). Honestly it was one of the nicest grouse blinds I’ve ever been in. Spacious and roomy with semi-comfy stools, and even a plywood floor! But like all blinds constructed for the public and not specifically for photographers, it lacked a low-angle shooting window. Photographers like to get eye-level shots. It makes the images more intimate and helps isolate the subject from its background. The addition of two “shooting windows” about a foot off the floor/ground would be really nice.

But as spectacular as their displays are, the sounds these guys make are simply mesmerizing. Crazy cackles, hoots, booms against a background of overhead winnowing of snipe and singing Savannah Sparrows, Grasshopper Sparrows and Western Meadowlarks. I even heard a couple Greater Yellowlegs and a Marbled Godwit. A true spring chorus!

I am far more familiar with Sharp-tailed Grouse displays, and in comparison, the Prairie-Chickens dance less and fight more. Sharptails perform fancy footwork dance displays and inflate purple throat sacs. Greater Prairie-Chickens do less dancing and seem to rely more on their impressive yellow-pink throat sacs and erected feather tufts. They also seem to face off with other males frequently.

By 9am, the energy level had dissipated and the birds melted into the brushy landscape.

**I WILL POST A VIDEO, INCLUDING SOUNDS AND SLOW MOTION, OF THE PRAIRIE CHICKEN DISPLAYS SOON. STAY TUNED!

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

The male’s display is

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 500; handheld]

Greater Prairie-Chicken males displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

At the peak of displaying, I counted about 15 Greater Prairie-Chickens…Maybe 12 males and 3 females. In this photo you can see 4 males displaying.

[Canon 7D with Sigma 50-500mm lens at 167mm; 1/1600 at f5.6; ISO 320; handheld]

Though there were no low angle shooting windows in the blind, I did manage to lay on my belly and shoot a couple shots under the canvas blind’s zippered door. I like the out of focus red dogwoods/willows.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f6.3; ISO 640; handheld]

Greater Prairie-Chicken male at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 500; handheld]

Greater Prairie-Chicken males at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 640; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/500 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Prairie-Chickens are a bird of open prairie and brushy grasslands. This part of Minnesota has thousands of acres of such habitat preserved in many Nature Conservency sites, DNR Wildlife Management Areas and the massive Glacial Ridge National Wildlife Refuge (along the old beach line of Glacial Lake Agassiz).

[Canon 7D with Canon EF 70-200mm L USM f4 lens; 1/800 at f4; ISO 250; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

The sun came up at 6:18am and the photography really kicked into high gear. I took over 1200 photos but “chimped and trashed” 700 of those, keeping about 500.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f6.3; ISO 800; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Love the head-on view!

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 1000; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Brief aerial “battles” were fairly common during my 4 hours in the blind. Most often they would face-off and then one would back off and wander away. But occasionally fights would erupt.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 1250; handheld]

Greater Prairie-Chicken male displaying n a shrub! at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Now here’s something you don’t see every day…A displaying Prairie-Chicken in a shrub!

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 500; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 640; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f6.3; ISO 800; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 640; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 1000; handheld]

Greater Prairie-Chicken male displaying for female at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 1000; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 1250; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 2000; handheld]

Greater Prairie-Chicken male in shrub at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/800 at f4; ISO 2500; handheld]

Greater Prairie-Chicken: two males facing off and battling at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 176mm; 1/800 at f4; ISO 2000; handheld]

Greater Prairie-Chicken males displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

Three males displaying just before the sun came up at 6:18am. They had been on the lek since before 5am and would continue until 9am. It takes a lot of energy to impress the ladies!

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 70mm; 1/250 at f4; ISO 400; handheld]

Greater Prairie-Chicken female at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

The females were more in evidence than at a Sharp-tailed Grouse lek (in my experience). But I saw no mating taking place. She lacks the male’s fancy throat sacs and feather plumes.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f6.3; ISO 800; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019]

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 800; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Not much to do photographically in the pre-dawn hour…Too dark. But what is fun is to slow your shutter speed way down and crank up the ISO and try some panning motion blurs. I got about 4 good photos that I’ve included here.

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/8 second at f4; ISO 3200; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Love this motion blur at a very slow 1/3 of a second. I left the blue pre-twilight background but increased the white balance in the bird to a warmer hue. I do wish it was framed on the left instead of running out of the frame, but I can live with that.

