It’s been quite a winter here in northeastern Minnesota; tons of snow and long! How does Sparky keep his “photographic sanity”? A series of inspirational books saves the day and motivates Sparky to try some “out of the box” bird photography ideas. The books are the annually-published Bird Photographer of the Year compilations, and the creative images between the covers are truly amazing. 

So on two days in March Sparky tries some free-form creative bird photography…one session with Wild Turkeys in his backyard, and another shoot with Mallards in an unfrozen pond.

Did he succeed? Or was the whole thing an epic fail?

http://www.thephotonaturalist.com

http://www.sparkyphotos.com

On a whim, Sparky stops by Crex Meadows in western Wisconsin on his way home from a conference in St. Paul…and despite the initial BLAAH light and heavy overcast, he stays and the light suddenly turns magical…WHAAT!

Sandhill Cranes and Trumpeter Swans are the avian highlights.

Sparky tries shooting through the red fall foliage to create some unique and creative wildlife photos.

All photos taken with Canon R5 and Canon 100-500mm lens

YouTube video and gallery below.

http://www.sparkyphotos.com (My photo galleries)

Though I do still enjoy a beautiful “bird on a stick” frame-filling portrait, more satisfying to me now is a wider field of view showing the bird or mammal in its native habitat. It tells more of a story about how and where that critter lives. Here are my favorites from 2021

We had about three days of GORGEOUS rime ice in early January 2021. It coated everything in a huge area of northern Minnesota. Rime ice is basically dense fog that freezes. That is how it differs from hoar frost. In hindsight, I should have spent A LOT more time looking for subjects amongst this crazy backdrop since it only occurs rarely. I did find this Common Redpoll out my living room window though. Its red cap adds a much-needed splash of color to the scene.

Maybe this is less “bird-in-the-landscape” and more “specks on the horizon” but the two flocks of geese (squint real hard!) add a lot to this rural western Minnesota farms cape.

It is not everyday that you can take a winner image while taking the garbage cans out to the road! Here three tom Wild Turkeys are in full display mode for the numerous hens just out of frame. I like the backlit feathers and aspen catkins.

I didn’t even notice the moon until well into my trip to North Ottawa Impoundment. Then I had the “aha” moment, and started taking hundreds of photos pointing my camera straight up into the azure blue spring sky. I like this wider image that has the moon in line with the Snow Geese, and I also appreciate that the line of migrating geese goes from upper left to lower right corner of the frame.

Hey, this IS the native landscape for Rock Pigeons! They live/nest in this old warehouse in Superior, Wisconsin. I just like the symmetry of the windows as well as the texture and colors of the weathered boards and tin siding…oh, and the pigeons add to the photo too.

Porcupines are relatively easy to find in late spring in the Sax-Zim Bog due to the fact that they feast on willow and aspen catkins relatively low in the woods. I framed this fella with blobs of yellow by shooting through a flowering willow with a larger aperture.

I do love this shot….BUT…I wish I had left the tern more space on the right so I could crop it so the bird was more to the left of the frame.

The “Badlands” are really a land of plenty for the many critters that live there. Though it appears to be an inhospitable landscape, there is no shortage of wildlife that call it home such as this curious (cautious?) Cottontail.

Gilded Flickers are close cousins to our Northern Flickers, but they are only found in their preferred Saguaro cactus habitat in Arizona and extreme SE California. They even excavate nest cavities in the prickly cacti.

Dusk in the floating blind. I thought shooting time was over, but I noticed the thunderheads turning pink on the horizon and wondered if I could get some ducks in the foreground. It didn’t take long before I maneuvered the blind into position for a raft of four Blue-winged Teal. But before I could get a shot, they jumped into the air and were gone. But I got lucky, as this frame turned out to be my favorite.

Nighthawks are rarely seen in the full sun of daytime. They are primarily a bird of dusk when they take wing to suck up flying insects in the air. That tiny bill opens to reveal a huge gaping mouth, which is all the better for inhaling mosquitos.

