This is Part 1 about our late April trip to Yellowstone National Park.

Lately, my buddy Ryan Marshik and I have been making our annual wildlife photo trip to Yellowstone National Park in the spring. This year we both were able to slip out of our family roles in late April.

One of the highlights was a sow Grizzly and her yearling cub. The ranger told us that folks call her “Valley Girl,” as she hangs out in a valley near Roaring Mountain. We were fortunate to cross paths with the pair on two consecutive days (April 28 and April 29)…They were oblivious to the two-legged photographers, and put on a quite a show.  The ranger said that they had just awoke from hibernation on April 26 or 27.

Yearling cub. Young Grizzly stay with their moms for two winters. The ranger said that the sow “Valley Girl” had two cubs last spring but only this one survived into the second spring.

Mom has a red tag in each ear and a radio collar. The youngster had learned well, and did everything mom did.

[Sony A6500 with Canon 200mm f2 lens (Metabones adapter); 1/1000 sec at f2.0; ISO 100; tripod]

[Sony A6500 with Canon 200mm f2 lens (Metabones adapter); 1/1000 sec at f2.0; ISO 100; tripod]

The yearling would occasionally get preoccupied with digging up food (worms? roots?) and then look up, only to realize that mom had mosied away. The yearling would then run back to her. I figured I’d try some panning blurs at very slow speeds (1/30 and 1/20 second). These were the only four that were interesting.

[Canon 7D with Canon 200mm f2 lens (Metabones adapter); 1/30 sec at f13; ISO 100; hand-held]

[Canon 7D with Canon 200mm f2 lens (Metabones adapter); 1/20 sec at f14; ISO 100; hand-held]

[Canon 7D with Canon 200mm f2 lens (Metabones adapter); 1/20 sec at f14; ISO 100; hand-held]

[Canon 7D with Canon 200mm f2 lens (Metabones adapter); 1/20 sec at f14; ISO 100; hand-held]

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/250 at f7.1; ISO 400; tripod

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/200 at f7.1; ISO 400; tripod

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/400 at f6.3; ISO 400; tripod

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 640; tripod

Grizzlies have whitish claws, while Black Bears have black claws.

Bear booty

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/640 at f5.6; ISO 640; tripod

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/1250 at f5.6; ISO 640; hand-held

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/1600 at f5.6; ISO 640; hand-held

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/2000 at f5.6; ISO 640; hand held

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/1600 at f5.6; ISO 640; hand-held

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 200; tripod

Like mom, the yearling rolled in Bison dung several times. Not sure what the reason for this behavior is.

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/800 at f5.6; ISO 200; tripod

Nursing time! Even yearlings get a milk meal now and then.

At over 1-year old, the cub is still nursing.

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/1250 at f6.3; ISO 400; tripod

Sony A6500 with Canon 400mm f5.6 lens (Metabones adapter); 1/1250 at f6.3; ISO 400; tripod

This is the last of my “Top Tens” from 2016…I guess I didn’t do much landscape photography last year so there won’t be a Top Ten Landscape 2016. Without further ado, here are my favorite mammal photos from 2016…(Most are from my April trip to Yellowstone and Teddy Roosevelt National Parks.

Bighorn ram in Yellowstone National Park.
I like this desaturated look that I applied in Aperture. It gives a gritty feel that seems to fit for this species. It is a classic (boring?) head-on portrait, but I think it works in this shot.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/160 at f9; ISO 400; Manfrotto tripod with Whimberly Sidekick]

Leaping for Lunch; Coyote in Yellowstone National Park
Voles are an important source of calories for Coyotes, and this guy is after one. Incredibly sharp hearing allows them to hear a vole under the snowpack. Once pinpointed, they leap high in the air in order to get enough force to break through the snow and get down to the vole’s tunnel. This time, he was unsuccessful.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm at 227mm; 1/4000 at f7.1; ISO 200; Manfrotto tripod with Whimberly Sidekick]

Young Moose; Sax-Zim Bog, Minnesota
I spent a fair amount of time with this tolerant young Moose cow along a backroad in northeastern Minnesota’s Sax-Zim Bog. The Moose herd in Minnesota is not doing well, but this gal was looking to be in fine shape.
[Canon 7D with Canon 400mm f5.6L; 1/500 at f5.6; ISO 320; Manfrotto tripod with Whimberly Sidekick]

