“Is this just another category so you can show more bird photos Sparky?” Why, yes, yes it is! And just so you know…I do include flying as a behavior for some reason. I guess technically everything a bird does is “behavior,” so I’m good!

I can feel my frozen finger tips by just looking at this photo. So COLD! Most of the Mississippi River was frozen at this point in February; only spots below locks and dams were open…and this spring-fed spot near Buffalo, Wisconsin. Though it appears this young Bald Eagle is preying on the Common Goldeneyes, it is actually plucking small fish from just below the surface. There were several eagles and they made multiple passes each. I just laid down on the snow with my Canon R5 and Canon 100-500mm lens and started tracking them as they approached. The R5 did amazingly well, even in the well-below-zero-F temps. I like the monochromatic blue cast to this image.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 100; 0 ev; handheld]

The critical moment. It has always been a thing of wonder to watch birds of all types landing on perches. Can you imagine the vision and motor skills this takes? How about a Great Gray Owl alighting on the tip top of a tiny spruce? It can’t even see the bough when it actally lands! This Green Heron made a perfect two-point landing I am proud to report.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 640; 0 ev; handheld]

Courtship in American Avocets is highly stylized. This water-thrashing by the male is performed immediately before he mounts the female. The only way I was able to get this behavior shot from such close range was because I was invisible! My floating blind hides the human form which is what alarms much wildlife.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 100; 0 ev; on tripod head in floating blind]

Not a great photo but kind of fun with all the “bird bickering” going on. This, of course, is common behavior at bird feeders. Evening Grosbeaks are some of the feistiest! Sax-Zim Bog is the best place to find big flocks in winter.

[Canon R5 with Canon 100-500mm lens at 451mm; 1/800 second at f7.1; ISO 2000; -0.33 ev; handheld]

It is not only Carpenter Bees (in background) that find the blossoms of agaves irresistable! Hooded Orioles also make a beeline for the blooms where they can feast on nectar.

I waited a couple hours to get this shot. I chose a single blooming agave that was at or below eye level (most others were higher up so it would be a less interesting angle with a blah sky background). A few female Hoodeds came in but I really wanted a male. But I kind of blew it with the autofocus as it locked on the flower and not the bird (so don’t blow this photo up too much!).

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; 0 ev; on tripod head in floating blind]

Preening takes up a lot of a bird’s resting time. You’ve got to keep those feathers nice and aligned! The floating blind again worked its magic on this prairie pothole lake in North Dakota as I was able to approach this Wilson’s Phalarope closely…Not unnoticed, of course, it knew a big floating blob was only 10 yards away, but rather completely ignored. It didn’t care that the blob was close since it was not a human- or prey-shaped form.

[Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

In recent years massive numbers of geese have migrated through western Minnesota in spring. Part of this is due to the creation of the huge North Ottawa Impoundment in Grant County. It is part of a multi-county watershed project that has benefited wildlife immensely.

I noticed the moon and intentionally shot straight up as flock after flock of Snow Geese headed north overhead.

In hindsight I should have shot with a MUCH smaller aperture to make the moon sharper in the image. After all I was only at ISO 200 and I could have got a clean image up to ISO 5000 or higher. [Canon R5 with Canon 100-500mm lens at 254mm; 1/1250 second at f5; ISO 200; 0 ev; handheld]

Human and Wild Turkey courtship have a few similarities: Males strutting their stuff to impress the ladies! The backlit feathers in early-morning light really make this shot.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 320; -2.0 ev; tripod]

Prairie potholes aren’t just for ducks! Shorebirds benefit greatly as well. American Avocets mating in the prairie pothole region of North Dakota.

[Canon R5 with Canon 100-500mm lens at 472mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This Western Grebe is not just getting a drink; it is actually performing part of its courtship ritual. “Dip-shaking” is when one grebe faces another, extends its neck and dips its head in the water, lifting it slowly, water dripping from its open mouth. This behavior occurs just before “rushing,” in which both birds race across the water in a vertical position. [Canon R5 with Canon 100-500mm lens at 428mm; 1/1250 second at f6.3; ISO 320; +0.33 ev; on tripod head in floating blind]

Ready for take-off! Black-throated Hummingbird showing its true colors (Shouldn’t they be called “Magenta-throated Hummingbirds??)

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f8; ISO 800; +0.33 ev; handheld but braced on car door frame]

I simply like the vibrant colors (and blurred wings) of this Broad-billed Hummingbird feeding on garden flowers in Madera Canyon in southeast Arizona.

[Canon R5 with Canon 100-500mm lens at 300mm; 1/320 second at f6.3; ISO 1000; 0 ev; handheld]

Black Tern cruising over a prairie marsh in North Dakota.

[Canon R5 with Canon 100-500mm lens at 200mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

Male Yellow-headed Blackbirds showing off his white epaulets during his courtship song. Interestingly, Yellow-heads are dominant over Red-winged Blackbirds.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/3200 second at f7.1; ISO 1000; +0.33 ev; handheld]

[Canon R5 with Canon 100-500mm lens at 451mm; 1/1250 second at f6.3; ISO 400; +0.33 ev; on tripod head in floating blind]

Birds MUST preen their feathers in order to keep them in top shape. Preening aligns and locks the barbules on each feather. It also cleans the feathers and removes parasites. They also rub a waterproof substance from a body gland on the feathers to keep them from soaking through.

This Northern Shoveler was so busy preening that it paid my floating blind no attention at all.

[Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f7.1; ISO 500; +0.33 ev; on tripod head in floating blind]

This is really where my heart is in regards to wildlife photography.