Peek-a-boo, I see you!

I intentionally included the meandering tracks of this early-returning pair of Trumpeter Swans as it lent a bit of visual interest. This would be a killer shot with more dramatic light.

You don’t often see Tufted Titmouse in Minnesota, and when you do they are usually tucked into an evergreen. I like the out-of-focus leaves that make orangish blobs of color that match the buffy sides of the titmouse.

You build it and they will come. That is certainly true of the impoundment project called North Ottawa. Now every spring, tens of thousands of geese state here on their way north. Quite a sight, and an even more impressive auditory experience.

I HAVE to get down here to photograph this nest in early spring next year. I love this shot, but it would even be better with the spring green of just-emerging leaves to warm up the scene. Big bird, big nest, big tree.

On their way back to the Arctic, Rough-legged Hawks hunt open areas all over the upper midwest.

I just like the gray of the Great Gray amongst the white branches of the aspens. Last year’s leaves add a pop of subtle color.

This picture really shouts, “North Dakota.” A land of open country, grasslands, empty spaces, and prairie birds such as this lone Sharp-tailed Grouse.

A River Otter sighting can brighten a gloomy spring day.

Northeast winds had stacked shards of blue ice along the shore at Lighthouse point on Lake Superior. I used a small aperture to keep the Red-breasted Mergansers in focus while giving some detail to the ice.

I just like the leading lines of the Ocotillo that bring the eye to a stunner of a bird; the Varied Bunting which is in full song.

Montana isn’t the only ” big sky country”! North Dakota has its share of vast skyscapes. A lone Yellow-headed Blackbird sings to the sky its melodious song….STOP…let me rephrase that…A lone Yellow-headed Blackbird croaks out its grating call to any other blackbirds that might be nearby.

Not many other birds share the same habitat as the White-throated Swift! Crevices in bare rock cliffs is where this relative of the swallow nest. And this one is swooping up into its retreat on the one and only Devil’s Tower.

I just LOVE birds perched on rusty barbed wire…and especially if there is an old wood fence post in the frame as well. Jackpot! Black-throated Sparrow in the Chihuahuan Desert on the Arizona-New Mexico line.

I like this photo of Evening Grosbeaks in white-barked Aspens …but I would LOVE it if there were a few more in the center of the frame…and if the others were looking into the center. Oh well.

Just a tiny bit of rim light illuminates these Black-tailed Prairie Dogs at sunset in Teddy Roosevelt National Park. Moody!

Yellow bird amongst yellowish grasses in a snowy scene. An early-arriving Eastern Meadowlark is greeted by an April snowstorm.

Maybe a portrait and not a bird-in-the-landscape but kind of in-between. Enjoyed a wonderful morning in the sagebrush flats south of Pinedale, Wyoming, and the surprisingly colorful Sagebrush Sparrow was a species I’d never photographed before.

Just allow me one more “bird in frosty landscape” shot.

The water has been rising in central North Dakota for years. The last time I visited this spot six years ago, this tree was still on dry land! A lone Western Grebe confirms that this is now a permanent lake.

It is always fun to stumble upon a Great Gray in a spot where you don’t expect them. This was an early morning jaunt in the Superior National Forest to look for Moose (which I did find). I love its perch and wanted to include the whole thing in the photo.

What can I say? I like birds in frosty landscapes!

Well, this concludes my “Top Tens” of 2021 posts. Now I better get out there and start shooting so I will have some Top Tens of 2022 to share next year!

All photos taken with Canon R5 and Canon 100-500mm lens

“Is this just another category so you can show more bird photos Sparky?” Why, yes, yes it is! And just so you know…I do include flying as a behavior for some reason. I guess technically everything a bird does is “behavior,” so I’m good!

