Has it been a tough winter in Minnesota? Ja, sure ya betcha! Up near Lake Superior we had 84 days that were below zero, Eleven feet of snow, Minus 50 degree windchills, a couple days of minus 40 air temps, and snow on the ground until Mid May. In fact, when we left from Wrenshall on May 11, I still had snow in my ravine! So what’s a little more winter in Yellowstone? Temps ranged from 22 degrees to around 60 degrees, but there was still much residual snow from winter in the Hayden Valley. The Lamar Valley was snow free. It all depended on your elevation.

Twelve-foot high snow banks greeted us in several passes in the Hayden Valley on May 12th! I’m jumping as high as I can and nowhere near the top.

Is there a more beautiful blue in Nature? The Mountain Bluebird actually seems to glow when seen in the right light. Though not technically iridescent, the blue color is created by tiny air pockets in the barbs of feathers which scatter incoming light. So we are seeing reflected light, not blue pigment in the feathers. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1250, braced on car window frame]

The Hayden Valley in mid May. Snow-covered and beautiful. [Canon 7D with Sigma 10-20mm lens, f10 at 1/400, handheld]

Ryan Marshik and Sparky dwarfed by a twelve-foot snowbank in the Hayden Valley.

Sandhill Cranes nest in the Park. We found this guy between Mammoth and Norris. I like how the S-curve of his neck matches the curving stream. [Canon 7D with Canon 400mm f5.6 lens, f6.3 at 1/6400 (not sure why I had such a high ISO…A mistake for sure), braced on car window frame]

Juvenile Yellow-bellied Marmot. Adorable!

The three above are the very personable Yellow-bellied Marmot (Marmota flaviventris), a mountain-dwelling rodent that lives in talus slopes and boulder fields of the western U.S. The closest they get to Minnesota is the Black Hills of South Dakota. Their cousin the Hoary Marmot is found in British Columbia and Washington state (Marmota caligota).

Marmots have a “harem-polygynous” mating system in which the male defends two or three mates at the same time. They hibernate from September to May, which explains why we never see them on our fall trips in late September or early October. They are omnivorous but eat mainly plant material supplementing with grasshoppers, bird’s eggs, etc. Each colony is 10-20 individuals. Marmots can live to 15 years! When alarmed they give a high-pitched whistle, which is how they got their nickname..”Whistle Pig.”

We found out that there is a Great Horned Owl nest near the natural history museum/visitor center at Mammoth…and it has been there for years. We just stumbled upon it when we saw a photographer shooting something and went to investigate. A Black-billed Magpie was mercilessly harassing the owl…from only a foot away! (I got some video). [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1250, tripod]

Male Pronghorn just sitting around chewing its cud…literally. When I watched my video of this buck, you can see the wave in his neck as he regurgitates food into his mouth to chew again. [Canon 7D with Canon 400mm f5.6 lens, f7.1 at 1/160, tripod]

It usually pays to stay out in the field until the sun goes down. We found this Coyote hunting the Hayden Valley sagebrush flats in golden light. He came quite close to me as this shot is barely cropped! [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2000, Handheld]

He made some magnificent leaps in order to break through the crusty snow to get at small rodents but all were too far away for good photos…but I did get some video and this HIGHLY cropped image.

Living in northern Minnesota, there are few ducks we don’t regularly encounter. But this May trip to Yellowstone National Park was special in that there I had a chance to photograph three species that I’ve never photographed before…Harlequin Duck, Cinnamon Teal and Barrow’s Goldeneye. All gorgeous western waterfowl that are rarely seen in the Midwest.

Harlequin Ducks at LeHardy Rapids on the Yellowstone River [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/60 (Why? I must have been shooting video and switched to stills forgetting to up the shutter speed), tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. I used a very slow shutter speed to make the water silky smooth but still wanted the ducks sharp. A different look. [Canon 7D with Canon 400mm f5.6 lens, f18 at 1/5, ISO 100, tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. They sleep/doze in the middle of the rapids, all the while being splashed in the face with water! [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/60, tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. I chose a slower shutter speed to highlight the color in the water. It took many frames but most of the Harlequins are fairly sharp. [Canon 7D with Canon 400mm f5.6 lens, f14 at 1/8, tripod]

Harlequin Ducks at LeHardy Rapids on the Yellowstone River. Harlequins are like “Dippers of the Duck World”…they dive and gather food underwater in fast moving rivers and rapids. Fun to watch them moving UPSTREAM in fast water. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/250, flash with Better Beamer, handheld]