Black-capped Chickadee wings iridesce when backlit by the sun. My fingers were frozen by the time I got the shot, but it was worth it 🙂 The electronic 30fps shutter on the Canon R5 sure helps in these situations!  As does prefocusing on the spot where the chickadee will be. [Canon R5 with Canon 100-500mm lens at 270mm; 1/2000 second at f5.6; ISO 800; -1.00 ev; tripod]

Laying on the ground with a Western Diamondback Rattlesnake is an experience I hadn’t had until my July trip to southeast Arizona. I creatively cropped this image to highlight its eye with the unique vertical pupil.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/800 second at f8; ISO 1000; 0 ev; handheld]

I’m the only photographer that goes to Crex Meadows on the day before a full moon to shoot silhouettes such as this…Yeah right! I was just one of a couple dozen photogs there this evening to try and get this type of shot. Why go on the day before the full moon? Well, that is the evening that the moon rises before the sun sets and you can get some decent light on the birds in front of the moon. It is pretty much impossible to get both the cranes and moon in sharp focus even with a f22 aperture. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

Probably my favorite image from Ryan and I’s trip to the prairie potholes of North Dakota this past May. It was one of those situations that you dream of….Your subject just keeps hanging around (in this case a flock of Black Terns) and the light keeps changing (sun, rain, dramatic clouds, rainbows, sunset). We shot a lot. But this image was my favorite…and the bird isn’t even in the shot! Just the reflection of a Black Tern, the rain drops forming concentric rings, and the blue-orange reflection in the water. [Canon R5 with Canon 100-500mm lens at 300mm; 1/1000 second at f5.6; ISO 320; 0 ev; handheld]

I shot through a pile of blue ice to frame this Red-breasted Merganser on Lake Superior. Unique and creative to be sure, but not my favorite shot. [Canon R5 with Canon 100-500mm lens at 363mm; 1/400 second at f7.1; ISO 160; +1.66 ev; handheld]

Despite my “freeze frame” in-flight photo of a Broad-billed Hummer that made my Top Ten Bird Portraits, I actually prefer this Broadbilled shot. I slowed the shutter to a crazy slow 1/60 of a second and took a bunch of photos. This was my favorite…Head/eyes sharp and side lit wings in motion.  [Canon R5 with Canon 100-500mm lens at 238mm; 1/60 second at f5; ISO 100; -1.33 ev; handheld]

Apologies to my photo buddy Ryan (who hates “the dirty prairie dogs”), but I think they are darn cute and fun to watch. While waiting for Coyotes and Badgers in an unnamed valley in Theodore Roosevelt National Park I spent most of my time watching the antics of the “dogs.” The sun was setting and the rim light was developing nicely. I waited for this guy to stand up and throw his head back to give the warning call. It happens so quickly that I missed several but did get this one. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f7.1; ISO 160; -1.33 ev; tripod]

Spending time with a Great Gray all alone in Sax-Zim is like gold. And I enjoyed every minute of my solitude with this hunting owl. Maybe this shouldn’t be included in a Creative Wildlife category since it is just a frame plucked from a video clip. But I like the panning motion blur of the gliding Great Gray, which is inherent in video since it is shot at 1/60 second at 30fps.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/60 second; handheld]

I selectively desaturated this Western Grebe’s portrait leaving the shockingly red eyes and straw yellow bill. I like the feel of this photo…and I also think the water droplets are kind of neat. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1250 second at f13; ISO 1600; +0.33 ev; on ballhead in floating blind]

Sometimes good things can happen on your way to taking the garbage cans to the end of the driveway! I looked up and saw about 30 Wild Turkeys in neighbor Paul’s field. There were about a dozen toms and 15 or 20 hens. It was quite a scene…strutting, battles, chasing. And the best part was that it was all backlit creating some very cool images. [Canon R5 with Canon 100-500mm lens at 500mm; 1/1000 second at f8; ISO 160; -2.00 ev; handheld]

High key images are finding their way into my faves category more and more these days. And it is a great technique when you have a bird against a blaah gray sky. Even better if you can include an interesting branch. I got both in this shot of a Blue Grosbeak in SE Arizona. I could have taken the yellow out of the branches but decided that the color added something to the image. [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 160; +0.33 ev; tripod]

Another favorite from Crex Meadows “full moon-Sandhill Crane” shoot. The purple sky came out with some post processing in Lightroom. See above for more details on this evening at Crex.  [Canon R5 with Canon 100-500mm lens at 500mm; 1/640 second at f8; ISO 1600; 0 ev; tripod]

The thing about creative wildlife photos is that you often have to intentionally search for the creative possibilities in each situation. Since I was looking down on this PIed-billed Grebe, and it was flat gray light, it would have made a blaah portrait. But by intentionally shooting through the snow blobs on the willows it created a  surreal scene. It is nearly a black and white image, but I like the touch of red on the grebe’s throat. [Canon R5 with Canon 100-500mm lens at 200mm; 1/320 second at f5; ISO 100; -0.66 ev; handheld]

I do love silhouettes, but there usually has to be something extra about the photo to make it a “top tenner.” In this image of a Western Grebe on Horsehead Lake in North Dakota, that something extra is the geometric shapes of the rushes and their reflection. [Canon R5 with Canon 100-500mm lens at 254mm; 1/400 second at f14; ISO 100; 0 ev; handheld]

Early August 2020, Carlton County, Minnesota

Estimating numbers of birds coming to your feeder is, of course, an inexact science. But we all know that there are FAR MORE BIRDS using your feeders than you see at anyone time.

The max I saw at my one Carlton County feeder at one time in early August was 9….and they were going through a quart every 48 hours. So by using the two methods below, I was likely hosting between 54 and 64 Rubythroats each day!