I can feel my frozen finger tips by just looking at this photo. So COLD! Most of the Mississippi River was frozen at this point in February; only spots below locks and dams were open…and this spring-fed spot near Buffalo, Wisconsin. Though it appears this young Bald Eagle is preying on the Common Goldeneyes, it is actually plucking small fish from just below the surface. There were several eagles and they made multiple passes each. I just laid down on the snow with my Canon R5 and Canon 100-500mm lens and started tracking them as they approached. The R5 did amazingly well, even in the well-below-zero-F temps. I like the monochromatic blue cast to this image.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 100; 0 ev; handheld]

The critical moment. It has always been a thing of wonder to watch birds of all types landing on perches. Can you imagine the vision and motor skills this takes? How about a Great Gray Owl alighting on the tip top of a tiny spruce? It can’t even see the bough when it actally lands! This Green Heron made a perfect two-point landing I am proud to report.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 640; 0 ev; handheld]

Courtship in American Avocets is highly stylized. This water-thrashing by the male is performed immediately before he mounts the female. The only way I was able to get this behavior shot from such close range was because I was invisible! My floating blind hides the human form which is what alarms much wildlife.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 100; 0 ev; on tripod head in floating blind]

Not a great photo but kind of fun with all the “bird bickering” going on. This, of course, is common behavior at bird feeders. Evening Grosbeaks are some of the feistiest! Sax-Zim Bog is the best place to find big flocks in winter.

[Canon R5 with Canon 100-500mm lens at 451mm; 1/800 second at f7.1; ISO 2000; -0.33 ev; handheld]

It is not only Carpenter Bees (in background) that find the blossoms of agaves irresistable! Hooded Orioles also make a beeline for the blooms where they can feast on nectar.

I waited a couple hours to get this shot. I chose a single blooming agave that was at or below eye level (most others were higher up so it would be a less interesting angle with a blah sky background). A few female Hoodeds came in but I really wanted a male. But I kind of blew it with the autofocus as it locked on the flower and not the bird (so don’t blow this photo up too much!).

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; 0 ev; on tripod head in floating blind]

Preening takes up a lot of a bird’s resting time. You’ve got to keep those feathers nice and aligned! The floating blind again worked its magic on this prairie pothole lake in North Dakota as I was able to approach this Wilson’s Phalarope closely…Not unnoticed, of course, it knew a big floating blob was only 10 yards away, but rather completely ignored. It didn’t care that the blob was close since it was not a human- or prey-shaped form.

[Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

In recent years massive numbers of geese have migrated through western Minnesota in spring. Part of this is due to the creation of the huge North Ottawa Impoundment in Grant County. It is part of a multi-county watershed project that has benefited wildlife immensely.

I noticed the moon and intentionally shot straight up as flock after flock of Snow Geese headed north overhead.

In hindsight I should have shot with a MUCH smaller aperture to make the moon sharper in the image. After all I was only at ISO 200 and I could have got a clean image up to ISO 5000 or higher. [Canon R5 with Canon 100-500mm lens at 254mm; 1/1250 second at f5; ISO 200; 0 ev; handheld]

Human and Wild Turkey courtship have a few similarities: Males strutting their stuff to impress the ladies! The backlit feathers in early-morning light really make this shot.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 320; -2.0 ev; tripod]

Prairie potholes aren’t just for ducks! Shorebirds benefit greatly as well. American Avocets mating in the prairie pothole region of North Dakota.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This Western Grebe is not just getting a drink; it is actually performing part of its courtship ritual. “Dip-shaking” is when one grebe faces another, extends its neck and dips its head in the water, lifting it slowly, water dripping from its open mouth. This behavior occurs just before “rushing,” in which both birds race across the water in a vertical position. [Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

Ready for take-off! Black-throated Hummingbird showing its true colors (Shouldn’t they be called “Magenta-throated Hummingbirds??)

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f8; ISO 800; +0.33 ev; handheld but braced on car door frame]

I simply like the vibrant colors (and blurred wings) of this Broad-billed Hummingbird feeding on garden flowers in Madera Canyon in southeast Arizona.

