Posts tagged ‘Yellowstone National Park’

2017 Favorite Creative Wildlife Photos

American White Pelican flock loafing roost Fond du Lac Bridge St. Louis River Duluth MN DSC06929

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

Arctic Tern colony Mouth of Eastern Creek Launch Road Churchill Manitoba Canada DSC09960

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey Skogstjarna Carlton County MN DSC03720

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

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Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

IMG_0592

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl Zim Road Yoki Road Sax-Zim Bog MN DSC03052

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill Crane flock fly-in reflection Crex Meadows Grantsburg WI IMG_0050

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane motion blur panning flight Crex Meadows Grantsburg WI IMG_0234

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Scoter flock Hudson Bay Churchill Manitoba Canada IMG_0098

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

IMG_0303

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

DSC03517

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane flock fly-in Crex Meadows Grantsburg WI IMG_0125

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

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2017 Favorite Mammal Portraits

Arctic Hare Lepus arcticus Churchill Northern Studies Center Churchill Manitoba Canada IMG_1174

Arctic Hare [Churchill, Manitoba, Canada]

Talk about a cooperative subject! This Arctic Hare (my first ever!) was browsing willows on the tundra near Hudson Bay. She’d eat a while, then sit and rest and look about. I like this wider shot as it shows a bit of habitat and I love the translucent orange eyeball that contrasts nicely with the vegetation. The hare’s curly pelage also blends with the curvy stems of the foreground flora.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 371mm; 1/500 sec at f5.6; ISO 320; +0.66 ev; hand-held]

Beaver composite frame extraction from video Stickney Road Sax-Zim Bog MN ADJUSTED

Beaver [Sax-Zim Bog, Minnesota]

Beaver are rarely seen out and about in winter, but this guy must have run out of food and had to risk coming out of the safety of the lodge to eat. I took video of him plowing through the snow to get fresh willows. Because I shot few stills, this is actually a single frame extracted from a video clip, and that is why the shutter speed is a very slow 1/60 second. Fortunately the Beaver was still for a split second and the photo is sharp.

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/60 sec. at f14; ISO 200; tripod]

DSC06680

Grizzly cub [Yellowstone National Park, Wyoming]

Kids will be kids! “Coming through Mom!”

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/800 sec. at f5.6; ISO 200; tripod]

DSC06403

Yellow-bellied Marmot [Yellowstone National Park, Wyoming]

I just like the blue and green background…and its a nice photo of a marmot.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f5.6; ISO 200; tripod]

DSC06487

Grizzly cub [Yellowstone National Park, Wyoming]

What can I say? CUTE! Like a cuddly 200 pound teddy bear.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/800 sec. at f5.6; ISO 200; tripod]

Cottontail rabbit Skogstjarna Carlton County MN DSC01933

Cottontail [Carlton County, Minnesota]

This photo was taken about as close to home as possible…Only about 20 feet from my front door! I laid down on the gravel of our driveway and slowly crawled closer. Always good to get eye level to your subject. Just a cute critter.

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/1250 sec. at f5.6; ISO 500; hand-held]

Harbor Seal Cape Merry Hudson Bay Churchill Manitoba Canada IMG_0648

Harbor Seal [Churchill, Manitoba, Canada]

Every photographer hopes his mammalian subject will yawn. Yawning in a still image can look like a ferocious growl. Not sure what this Harbor Seal was doing but the open pink mouth contrasts nicely with the blue water of Hudson Bay.

[Canon 7D with Canon 400mm f5.6 lens; 1/2500 sec. at f5.6; ISO 320; tripod]

Moose cow yearling in snow Blue Spruce Road Sax-Zim Bog MN DSC02589

Moose [Sax-Zim Bog, Minnesota]

This photo was taken on the last day of February but I believe it is the same young cow Moose that I found a couple miles away in early November. She was a very tolerant critter…especially for a Moose! Several of us were able to shoot quite close to her as she browsed willows. She would mostly ignore us, but occasionally steal a glance to make sure we didn’t get too close. I like how the shaded woods turned a pleasing purple and the red willows were beginning to pop.