TWO METHODS for calculating hummingbirds at a feeder have been derived by hummer experts:

1. Multiply max number you see at one time by 6: This formula was arrived at by banders Nancy Newfield and Bob & Martha Sargent who arrived at this numerical factor after years of banding and color-marking hummers at feeders. Using this formula, I was feeding 54 hummers on any give day in early August.

2. Divide hummingbird nectar ounces consumed per day by 0.25: This “Consumption formula” was devised by North America’s preeminent hummingbird authority, Sheri Williamson, based on years of experience. Sheri arrived at 1/4 oz. per small hummer per day. I was going through 32 ounces in two days, so 16 ounces per day. That calculates to 64 hummers were using my single feeder each day. Crazy!

I have put Sheri’s actual blog post below: “Studies of field metabolic rates (the average rate at which an organism consumes energy as it goes about its daily life) indicate that small hummingbirds such as Black-chinned and Ruby-throated are going to need 45% to 50% of their body weight in sucrose (a.k.a. white sugar, the dominant sugar in the nectar of hummingbird flowers) to get through an ordinary day, so they would actually need 180% to 200% of their weight in a 25% sucrose solution.

A 25% solution is much stronger than most people use in their feeders. The generally recommended proportion is 1 part table sugar to 4 parts water by volume, which comes out to about 18% sugar by weight. Converting to this recipe, it would take approximately 250% to 280% of the bird’s weight in ordinary 1:4 feeder solution to meet each bird’s daily energy requirements.

So, how do you use these data to estimate numbers of feeder visitors? The simplest way is to convert grams to fluid ounces so that you can measure the volume consumed (you can even mark your feeder and estimate usage on the fly).

According to my postal scale, one fluid ounce of 1:4 sugar water weighs about 35.5 grams (approximately 20% more than its plain water counterpart). We’ll average the weight of the birds to 3.5 grams, or about 10% of the weight of a fluid ounce. Multiply that times by 265% for average consumption and we get 0.265 fluid ounce of 1:4 feeder solution per bird per day, which we’ll round down to 1/4 fluid ounce per bird per day. This multiplies out to around 32 smallish hummingbirds per 8 ounces of 1:4 sugar water, 128 per quart, and 512 per gallon. This is higher than the TFFBBB estimate, which is not surprising considering the differences between our figures for weight and consumption rates of the birds and weight/volume ratio of the sugar solution.

Of course, there are a lot of factors that can skew this already crude estimate. The amount of sugar water each bird consumes may be greatly reduced when natural nectar sources are available and greatly increased when the birds are under stress from cold, drought, courtship, fighting, nesting, and/or migration. A given volume will supply the needs of more birds if you make your feeder solution a little stronger than 1:4, as many people (myself included) do in winter and migration, and fewer if you make it a little weaker. Size figures in as well, so a given volume of sugar water will feed fewer Anna’s than Black-chinneds.”

—Sheri Williamson on her blog, Life, Birds, and Everything: Jan. 12, 2008

https://fieldguidetohummingbirds.wordpress.com/2008/01/12/running-the-hummer-numbers/

I’ve already posted my favorite “Bird-in-the-Landscape” photos, and Top Twelve Mammals of 2019, so now it is time for my Best Bird Portraits of the year. It is a fun exercise going through all the photos from the year and coming up with the best of the best…especially when you didn’t think you had such a great photographic year.

I hadn’t been birding in Southeast Arizona for many years, so this June I headed down to reacquaint myself with birds of the Chihuahuan and Sonoran desert. Even the very common Gambel’s Quail was a treat to see after these many years. Their call (as this guy is performing) is memorable and distinctive.

What I really wanted this day was a photo of a mated pair of Western Grebes performing their courtship “run-across-the-water” dance performance. But the water was too choppy for that, but I did get a nice portrait of a spectacular bird.

Any time I can get birds in a field of flowers it is almost surely going to make a pleasing image. This adult and colt was molting into their winter gray from their iron-stained summer plumage.

A kayak provides an eye-level vantage for photographing hard-to-reach water birds …but it is also a difficult platform to work from since the kayak tends to spin once stopped. But I was able to get this shot of a Forster’s Tern on its nest with its reflection in the water.

I like the leading line of the branch and how the hummingbird’s wing is almost an extension of the sweep of the branch. The Rivoli’s Hummingbird’s iridescent feathers show well in this image high up in the Arizona Mountains.

See more Arizona hummingbird photos here

It is only a House Finch, but I like the shape of the Ocatillo’s stalks and how the red blossom stalks match the bird’s plumage. The blue sky doesn’t hurt either!

House Finches are native to the western U.S. but were introduced to the East Coast in the 1940s (?). The arrived in Minnesota by the late 1980s but are still not extremely common.

Males battle on the dancing lek of the Greater Prairie Chickens. Battles are brief and often end in an aerial skirmish. I was in a blind from well before sun-up until all the males left at mid morning.

See more photos from my morning at the Prairie Chicken lek here

Not much of a photo huh? No it’s not technically a good bird photo but I included it because it is one of North America’s most rarely seen bird, and taken at 11pm in complete darkness in a cattail/sedge marsh with about a million mosquitos around my head. Plus, I was holding a flashlight in one hand and my camera in the other!

Read more about this adventure here (and see the video).

Talk about well camouflaged! I have other photos that are tighter and more portrait-like, but I like this photo because it shows how their spotted plumage hides them in the dappled sunlight.

See more Spotted Owl photos here

How cute are these little guys? I like their tiny top knots. One of the fun things to do in Southeast Arizona is to sit at a feeding station and just wait and see what comes in. I probably saw 25 species of birds in a couple hours while sitting in a lawn chair.