Paws-itively Black Bear in Yellowstone
Ridiculous to put this image in my favorites from 2016, but I like the light pattern on the sole of its hind paw.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/640 at f7.1; ISO 500; -1.0 EV; Manfrotto tripod with Whimberly Sidekick]

Awkward Elk; Yellowstone.
This ratty looking young bull Elk was just too “cute” to not take a photo…and he stuck his tongue out at me just at the perfect moment. I was not offended!
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/1600 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

Grizzly; Yellowstone National Park
I only included this image because, well, it’s a Grizzly!..and a good looking one.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1000 at 5.6; ISO 400; Manfrotto tripod with Whimberly Sidekick]

Bachelor herd of Bighorn Sheep in Yellowstone
Another desaturated image that works well here. This bachelor herd had all age groups from younger rams to battle-scarred old-timers. They are focused on some action that we weren’t privy to.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/200 at f8; ISO 400; Manfrotto tripod with Whimberly Sidekick]

Mule Deer at sunrise; Teddy Roosevelt National Park, North Dakota
Even deer can make a nice photo when in the right light. And I loved the morning sunrise light that made this nice and subtle silhouette.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/5000 at f5.6; ISO 640; Manfrotto tripod with Whimberly Sidekick]

Red Fox and Bison; Yellowstone.
I only included this because how often do you see a Bison and a Red Fox together?

Wild Horse family; Teddy Roosevelt National Park, North Dakota.
I really don’t like the word “feral,” so I use the not-entirely-correct term “wild horse” instead. They are “wild” indeed in Teddy Roosevelt, and their behaviors and interactions with other bands is fascinating to observe. When we were there in April, the foals were still quite small.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 300mm; 1/400 at f5; ISO 200; Manfrotto tripod with Whimberly Sidekick]

I get bored with pretty portraits of wildlife, but I often fall into the routine of just filling the frame with the critter and not paying attention to composition, landscape and other creative ideas to pump a little life into my wildlife images. And I must admit, I didn’t make creativity a priority this year (2016). Let’s hope I can do better in ’17. But here are my “Top Thirteen” favorites…

Bighorns play King of the Hill; Yellowstone National Park.
One of the wondrous things about Yellowstone is that you can observe wildlife going about their lives as if you were invisible. A century of protection has allowed critters the luxury of not being fearful of man. And so it was with this bachelor herd of Bighorn Sheep. The big old rams were laying down, resting, but the younger rams were playing “king of the hill,” taking turns knocking each other off this bluff-top boulder. By moving low, and slow, but in plain sight, we were able to get close enough to get some shots (and video) and enjoy their antics. Even though it was mid-April, many months removed from the rut, it was obvious that they were all still vying for position and dominance.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/1250 sec at f5.6; ISO 400; Manfrotto tripod with Wimberly Sidekick]

Bighorn; Yellowstone National Park.
Kind of an Escher-esque image…It would be perfect if the left Bighorn was a couple inches farther right…But it’s unique enough as is. I like it for some odd reason.

Bison; Teddy Roosevelt National Park, North Dakota.
I’d say this is my favorite image of 2016. Ryan and I were shooting along a backroad of “Teddy” before the sunrise, getting some cool subtle silhouettes…then the sun rose and we assumed we should move on so we would not be shooting into the sun. But It was a cool morning and I saw the breath from this Bison backlit and knew it would be a neat shot. So I hustled into a position where the Bison’s body would block the sun and backlight all the breath and steam coming off his body. I tweaked the white balance to add some “sunrise gold” color into the scene.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 158mm; 1/2000 sec at f22; ISO 200; Manfrotto tripod with Wimberly Sidekick]

Rough-legged Hawk, Sax-Zim Bog, Minnesota.
Mid October is a beautiful time in the Sax-Zim Bog…the Tamaracks are at their peak yellow-gold color and migrant hawks can be seen overhead. This bird-in-the-landscape photo captures both these fall highlights. Rough-legs breed in the Arctic, but move south in late fall. They hunt small rodents by hovering and watching…and that is exactly what this Rough-leg is doing. Sometimes the small-bird-in-big-landscape shot works well, and I think it does here.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1250 at f5.6; ISO 800; braced on car window frame]