[Canon R5 with Canon 100-500mm lens at 300mm; 1/320 second at f6.3; ISO 1000; 0 ev; handheld]

Black Tern cruising over a prairie marsh in North Dakota.

[Canon R5 with Canon 100-500mm lens at 200mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

Male Yellow-headed Blackbirds showing off his white epaulets during his courtship song. Interestingly, Yellow-heads are dominant over Red-winged Blackbirds.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/3200 second at f7.1; ISO 1000; +0.33 ev; handheld]

[Canon R5 with Canon 100-500mm lens at 451mm; 1/1250 second at f6.3; ISO 400; +0.33 ev; on tripod head in floating blind]

Birds MUST preen their feathers in order to keep them in top shape. Preening aligns and locks the barbules on each feather. It also cleans the feathers and removes parasites. They also rub a waterproof substance from a body gland on the feathers to keep them from soaking through.

This Northern Shoveler was so busy preening that it paid my floating blind no attention at all.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This is really where my heart is in regards to wildlife photography.

Black-capped Chickadee wings iridesce when backlit by the sun. My fingers were frozen by the time I got the shot, but it was worth it 🙂 The electronic 30fps shutter on the Canon R5 sure helps in these situations!  As does prefocusing on the spot where the chickadee will be. [Canon R5 with Canon 100-500mm lens at 270mm; 1/2000 second at f5.6; ISO 800; -1.00 ev; tripod]

Laying on the ground with a Western Diamondback Rattlesnake is an experience I hadn’t had until my July trip to southeast Arizona. I creatively cropped this image to highlight its eye with the unique vertical pupil.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 1000; 0 ev; handheld]

I’m the only photographer that goes to Crex Meadows on the day before a full moon to shoot silhouettes such as this…Yeah right! I was just one of a couple dozen photogs there this evening to try and get this type of shot. Why go on the day before the full moon? Well, that is the evening that the moon rises before the sun sets and you can get some decent light on the birds in front of the moon. It is pretty much impossible to get both the cranes and moon in sharp focus even with a f22 aperture. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

Probably my favorite image from Ryan and I’s trip to the prairie potholes of North Dakota this past May. It was one of those situations that you dream of….Your subject just keeps hanging around (in this case a flock of Black Terns) and the light keeps changing (sun, rain, dramatic clouds, rainbows, sunset). We shot a lot. But this image was my favorite…and the bird isn’t even in the shot! Just the reflection of a Black Tern, the rain drops forming concentric rings, and the blue-orange reflection in the water. [Canon R5 with Canon 100-500mm lens at 300mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

I shot through a pile of blue ice to frame this Red-breasted Merganser on Lake Superior. Unique and creative to be sure, but not my favorite shot. [Canon R5 with Canon 100-500mm lens at 363mm; 1/400 second at f7.1; ISO 160; +1.66 ev; handheld]

Despite my “freeze frame” in-flight photo of a Broad-billed Hummer that made my Top Ten Bird Portraits, I actually prefer this Broadbilled shot. I slowed the shutter to a crazy slow 1/60 of a second and took a bunch of photos. This was my favorite…Head/eyes sharp and side lit wings in motion.  [Canon R5 with Canon 100-500mm lens at 238mm; 1/60 second at f5; ISO 100; -1.33 ev; handheld]

Apologies to my photo buddy Ryan (who hates “the dirty prairie dogs”), but I think they are darn cute and fun to watch. While waiting for Coyotes and Badgers in an unnamed valley in Theodore Roosevelt National Park I spent most of my time watching the antics of the “dogs.” The sun was setting and the rim light was developing nicely. I waited for this guy to stand up and throw his head back to give the warning call. It happens so quickly that I missed several but did get this one. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f7.1; ISO 160; -1.33 ev; tripod]

Spending time with a Great Gray all alone in Sax-Zim is like gold. And I enjoyed every minute of my solitude with this hunting owl. Maybe this shouldn’t be included in a Creative Wildlife category since it is just a frame plucked from a video clip. But I like the panning motion blur of the gliding Great Gray, which is inherent in video since it is shot at 1/60 second at 30fps.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/60 second; handheld]