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/500 sec. at f5.6; ISO 500; -0.33 ev; tripod]

Pine Marten American Marten Admiral Road feeders Sax-Zim Bog MN DSC01095

Pine Marten [Sax-Zim Bog, Minnesota]

Marten are cute as a button, but also ferocious hunters. They are able to hunt down Red Squirrels in the trees! Clinton Nienhaus and I were watching a roadside bird feeding station when this guy came from the bog and started feasting on peanut butter left out for the Boreal Chickadees. He paused to lick his lips. Hey buddy, you missed a spot!

[Sony A6500 with Canon 400mm f5.6 lens with Metabones adapter; 1/800 sec. at f7.1; ISO 200; hand-held]

White-tailed Deer bucks CR133 Meadowlands Sax-Zim Bog MN IMG_5023

White-tailed Deer bucks [Sax-Zim Bog, Minnesota]

I was on my way home from doing some work on our Welcome Center in Sax-Zim Bog when I spotted these two bucks browsing in a hayfield along the road. Unlike most bucks, they did not bolt the minute I slowed the car. In fact, they came closer and closer even after I got out of the car! Maybe it was the many deer flies that made them crazy that day.

[Canon 7D with Canon 400mm f5.6 lens; 1/1600 sec. at f5.6; ISO 320; -0.33 ev; hand-held]

DSC06185

Grizzly and cub  [Yellowstone National Park, Wyoming]

Ryan and I had a chance this spring to spend much time with a sow Grizzly and her yearling cub. They played and dug grubs and roots, and the cub would even nurse, all the time, ignoring the photographers. I like the eye-level perspective and the fact that they seem to be gazing at the same thing.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/1600 sec. at f5.6; ISO 640; tripod]

Arctic Hare Lepus arcticus Churchill Northern Studies Center Churchill Manitoba Canada-9

Arctic Hare  [Churchill, Manitoba, Canada]

How can you not love a face like this? Like in the other Arctic Hare photo in this post, I love the translucent orange eyes and the oversized black and white ears. He seems to be eyeing me up…wondering if I’m a threat or just a harmless crawling photographer.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 321mm; 1/320 sec at f5.6; ISO 320; +0.66 ev; hand-held]

Yellowstone #4—Ten Creative Wildlife Photo Tricks

I really do get bored with many of my wildlife “portraits.” Many images are just record shots of a species…Often they don’t tell you much about the critter, its behavior, or habitat. Plus, many other photographers have taken the same shot..and probably have better portrait photos of that species anyway.

Because of this I always try to take some creative wildlife photos on each trip. I detail TEN techniques below. Try one or two on your next wildlife photo shoot.

SHALLOW DEPTH OF FIELD

On this late April trip to Yellowstone National Park, my main creative endeavor was the shallow-depth-of-field wildlife shot. I accomplished this mainly via the Canon 200mm f2.0 lens that I rented from lensrentals.com. You can see that post and photos here.

ANIMALS IN THE LANDSCAPE

Black Bear in pines wide snow Yellowstone National Park WY -05115

Though taken handheld with a crappy kit lens (the Canon 18-55mm lens), I really like how this Black Bear photo turned out (the Clarity slider in Lightroom helped a lot!). Animal-in-the-landscape images really help us visualize the critter’s home

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 46mm; (Metabones adapter); 1/200 at f5.6; ISO 640; handheld]

Elk herd along Yellowstone River wide Yellowstone National Park WY -04788

Another almost surreal wildlife photo. There is something I really love about this elk herd photo…I think it’s that it has the quality of a composite image…as if I took 30 photos of a single elk from this one spot and then melded them together in Photoshop.