Black Tern and Cattails; Thief Lake Wildlife Management Area, Marshall County, Minnesota.
Did you do a double-take when first seeing this image? The cattails are only a reflection in a dead calm pond.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Bohemian Waxwing; Wrenshall, Minnesota.
Kind of a blah photo straight out of the camera…but I saw some potential in it. I turned the gray skies into a dramatic white background by blowing out the whites in Aperture and Photoshop…then I “erased” a stray branch to strengthen the composition.
[Canon 7D with Canon EF 400mm f/5.6L; 1/4000 at f5.6; ISO 1000; handheld]

Coyote; Yellowstone National Park.
How often can you say you laid in the middle of the road to get a shot of a Coyote running at you? I wanted to get the canid right in the middle of the yellow lines so I laid right in the middle of the road. Strange composition but kind of fun.
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm; 1/500 at f6.3; ISO 160; handheld]

Ducks and rushes, Thief Lake Wildlife Management Area, NW Minnesota.
I reduced this image to its most important elements…the shapes of the rushes and the ducks in flight. I simply converted the image to black-and-white and clipped the whites in Photoshop.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1600 at f5.6; ISO 250; handheld]

Ivory Gull, Duluth’s Canal Park, Minnesota.
A very rare bird in front of a very famous lighthouse. A bird-in-the-landscape photo with a twist. The Ivory Gull is an elusive small gull of the High Arctic…It is rare even in its breeding range! But sightings in the Lower 48 are very rare. And last winter there were TWO in the area. Birders came from all over the country to add this bird to their “Life List.”
[Canon 7D with Canon EF 70-200mm f/4L at 98mm; 1/250 at f7.1; ISO 200; +2/3 EV; handheld]

Little Blue Heron, St. Louis River, Duluth, Minnesota.
Does something look strange about this photo? It should…It’s upside down! I like the painterly quality the flipped reflection gives this image.
[Canon 7D with Canon EF 400mm f/5.6L; 1/1000 at f5.6; ISO 320; handheld]

Red-tailed Hawk; Yellowstone National Park.
This Red-tailed Hawk ruined my image of the moon! Just kidding…
[Canon 7D with Canon EF100-400mm f/4.5-5.6L IS II USM at 400mm;

Trout, Durango, Colorado.
A slow shutter speed makes for a stylized photo of a swimming trout at the hatchery.
[Canon 7D with Canon EF 70-200mm f/4L at 200mm; 1/6 second at f32; ISO 100; handheld]

Wild Turkey, Skogstjarna, Carlton County, Minnesota.
To get this extreme wide angle shot, I set my camera with a 10mm lens on a mini-tripod outside my back window with a remote trigger attached. When the turkeys came in for some cracked corn, I remotely tripped the shutter (from the comfort of my easy-chair!). Note the displaying Tom in the background. I have not yet perfected this idea, but hope to work on it more in 2017.
[Canon 7D with Sigma 10-20mm f4-5.6 lens at 13mm; 1/100 at f8; ISO 400; remotely triggered from inside the house]

MORNINGS ON THE “AMERICAN SERENGETI”
For three consecutive mornings, after waking before dawn, cooking up some oatmeal and toasted bagels, and warming our fingers over the car defroster, Ryan and I hiked a half mile (3/4 mile?) in to a valley that was teeming with wildlife. Hundreds of Elk, dozens of Bison, Pronghorn, and Mule Deer grazed the nearly nonexistent grass, moving slowly but surely across the floor of the valley. Despite “bear activity” signs, we felt very safe as we could see for miles in almost all directions.
Here (thanks to a tip from a wildlife photographer friend) we found a “bachelor herd” of Bighorn Sheep (Ovis canadensis).
In our many previous trips, we’d mainly seen bands of Bighorn ewes and lambs scrambling on the very vertical hillsides along the road from Gardiner, MT to Mammoth in the park. A few times we’d seen smaller rams come down to the river to drink, but never a big bachelor herd. But in this Valley of the American Serengeti (our name) we found a couple dozen “big boys” and another dozen young rams. You see Bighorn males and females only intermingle during the late November rut and mating season. After that, they go their own ways. Young males will join the bachelor herd after a year with mom.
The Patriarch
Though Bighorns don’t have a single band leader, they do seem to jostle a bit for social status, at least it seemed like that to us. This scarred full-curl ram seemed to be the oldest and the ram with the largest horns. His short muzzle had what appeared to be a scar all the way across the bridge. You can age a ram by its horns due to “growth rings” but I’m not experienced enough to attempt it. Their horns can weigh up to 30 pounds! Rams can live 9-12 years.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/1000 second; ISO 200; tripod]