I selectively desaturated this Western Grebe’s portrait leaving the shockingly red eyes and straw yellow bill. I like the feel of this photo…and I also think the water droplets are kind of neat. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f13; ISO 1600; +0.33 ev; on ballhead in floating blind]

Sometimes good things can happen on your way to taking the garbage cans to the end of the driveway! I looked up and saw about 30 Wild Turkeys in neighbor Paul’s field. There were about a dozen toms and 15 or 20 hens. It was quite a scene…strutting, battles, chasing. And the best part was that it was all backlit creating some very cool images. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 160; -2.00 ev; handheld]

High key images are finding their way into my faves category more and more these days. And it is a great technique when you have a bird against a blaah gray sky. Even better if you can include an interesting branch. I got both in this shot of a Blue Grosbeak in SE Arizona. I could have taken the yellow out of the branches but decided that the color added something to the image. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 160; +0.33 ev; tripod]

Another favorite from Crex Meadows “full moon-Sandhill Crane” shoot. The purple sky came out with some post processing in Lightroom. See above for more details on this evening at Crex.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

The thing about creative wildlife photos is that you often have to intentionally search for the creative possibilities in each situation. Since I was looking down on this PIed-billed Grebe, and it was flat gray light, it would have made a blaah portrait. But by intentionally shooting through the snow blobs on the willows it created a  surreal scene. It is nearly a black and white image, but I like the touch of red on the grebe’s throat. [Canon R5 with Canon 100-500mm lens at 200mm; 1/320 second at f5; ISO 100; -0.66 ev; handheld]

I do love silhouettes, but there usually has to be something extra about the photo to make it a “top tenner.” In this image of a Western Grebe on Horsehead Lake in North Dakota, that something extra is the geometric shapes of the rushes and their reflection. [Canon R5 with Canon 100-500mm lens at 254mm; 1/400 second at f14; ISO 100; 0 ev; handheld]

During the icy grip of the February 2021 Polar Vortex cold snap, Sparky travels to the mostly frozen Mississippi River of southeast Minnesota and southwest Wisconsin to photograph Bald Eagles fishing open spots close to shore. He also looks for Golden Eagles inland in Houston and Winona Counties in Minnesota.

Bitter windchills means frozen toes and fingers, but the Canon R5 does an amazing job of autofocus while shooting super slow motion (4K 120fps) video of the eagles.

A trip to Old Frontenac Cemetery nets Sparky’s first photos and videos of Tufted Titmouse in Minnesota.

The trip ends at Crex Meadows near Grantsburg Wisconsin where an unexpected Gray Fox and Red Fox make a dusk appearance.

A LONG 500-mile day trip birding in west central Minnesota. Join me on this “Armchair birding tour” as I photograph American Avocets at the North Ottawa Impoundment (find a rare Snowy Egret), get super slow-motion video of Chimney Swifts in flight in downtown Osakis, shoot Western Grebes on Lake Osakis, and visit a Great Egret/Black-crowned Night-Heron/Double-crested Cormorant colony at Adam’s Park/Grotto Lake in Fergus Falls.

I also discover that a NASA astronaut was born and raised in tiny Vining, Minnesota (pop. 63), which is also the home of the world’s largest clothespin.

Slow-motion video with the Panasonic GH5 and Sigma 50-500mm lens.

Creative photos of wildlife are often my goal, but rarely realized.

When we encounter an interesting critter in the field we first take a “record” shot (basically a snapshot). Now we at least have an identifiable image of the animal. Next we try and get a decent portrait. And once we have that, we can play around with exposures (silhouettes?), shutter speeds (often longer for blurs), wider angles (including some of the surrounding landscape) and different perspectives.

This is when it really gets fun! It is low percentage shooting to be sure, but the results are often much more interesting than another “bird on a stick” photo.