[Sony A6500 with Canon EF-S 18-55mm lens (Metabones adapter); 1/125 at f5.6; ISO 100; tripod]

Mountain Bluebird on pine in snowy background Yellowstone National Park WY -04865

Mountain Bluebird in snowy landscape. Our tendency as wildlife photographers is to fill the frame with our subject…It takes real mental effort to NOT do this, and to step back and allow the critter to have equal (or lesser) presence in the landscape.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 100; handheld]

SILHOUETTES

Gray skies?…Back light?…These are tough situations for a wildlife photographer. But you can always experiment with silhouettes in these cases. You do need a sky background usually though.

Mule Deer silhouette Teddy Roosevelt National Park ND-0814

Mule Deer silhouette. On our way home from Yellowstone each year, we camp overnight in North Dakota’s Teddy Roosevelt National Park. It breaks up the 17-hour drive home and allows us to get in just a little more shooting. This would have been a terrible image if I’d exposed for the deer themselves, but a the silhouette is quite nice.

[Canon 7D with Canon 200mm f2 lens; 1/3200 at f2; ISO 100; handheld]

Black-tailed Prairie Dog Teddy Roosevelt National Park ND-1040

Black-tailed Prairie Dog in Teddy Roosevelt at sunset. Underexposing helped highlight the rim light of this cute little guy giving his alarm call.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; handheld]

PHOTOSHOP CHANGES

Mountain Bluebird eye-level grass SATURATED spot color Yellowstone National Park WY -04955

Mountain Bluebird eye-level grass B&W spot color Yellowstone National Park WY -04955

Mountain Bluebird eye-level grass MUTED Yellowstone National Park WY -04955

Which of these 3 Mountain Bluebird shots do you like best? The bird was left untouched in Photoshop, but the grass was desaturated to different levels in two shots. My mind is not made up, but I still think I like the top image. By the way, laying in the grass to get eye-level shots is also a creative wildlife photography technique. I love how the foreground and background have blurred out.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 250; handheld]

IPHONE PHOTOGRAPHY

Landscape Lamar River iPhone panorama Yellowstone National Park WY -6402

I just got the iPhone 7+ before leaving on this trip (replacing my “ancient” iPhone 5) and man, do I love it! The camera in the phone now has two lenses (one a “telephoto”), improved resolution, fantastic “Portrait” mode (try it!), and awesome video, including time-lapse, slow motion, and even 4K video!

This is a panorama of the Lamar River in the Lamar Valley.

TELEPHOTO LANDSCAPES

Okay, this is not a “creative wildlife shot” but it is a creative use of your telephoto lens. Isolating landscape/scenery with a long lens can give you a new perspective (fresh vision) of a place you’ve visited many times.

Rocks and sedges pattern Yellowstone National Park WY -05079

BLACK AND WHITE

Some images just don’t work well in color…so why not try them in black and white? Snowy wildlife scenes really lend themselves to this technique.

Bison high key snow Yellowstone National Park WY -05160

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 43mm; (Metabones adapter); 1/2000 at f7.1; ISO 1250; handheld]

Bison head black and white Yellowstone National Park WY Sparky Stensaas-0797

Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld

Bison herd crossing B&W Madison River Yellowstone National Park WY -05215

Bison herd crossing COLOR Madison River Yellowstone National Park WY -05214

Did converting this image of a Bison herd crossing the Madison to black and white help? Or do you prefer the color version?

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 55mm; (Metabones adapter); 1/200 at f5.6; ISO 100; handheld]

GET HIGH!

No, I did not bring a drone into Yellowstone! But this is an effective trick for getting faux aerial images. I put on my widest lens (in this case a Rokinon 12mm lens), then attach the camera to the tripod and extend all the legs to maximum length (if you have a center post crank that up too). Now set your exposure in Manual mode, put on the self timer for 5 or 10 seconds, push the shutter and then hold the tripod as high over your head as possible. Wait until the shutter clicks. It takes many tries (to get the right angle and to get the horizon somewhat straight (and your arms get a real workout!)