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/3 second at f4; ISO 3200; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/15 second at f4; ISO 1600; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

You can shoot before dawn! I love the artistic/painterly quality of these early morning motion blurs.

[Canon 7D with Canon EF 70-200mm L USM f4 lens at 200mm; 1/8 second at f4; ISO 3200; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/40 at f9; ISO 100; handheld]

Greater Prairie-Chicken: two males facing off at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1250 at f5.6; ISO 250; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

Another front view of this amazing bird of the prairies.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1600 at f5.6; ISO 320; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

This young male (in front) was constantly trying to display in the center of the lek. But the older males (?) would immediately attack him and drive him from the center fo the lek to the fringes. They would even bite his back. I am assuming that he is just a younger individual and has not yet earned his rightful place.

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/1250 at f6.3; ISO 320; handheld]

Greater Prairie-Chicken male displaying at Tympanuchus WMA near Glacial Ridge NWR; Polk County, Minnesota; April 26, 2019

[Canon 7D with Canon EF 400mm L USM f5.6 lens; 1/800 at f5.6; ISO 800; handheld]

 

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

On our way home from Yellowstone, Ryan and I stayed the night in Medora, North Dakota and spent the next morning shooting in Teddy Roosevelt National Park. It is a fantastic place for wildlife photography…and far less crowded than Yellowstone! Though it doesn’t have bears or Moose it does have Bison, Pronghorns, Coyote, Mule Deer and, in the North Unit, Elk and Bighorns. It also has two very photogenic species that Yellowstone lacks…Prairie Dogs and Wild Horses (also Rattlesnakes in summer!).
The band of wild horses and foals. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/500, tripod]

The morning dawned dismal and rainy but we weren’t about to pass up the amazing 25-mile?? wildlife auto loop. Coming around a bend, we actually saw a car parked along the road. We had to stop and see what was up. Off on a nearby hillside was what we thought was a researcher studying a band of wild horses. The horses then stared at us (or so we thought). A couple foals were in the herd too. We waited until she returned to the road and indeed she was researching the sex lives of the horses (basically). But she told us that she thought the horses had seen another band of horses. We went cross country to try and get some shots. After setting up on the same hillside we noticed the horses all switched their attention from us to something unseen to the east. Sure enough, there came into view another band of horses. The leader of the band near us got very animated and stiffened up. He then trotted over to the other band and the leader of that band came out to meet him.

They circled each other, posturing the whole while. The other male then kicked with both hind legs narrowly missing “our” male. Evidently our male “won” and the other band drifted off while he ran back towards us. It was a fantastic opportunity to get some panning, motion-blur shots.

Panning with running animals at a slow shutter speed is low percentage shooting, but sometimes you get lucky and get the head sharp but still show the motion in the legs. You need to choose a slow enough shutter speed to convey motion but not too slow so there is no chance of any part of the animal being sharp. The best shutter speed to start with would be 1/60 to 1/30 of a second. [Canon 7D with Canon 400mm f5.6 lens, f16 at 1/50, handheld]

Nothing is sharp in this shot (I wish the head was a tiny bit sharp) but I love the power and speed of this stallion as conveyed by the motion blur.[Canon 7D with Canon 400mm f5.6 lens, f16 at 1/40, handheld]

[Canon 7D with Canon 400mm f5.6 lens, f16 at 1/40, handheld]

Kicking stallion. I didn’t really like the color in this shot…Seemed to distract from the kicking horse. So I converted it to black and white but it was still lacking something for an image portraying such power and aggression. Then I played with the contrast and Voila! I really liked it. Aggression, strength, power, energy. [Canon 7D with Canon 400mm f5.6 lens, f16 at 1/50, handheld]

The same photo as the top photo. Do you like it better in color or black and white?

MORE ABOUT WILD HORSES IN THEODORE ROOSEVELT NATIONAL PARK
[From official park website: “Feral horses in Theodore Roosevelt National Park do not fall under the Wild Free-Roaming Horses and Burros Act, but are managed by existing park regulations. For many years the National Park Service attempted to remove all the horses from the park. This policy was reversed in 1970 when the horse was recognized as part of the historical setting. The park now retains a herd of 70-110 animals so that visitors may experience the badlands scene as it appeared during the open range ranching era of Theodore Roosevelt. In order to maintain this population level, the horses are rounded up every few years, and surplus animals are sold at public auction. Today, Theodore Roosevelt National Park is one of the few areas in the West where free-roaming horses may be readily observed.

