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October 6-7, 2019

Since we were coming from the South Dakota Badlands, Ryan Marshik and I headed towards the Yellowstone East Entrance. The country between Cody, Wyoming and the park is stellar, and as we got closer, we started thinking, “Hey, we might even have some shooting light by the time we get into Yellowstone!”

But even before we got to the park, we had our first bear sighting. It was a Grizzly crossing the Northfork Shoshone River. We managed a few snaps but it was soon into the brush…but on our side of the river. So we decided to pull over in a locked entrance to a campground. And we didn’t have to wait long! The Grizzly was working its way towards us…and completely ignoring the two Minnesota guys laying on the ground pointing big barrel-shaped things toward it. Within a minute the bear was too close for comfort and we retreated to the vehicle.

But then a large patch of Wild Rose hips caught her attention. And she began delicately plucking the ripe fruit only 20 yards from us. It was dusk and we kept cranking our ISO up. I ended up at my max for my old Canon 7D…ISO 6400. Some noise in the photos, but I’d MUCH rather have a sharp and grainy/noisy photos of a Grizzly than a blurry noise-free shot!

These images took quite a bit of working in Lightroom to get to the images below.

Eventually she sauntered within 2 feet of our SUV. A really neat encounter. Made better by the fact that we didn’t have to share it with the typical Yellowstone “shooting gallery.”

Due to our wonderful “bear delay,” we didn’t get inside the park until sunset. But Ryan spotted this perched Red-tailed Hawk which made for a neat silhouette.

We camped in the Madison Campground, and headed out in the early morning, excited to see the Hayden Valley again. The last seven years had been spring trips, and almost every time the road through the valley had still not been opened up by the time we arrived.

And we found this cooperative Raven. In all likelihood, it is probably the same begging Common Raven that I photographed here years ago. It is such a treat to be able to get close to these birds since in Minnesota they are so spooky that you can’t even touch the brake pedal and they are gone.

Video of the Raven’s backlit breath while calling was my goal, but I also tried some stills. Like Ryan said, it would have been better if the slight breeze hadn’t been blowing their breath behind them. Interestingly, the biggest puff of breath didn’t come until their beak was already half closed again…and not when it was fully open.

I intentionally darkened this image, and increased contrast, in Lightroom to make it a more dramatic photo.

We were photographing the Coyote below when Ryan spotted this distant Grizzly. We knew we were somewhere near a carcass by the small Raven congregation and 3 Coyotes milling around. We had walked out into this meadow near Canyon to check it out. We later learned that it was a carcass that had been picked over, and this Grizz was probably checking on it…Just in case.

Day 2-3 in Yellowstone coming soon

Pelican Pouch (St. Louis River, Fond du Lac, Duluth, Minnesota)

Most every spring now, a flock of 40 to 120 American White Pelicans stop over at the Fond du Lac, Duluth portion of the St. Louis River on their way to breeding colonies farther north. They spend most of their time loafing on the barely-above-water islands, preening, sleeping and squabbling. Not sure if this guy was yawning or if this is an aggressive act towards a Ring-billed Gull that flew low overhead. I intentionally underexposed the shot to show off the veins of the pelican, and block out the distracting background forest.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/400 sec. at f5.6; ISO 100; tripod]

High-Key Tern (Churchill, Manitoba, Canada)

To make the red inner mouth of this Arctic Tern really pop, I decided to make this a “high-key” image by increasing the exposure of the shot so most of the highlights are overexposed.

[Sony A6500 with Canon EF 100-400mm f4.5-f5.6L IS II USM lens; Metabones adapter; 1/4000 sec. at f8; ISO 200; -2.33ev; hand-held]

Wild Turkey detail (Our home, Carlton County, Minnesota)

I took this image right out our living room window! And the only lens I had inside was my 400mm f5.6 lens. So I got some extreme close ups of a displaying Tom Turkey. The iridescence in their feathers is a coppery rainbow of colors.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/500 sec. at f6.3; ISO 5000; hand-held through our living room picture window]

Raven Rainbow (Yellowstone National Park, Wyoming)

Two foreground snow mounds frame a friendly Raven looking for a handout. The background “rainbow” is just the way-out-of-focus trees and shadows. I took the color out of the Raven and made him totally black (they normally show blue iridescence in their feathers).

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/400 sec at f2; ISO 100; +1.33ev; hand-held]

Running Grizzly cub (Yellowstone National Park, Wyoming)

Panning at a VERY slow 1/20th of second, I tracked the running Grizzly cub as it hurried to get back to mama Griz. I like the streaks of snow, and the different background blur colors.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/20 sec at f14; ISO 100; -0.33 ev; hand-held]

Northern Hawk Owl silhouette and Tamaracks (Sax-Zim Bog, Minnesota)

The curvy trunks of the Tamaracks are appealing to me in this silhouette. The Hawk Owl is centered so I could frame her with the two background Tamaracks.

[Sony A6500 with Canon 400mm f5.6 lens; Metabones adapter; 1/2500 sec. at f5.6; ISO 400; hand-held]

Sandhill crane flock reflection (Crex Meadows, Wisconsin)

As the cranes flew in to roost for the evening at the Crex Meadows marshes, I noticed their perfect reflection on the still open water. I tried to capture the interesting juxtaposition of sky and water. It is an interesting photo…not great…but unique.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 200mm; 1/250 sec. at f6.3; ISO 250; hand-held]

 

Sandhill Crane panning blur (Crex Meadows, Wisconsin)

Sometimes I like panning at “below-recommended” panning shutter speeds and seeing what I get. It is very low percentage shooting, but sometimes you create something pleasing. Though the crane’s head is not sharp, I still like the overall motion blur of this graceful flyer.