Stream snow red sedges Yellowstone National Park WY -05607

[Sony A6500 with Rokinon 12mm f2 lens (Sony mount); 1/125 at f16? (Lightroom does not record data from manual lenses); ISO 100; tripod held as high over my head as I could]

Stream snow red sedges Yellowstone National Park WY -05614

[Sony A6500 with Rokinon 12mm f2 lens (Sony mount); 1/125 at f16? (Lightroom does not record data from manual lenses); ISO 100; tripod held as high over my head as I could]

Thermal pool surrounded by snow Yellowstone National Park WY -05622

You could not get this shot without using the tripod-over-your-head trick.

[Sony A6500 with Rokinon 12mm f2 lens (Sony mount); 1/60 at f16? (Lightroom does not record data from manual lenses); ISO 100; tripod held as high over my head as I could]

DETAILS

Bison hair fur close up Yellowstone National Park WY -0303

We don’t always have to show the face of an animal for it to be an effective wildlife photo. This is detail of a Bison’s beautiful hair.

BLUR, BABY, BLUR

Want the feeling of the energy of a moving mammal or bird? Try slowing your shutter down and panning with the critter. I shot this Grizzly cub at 1/20 second at f14.

Grizzly Bear and cub Valley Girl near Roaring Mountain Yellowstone National Park WY-0593

Yellowstone 2017 #3—Black Bears to Mountain Bluebirds (Late April)

Bison and three calves Yellowstone National Park WY -04779

No…Not a Bison cow with triplets…Just two playful “red dog” calves coming over to play with her nursing calf. The Bison were just dropping their calves in late April.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/160 at f5.6; ISO 100; tripod]

Mountain Bluebird on shrub in snowy background Yellowstone National Park WY -04846

Snow greeted us as we pulled in to the Mammoth Campground in Yellowstone after driving all night from Duluth. But as we waited for someone to vacate the campground so we could pick a spot, this male Mountain Bluebird entertained us by foraging near the gate.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f6.3; ISO 100; handheld]

Mountain Bluebird on pine in snowy background Yellowstone National Park WY -04865

Mountain Bluebird male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 100; handheld]

Woodchuck Groundhog Yellowstone National Park WY -0782

Yellow-bellied Marmot surveys his “kingdom” in Yellowstone.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f5.6; ISO 100; tripod]

Woodchuck Groundhog Yellowstone National Park WY -06406

Yellow-bellied Marmot. I like how the shade of the mountain slope in the background becomes a beautiful blue blur.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Elk pair Yellowstone National Park WY -6567

Elk pair; His breath visible in the cool morning air.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/640 at f5.6; ISO 320; handheld]

Harlequin Duck pair on log Madison River Yellowstone National Park WY -05557

We were bummed that the road that leads to LeHardy Rapids was still snowed in. This is the traditional hotspot for Harlequin Ducks. But fortunately we spotted this colorful pair along the Madison River.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f7.1; ISO 800; tripod]

Harlequin Duck male back on log Madison River Yellowstone National Park WY -05535

Harlequin Duck male spreads his tail feathers after preening. Yellowstone is the southernmost breeding site for this species in all of North America! The main part of their breeding range includes British Columbia, Alaska, Yukon and Labrador. They prefer to nest along fast-flowing mountain rivers.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f6.3; ISO 400; tripod]

Harlequin Duck male front on log Madison River Yellowstone National Park WY -05505

Harlequin Duck male

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/100 at f6.3; ISO 100; tripod]

Harlequin Duck male on lichen-covered rock Madison River Yellowstone National Park WY -05303

Harlequin’s love fast water…the more turbulent the better! They dive underwater in rapids to feed.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/500 at f5.6; ISO 200; tripod]

Bison herd along Madison River Yellowstone National Park WY -05200

Bison herd along the Madison River.

[Sony A6500 with Canon 18-55mm f3.5-5.6 lens at 18mm; (Metabones adapter); 1/400 at f6.3; ISO 160; tripod]

Beaver along shore snow Yellowstone National Park WY -05144

Beaver having a late afternoon snack.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/200 at f7.1; ISO 1600; handheld]

Black Bear and brown cub Yellowstone National Park WY -05072

Sow Black Bear and one of her two tiny cubs. I got some nice video of this trio, which I will include in a future post.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/320 at f8; ISO 400; tripod]

Bison and red dog calf Yellowstone National Park WY -05030

Bison and her “red dog” calf.