Wild horses have existed in the badlands of western North Dakota since the middle of the 19th century. While ranching near Medora in the 1880s, Theodore Roosevelt wrote:

In a great many–indeed, in most–localities there are wild horses to be found, which, although invariably of domestic descent, being either themselves runaways from some ranch or Indian outfit, or else claiming such for their sires and dams, yet are quite as wild as the antelope on whose domain they have intruded.
Throughout the late 19th and early 20th centuries, cowboys in the Medora area often captured wild badlands horses for use as ranch or rodeo stock. Prior to the establishment of the park in 1947, local ranchers used this area to graze their livestock. A horse round-up held in 1954 removed 200 branded animals. Of the few small bands of horses that eluded capture, several were thought to be the descendants of horses that had run free in the badlands since at least the turn of the century.

Some of the horses in the park do bear a striking resemblance to the types of horses common in this area during the 19th century. As depicted in drawings and early photographs, local horses of that era were typically large-headed, short-backed, and a bit larger than the mustang of the southern Plains. They were often blue or red roans, many having “bald” (white) faces and patches of white on their sides. This color pattern, called an “apron,” may be familiar from the paintings of Frederic Remington and C.M. Russell, but is seldom seen in modern horses.

Wild horses typically range in small bands of 5-15 animals, consisting of a dominant stallion, his mares, and their offspring. Frequently a subdominant stallion will “run second” to the leader. Stallions herd their mares by extending their heads and necks low to the ground in a threatening gesture known as “snaking.” When a band is in flight, a dominant mare will take the lead with the stallion bringing up the rear. Young stallions roam together in “bachelor” groups, sometimes in proximity to a stallion harem.”

I’m introducing a new feature to The PhotoNaturalist site…Shooting with Sparky. These will be short 5-minute videos taken “on location” during a wildlife or landscape shoot. I’ll keep them together in a sidebar link called “Shooting with Sparky.”

Every April, the lengthening days triggers something in the brains of male Sharp-tailed Grouse causing them to start dancing…They return to their leks—a term for the dancing grounds of grouse species. With hormones raging, they do their best and most dramatic display for the females lurking around the edges, pretending not to watch. Males fight other males in dramatic flurries, but more often than not, confrontation ends in “Mexican standoffs,” birds just facing off and staring at one another until one splits.

I’m in the blind 45 minutes before sunrise as the full moon sets to the west. It’s April 7th and a bit chilly…35 degrees? The grouse really rev up about 15 minutes before the sun peaks above the hayfield horizon. Their strictly-for-show purple air sacs inflate, their yellow “eyebrows” erect, and then they spread their wings and perform their foot-stampin’ dance. I’ve been to a fair number of Ojibwa/Anishinabe powwows, and some of their dances are similar. I’m sure the Ojibwa learned much from their feathered dancing friends…and ate quite a few too!

At one point, a Northern Harrier swoops in for a look…She’s not interested in grouse for a meal—too big for her rodent-sized appetite—but the sharptails hunker down anyway, and a few take flight. Then, surprisingly, a crow pops in for a look. He seems curious. It almost seems like he’d like to join in! But after a brief visit, the crow takes off. The Eastern Meadowlarks are back, singing loudly around the blind. One lands only feet from me, but I’m too slow to get any video. By about 9:00a.m. most of the sharptail’s energy is spent, and they drift off to the cover of the nearby willow brush.

For these motion/panning blurs, I wanted LOTS of blur…So I put the camera on Shutter Priority (Tv setting) and set the speed to 1/20 second and auto ISO. Then I waited for some action. At these shutter speeds, you are going to get very few keepers, very few that are even somewhat sharp (“low-percentage shooting”), BUT when you do get one, the image can be very satisfying because the background is so blurred that it becomes just a wash of color. [REMEMBER: you can always click on a photo to make it larger]

All shot at 1/20 of a second with a Canon 400mm and STACKED teleconverters (a 2x and 1.4x) with Canon 7D on tripod