[Canon 7D with Canon 400mm f5.6 lens; 1/25 sec. at f9; ISO 100; -0.66ev; hand-held]

 

Mixed Scoter flock (Hudson Bay at Churchill, Manitoba, Canada)

I was laying flat on my belly on the wet rock shoreline of Hudson Bay. And I was wishing I had the Sony A6500 instead of the Canon 7D…Why? Because the Sony has a tilting screen so I wouldn’t have had to contort my neck to look through the viewfinder of the Canon. I love the eye-level perspective and the narrow strip of in-focus water with the blurred foreground and background water framing the scoters. If you look closely you will see that all three North American scoter species are in the frame! Surf Scoter; Black Scoter; White-winged Scoter.

[Canon 7D with Canon EF 100-400mm f4.5-f5.6L IS II USM lens at 400mm; 1/640 sec at f5.6; ISO 200; +1 ev; hand-held while laying on beach]

Bison fur (Yellowstone National Park, Wyoming)

You can get close to Bison in Yellowstone…Really close! Of course, this was out the car window, so no threat of being gored! I love the wavy quality of their hair.

[Canon 7D with Canon EF200mm f2L IS USM lens; 1/2000 sec at f2; ISO 100; +0.66 ev; hand-held]

Blackbird Blur (Northwest Minnesota)

There are things to shoot even on bleak early spring gray rainy days. This migrating flock of Red-winged Blackbirds took off suddenly and I panned with them at a slow shutter speed.

Sandhill Crane orange silhouette flock (Crex Meadows, Wisconsin)

I tried combining two creative wildlife photography techniques in this image; I underexposed the image to create silhouettes of the flying cranes AND slowed the shutter to 1/25 of a second and panned with them as they flew. In this image, the heads and necks re fairly sharp, yet their wings show a pleasing blur that hints at their flapping motion.

[Canon 7D with Canon EF 70-200mm f4L USM lens at 163mm; 1/25 sec. at f5.6; ISO 100; hand-held]

 

 

 

 

 

 

 

 

 

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]

On the way home from Yellowstone, Ryan and I usually camp for a night at North Dakota’s Teddy Roosevelt National Park. It breaks up the 16 hour drive home and allows us to get in some more shooting, and with a chance at several species which are not found at Yellowstone, specifically Black-tailed Prairie Dogs and Wild Horses (feral horses, more accurately). The campground at Cottonwood is usually fairly deserted in early spring and late fall, and we only had to compete with a big bull Bison who was vigorously scratching his belly on a big rock in the campsite that we wanted. He eventually moved on and we could set up our tents.
We drive the 36-mile loop once in the late afternoon, and then again in the morning before we have to hit I-94 East for home…and the loop rarely disappoints. [April 19-20, 2016]

Bison Eclipse of the Sun
Last October we had some fantastic dawn shooting when a herd of Bison were silhouetted by the orange foggy sunrise. We hoped for the same conditions on this trip, but the fog was more of a mist that hung in the valleys; you could actually see the water droplets floating in air. This led to a crazy “fogbow”, the first I’d ever seen.
I positioned myself low in the valley in order to get the Bison between me and the rising sun…and this is the result…perfect rim light. I only wish there had been a bit more color in the morning sky. (“warmed” the shot by upping the white balance to 7500k)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 158mm; f22 at 1/2000 second; ISO 200; tripod]

“Fogbow” over the prairie
I’d never witnessed a “fogbow” before. The morning fog was dense and you could actually see the suspended water droplets when backlit by the sun. My iPhone photo (above) actually turned out better than photos with my DSLR camera, probably due to the HDR feature on the iPhone.

Steaming Bison

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f7.1 at 1/3200 second; ISO 640; tripod]

Mule Deer Dawn
No antlers this time of year (barely nubbins with velvet on the males), but the huge ears of Mule Deer make a distinctive silhouette.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 135mm; f5.6 at 1/5000 second; ISO 640; tripod]

Sharp-tailed Grouse eating buds
We had four species of gallinaceous birds during our brief visit—Wild Turkey, Ring-necked Pheasant, Gray Partridge (rare and unexpected), and many of these normally elusive birds, the Sharp-tailed Grouse. This guy was feeding on flower buds of a Box Elder tree (correct me if I’m wrong). We spent about 10 minutes watching his acrobatic and agile moves among the outer branches as he tried to access the outermost buds. Teddy Roosevelt may be one of the best places to see this sought-after species outside of the lekking season (when they dance at dawn on known leks).
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/4000 second; ISO 250; handheld, braced on car]

Wild Horse (feral horse) with foal
We probably saw about 40 different Wild Horses (yes, I know, feral horses) in our two loops of the Wildlife Drive. They were just dropping their foals, and we saw one little black guy that was so new that he still wobbled a bit.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/400 second; ISO 200; handheld]

Wild Horse (feral horse) with foal
Darn cute!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/400 second; ISO 200; handheld]

Band of Wild Horses (feral horses)
The color variations of these horses never ceases to amaze me.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 100mm; f4.5 at 1/2000 second; ISO 200; handheld]

Relaxin’ Prairie Dog (or sunbathing? or hiding?)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/3200 second; ISO 250; handheld]

Family Time (Black-tailed Prairie Dogs)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1600 second; ISO 250; handheld]

Cuddly Companions (Black-tailed Prairie Dogs)
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f8 at 1/250 second; ISO 200; handheld]

The Perfect Perch
…Just wish I had a better angle …and was a bit closer…and had better light. Oh well. Mountain Bluebird.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/6400 second; ISO 250; handheld]