Still Life with Bachelors
“Bachelors” is perhaps a misnomer as many of the older healthier rams may mate in the fall, but the all-male bands are called “bachelor herds.” I love the painterly feel to this image…Lots going on in this single frame. Note the young ram leaping over a laying ram. I muted the colors in Aperture.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1250 second; ISO 400; +0.33ev;  tripod]

Two become One
Just a “haccident” (happy accident) when the two rams lined up to form “one head.” Blur your eyes a bit and …Bizarre.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/1000 second; ISO 320; tripod]

Resting Rams
Bighorns chew their cud. Note the patriarch in the upper right hand corner.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/250 second; ISO 400; +0.33ev; tripod]

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f8 at 1/200 second; ISO 400; tripod]

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/500 second; ISO 200; tripod]

Blue Bighorn Silhouette
A so-so shot that gets a bit of creative life by reducing the exposure by a few stops and altering the white balance.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 100mm; f8 at 1/125 second; ISO 100; tripod]

Monarch of the Mountains
Head on portrait of a full-curl ram. These boys not only tolerated us (can’t get closer than 25 yards due to Yellowstone’s rules (and common sense) but seemed to go about their business as if we weren’t even there. This is one of the real treats of Yellowstone; you get to witness the everyday lives of animals.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f9 at 1/160 second; ISO 400; tripod]

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 330mm; f9 at 1/200 second; ISO 400; tripod]

[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 148mm; f5 at 1/640 second; ISO 400; +0.33ev; tripod]

Peek on the Peak
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2000 second; ISO 160; -0.67ev; tripod]

Not sure if I like this image as a black and white or color version yet.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 148mm; f5 at 1/640 second; ISO 400; +0.33ev; tripod]

Still plenty of snow in the high country of Yellowstone in mid April. These Bighorns are extremely sure-footed and are at home in steep country. One of their main predators is the Mountain Lion, which is also at home in rugged terrain.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 160; -0.67ev; tripod]

Still Life with Redtail and Moon 1
How could I pass this up? Wish I could have set up a tripod and shot at f22 or smaller to get more depth of field and the moon more in focus, but redtails don’t pose for that long.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f20 at 1/200 second; ISO 400; -0.33ev; handheld]

Silver Griz
This fella was our only Grizzly of the trip. Mid April is a bit early for many bears to be out of hibernation…and the high country roads are not yet open where there could very well be more bears. On our mid May trip a couple years ago, we saw quite a few Griz. But this guy was sure a beauty! We stopped, as we almost always do, when we saw a couple cars pulled over (and here’s the real key) and some long lenses on tripods. “What do ya got?” Is the standard photographer-to-photographer exchange in situations like this. They’d seen a Grizzly on the slope on the opposite side of the river, but it had moved off into some forest cover. So we pulled over, got out and helped them relocate the bear. Well nature called to Ryan, and while he was watering the early spring grass, he spotted the bear. He came back to the road and told us. I got a few handheld shots but Ryan had to go back to our car to get his camera. When Ryan got back, I went back to the car to get my tripod. But soon after I left something really spooked the Grizzly and it ran off. The only thing we know of that can spook the apex predator of the park…is another Grizzly. But while we waited another 45 minutes or so, nothing showed.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/1000 second; ISO 400; handheld]

Sole of the Bear
This Black Bear recently out of hibernation had the most unusual nearly white, soles of its feet. I’ve seen many many Black Bears and have never noticed this trait before. My gut feeling is that this bear just had abnormally pale foot pads.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/640 second; ISO 500; -1ev; tripod]

Rockin’ Redtail
The Red-tailed Hawks were certainly migrating through and returning to Yellowstone this week. We saw many, and this one posed on a picture-perfect perch long enough to get a shot.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f7.1 at 1/2000 second; ISO 320; +1ev; tripod]