Another Southeast Arizona bird I hadn’t seen in ages…the Elegant Trogon. I was tipped off to a nest location so I spent a fair amount of time watching mom and dad come and go. The nest cavity was hard to see and I only had one tiny opening to get a photo. This is about the only decent image I got, but I did get video as well.

See more photos from the Cave Creek/Portal area of Arizona here

Another image of a Prairie Chicken battle. I like the blurred wing and unusual pose of this male.

See the VIDEO of my morning at the Prairie Chicken lek here

Too bad I wasn’t a bit closer when I took this photo. It is highly cropped. But I love the two baby Red-necked Grebes…especially the one peaking out from its mom’s wings.

Minnesota has incredible birds. In fact, many birds on American birder’s “Most Wanted” list occur here: Great Gray Owl, Northern Hawk Owl, Boreal Owl, Connecticut Warbler, etc. And I love the fact that in a few hours drive or less from home I can bird THREE MAJOR BIOMES—Tallgrass Prairie, Eastern Deciduous Forest, and Boreal Forest.

BUT at home in Minnesota we only have ONE HUMMINGBIRD species! The lovely but lonely Ruby-throated Hummingbird. The fact that southeast Arizona hosts about a dozen species (some are migrants) makes it America’s hummer hotspot and a wonderful reason to head to the heat.

I saw seven of the eight species that could be expected in SE Arizona in July. I only missed Costa’s Hummingbird in the wild. (But I did see Costa’s and Rufous in the aviary in the Sonoran Desert Museum)

SEVEN species seen at feeders or while out hiking…

• Lucifer Hummingbird (Dave Jasper’s yard in Portal; Also Foothills Road near Portal)
• Violet-crowned Hummingbird (Beatty’s Miller Canyon Orchard & Apiary near Sierra Vista; Also Paton’s Hummingbird Sanctuary in Patagonia)
• Broad-billed Hummingbird (most widespread: Beatty’s Miller Canyon Orchard & Apiary near Sierra Vista; Paton’s Hummingbird Sanctuary in Patagonia; Patagonia-Sonoita Creek Sanctuary; etc)
• Broad-tailed Hummingbird (a high-elevation specialist: Palisade Ranger Staton on Mt. Lemmon near Tucson; Rustler Park at over 8,000 feet near Patagonia in the Chiricauhuas)
• Blue-throated Hummingbird (only at Cave Creek Ranch near Patagonia)
• Black-chinned Hummingbird (Beatty’s Miller Canyon Orchard & Apiary near Sierra Vista; Patagonia-Sonoita Creek Sanctuary)
• Rivoli’s Hummingbird (formerly Magnificent Hummingbird) (Palisade Ranger Staton on Mt. Lemmon near Tucson; Beatty’s Miller Canyon Orchard & Apiary near Sierra Vista)

Two captive species

• Costa’s Hummingbird (only in captivity at the Sonoran Desert Museum aviary near Tucson)
• Rufous Hummingbird (only in captivity at the Sonoran Desert Museum aviary near Tucson)

You can see the restricted range for these hummingbirds from these MAPS from http://www.allaboutbirds.org. Most don’t get much farther north than southeast Arizona.

Range map of Violet-crowned Hummingbird (pink is breeding only)

LUCIFER HUMMINGBIRD

Some fun facts about Lucifer Hummingbirds from http://www.allaboutbirds.org…

• Lucifer Hummingbird belongs to a group of hummingbird species called “sheartails,” named for their deeply forked, narrow tail.
• Mainly a bird of Mexico, the Lucifer is quite rare in the U.S so a real treat for us birders!
• Unlike other hummingbirds, the male Lucifer Hummingbird performs its displays at the nest of a female.
• Occasionally also seen in the Big Bend region of Texas.

BLUE-THROATED HUMMINGBIRD

Some fun facts about Blue-throated Hummingbirds from http://www.allaboutbirds.org…

• This Lampornis species is really a member of the Mountain-Gem genus, so they may be renamed to “Blue-throated Mountain-Gem” in the future.
• Blue-throated are the largest hummingbird in North America, weighing 3x more than a Ruby-throated Hummer
• Males do not have an aerial display like most hummingbirds. Instead they have several vocalizations that they use in courtship.
• They will mob birds much larger than themselves…even Goshawks! Several may work together to drive them away.
• Oldest recorded Blue-throated lived at least 7 years and 11 months.

VIOLET-CROWNED HUMMINGBIRD

Some fun facts about Violet-crowned Hummingbirds from http://www.audubon.org…

• This relative newcomer to the U.S. was only discovered nesting in 1959.
• It is only found in lower canyons with large Arizona Sycamores and/or Cottonwoods, usually along streams with brushy understory.

RIVOLI’S HUMMINGBIRD (formerly MAGNIFICENT HUMMINGBIRD)

Some fun facts about Rivoli’s Hummingbirds from http://www.allaboutbirds.org…

• Second largest Hummingbird in the U.S.
• One of the highest heart-rates of any vertebrate…420 to 1200 beats per minute!
• An 11-year old bird (!) was banded in Arizona
• A hummingbird flower mite uses the Rivoli’s Hummingbird for transport: hiding in the birds’ nasal passages until they can jump off at a subsequent flower patch.
• Known as Magnificent Hummingbird from the 1980s until 2017.
• Named for the Duke of Rivoli who was an amateur ornithologist.

