Since I’m daddy-daycare on weekday mornings, I don’t get out for sunrise shooting as much as I used to. So when I get a chance, I like to take it. Though we had a cold winter, not much ice formed on Lake Superior this year. This has more to do with the water temp going into winter and the wind over the Lake in winter, than just cold temps. But with recent northeast winds, some ice had blown in to the “Head of the Lake” which is Duluth.
Huge frozen “drifts” of solid ice formed about 100 yards off Park Point. These form where open water splashes and crashes into shore ice. Some may be ten to twelve feet high. Most are crescent-shaped. On this particular morning, the chunks of ice had rounded off from jostling each other in the swells. Not quite “pancake ice,” which are perfectly rounded ice chunks.
Fortunately there were clouds in the sky when I arrived well before sunrise. This may seem counterintuitive, but landscape photographers live for scattered clouds. If completely cloudy, no sun will peak through and there will be no color in the sky. Completely clear and there will also be no color in the sky…just a brief moment at sunrise when there is a chance for atmospheric color. Today the sun rose above Superior and lit up the clouds with hints of blue, purple and orange. I used a 2-stop Neutral Density filter to hold back the sky which was several stops brighter than the ice.
When I got home, I discovered that I had several nice images of the sky, and several with a better composition with the foreground ice, but no single image that really popped. I decided to combine my favorite sky with my best foreground. I did this with Layers in Photoshop. Easy to do in this case with a relatively level horizon. The Eraser Tool, Levels, Curves and Saturation completed the work. Technically, this image is a photo-illustration since it is two photos combined into one. It can not be entered into competitions unless there is a category for such manipulated images. But I don’t care, as this one is just for me…and I like it!
Canon 7D, Sigma 10-20mm lens at 10mm, f16 at 1/25 second, ISO 320, tripod, 2-stop Galen Rowell Graduated ND filter