Lunar Buteo
Red-tailed Hawks are a type of buteo…a raptor with big broad wings and short tails. They are built for soaring, scanning open country for prey. “Forest hawks” who hunt in dense woods need shorter rounded wings and long tails (to act as an “air rudder”) so they can maneuver in close quarters in flight. I love “bird and moon” shots…especially when the bird is relatively small in the frame. Of course, these images are best viewed large.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/2500 second; ISO 320; handheld]

Pronghorn in the Sage
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f5.6 at 1/800 second; ISO 250; handheld, braced on outside of car]

Ryan Marshik

Campsite Buddies!
Each night, a small herd of Bison grazed right through our campsite, noisily munching the new green grass. It’s funny, you would never dare to get this close to them out in the park (in fact it’s illegal to get closer than 25 yards) but here they are so preoccupied, and used to people, that you can sit at your picnic table 5 yards away and enjoy the slow parade.

Sandhill Crane in its Finest
Love the “bustle” of this Sandhill Crane. It was one of a pair that had returned to nest in the park’s marshes and wet meadows.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f10 at 1/500 second; ISO 400; -0.33ev; handheld, braced on car window frame]

Dipper thinking about taking a Dip
Dippers feed on underwater aquatic critters in fast moving streams and rivers of the western U.S. They are one of Bridget’s favorite birds and so I always try and get a few shots.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f6.3 at 1/250 second; ISO 640; handheld]

Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/2000 second; ISO 100; -2.33ev; tripod]

Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 255mm; f11 at 1/320 second; ISO 100; tripod]

Lower Falls of the Yellowstone River
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 400mm; f11 at 1/800 second; ISO 100; -2ev; tripod]
All three of the above shots of the Lower Falls of the Yellowstone River were taken from Artist’s Point. The falls, at 308 vertical feet, is the tallest in the park. The light (quality and direction) was not good for broad scenic vistas, so I used the telephoto to zoom in on one part of the scene. The lone silhouetted tree really made this shot for me. Here are three variations…Which do you like?

Goofy Bull
Early spring is NOT a good time to photograph Elk in the West; all the Elk at this time of year look pretty ratty. They are shedding their winter coats, and not gracefully. The older bulls are just sprouting their new antlers, growth being nourished by the blood-rich “velvet” coating them (see photo below), but the first year bulls sometimes hold their little antlers all winter instead of dropping them in late fall/early winter like the older guys.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 300mm; f5 at 1/1600 second; ISO 200; handheld]

Big and Velvety
These were some really big boys holding up traffic along the road. Note their height compared to the car in the foreground. Wish I could see these guys again in the fall when their massive antlers will be in their prime.
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 214mm; f7.1 at 1/400 second; ISO 500; tripod]

American Serengeti
Easily the biggest herd of Elk I’ve ever seen in Yellowstone…over 200 animals. I didn’t even include all the herd in this shot. Nearby were herds of Bison, Mule Deer and Pronghorn. Impressive!
[Canon 7D with Canon 100-400mm f4.5-5.6 IS II USM lens at 263mm; f6.3 at 1/60 second; ISO 320; tripod (accidentally at this shutter speed because I had just switched over from taking some video)]

If you are even remotely interested in wildlife photography, this new e-zine (electronic magazine) is a must-get purchase. Okay, I do have an article in this month’s issue (and the cover shot!), but that’s not why I’m excited about Wildlife Photographic.

Craig Orr from the U.K. has put together a slick e-zine with articles from some very big names in wildlife photography…
Allan Murphy (famed backyard songbird set up artist)
Juan Pons (Digital Photo Experience podcast)
Sparky Stensaas (Creative Winter Silhouettes)
…wait! I don’t belong in that list.

There are also very cool embedded videos, such as New Zealand wildlife photographer Chris McLennan’s video “Car-L Meets the Lions” in which he built a remote control 4wd platform to mount his camera. He then drove it near Lions in Africa…The results are funny, amazing, and not good news for the poor remote control vehicle!

Sparky’s cover shot os a Bison at dawn in Yellowstone to illustrate my article “Creative Winter Silhouettes” (Converted to sepia)

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[Meet Teddy! One of our “co-watchers” said that they had been watching this same male bear for five years…since he was a cub. They nicknamed him “Teddy.”]