BROAD-BILLED HUMMINGBIRD

Some fun facts about Broad-billed Hummingbirds from http://www.allaboutbirds.org…

• Broad-billed Hummingbirds that nest in Arizona are migratory; populations in Mexico are resident year-round in their breeding range.
• The male Broad-billed Hummingbird performs a courtship display, starting by hovering about a foot from the female and then flying in repeated arcs, like a pendulum.Broad-billed Hummingbirds that nest in Arizona are migratory; populations in Mexico are resident year-round in their breeding range.

BLACK-CHINNED HUMMINGBIRD

Some fun facts about Black-chinned Hummingbirds from http://www.allaboutbirds.org…

• The Black-chinned Hummingbird’s tongue has two grooves; nectar moves through these via capillary action, and then the bird retracts the tongue and squeezes the nectar into the mouth. It extends the tongue through the nearly closed bill at a rate of about 13–17 licks per second
• This is one of the most adaptable of all hummingbirds, often found in urban areas and recently disturbed habitat as well as pristine natural areas.
• Along good stretches of some southern Arizona and southern New Mexico rivers, nests may be found every 100 meters or so

BROAD-TAILED HUMMINGBIRD

Some fun facts about Broad-tailed Hummingbirds from http://www.allaboutbirds.org…

• The longest-lived Broad-tailed Hummingbird was a female, and over 12 years, 2 months old, when she was recaptured and rereleased during a banding operation in Colorado in 1987. She had been banded in the same state in 1976.
• Male Broad-tailed Hummingbirds produce a loud metallic “zzzinnggg” trill with their wingtips as they fly, but over time the feathers that produce this sound wear down from use. By midwinter the trill is often inaudible.
• They breed at elevations up to 10,500 feet (!!), where nighttime temperatures regularly plunge below freezing. To make it through a cold night, they slow their heart rate and drop their body temperature, entering a state of torpor.
• Sometimes they use sap as a nectar substitute, visiting sapwells excavated by Red-naped Sapsuckers.

RUFOUS HUMMINGBIRD

Patagonia is a very small town that looms large in the legacy of American birding. It is a must-bird site for all visiting birdwatchers. I hit two of the most famous spots; Paton Center for Hummingbirds (formerly the home of Wally and Marion Paton and their plethora of hummingbird feeders) and the Patagonia-Sonoita Creek Sanctuary.

This is an exercise I do every January…Pick my favorite nature images from the previous year. And I obviously don’t limit it to 10 images…It’s just too painful. So here is my “Top Eighteen” bird images of 2016. I’m also going to do a “Top Ten” for my favorite Creative Wildlife Images and Mammals.
I’m not saying these are the images that YOU are going to like best…nor are they images that are technically perfect, but they are, for various reasons, my favorites. So here they are in no particular order…

Northern Cardinal, New Hope, Minnesota.
Do red and pink compliment each other? …or clash? I don’t mind the color combo of the red Northern Cardinal and pink-flowered crabapple in this photo…but I do think the touch of blue sky helps.
[Canon 7D with Canon EF 400mm f/5.6L; 1/400 at f5.6; ISO 320; handheld]

American Goldfinch, Skogstjarna, Carlton County, Minnesota.
Would you be surprised if I told you I took this from the comfort of a camp chair in my yard? Well, I was in a blind, and the “pond” is actually a pool made from a 4×8 sheet of plywood and some 2x4s….an infinity pool for birds! I love how the yellow of the sunflowers matches the Goldfinch’s plumage. I was hoping for a better pose and head position but I’ll take it.
[Canon 7D with Canon EF 400mm f/5.6L; 1/200 at f5.6; ISO 320; tripod]

Barred Owl, Aitkin County, Minnesota.
Okay, to be honest, I was looking for Great Gray Owls when this Barred Owl appeared along a remote stretch of road. And unlike usual encounters with Barred Owls, this guy stuck around…He was very intent on some unseen rodent below the roadside snow. So I sat and watched. He finally plunged down but was unable to get the vole, but he paused long enough to get his portrait in early morning light.
[Canon 7D with Canon EF 400mm f/5.6L; 1/2000 at f5.6; ISO 800; handheld, braced on car window frame]

Wild Turkey, Skogstjarna, Carlton County, Minnesota.
I never dreamed that I’d have Wild Turkeys in my woods in northeast Minnesota. In fact, I had to go to the extreme SE corner of the state in the 1980s just to add one to my state list…That’s about 300 miles south! But 30 years later, I have upwards of 30 that stop by my feeding station to load up on cracked corn. This guy seems to be wondering what that white stuff is falling from the sky.
[Canon 7D with Canon EF 400mm f/5.6L; 1/50 at f7.1; ISO 500; handheld, and taken through living room window]

Black-backed Woodpecker nest, Norris Camp, Lake of the Woods County, Minnesota.
Note how Black-backed Woodpeckers peal all the bark from around their nest hole…this is NOT done by Hairy Woodpeckers or other 4-toed woodpeckers. They also prefer living conifers with heart rot. I watched these busy parents and constantly begging young for a couple hours.
[Canon 7D with Canon EF 400mm f/5.6L; 1/320 at f5.6; ISO 320; fill flash; Manfrotto tripod with Whimberly Sidekick]

Black-bellied Plover, Wisconsin Point, Lake Superior.
Shorebirds hold a special attraction for me. Partly because of where I live…in the middle of the country, but close to the “inland sea” of Lake Superior. I often scour the sandy beaches of Duluth, Minnesota’s Park Point and Superior, Wisconsin’s Wisconsin Point. I found this breeding plumaged Black-bellied Plover on the orange-lichened boulders of the Wisconsin Point breakwall. I like the contrast of the black and white bird, orange lichens and blue sky.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 100; handheld, braced on rock]