I’ve tried to get a photo like this with Red-winged Blackbirds and Sandhill Cranes, and always failed miserably. But when Ryan and I came upon the resident pair of Raven beggars in the Hayden Valley in October, I saw my chance for redemption! The sun was low and the ravens vocal…a perfect combo for the “backlit breath” shot. Only one problem…the wind was very slightly blowing…and in the wrong direction…so their breath was blowing behind their heads. And also, the biggest puff of air usually comes after the Raven is already closing its bill. This one was the best of the bunch.

I like the monochromaticity (is that a word?) of this image. The heavy snow softens the distracting maze of aspens. I did lighten the whole image so that the whites of the snow were just blowing out. The Bald Eagle is waiting for its turn at a deer carcass.

You have to crawl into the photo blind at grouse/prairie chicken leks about an hour before sunrise in order not to spook the birds. But what do you do while you wait for enough light to take action shots? Well, you can record audio of the “booming” birds…or you can take long (and I mean looooong) exposure panning shots.

I really like how this one turned out. The bird is sharp enough, and I love how its orange eyebrows and air sac contrasts beautifully with the blues of the predawn grass.

I had several nice “high key” images in 2019. I like this one of a flock of Tundra Swans winging their way through western Minnesota towards the tundra of northern Canada. I intentionally blew out the whites to make a more graphic image.

I really do have more than enough Bison shots after 10 years of shooting in Yellowstone. But when we rolled up to this herd along Fountain Flat Drive I saw a scene developing. I decided to back off on the focal length to create a “wildlife-in-the-landscape” shot. And as the sun sank, the grass began glowing and the rimlight on the shaggy beasts was perfect. Of course I do wish more had their heads up, but that is wishful thinking with grazing Bison.

Not sure anybody else will agree with me here, but I love the feel of this image. It is just 3 Ravens in aspen woods in a snowstorm, but it evokes something in me. Can’t describe it…I’ll have to ponder this more.

Can you find the hawk? Just a small silhouette of a Redtail contrasting with the stark dead tree silhouettes and backed by a gorgeous post sunset purple glow.

Another “high key” image where I increased the exposure and adjusted the levels to clip the whites to create a more graphic image. I like how the Hawk Owl’s yellow eyes and beak, rusty plumage and green lichens pop on the white background. The overcast sky was just a gray blah background so this is one trick to salvage such images.

Just a zebra in black and white. The zebra was in the sunlight, but its shelter was heavily shaded. Maybe not the most creative shot, but I love the graphic nature of the image…and what a striking animal!

I increased the exposure and elevated the whites, and also decreased the contrast by opening up the shadows in Lightroom.

The photo of the Bison is a result of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here! You will either love or hate this photo.

It was a stunning and unexpectedly massive goose migration in western Minnesota this April. I sounded like an old-timer telling Bridget and the kids about my experience…”You should’ve seen it…clouds of geese in the air. Skeins of geese overhead constantly. The air was filled with flocks!”

I played with some longer exposures while keeping the camera still. I did okay but the trees in the background aren’t as sharp as I’d like.

I was taking landscape photos and video with a DJI Phantom 4 Pro when I passed over these early-returning Trumpeter Swans. The ignored the “whirring bird” over their heads completely. You don’t often see wildlife from above. I also like the colors in the water.

NEXT UP…Top Ten Landscape photos of 2019

***Just a note to my subscribers that I have now ponied up for the “Premium” plan so you won’t have to wade through those annoying ads placed into my posts.

October 6-7, 2019

Since we were coming from the South Dakota Badlands, Ryan Marshik and I headed towards the Yellowstone East Entrance. The country between Cody, Wyoming and the park is stellar, and as we got closer, we started thinking, “Hey, we might even have some shooting light by the time we get into Yellowstone!”