The search pattern one develops while looking for wildlife in Yellowstone, is to carefully scan the roadside…not for critters…but for parked cars! A car pulled off to the side of the road usually means there is a critter someone has spotted. One evening, while returning from a trip to the southeast entrance, we saw several vehicles pulled onto the shoulder. We slowed, but assuming it would turn out to be a Bison, we expected to just cruise on down the road…
“Grizzly!” We gushed in unison…a very good find. And the Griz was in beautiful evening light. Unfortunately (or fortunately) the bear was about 170 yards away…a safe distance to be sure, but a little too distant for a straight 400mm lens. Thankfully Ryan (www.irentphoto.com) had loaned me a 500mm f4 lens, onto which, I put a 2x teleconverter. This combo on the 7D created a 1600mm lens equivalent (Some of the video was shot with TWO 2x teleconverter, AND a 1.4x teleconverter, creating a 4480mm lens!! Not the sharpest video in the world..but useable.)

As is often the case with Yellowstone Grizzlies, this bear was so intent on feeding that he rarely even stuck his head up for more than a few seconds every few minutes. He was actively digging for tubers…and with winter coming on fast, he had no time to lose in fattening up.

Here’s a video of “Teddy” the Grizzly digging tubers…Not very exciting but this is what Grizzlies do 90% of their waking time…EAT! Especially important since he would soon be going down for a long winter’s snooze.
What is the diet of a 300lb. to 600lb. male Grizzly in Yellowstone? According to the park’s website…”From September through October, whitebark pine nuts are the most important bear food during years when seeds are abundant (Mattson and Jonkel 1990). However, whitebark pine is a masting species that does not produce abundant seed crops every year. Other items consumed during fall include: pond weed root, sweet cicely root, bistort root, yampa root, strawberry, globe huckleberry, grouse whortleberry, buffaloberry, clover, horsetail, dandelion, ants, false truffles, and army cutworm moths. Some grizzly bears prey on adult bull elk during the fall elk rut.” So Teddy was likely digging for either yampa root, bistort root or sweet cicely root.

In Yellowstone, you could take wildlife portraits till the cows come home…or should I say, “until the Bison come home?” But I always try to think a bit out of the box in order to get some unique images. A few years ago, our buddy Chris Gibbs came with us to Yellowstone. Along one “boring” stretch of snow-covered road that traversed a recent forest fire, Chris rolled down his window and started shooting. Ryan and I looked at each other…What the heck was he shooting? The scene outside was anything but beautiful. But Chris was playing with a slow shutter speed, using the contrast of the black trees and white snow and the speed of the car to create very interesting abstracts. We all jumped in and tried the technique, and had a blast doing it. Next time the “light is bad” or it is harsh midday sun, think creatively and play around with exposures, flash, underexposure. The beauty of digital is that we aren’t losing money with every shot as in the “good old film days.”

Colorful stream rocks during a long exposure. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/5 second on tripod.

Dawn Bison backlit by strong sun, his breath visible in the chilly air. Converted to sepia and contrast increased by use of Curves in Aperture. Canon 7D with Canon 400mm lens, f5.6 at 1/2000 second, underexposed by 2 stops.

A long exposure blurs the water and rocks to create a true abstract. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/3 second on tripod.

An accidental photo of a bison with a 20mm lens from inches away…But I love it! The vignetted look, the texture of the Bison’s pelt, and the golden backlit hair in the lower left…It works for me. Of course, it will never sell, but we need to take photos for ourselves first and foremost.

Bridget says I take too many silhouettes…But she actually likes this one! I underexposed the scene by 3 full stops in the field then changed the white balance in Aperture so the sky went from blue to gold. The adult and calf are nicely separated and you can even see their individual legs. Canon 7D with Canon 500mm f4 lens and 1.4x teleconverter, f5.6 at 1/500 second on tripod.

Creativity isn’t limited to the field…Here I opened a stream rock image in Photoshop and applied the “poster edges” filter to create a crazy pattern.

I really liked this Raven image right out of the camera…EXCEPT the background color was blaaah! So I performed a tight crop, took out the background, replaced it with a solid color and then applied the “poster edges” filter in Photoshop. I love the accentuated pattern of the breast feathers.