Broad-winged Hawk nestlings, Welcome Center, Sax-Zim Bog, Minnesota.
Jessica Dexter and I found this nest during our Friends of Sax-Zim Bog BioBlitz in July. What alerted us was a splash of whitewash on the shrubs along the path…We looked up and Bingo! They both fledged successfully and many folks got to watch them through a spotting scope from a safe distance.
[Canon 7D with Canon EF 400mm f/5.6L with 1/4x teleconverter; 1/180 at f8; ISO 200; fill flash; Manfrotto tripod with Whimberly Sidekick]

Calliope Hummingbird, Park Point, Duluth, Minnesota.
This was only the second Minnesota record of a Calliope Hummingbird…and the other was a late fall blah-plumaged bird. This male was in all his summer splendor! He flared his gorget when a “rival” Ruby-throated Hummingbird would come by. Many folks got to see this stunner over a couple days along a dune boardwalk at the Duluth shore of Lake Superior.
[Canon 7D with Canon EF 400mm f/5.6L; 1/125 at f5.6; ISO 1600; fill flash; Manfrotto tripod with Whimberly Sidekick]

Forster’s Tern, Agassiz National Wildlife Refuge, Minnesota.
Several Forster’s Terns were making a circuit along this creek outflow. And the fishing must have been great, for they frequently plunged head-first into the water, and like this one, came up with beakfuls of small fish. I like the graceful swoop of the tern’s long tail.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 320; handheld, braced on car window frame]

Gray Jay, Owl Avenue, Sax-Zim Bog, Minnesota.
Gray Jay taking flight from a small spruce.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 1000; Manfrotto tripod with Whimberly Sidekick]

Great Gray Owl, Admiral Road, Sax-Zim Bog, Minnesota.
I do have 100s of decent Great Gray Owl photos, but I like this one because it places the owl in its favored habitat…Black Spruce-Tamarack forest.
[Canon 7D with Canon EF 400mm f/5.6L; 1/500 at f5.6; ISO 400; handheld]

Mountain Bluebird, Yellowstone National Park, Montana.
Boring pose but I love the merging of blues from Mountain Bluebird to sky…Someone famous once said (can’t remember who), “the bluebird carries the sky on its back.”
[Canon 7D with Canon EF 400mm f/5.6L; 1/2500 at f6.3; ISO 200; Manfrotto tripod with Whimberly Sidekick]

Northern Saw-whet Owl, near Ely, Minnesota.
My friend Bill Tefft found this nesting Northern Saw-whet Owl in an old Pileated Woodpecker cavity…and I jumped at the chance when he offered to escort me there. World’s cutest owl?
[Canon 7D with Canon EF 400mm f/5.6L; 1/250 at f5.6; ISO 250; fill flash; Manfrotto tripod with Whimberly Sidekick]

Northern Shrike, Sax-Zim Bog.
In early spring, the willows blush with bright red bark. A fantastic backdrop for this lingering Northern Shrike who will soon head north to its breeding grounds in northern Canada. The blue sky helps the shot as well.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/800 at f5.6; ISO 250; handheld]

Pine Grosbeak male, Welcome Center, Sax-Zim Bog, Minnesota.
[Canon 7D with Canon EF 400mm f/5.6L; 1/320 at f5.6; ISO 800; Manfrotto tripod with Whimberly Sidekick]

Ruffed Grouse, Carlton County, Minnesota.
Falling snow can be the bane or a boon to a wildlife photographer. The trick is to not use too fast a shutter speed. That will create distracting blobs of white. It is better to slow the shutter down a bit and get some motion in the falling flakes. Here I used 1/320 of a second.
[Canon 7D with Canon EF 400mm f/5.6L; 1/320 at f5.6; ISO 500; braced on car window frame]

Savannah Sparrow, Skogstjarna, Carlton County, Minnesota.
Another visitor to my backyard bird pool set up. This Savannah Sparrow is enjoying a bath on a hot summer afternoon. I like the splashing water droplets.
[Canon 7D with Canon EF 400mm f/5.6L; 1/320 at f5.6; ISO 500; Manfrotto tripod with Whimberly Sidekick]

Spruce Grouse male, Spruce Road, Lake County, Minnesota.
I was guiding a couple from England when we found this male Spruce Grouse in far northern Minnesota…It was a lifer for both of them…the only one we got that day. He posed for us for quite awhile. They are a grouse of the boreal forests of Minnesota, Wisconsin, Michigan, Maine, Alaska and Canada.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/125 at f6.3; ISO 400; handheld]

2012 is gone and I’ve had a chance to look at all my images from the year and pick my favorites. Time helps clear your vision. Some images I was crazy about right after I took them, are no longer exciting to me. Here I present my favorite images of 2012 in reverse order…Maybe not the most saleable nor necessarily the best portraits (which can be boring), but the shots that I kept coming back to..the ones that intrigued me…or were difficult to get…or were the most creative. And this last bit about creativity brings me to my big announcement for 2013…I will be releasing a new video: GET CREATIVE: WILDLIFE IMAGES BEYOND THE PORTRAIT this year. Stay tuned!

#20—The surprise image of the year…I was perusing photos from my June work for the Minnesota County Biological Survey when I found this very underexposed, blaah image. But then I saw the potential as a high-contrast black and white image. The result was a very graphic silhouette of a foraging Pine Warbler amongst the long delicate needles of a Red Pine. St. Louis County, Minnesota.

#19—I spent much quality time with our backyard hummers this summer. We mainly hosted females but occasionally a bully male would show up…but never when my camera was in place. I was using flash and a Better Beamer to throw light onto the hummer but in this shot the flash did not fire. But I like the resulting softer look…No harsh light blasting the tiny bird. My home in Carlton County, Minnesota.