Barrow’s Goldeneye in flight on the Yellowstone River. Not my best duck-in-flight shot…it’s turned away from me a bit…but my best Barrow’s Goldeneye flight shot! We have Common Goldeneyes in Minnesota. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2000 (to freeze the wings in flight), handheld]

American Wigeon at LeHardy Rapids on the Yellowstone River. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/2000 (to freeze the wings in flight), handheld]

Cinnamon Teal male in the Hayden Valley. This was my closest and best sighting of a Cinnamon Teal ever! Gorgeous! I crawled over the snow to get close enough for a shot. Love the red eyes too. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600 (just in case he flew), handheld]

I was quite surprised to come across these two White-faced Ibis in an open stream in the snow-covered Hayden Valley. I did not know they migrated through the park. Strange to see a tropical looking bird in this mountain valley! They are gorgeous with iridescent green and burgundy plumage. [Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1000, handheld]

[Canon 7D with Canon 400mm f5.6 lens, f5.6 at 1/1600, handheld]

Over our 3 1/2 days in Yellowstone, Ryan and I had 23 bear encounters.This is far more than we’ve ever had during our many fall trips. The reason is likely that all bears hibernate and when they wake in spring, they are very hungry so they must roam in search of food. Grizzlies are especially fond of winter-killed Bison and will seek out the “tenderized” meat. Another reason is that both Black and Grizzly sows may have COYs with them. A COY is a “cub of the year”…a baby bear born this winter. Cubs stay with mom for two years.

Male Grizzlies can be awake as early as February but most females with cubs hibernate until later in the spring, emerging from mid March to mid May. We only saw two Grizzly sows with cub/s. Both with second year cubs.

Male Grizzly in sagebrush. Grizzlies don’t do much…Often they are just nose-down searching or eating food. So anytime one even lifts its head, the shutters start clicking. I like the backlighting creating a rim light effect. The green of sage contrasts nicely with the brown fur. [Canon 7D with Canon 400mm f5.6 lens and 1.4x teleconverter; f8 at 1/400, ISO 200; tripod]

“Bear Jams” were common and rangers did their best to keep tourists and photographers back 100 yards from the animals. Their goal is to not let humans alter any wild animal’s behavior in the park.

Triplets! Cute and cuddly Black Bears coming to drink with mama at Rainy Lake near Tower Junction. [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

The cubs were wrestling and goofing around like all youngsters should do, but when mom gave the signal, they scampered up the biggest pine around. Safety in the tree tops. [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

[Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2500, ISO 320; tripod]

Grizzly Bear butt and giant paw near Fishing Bridge. You don’t always need to include the whole animal in your shots! [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/500, ISO 400; braced on window of car]

I got a bit creative here as the sow and cub Grizzly were really moving. We followed behind them as they hustled along this hillside then climbed this very steep incline. The second-year cub was already up and over the top while mom was huffing and puffing. I like how you can see the steam of her breath backlit. I converted to sepia as there was no real color in the image anyway.

“Cinnamon” bears are just a color phase/ morph of the Black Bear. Here is a smaller Cinnamon between Mammoth and Norris. [Canon 7D with Canon 400mm f5.6 lens; f6.3 at 1/1000, ISO 400; tripod]

Grizzly shadow [Canon 7D with Canon 400mm f5.6 lens; f5.6 at 1/2000, ISO 200; tripod]

Hoping your 2013 if filled with Perfect Pixels, Sharp Shots, Amazing Auroras, Bountiful and Beautiful Birds, Wondrous Wildlife, Luscious Landscapes, Scintillating Sunrises and Creative Compositions.

[Meet Teddy! One of our “co-watchers” said that they had been watching this same male bear for five years…since he was a cub. They nicknamed him “Teddy.”]

The search pattern one develops while looking for wildlife in Yellowstone, is to carefully scan the roadside…not for critters…but for parked cars! A car pulled off to the side of the road usually means there is a critter someone has spotted. One evening, while returning from a trip to the southeast entrance, we saw several vehicles pulled onto the shoulder. We slowed, but assuming it would turn out to be a Bison, we expected to just cruise on down the road…
“Grizzly!” We gushed in unison…a very good find. And the Griz was in beautiful evening light. Unfortunately (or fortunately) the bear was about 170 yards away…a safe distance to be sure, but a little too distant for a straight 400mm lens. Thankfully Ryan (www.irentphoto.com) had loaned me a 500mm f4 lens, onto which, I put a 2x teleconverter. This combo on the 7D created a 1600mm lens equivalent (Some of the video was shot with TWO 2x teleconverter, AND a 1.4x teleconverter, creating a 4480mm lens!! Not the sharpest video in the world..but useable.)