This was my last image before the Coyote rushed me. It is obvious from his intense eyes and forward-focusing ears that I was his prey.

I’ve never been attacked by mammal when in the field shooting…sure I’ve been dive-bombed by Skuas in Iceland, terns in Alaska and MN but never charged. Ryan spotted this Coyote first…It was crossing Slough Creek and never once looked at us. I decided to lay up against the river bank to see if he’d come out of the woods near me. Ryan went east to see if he could cut him off in the meadow. A few minutes later here comes the Coyote, only 50 feet away and slowly stalking something. But he was staring at me. I didn’t put 2 and 2 together that THE COYOTE WAS STALKING ME! I took video until he got within 30 feet or so. I then switched to taking stills. I got off 2 or 3 shots and then I stuck my head behind the camera again to check the LCD and when I looked around my camera a second later the Coyote was in my face! His head was above mine and he was only six feet away. I jumped up and started yelling at him…He sauntered off…He did not run…I finally found a rock and chucked it at him. He kept going. No time for fear until it was all done. My heart was beating! The Coyote had covered the last 25 feet is a split second…If I was a rabbit I wouldn’t have had a chance.
Watch the video and “reenactment” below

Coyote canine teeth are large and efficient killing tools…And I nearly got to experience them.

It’s a pretty unique photo…But little did I know he would be hunting me very soon.

We let a nearby campground host if he’d heard any strange Coyote stories lately…He laughed and said, “About an hour ago a couple in the campground were approached by a Coyote that just walked up to them to within 3 feet!…Not stalking just like it was begging.” We later found out that a woman had been bitten pretty badly by a Coyote a week previous in another part of the park. I don’t think this guy had rabies…eyes were clear, fur nice and thick, no foaming mouth…but this behavior is a bit unnerving. Anyway, a ranger was dispatched to the area to check it out…but we never did hear what happened to the Coyote of Slough Creek.

[**Just a reminder, landscapes look pathetically puny at 470 pixels wide, but by clicking on an image you can view it at a bit larger scale in a new window.]

Yellowstone is known for its wildlife, but it is also a fantastic place for landscape photography. Especially good because you can include the wildlife in your scenics for added interest and scale. Here are a few of my favorites from our recent mid October trip.

Ryan brought along a 9-stop neutral density (ND) filter, a high-quality screw in filter from B+W that allows long exposures even on sunny days. I threw it on my Sigma 10-20mm lens to create this 20 second exposure. When on the lens, it is impossible to autofocus, so you need to focus BEFORE putting on the filter. I love the smooth buttery flow of the water and the glow of the shaded rock wall. 10mm lens at f22 for 20 seconds (!) ISO 200.

We were following a bull elk across the landscape when we topped a rise and found this dramatic scene. I excitedly set up the tripod and then realized I’d left my 70-200mm lens in the car. So off I ran, hopping dozens of downed trees from the fires of 1988 still laying on the ground. When I returned the scene had changed…and not for the better. Still, I like this shot…It has a prehistoric Ice Age feel. Canon 70-200mm f4 lens at 200mm.

We thought this cloudless morning would mean a drama-less dawn, but steam from the Firehole Geyser basin created this sunrise scene. Canon 70-200mm lens handheld braced on car door.

The shaded canyon of the Firehole River at dawn. The water, heated by geothermal features upriver, steams on cold mornings. The pre-dawn blue was emphasized in Aperture. Canon 70-200mm lens handheld.

Our trip coincided with clear night skies and a very late moonrise which enabled us to get great shots of the Milky Way. This one was taken straight up through the Ponderosa Pines, which were lit by just the glow of a campfire. Sigma 10-20mm lens at 10mm f4 for 30 seconds. ISO 800. On a tripod. Tungsten white balance.

Is this a landscape image OR a wildlife shot? Not sure really, but I like the peaceful feel of the grazing Bison along the Firehole River (Fountain Flat Drive). Canon 70-200mm lens at 122mm. f7.1 at 1/400 second on tripod.

These “skeleton trees” near the Firehole Lake Drive never seem to disappoint. We have shot here many times and the conditions always seem to be different. Blue cast emphasized in Aperture. Sigma 10-20mm lens at 14mm, f9 1/1000 second. Tungsten white balance.