#18—Fall leaves always seem to vex me…I have a hard time creating interesting images of the stunning scenes around me in late September/early October. On this windy day I used a tripod and a very slow shutter speed to render the leaves a colorful blur while the trunks remained relatively still. I like the contrast of white vs. orange and blur vs. sharp. Rock Pond, UMD, Duluth, Minnesota.

#17—Eye-level Bald Eagle shots are not easy to come by! And this one has a story…It was taken 80 feet up in a firetower! I was visiting Big Bog State Recreation Area in far north central Minnesota and decided to climb the tower to get a bird’s-eye view of Lower Red Lake and surrounding forests. Some distant eagles caught my attention and I thought, wouldn’t it be cool if one flies past me in my aerial perch…And the miraculous part is that one did! It was not a gleaming white and black adult but rather a dramatically patterned youngster. I panned with the bird and amazingly it came out razor sharp.

#16—I cross this bridge over the St.Louis River on the outskirts of Duluth every day on the way to work. It has many moods and this hazy spring afternoon created a bucolic and blue still life of swans, ducks, ice and trees.

#15—My youngest son, Bjorn, shows great promise as a wildlife photographer…At least he looks good in khaki!

#14—Not a set-up! A fortuitous find that resulted in a very nice portrait with a little behavior too. This very rarely happens but it did this August morning on the Gunflint Trail. I’d just returned from a early morning paddle on the Brule River, loaded up the canoe and was pulling out of the dirt parking area when I spotted the foraging Cedar Waxwings in a heavily-fruited Mountain Ash.

#13—Just a very pleasing composition (to me anyway)…a water lily on dark water taken from a low angle to get the reflection. I also love the purplish lily pads. Cook County, Minnesota.

#12—A very long exposure with my 10mm Sigma lens was made possible by a 9-stop ND filter. I love the soft ethereal feel of the powerful Lower Falls of the Yellowstone River, belying the thunderous roar. Yellowstone National Park, Wyoming.

#11—I had to include this portrait as I have been trying to get a decent winter Snowshoe Hare photo for years! And on this snowy Sax-Zim Bog day, I succeeded! The hare really felt it was invisible and stayed put as I crawled closer and closer through the snow.

#10—Seems like I always slip in a non-nature subject. I really enjoy photographing vernacular architecture, including abandoned buildings like this farmhouse. A HDR image and sepia color finished it off. Itasca County, Minnesota.

#9—Abstract macro image of a Polyphemus Moth’s wings turned upside down to create a strange “face” complete with big blue eyes and a puckered mouth. My home in Carlton County, Minnesota.

#8—The banner headline of 2012 for us Duluthians/Carltonians was the Great Flood of June. It affected all of us dramatically. But my most powerful image was this shot of the raging St. Louis River taking out the historic and much loved Swinging Bridge of Jay Cooke State Park. Read more here.

#7—A rite of spring, the congregation of Sharp-tailed Grouse at their dancing grounds or leks, is an event I hate to miss. But it is always difficult shooting. They are most active just before sunrise when the light is poor…And it is April so the weather is often cloudy and windy. Visibility in the cramped blind is not great either. This time I resorted to a slow shutter speed and panning. I love the shot as it conveys the manic intensity of the males as they dance, pursue females, and chase off rival males. Carlton County, Minnesota.

#6—One of the few straight-up wildlife portraits in the collection, but I had to include it. Much has been made of the dramatic decline of Moose in Minnesota…and it makes me very sad. They are one of my favorite mammals. I learned to call Moose years ago…imitating the sound of a female. After a several-year dry spell, I was able to call this young bull in this fall. Intense moments followed as he was deciding whether I was a cow Moose or some stupid human. Thankfully he came to the right conclusion! See the video here.

#5—Can you tell what this is? Colorful river rocks below a Yellowstone National Park stream. It’s funny…I really don’t like abstract painting but I love much abstract photography.

#4—Two icons of Duluth in one shot! The Aerial Lift Bridge and a Ring-billed Gull. Not your typical wildlife shot but one that is certainly unique. In this technique I learned from flash/lighting guru ??? you set your camera to tungsten white balance (to turn the dark brooding sky blue) and then use a flash with an orange CTO gel to throw a very warm light on the subject, in this case, a Ring-billed Gull.

#3—Often times I’ll get home from a trip and when viewing my images in Aperture, I’ll come across an unexpected prize. It’s like Christmas as a kid! I thought I knew what my favorites would be from viewing them in the field on the back of my camera…but I’m often wrong. This is one such image. It was taken into the sunlight to backlight the Bison’s fur…but it was mostly a “G&G” shot (grab-and-go)…No premeditation, No tripod…Jump out of the car and “snap.” But after converting the image to sepia, I really loved it. Yellowstone National Park, Wyoming.

#2—I really concentrated on wide-angle wildlife this year and this may be my favorite. Crawling on my knees for hours on an Iowa prairie in September finally netted me this image. Read the whole story here. Northeast Iowa.

#1—Drumroll please…My personal favorite from 2012. Read the whole story of this bog encounter here. See the video here. I like the Great Gray Owl’s furtive glance around the trunk of a spruce…It lends an air of mystery. It is very “Brandenburg’s-wolf-peek-esque” if you’ve ever seen his famous photo. Sax-Zim Bog, Minnesota.

