I love a couple things that most people dislike…gulls (no such thing as a “seagull”) and dark overcast skies for photography. And today I wanted to combine these two to create an artistic, out-of-the ordinary image.
How did I get so close to the gulls? Remember, these were all shot with a 10mm-20mm lens…So you need your subject to be VERY close in order to appear somewhat large in the frame. The answer is stale bread! Once in a while I buy a large bag of unsaleable bread products from the local day-old-bakery. They call these “wildlife bags” and for about $5 you can have lots of fun. The disturbing part is that this particular loaf I was using today was about 6 months old (It had been in my car all summer) and there was not a speck of mold on it! I just shudder to think what we are putting in our bodies. But gulls have stomachs of steel.
The look I wanted was a dark and gloomy sky with the gulls lit in flight with a flash. But to get this “cold-warm” look you need a special technique. First you set your camera’s white balance to “tungsten,” this makes the dark gray sky a pleasing blue. But if you just used straight-up flash on the gulls they would also look bluish. So you need to “warm up” the light from the flash. To do this, I velcroed on two 1/2 CTO gels…These are orange gels that turn the light from your flash a very warm hue…It would be the equivalent of setting your camera’s white balance to “shade.” for example.
I then enticed the Ring-billed Gulls to very close range with scraps of bread, bagel and english muffin. Most would come within 3 feet on foot…Not quite close enough. So I tried throwing the scraps in the air…that worked much better. So I’d throw the bread in the air and then hold the camera at arm’s length and just keep shooting. Fresh batteries allowed the flash to recycle fairly quickly but even so I lost many images to the flash not firing. The result is that the gulls white feathers are neutral to slightly warm instead of bluish…A much nicer look.
Flash is great fun…but it is not often used creatively on wildlife. I had a blast with this and if you want to be further inspired, read Joe McNally’s “Hot Shoe Diaries,” “The Moment it Clicks” or any of his flash books.

Flash with CTO gel in place.

I really have a passion for “wide angle wildlife”…which can be a challenge with critters…most of which would rather be a long ways away from us stinky, scary humans. And, of course, to get the bird, mammal, reptile or butterfly a respectable size in the frame, and not just an indistinguishable dot, you have to GET CLOSE!

So, on September 6th I found myself taking a detour off the highway near Lime Springs, Iowa to check out Hayden Prairie State Reserve. It is a 242 acre parcel of tallgrass prairie..and sadly the largest tract in the state outside of the Loess Hills. The prairie honors Ada Hayden, an Iowa farm girl who became one of the first woman botany professors in the country, receiving her PhD in 1918.

I had a few hours to shoot before sunset and I noticed many Monarchs feeding on the sunflowers and goldenrods. But getting close to the Monarchs was not easy…First I tried just walking up to nectaring Monarchs on the head-height sunflowers…but they didn’t appreciate that. Then I discovered a patch of goldenrods where the nectar must be especially good and abundant. The butterflies were a bit more tolerant here. And as anyone who’s shot a lot of wildlife knows, every individual has a different comfort zone. So I just kept trying to find a mellow Monarch.

The image I had in my head was getting the Monarch large in the frame, shooting into the sun so the sky was dark and the sun would be a starburst. Backlit subjects can make for tricky exposures. I knew I had to shoot at high-speed sync in order for the butterfly and sky to be in the same exposure range. I’d pre-set my camera on manual exposure to f22 at 1/1250 and my Canon flash was set to high-speed sync. Then I autofocused on my hand at 4 to 6 inches and then turned off the lens autofocus. The technique was to crawl as close as I could to the Monarch, then extend my arm with the camera and start shooting…keeping my finger on the shutter button as I reached out towards the butterfly. It was low percentage shooting but lots of fun. My knees paid the price though.

The photos here are images you could not get with a telephoto lens…Note the extreme depth of field in the shots.

Crawling through tallgrass prairie can be tough on the knees…and jeans!
The Monarchs were starting their migration south to Mexico’s Mariposa Monarca Biosphere Reserve where they would overwinter. As any school kid knows, this migration is one of the most amazing in the animal kingdom…A fragile butterfly flying several thousand miles south to the mountains of Central Mexico where this species has likely overwintered for thousands of years. Even more amazing may be the fact that it is a different generation of Monarchs that returns to the north each spring. You can actually track the Monarch’s southward flight on the internet. Check out Journey North’s Monarch Migration map here to check on their southward flight.
To get the “starburst” sun you need to be shooting at f16 or smaller aperture.

Baptisia leucantha Largeleaf Wild Indigo or White Wild Indigo, a unique tallgrass prairie plant. Note the crazy large seed pods.

[All photos taken with Canon 7D and Sigma 10-20mm lens (between 10mm and 16mm) at f22, ISO 400, 1/1250 second, Canon 420ex flash set to high-speed sync at -2EV]

You don’t take Aurora Alerts lightly if you’re a photographer. So when Ryan forwarded the University of Alaska’s email that a major solar storm was happening, I was ready. That was three days ago and that night I peeked out the front door at the northern sky several times…but no green energy in the sky. Then last night (Friday, August 5th), after an email from another photographer, I checked the University of Alaska Fairbank’s website and the solar activity was EXTREME (+6). The maps showed that the aurora would be visible as far south as Minneapolis. This time I saw a faint glow in the north. It was 11:30pm.

My first stop was a little used public lake access spot, but a few flashlight-toting partyers nixed that. The next stop was perfect. The Spring Lake landing is right on a dirt road and with the lake on the north side, it is great for reflections. Green Frogs were “plunk”-ing and it was dead calm. Plus the moon had gone down. I set up my tripod right at the water’s edge. A few test shots confirmed that the lights were worth shooting. Digital sensors are much more sensitive to color than our eyes and the faint aurora was not so faint on the back of the camera.

Just then the lights started getting good…No time to attach my intervalometer, so I stood behind my camera and pushed the shutter button over 500 times…about every 7 or 8 seconds. The exposure I settled on was 4 seconds at f4 at ISO 4000…Not ideal as you really would want shorter exposures and shorter intervals so the time lapse would be smoother. But I don’t have a Nikon! (amazing High ISO capabilities). I shot in RAW so I could batch tweak images later. This meant “only” about 300 some images on an 8GB card. I did make one rookie mistake…I left the white balance on AUTO. This meant that each photo could have been a different white balance temperature. Fortunately this was easily remedied in a simple “Lift and Stamp” batch change in Aperture.

At one point, the lights were flaring, flowing, speeding across the sky in rippling ribbons of green…Almost directly overhead. The simple scientific explanation of this magical phenomenon is that solar storms (sun flares) throws highly charged particles towards the earth. Around the poles, they come into contact with oppositely charged particles and the energy from the collisions is light.

I got home at 1:45am but it was worth it.

Time Lapse organized in Aperture, assembled in QuickTime Pro and movie created in iMovie.

Canon 7D with Sigma 10-20mm lens set at 10mm, 4-seconds at f4 (widest aperture at 10mm), ISO 4000
Reflection/waterlily leaves shot: Canon 7D with Tamron 60mm f2 lens set at 1 second at f2, ISO 4000