Bighorn ewe Yellowstone National Park WY -04896

We ran across a band of Bighorn ewes near Yellowstone Picnic area.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f5.6; ISO 100; tripod]

Black-billed Magpie trio on rocks in snow Yellowstone National Park WY -04872

A trio of Black-billed Magpies wait out a snow squall near Mammoth.

[Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/60 at f13; ISO 100; braced on car window]

 

Yellowstone 2017 #2—Wildlife photography with the Canon 200mm f2 lens

No, sadly I don’t own this Canon 200mm EF IS USM f2.0 lens…(only $5,699 from Adorama canon 200mm f2 adorama)…but I rented it from http://www.lensrentals.com for a couple hundred bucks for a week. I DIDN’T WANT TO GIVE IT BACK!

I used it on my Canon 7D (my new Sony A6500 always had the Canon 400mm f5.6 lens on it for 4K video usage) and I often hand held it, even though it weighs a hefty 5.6 pounds! Here are a few things I loved…

  1. Incredibly sharp lens!
  2. Lovely “bokeh” at f2.0 (the buttery backgrounds caused by the shallow depth of field when shooting wide open at f2.
  3. Snappy focus
  4. Solid feel
  5. Image stabilization that really worked
  6. Able to shoot hand held in low light situations due to the “fast” f2.0 aperture.

Now, I’m not a techy photographer, but I could instantly tell when I downloaded and viewed my photos on the large computer screen that this lens creates very sharp photos with beautiful backgrounds. I shot almost every image with this lens wide open at f2.0.

BUT you need the right subject in the right situation for this lens to shine. Before we went on this trip I searched Flickr for all images shot with “Canon 200mm f2” lens. 90% were portraits of people. And the reason for this is that you need a fairly large subject (human, Bison, Pronghorn) at a fairly close distance. This rarely happens in wildlife photography…But in Yellowstone, the wildlife is used to humans so you can get quite close. And it’s open country. Ideally you also need some stuff in the foreground and background in order to show off the shallow depth of field. Look especially at the foreground and background in the photos below…You could never get this kind of bokeh (blurred background/foreground) with other telephoto lenses at this distance.

OR you need smaller subjects shot at close range (Raven, Harlequin Duck, Shooting Star flower). The lens only focuses to 6.2 feet at the close end, but you could add extension tubes for real dreamy background close up work.

Conclusion? All in all, a magnificent lens…for the right situations. Really not sure how much use it would get in northern Minnesota where the wildlife is usually in thick cover, and often only seen briefly. It would be very cool for large northern owls (who are quite tame), but probably does not justify a nearly $6,000 purchase. Maybe I could justify it by adding a 2x extender and making it into a 400mm f4 lens…Naah. BUT I will definitely rent it again on a future Yellowstone National Park trip.

Common Raven black and white Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0368

Talk about sharp…Wow! I zoomed in on the reflection in the eye of the Raven and could easily see and count the pine trees in the background.

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

Bison snowy sagebrush Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0045

[Canon 7D with Canon 200mm f2 lens; 1/1600 at f2; ISO 250; +0.33 ev; handheld; Processed in Adobe Lightroom]

Harlequin Duck pair male female low angle Madison River Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0187

The lens is great for eye-level water shots in order to separate the subject from the background on lakes, river. With other lenses (such as the 70-200mm f4 lens) the background would be much more detailed and the birds lost in the composition. Also note the Trumpeter swan photo below.

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

 

Bison herd aspens wide Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-05004

Here is an example of an image that may not look too different with another lens as I shot it at f4.5.