But even before we got to the park, we had our first bear sighting. It was a Grizzly crossing the Northfork Shoshone River. We managed a few snaps but it was soon into the brush…but on our side of the river. So we decided to pull over in a locked entrance to a campground. And we didn’t have to wait long! The Grizzly was working its way towards us…and completely ignoring the two Minnesota guys laying on the ground pointing big barrel-shaped things toward it. Within a minute the bear was too close for comfort and we retreated to the vehicle.

But then a large patch of Wild Rose hips caught her attention. And she began delicately plucking the ripe fruit only 20 yards from us. It was dusk and we kept cranking our ISO up. I ended up at my max for my old Canon 7D…ISO 6400. Some noise in the photos, but I’d MUCH rather have a sharp and grainy/noisy photos of a Grizzly than a blurry noise-free shot!

These images took quite a bit of working in Lightroom to get to the images below.

Eventually she sauntered within 2 feet of our SUV. A really neat encounter. Made better by the fact that we didn’t have to share it with the typical Yellowstone “shooting gallery.”

Due to our wonderful “bear delay,” we didn’t get inside the park until sunset. But Ryan spotted this perched Red-tailed Hawk which made for a neat silhouette.

We camped in the Madison Campground, and headed out in the early morning, excited to see the Hayden Valley again. The last seven years had been spring trips, and almost every time the road through the valley had still not been opened up by the time we arrived.

And we found this cooperative Raven. In all likelihood, it is probably the same begging Common Raven that I photographed here years ago. It is such a treat to be able to get close to these birds since in Minnesota they are so spooky that you can’t even touch the brake pedal and they are gone.

Video of the Raven’s backlit breath while calling was my goal, but I also tried some stills. Like Ryan said, it would have been better if the slight breeze hadn’t been blowing their breath behind them. Interestingly, the biggest puff of breath didn’t come until their beak was already half closed again…and not when it was fully open.

I intentionally darkened this image, and increased contrast, in Lightroom to make it a more dramatic photo.

We were photographing the Coyote below when Ryan spotted this distant Grizzly. We knew we were somewhere near a carcass by the small Raven congregation and 3 Coyotes milling around. We had walked out into this meadow near Canyon to check it out. We later learned that it was a carcass that had been picked over, and this Grizz was probably checking on it…Just in case.

Day 2-3 in Yellowstone coming soon

Ryan Marshik and I moved our annual Yellowstone trip to fall this year. We hadn’t “done fall” since 2012. Only late April-early May spring trips from 2013-18. And this time we were NOT going to go through the relative torture of driving 17 hours straight to Yellowstone. No siree. This time we decided to make our first stop South Dakota’s Badlands National Park.

We had high expectations for beautiful landscapes and Bighorn rams, and a slight hope for a Burrowing Owl. Ryan had a report from a friend of a location from this summer where a Burrowing Owl had set up camp in a Prairie Dog town.

Well, we found the Prairie Dogs! Ryan doesn’t care for these rodents at all. But this is where the Burrowing Owl had been reported, so he tolerated them.

I love these “Group Backrub” photos. This is a family group of young ones and an adult.

Ryan’s “owl intel” paid off! The next morning we drove by the spot where his friend Sandra had seen one in the summer. I saw a very round blob and yelled, “Stop!” Sure enough, a Burrowing Owl was soaking up the first rays of sun on a cool morning. But as we stopped the car and fired off a few shots, it retreated to the safety of its abandoned Prairie Dog hole.

A few minutes later, we found a second Burrowing Owl about 100 yards away. This one was in perfect light, but crouched down when we stopped the car, and hid in the burrow when we got out.

We set up our tripods across the road from the owl and laid down to shoot at eye level. But this guy wasn’t having it. He’d only peek above the rim of his safe hidey-hole, and even after an hour and a half didn’t show any more of himself than the top of his head and two eyes. But a very neat experience none the less.

The 3 photos above are results of me playing around with Lightroom controls and experiencing a “haccident”… a happy accident. By sliding the Luminance slider to 100 and the Detail slider to 0 under the Noise Reduction panel, you reduce the detail in the image and it creates a painterly quality to the photo. No Photoshop filters here!