As is often the case with Yellowstone Grizzlies, this bear was so intent on feeding that he rarely even stuck his head up for more than a few seconds every few minutes. He was actively digging for tubers…and with winter coming on fast, he had no time to lose in fattening up.

Here’s a video of “Teddy” the Grizzly digging tubers…Not very exciting but this is what Grizzlies do 90% of their waking time…EAT! Especially important since he would soon be going down for a long winter’s snooze.
What is the diet of a 300lb. to 600lb. male Grizzly in Yellowstone? According to the park’s website…”From September through October, whitebark pine nuts are the most important bear food during years when seeds are abundant (Mattson and Jonkel 1990). However, whitebark pine is a masting species that does not produce abundant seed crops every year. Other items consumed during fall include: pond weed root, sweet cicely root, bistort root, yampa root, strawberry, globe huckleberry, grouse whortleberry, buffaloberry, clover, horsetail, dandelion, ants, false truffles, and army cutworm moths. Some grizzly bears prey on adult bull elk during the fall elk rut.” So Teddy was likely digging for either yampa root, bistort root or sweet cicely root.

In Yellowstone, you could take wildlife portraits till the cows come home…or should I say, “until the Bison come home?” But I always try to think a bit out of the box in order to get some unique images. A few years ago, our buddy Chris Gibbs came with us to Yellowstone. Along one “boring” stretch of snow-covered road that traversed a recent forest fire, Chris rolled down his window and started shooting. Ryan and I looked at each other…What the heck was he shooting? The scene outside was anything but beautiful. But Chris was playing with a slow shutter speed, using the contrast of the black trees and white snow and the speed of the car to create very interesting abstracts. We all jumped in and tried the technique, and had a blast doing it. Next time the “light is bad” or it is harsh midday sun, think creatively and play around with exposures, flash, underexposure. The beauty of digital is that we aren’t losing money with every shot as in the “good old film days.”

Colorful stream rocks during a long exposure. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/5 second on tripod.

Dawn Bison backlit by strong sun, his breath visible in the chilly air. Converted to sepia and contrast increased by use of Curves in Aperture. Canon 7D with Canon 400mm lens, f5.6 at 1/2000 second, underexposed by 2 stops.

A long exposure blurs the water and rocks to create a true abstract. Canon 7D with Canon 400mm f5.6 lens, f32 at 1/3 second on tripod.

An accidental photo of a bison with a 20mm lens from inches away…But I love it! The vignetted look, the texture of the Bison’s pelt, and the golden backlit hair in the lower left…It works for me. Of course, it will never sell, but we need to take photos for ourselves first and foremost.

Bridget says I take too many silhouettes…But she actually likes this one! I underexposed the scene by 3 full stops in the field then changed the white balance in Aperture so the sky went from blue to gold. The adult and calf are nicely separated and you can even see their individual legs. Canon 7D with Canon 500mm f4 lens and 1.4x teleconverter, f5.6 at 1/500 second on tripod.

Creativity isn’t limited to the field…Here I opened a stream rock image in Photoshop and applied the “poster edges” filter to create a crazy pattern.

I really liked this Raven image right out of the camera…EXCEPT the background color was blaaah! So I performed a tight crop, took out the background, replaced it with a solid color and then applied the “poster edges” filter in Photoshop. I love the accentuated pattern of the breast feathers.

This was my last image before the Coyote rushed me. It is obvious from his intense eyes and forward-focusing ears that I was his prey.

I’ve never been attacked by mammal when in the field shooting…sure I’ve been dive-bombed by Skuas in Iceland, terns in Alaska and MN but never charged. Ryan spotted this Coyote first…It was crossing Slough Creek and never once looked at us. I decided to lay up against the river bank to see if he’d come out of the woods near me. Ryan went east to see if he could cut him off in the meadow. A few minutes later here comes the Coyote, only 50 feet away and slowly stalking something. But he was staring at me. I didn’t put 2 and 2 together that THE COYOTE WAS STALKING ME! I took video until he got within 30 feet or so. I then switched to taking stills. I got off 2 or 3 shots and then I stuck my head behind the camera again to check the LCD and when I looked around my camera a second later the Coyote was in my face! His head was above mine and he was only six feet away. I jumped up and started yelling at him…He sauntered off…He did not run…I finally found a rock and chucked it at him. He kept going. No time for fear until it was all done. My heart was beating! The Coyote had covered the last 25 feet is a split second…If I was a rabbit I wouldn’t have had a chance.
Watch the video and “reenactment” below

Coyote canine teeth are large and efficient killing tools…And I nearly got to experience them.