[Sony A6500 with Canon 200mm f2 lens; 1/320 at f4.5; ISO 100; handheld; Processed in Adobe Lightroom]

Common Raven snow rainbow background Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0353

[Canon 7D with Canon 200mm f2 lens; 1/400 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

Bison head on snowy woods Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0238

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Bison heard formation crossing river low angle Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0296

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Bison heard formation crossing river Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0300

[Canon 7D with Canon 200mm f2 lens; 1/500 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Common Raven snow falling black and white Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0335

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; +1.33 ev; handheld; Processed in Adobe Lightroom]

 

 

Trumpeter Swan Gibbon River? Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0427

[Canon 7D with Canon 200mm f2 lens; 1/2500 at f2; ISO 100; +1 ev; tripod; Processed in Adobe Lightroom]

Upper Falls Yellowstone River Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0484

Not sure why I shot this at f2.0….Should have shot at f8. No need for shallow depth of field here.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100;  -0.66 ev; tripod; Processed in Adobe Lightroom]

Bison standing facing me Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0521

This lens really shines with low angle photography. This was shot BELOW eye-level and makes the Bison look quite ominous…And I was not too comfortable being this close.

[Canon 7D with Canon 200mm f2 lens; 1/1000 at f2; ISO 100; -0.5 ev; handheld; Processed in Adobe Lightroom]

Pronghorn broadside Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0699

Classic photo with the f2 lens…A boring image with any other lens, but the blurred background and foreground created by shooting at f2.0 make this less than boring (But not that great either).

Shooting Star wildflower Yellowstone National Park WY Sparky Stensaas-0746

Love this! The ONLY sharp thing in this photo is the flower head of this tiny Shooting Star wildflower (see image below for size scale).

[Canon 7D with Canon 200mm f2 lens; 1/3200 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Shooting Star wildflower Yellowstone National Park WY Sparky Stensaas-0767

Ryan photographing the same Shooting Star wildflower for scale.

Bison snowy head on Canon 200mm f2 lens Yellowstone National Park WY Sparky Stensaas-0075

[Canon 7D with Canon 200mm f2 lens; 1/1250 at f2; ISO 100; +0.66 ev; handheld; Processed in Adobe Lightroom]

Bison head black and white Yellowstone National Park WY Sparky Stensaas-0797

Sharp!

[Canon 7D with Canon 200mm f2 lens; 1/320 at f2; ISO 100; handheld; Processed in Adobe Lightroom]

Mornings with Bighorns—Yellowstone April 2016

MORNINGS ON THE “AMERICAN SERENGETI”
For three consecutive mornings, after waking before dawn, cooking up some oatmeal and toasted bagels, and warming our fingers over the car defroster, Ryan and I hiked a half mile (3/4 mile?) in to a valley that was teeming with wildlife. Hundreds of Elk, dozens of Bison, Pronghorn, and Mule Deer grazed the nearly nonexistent grass, moving slowly but surely across the floor of the valley. Despite “bear activity” signs, we felt very safe as we could see for miles in almost all directions.
Here (thanks to a tip from a wildlife photographer friend) we found a “bachelor herd” of Bighorn Sheep (Ovis canadensis).
In our many previous trips, we’d mainly seen bands of Bighorn ewes and lambs scrambling on the very vertical hillsides along the road from Gardiner, MT to Mammoth in the park. A few times we’d seen smaller rams come down to the river to drink, but never a big bachelor herd. But in this Valley of the American Serengeti (our name) we found a couple dozen “big boys” and another dozen young rams. You see Bighorn males and females only intermingle during the late November rut and mating season. After that, they go their own ways. Young males will join the bachelor herd after a year with mom.
Bighorn Gardiner River Yellowstone National Park WY IMG_5951 (1)The Patriarch
Though Bighorns don’t have a single band leader, they do seem to jostle a bit for social status, at least it seemed like that to us. This scarred full-curl ram seemed to be the oldest and the ram with the largest horns. His short muzzle had what appeared to be a scar all the way across the bridge. You can age a ram by its horns due to “growth rings” but I’m not experienced enough to attempt it. Their horns can weigh up to 30 pounds! Rams can live 9-12 years.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/1000 second; ISO 200; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5287 (1)Still Life with Bachelors
“Bachelors” is perhaps a misnomer as many of the older healthier rams may mate in the fall, but the all-male bands are called “bachelor herds.” I love the painterly feel to this image…Lots going on in this single frame. Note the young ram leaping over a laying ram. I muted the colors in Aperture.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1250 second; ISO 400; +0.33ev;  tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5989 (1)Two become One
Just a “haccident” (happy accident) when the two rams lined up to form “one head.” Blur your eyes a bit and …Bizarre.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/1000 second; ISO 320; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5310 (1)Resting Rams
Bighorns chew their cud. Note the patriarch in the upper right hand corner.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/250 second; ISO 400; +0.33ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5211 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f8 at 1/200 second; ISO 400; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5981 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/500 second; ISO 200; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5835 (1)