Female Ruby-throated Hummingbird at Turk’s-cap Lily, Skogstjarna, Carlton County, Minnesota (i.e. my “backyard”)

The whole family has had a blast watching the Ruby-throated Hummingbird antics at our backyard feeder this summer. We’ve had up to 4 around the feeder at once. Though there are six feeding holes in the dispenser, they seem unable to feed peaceably next to each other. Fights are non-stop. For a while we had the “bully,” a male who sat like a king on his throne on the hanging bracket and chased away any nearby hummer…even when he wasn’t interested in feeding. The last few summers we’ve had the feeder out by the garden, but moving it to the “backyard” was the best move we could have made. Our large picture windows allowed great viewing and also helped remind us when the sugar-water mix was low or out. We used to forget about it when it was by the garden and let it run dry much to the hummers chagrin.

Here is an example of a flash image that I don’t like as much as the non-flash image below. (Liatris bloom)
And this is why you keep your finger on the shutter even after your flash fires. Sometimes you like the non-flash image! Though only shot at a relatively slow 1/250 of a second, the hummer’s head is sharp, which proves that though hovering with wings beating at 55-70 times per second, their head is absolutely still. Amazing! This might be my favorite from “the summer of the hummer.”

My first goal was to get some photos of Ruby-throats feeding on native flowers…A very difficult shot in the wild. Why is this type of image tough to capture? Because in the wild, you can’t control the situation. If you plant yourself near some highly desirable hummingbird flowers (Liatris, Monarda, Milkweed, etc) you never know when one might show up, and then it will be cautious of that weird large human with the “bazooka” pointing at it. On the other hand, if you stumble upon a feeding hummer, it is highly unlikely that you’ll have time to focus, position the flash, get the correct exposure and fire off a shot before the hummer moves on, as they normally quickly move from flower to flower.

The native plant/clamp hummingbird set up.
A female comes in to an irresistable Morning-Glory bloom.
Here’s where the hummer’s long bill and tongue really come in handy; deep corolla flowers like Morning-Glory “hide” their nectar deep inside.

NOW, HOW TO DO IT (FOR ALL YOU FELLOW PHOTO NERDS!)
To get clean hummingbird images, you need to control the situation. First I gathered a native and photogenic flower and put it in water so it wouldn’t wilt. I then set up my camera on a tripod about 25 feet from the feeder. You have to judge the distance for yourself and what lens you are using, but you want enough room surrounding the flower to allow for the body of the hummer. You don’t want to be so tight that you clip part of the bird. Err on the side of too much space around the flower as you can always crop later. I attached my flash and to that attached a Better Beamer (a flash attachment that uses a fresnel lens to concentrate the beam of your flash so it projects further).

Now, I took the native flower and attached it to the bracket that the feeder was hanging on. I used a regular clamp this time but often use the “plamp” (plant clamp) from Wimberley to do this. One end has a beefy clamp that can attach to tree branches, a tripod leg, or in this case, the hanging bracket. You can then twist and bend the plamp into any position you need. The flower end of the plamp has a swiveling low tension clamp so you can fine tune the flower’s position.

Quickly test your set up. Position your tripod so that you will be shooting exactly perpendicular to the feeding hummingbird (if this is the shot you want). This is possible with Morning-Glory but not with Liatris where they can feed on all sides of the flower. Also look for the best background for your images. You don’t want distracting branches, blown out sky, ugly browns in your background. This is a VERY important step that can make or break a photo. Since I am in a very wooded spot, I am especially worried about “hot” branches, branches lit up by the sun that cause very distracting light lines,blobs in the final photo. What I do look for are nicely lit, even green foliage that I know will blur into a smooth green background.

I pre-focus on the spot where I want the hummingbird and then turn off the auto focus on the lens. This way I don’t have to be looking through the camera when I’m shooting. I just watch and press the shutter when I think the hummer is in position. Now quickly fire off a few test shots. Exposure is always a compromise between shutter speed and aperture. You want a relatively shallow depth-of-field (DOF) to get out-of-focus backgrounds BUT you also want enough DOF so both hummer and flower are in focus. A delicate balancing act for sure. Most are shot at f5.6 to f6.3. For the majority of these images I used high-speed sync for my flash, shooting at 1/1000 of a second (all but the Liatris images). But I don’t think I’d do this again. I like some blur in my hummingbird wings…It adds some drama, reality, motion into the image…And even 1/1000 doesn’t come close to freezing them…And high-speed sync seems to take more effort from your flash so it doesn’t recycle as quickly as when shooting at its regular 1/250 sync speed.

The final key to this operation is to cover the hummingbird feeder completely with a towel. You can also remove the feeder if you like but I found this just an extra unnecessary step. Now plant yourself next to your camera and get ready…finger on the shutter button. Because if you have an active feeding station it won’t take long for the first hummer to come zinging in. He/she will seem confused at first, trying to get at the covered feeder, but then it will see the showy flower you provided conveniently at hummer-head height, and think to itself, “Why not? It’s here, it has nectar, might as well try it” and that is when you start firing off shots as fast as your flash will recycle. But actually I just keep shooting because even non-flash images in a sequence can be beautiful.

This set-up really works well on established hummingbird feeders…but only for a few minutes…until all the local hummers have been fooled and tried your flower and used up the nectar. So I immediately take down the flower and uncover the feeder after my photo session…Usually less than half an hour. You don’t want to frustrate your guests too much so they go over to your neighbor’s feeder!

My big failure for the summer was NEVER getting a male to feed on “my flower”…I think all the images here would be enhanced with the male’s iridescent throat feathers shining like a ruby in the sunlight/flash burst. Oh well, there’s always next summer!

**[All images take with Canon 7D with Canon 400mm f5.6 lens and 430EX flash with Better Beamer attached. Tripod. Most at f5.6 or 6.3 at ISO 200 to 400, 1/250 to 1/1000]