It’s a pretty unique photo…But little did I know he would be hunting me very soon.

We let a nearby campground host if he’d heard any strange Coyote stories lately…He laughed and said, “About an hour ago a couple in the campground were approached by a Coyote that just walked up to them to within 3 feet!…Not stalking just like it was begging.” We later found out that a woman had been bitten pretty badly by a Coyote a week previous in another part of the park. I don’t think this guy had rabies…eyes were clear, fur nice and thick, no foaming mouth…but this behavior is a bit unnerving. Anyway, a ranger was dispatched to the area to check it out…but we never did hear what happened to the Coyote of Slough Creek.

[**Just a reminder, landscapes look pathetically puny at 470 pixels wide, but by clicking on an image you can view it at a bit larger scale in a new window.]

Yellowstone is known for its wildlife, but it is also a fantastic place for landscape photography. Especially good because you can include the wildlife in your scenics for added interest and scale. Here are a few of my favorites from our recent mid October trip.

Ryan brought along a 9-stop neutral density (ND) filter, a high-quality screw in filter from B+W that allows long exposures even on sunny days. I threw it on my Sigma 10-20mm lens to create this 20 second exposure. When on the lens, it is impossible to autofocus, so you need to focus BEFORE putting on the filter. I love the smooth buttery flow of the water and the glow of the shaded rock wall. 10mm lens at f22 for 20 seconds (!) ISO 200.

We were following a bull elk across the landscape when we topped a rise and found this dramatic scene. I excitedly set up the tripod and then realized I’d left my 70-200mm lens in the car. So off I ran, hopping dozens of downed trees from the fires of 1988 still laying on the ground. When I returned the scene had changed…and not for the better. Still, I like this shot…It has a prehistoric Ice Age feel. Canon 70-200mm f4 lens at 200mm.

We thought this cloudless morning would mean a drama-less dawn, but steam from the Firehole Geyser basin created this sunrise scene. Canon 70-200mm lens handheld braced on car door.

The shaded canyon of the Firehole River at dawn. The water, heated by geothermal features upriver, steams on cold mornings. The pre-dawn blue was emphasized in Aperture. Canon 70-200mm lens handheld.

Our trip coincided with clear night skies and a very late moonrise which enabled us to get great shots of the Milky Way. This one was taken straight up through the Ponderosa Pines, which were lit by just the glow of a campfire. Sigma 10-20mm lens at 10mm f4 for 30 seconds. ISO 800. On a tripod. Tungsten white balance.

Is this a landscape image OR a wildlife shot? Not sure really, but I like the peaceful feel of the grazing Bison along the Firehole River (Fountain Flat Drive). Canon 70-200mm lens at 122mm. f7.1 at 1/400 second on tripod.

These “skeleton trees” near the Firehole Lake Drive never seem to disappoint. We have shot here many times and the conditions always seem to be different. Blue cast emphasized in Aperture. Sigma 10-20mm lens at 14mm, f9 1/1000 second. Tungsten white balance.

Ryan Marshik and I recently returned from a mid October trip to Yellowstone National Park and so the next few posts will be images from this photo feast. As usual (this was our 6th trip to Yellowstone together), we left about 3pm from Duluth and drove straight through…It takes about 17 hours or so, and we cross the breadth of Minnesota and North Dakota and half of Montana. It’s a great time for us photo buddies to catch up, talk gear and technique, and listen to some photography podcasts.

On this trip I really wanted to try some “wide angle wildlife” shots, to get a more intimate portrait than is possible with a long telephoto lens. But I’m also including here a few shots taken at very close range with a longer lens that emphasize interesting details of wildlife subjects.
Stay tuned for more Yellowstone blog posts in the coming week.

Raven from behind. Minnesota ravens are incredibly shy and difficult to get close to. Not the case in Yellowstone! And the big revelation is that they are not really black!
The elk rut was waning but this young bull was still feeling his oats.
A Least Chipmunk from 4 inches away. I placed the camera on a favorite feeding rock and then remotely tripped the shutter while eating a bagel sandwich at a picnic table 50 feet away. 10mm lens at f16 1/500 second.
This curious guy actually put his nose print on my camera lens! The only way to get a shot like this with a tiny animal large in the frame and the background also relatively sharp is by using a very wide angle lens (in this case the Sigma 10-20mm set at 10mm) and triggering it remotely. 10mm lens at f16 1/400 second.
Bison own the roads in Yellowstone. Not a great shot but a very interesting image. Shot out the window with a 10mm lens…Inches from his nostrils. No, he did not get snot on my lens nor gore the rental car!