Blue Bighorn Silhouette
A so-so shot that gets a bit of creative life by reducing the exposure by a few stops and altering the white balance.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 100mm; f8 at 1/125 second; ISO 100; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5194 (1)

Monarch of the Mountains
Head on portrait of a full-curl ram. These boys not only tolerated us (can’t get closer than 25 yards due to Yellowstone’s rules (and common sense) but seemed to go about their business as if we weren’t even there. This is one of the real treats of Yellowstone; you get to witness the everyday lives of animals.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f9 at 1/160 second; ISO 400; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5191 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 330mm; f9 at 1/200 second; ISO 400; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5135 (1)

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 148mm; f5 at 1/640 second; ISO 400; +0.33ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_4312 (1)

Peek on the Peak
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2000 second; ISO 160; -0.67ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_5226 (1)

Not sure if I like this image as a black and white or color version yet.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 148mm; f5 at 1/640 second; ISO 400; +0.33ev; tripod]

Bighorn Gardiner River Yellowstone National Park WY IMG_4299 (1)

Still plenty of snow in the high country of Yellowstone in mid April. These Bighorns are extremely sure-footed and are at home in steep country. One of their main predators is the Mountain Lion, which is also at home in rugged terrain.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 160; -0.67ev; tripod]

Early Spring in Yellowstone 2—April 16-19, 2016

Red-tailed Hawk and moon Yellowstone National Park WY IMG_4074 (1)Still Life with Redtail and Moon 1
How could I pass this up? Wish I could have set up a tripod and shot at f22 or smaller to get more depth of field and the moon more in focus, but redtails don’t pose for that long.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f20 at 1/200 second; ISO 400; -0.33ev; handheld]

Grizzly Yellowstone National Park WY IMG_5794 (1)Silver Griz
This fella was our only Grizzly of the trip. Mid April is a bit early for many bears to be out of hibernation…and the high country roads are not yet open where there could very well be more bears. On our mid May trip a couple years ago, we saw quite a few Griz. But this guy was sure a beauty! We stopped, as we almost always do, when we saw a couple cars pulled over (and here’s the real key) and some long lenses on tripods. “What do ya got?” Is the standard photographer-to-photographer exchange in situations like this. They’d seen a Grizzly on the slope on the opposite side of the river, but it had moved off into some forest cover. So we pulled over, got out and helped them relocate the bear. Well nature called to Ryan, and while he was watering the early spring grass, he spotted the bear. He came back to the road and told us. I got a few handheld shots but Ryan had to go back to our car to get his camera. When Ryan got back, I went back to the car to get my tripod. But soon after I left something really spooked the Grizzly and it ran off. The only thing we know of that can spook the apex predator of the park…is another Grizzly. But while we waited another 45 minutes or so, nothing showed.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1000 second; ISO 400; handheld]

Black Bear Yellowstone National Park WY IMG_4898 (1)Sole of the Bear
This Black Bear recently out of hibernation had the most unusual nearly white, soles of its feet. I’ve seen many many Black Bears and have never noticed this trait before. My gut feeling is that this bear just had abnormally pale foot pads.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/640 second; ISO 500; -1ev; tripod]

Red-tailed Hawk Yellowstone National Park WY IMG_4790 (1)Rockin’ Redtail
The Red-tailed Hawks were certainly migrating through and returning to Yellowstone this week. We saw many, and this one posed on a picture-perfect perch long enough to get a shot.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/2000 second; ISO 320; +1ev; tripod]

Red-tailed Hawk and moon Yellowstone National Park WY IMG_3979 (1)Lunar Buteo
Red-tailed Hawks are a type of buteo…a raptor with big broad wings and short tails. They are built for soaring, scanning open country for prey. “Forest hawks” who hunt in dense woods need shorter rounded wings and long tails (to act as an “air rudder”) so they can maneuver in close quarters in flight. I love “bird and moon” shots…especially when the bird is relatively small in the frame. Of course, these images are best viewed large.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 320; handheld]

Pronghorn Yellowstone National Park WY IMG_3793 (1)Pronghorn in the Sage
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/800 second; ISO 250; handheld, braced on outside of car]

Ryan Yellowstone National Park WY IMG_6048 (1)Ryan Marshik

Bison in campsite Mammoth Yellowstone National Park WY IMG_2864Campsite Buddies!
Each night, a small herd of Bison grazed right through our campsite, noisily munching the new green grass. It’s funny, you would never dare to get this close to them out in the park (in fact it’s illegal to get closer than 25 yards) but here they are so preoccupied, and used to people, that you can sit at your picnic table 5 yards away and enjoy the slow parade.

Sandhill Crane Yellowstone National Park WY IMG_4094 (1)Sandhill Crane in its Finest
Love the “bustle” of this Sandhill Crane. It was one of a pair that had returned to nest in the park’s marshes and wet meadows.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/500 second; ISO 400; -0.33ev; handheld, braced on car window frame]

Dipper Yellowstone National Park WY IMG_4432 (1)Dipper thinking about taking a Dip
Dippers feed on underwater aquatic critters in fast moving streams and rivers of the western U.S. They are one of Bridget’s favorite birds and so I always try and get a few shots.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/250 second; ISO 640; handheld]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4626 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/2000 second; ISO 100; -2.33ev; tripod]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4622 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/320 second; ISO 100; tripod]

falls Yellowstone River Grand Canyon Yellowstone National Park WY IMG_4599 (1)Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f11 at 1/800 second; ISO 100; -2ev; tripod]
All three of the above shots of the Lower Falls of the Yellowstone River were taken from Artist’s Point. The falls, at 308 vertical feet, is the tallest in the park. The light (quality and direction) was not good for broad scenic vistas, so I used the telephoto to zoom in on one part of the scene. The lone silhouetted tree really made this shot for me. Here are three variations…Which do you like?

Elk young bull shedding Old Yellowstone Road WY IMG_4529 (1)Goofy Bull
Early spring is NOT a good time to photograph Elk in the West; all the Elk at this time of year look pretty ratty. They are shedding their winter coats, and not gracefully. The older bulls are just sprouting their new antlers, growth being nourished by the blood-rich “velvet” coating them (see photo below), but the first year bulls sometimes hold their little antlers all winter instead of dropping them in late fall/early winter like the older guys.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/1600 second; ISO 200; handheld]

Elk bull in velvet in traffic Yellowstone National Park WY IMG_4926 (1)Big and Velvety
These were some really big boys holding up traffic along the road. Note their height compared to the car in the foreground. Wish I could see these guys again in the fall when their massive antlers will be in their prime.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 214mm; f7.1 at 1/400 second; ISO 500; tripod]

Elk herd Yellowstone National Park WY IMG_5111 (1)American Serengeti
Easily the biggest herd of Elk I’ve ever seen in Yellowstone…over 200 animals. I didn’t even include all the herd in this shot. Nearby were herds of Bison, Mule Deer and Pronghorn. Impressive!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 263mm; f6.3 at 1/60 second; ISO 320; tripod (accidentally at this shutter speed because I had just switched over from taking some video)]